Sitting in Judgement 1913-63 An Interpretation of History

The Time Is Out of Joint handles the Shakespearean oeuvre from a philosophical perspective, finding that Shakespeare's historical dramas reflect on issues and reveal puzzles which were taken up by philosophy proper only in the centuries following them. Shakespeare's extraordinary handling of time and temporality, the difference between truth and fact, that of theory, and that of interpretation and revelatory truth are evaluated in terms of Shakespeare's own conjectural endeavors, and are compared with early modern, modern, and postmodern thought. Heller shows that modernity, which recognized itself in Shakespeare only from the time of Romanticism, found in Shakespeare's work a revelatory character which marked the end of both metaphysical system-building and a tragic reckoning with the inaccessibility of an absolute, timeless truth. Heller distinguishes the four stages found in constantly unique relation in Shakespeare's work (historical, personal, political, and existential) and probes their significance as time comes to fall "out of joint" and may be again set aright. Rather than initially bestowing upon Shakespeare the dubious honorary title of philosopher , Heller probes the concretely situated reflections of characters who must face a blind and irrational fate either without taking responsibility for the discordance of time, or with a responsibility which may both transform history into politics, and set right the time which is out of joint. In the ruminations and undertakings of these characters, Shakespeare's dramas present a philosophy of history, a political philosophy, and a philosophy of (im)moral personality. Heller weighs each as distinctly modern confrontations with the possibility of truth and virtue within a human historical condition no less multifarious for its momentariness.

Of all the activities of the most neglected century in English History, England's trade has received the least attention in proportion to its importance. It was obviously in the course of the later Middle Ages, and more particularly in the fifteenth century, that there took place the great transformation from medieval England, isolated and intensely local, to the England of the Tudor and Stuart age, with its world-wide connections and imperial designs. It was during the same period that most of the forms of international trade characteristic of the Middle Ages were replaced by new methods of commercial organization and regulation, national in scope and at times definitely nationalistic in object, and that a marked movement towards capitalist methods and principles took place in the sphere of domestic trade. Yet little has been written concerning English trade in this period. First published in 1933, this classic volume goes a long way to fills this gap superbly. There is an abundance of material, and the writers have compiled a statistical analysis of the Enrolled Customs Account from 1377-1482, which provides an essential measure of the nature, volume, and movement of English foreign commerce during the period.

In 1290, the Jews were banished from England. In 1655-1656, Jews once more became a part of British society, returning to the London of Oliver Cromwell, Pepys and Henry Purcell. To commemorate the 350th anniversary of this return, Michelene Wandor has written a sensuous dramatic narrative poem evoking seventeenth-century London, and telling the story of the two men who made this return possible: Oliver Cromwell and Menasseh ben Israel. "Music of the Prophets" is the third in a sequence of long poems celebrating the presence of the Jews in England. The text seduces and challenges with a delicacy and flow, combining open-form experiment with a musical delight in counterpoint, irony and wit.

The first few decades of the eighteenth century witnessed an important moment in Jewish-Christian relations, as influential Christian scholars increasingly looked to Jewish texts to reveal the truths of their own faith. To what extent could postbiblical writings help them better understand the New Testament? And who would best be able to explicate these connections?Connecting the Covenants focuses on two separate but entwined stories, the first centering around the colorful character of Moses Marcus. The English-born son of wealthy parents and the grandson of the famous autobiographical author Glikl of Hameln, Marcus was a prominent Jew educated in the Ashkenazic yeshivah at Hamburg. On New Year's Day, 1723, Marcus was baptized as a Christian, later publishing a justification of his conversion and a vindication of his newly discovered faith in a small book in London. A trophy convert, he was promoted by figures at the highest levels of the Anglican Church as a cultural mediator between Judaism and Christianity. His modest successes in the world of the elite clerical establishment were followed, however, by conspicuous failures, both intellectual and material.The second story that David Ruderman tells emerges against the background of Marcus's professional decline. In the end, the prize convert proved to be a theologian of limited ability, far outstripped in sophistication and openness to rabbinic learning by a circle of Enlightenment Protestant scholars. It was not the Jew who had abjured Judaism who was willing or able to apply the Mishnah and Talmud to Christian exegesis, but figures such as William Whiston, Anthony Collins, William Wotton, and the Dutch scholar William Surenhusius who seized upon the ways to connect the covenants.

Continuing with the theme of his work Renaissance Perspectives in Literature and the Visual Arts , Murray Roston applies to a later period the same critical principle: that for each generation there exists a central complex of inherited ideas and urgent contemporary concerns to which each creative artist and writer responds in his or her own way. Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture. "A sumptuous book. . . . Clearly and gracefully written and cogently argued, Roston's admirable achievement is of paramount significance to literary studies, to cultural and art history, and to aesthetics. . . . Outstanding."--Choice Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

“Jack the Ripper Arrested with Victim Alice MacKenzie in Whitechapel.” “Boys Murder Their Mother. Revolting Crime at Plaistow—Shocking Details.” “Horrible Discovery of Human Remains at Rainham.” These are just some of the captions for the true crimes depicted in the Illustrated Police News. Best known for its meticulous coverage of the murders of Jack the Ripper, the weekly newspaper, published from 1864 until 1938, reported murders, hangings, and other dramatic crimes of the time alongside images packed with gruesome detail. Unapologetic about its sensationalism, the Illustrated Police News has been often dismissed as of little value, merely a crude publication that aimed to thrill the undiscerning reader with prurient pictures. But in Cruel Deeds and Dreadful Calamities, Linda Stratmann sets the record straight, arguing that it was actually a promoter of social change. Stratmann examines its social and political agenda and reveals the power and compassion in its images. She argues that the publication campaigned against the evils of cruelty, poverty, drink, and crime. As well, it anticipated by many years the features of today’s journalism, in the rapidity with which it provided pictures of current news events, its appeal to the emotions, and the way it involved its readers in the reporting process. A highly illustrated and comprehensive look at the Illustrated Police News,this book offers substantial new research into how the paper was produced, the men who made it a success, and the stories behind the pictures. This look into the dark underbelly of Victorian culture will appeal to both crime and history readers alike.

This compendium brings together thirty-three murderous tales -- one from each of the capital's boroughs -- that not only shocked the City but made headline news across the country. Throughout its history the great urban sprawl of Greater London has been home to some of the most shocking murders in England, many of which have made legal history. Contained within the pages of this book are the stories behind these heinous crimes. They include George Chapman, who was hanged in 1903 for poisoning three women, and whom is widely suspected of having been the notorious serial killer "Jack the Ripper"; lovers Edith Thompson and Frederick Bywaters, executed for stabbing to death Thompson's husband Percy in 1922; and Donald Hume, who was found not guilty of the murder of wealthy businessman Stanley Setty in 1949, but later confessed to killing him, chopping up his body and disposing of it by aeroplane. Linda Stratmann also reveals previously unpublished information that sheds a whole new light on the infamous Craig and Bentley case. This carefully researched, well-illustrated and enthralling text will appeal to those interested in the history of Greater London's history and true-crime fans alike.

At the beginning, Deborah and her husband are in bed, saying goodbye to each other before he is posted overseas. They swear eternal loyalty. But Deborah is very soon bored by her life in the country with her young son and gets a job in London. She then acquires a lover, and when he is posted overseas another, and another

What Is plagiarism? How was it understood and judged in early modern England? This interdisciplinary study sets out at once to theorize and historicise plagiarism. The first part launches a vigorous debate about the ethical, philosophical, artistic, and legal implications of plagiarism. Individual essays in part two provide historical case studies. Variously centred on translations of the Bible, historiography, drama, poetry, dance treatises, sermons, and colonial grammars, the essays show how a nexus of concepts developed between the Renaissance and the early nineteenth century - plagiarism, imitation, forgery, copyright, and intellectual property - and how they have been defined and contested. --

This book begins with a background on expository books about melancholy in the Renaissance with chapters on the literary uses of melancholy, Marston and melancholy, Melancholy and Hamlet, and the anatomy of melancholy as literature. When Shakespeare, Burton and other Renaissance writers gave melancholy the complex meanings and associations it has in their work, they were drawing on a tradition that had been developing throughout classical antiquity and the Middle Ages, and whose diverse origins made it an especially fruitful subject for literature.

Middlesex Murders brings together numerous murderous tales, some of which were little known outside the county, and others which made national headlines. Contained within the pages of this book are the stories behind some of the most heinous crimes ever committed in Middlesex. They include the murder of John Draper, whose body was found in a well at Enfield Chase in 1816; 15-year-old John Brill, found beaten to death in a wood in 1837 after giving evidence against two poachers; and Claire Paul, killed with an axe at her home in Ruislip in 1938. Linda Stratmann's carefully researched and enthralling text includes much previously unpublished information and will appeal to everyone interested in the shady side of Middlesex's history.

Examining the stories behind some of the most notorious murders in Kent’s history, Linda Stratmann re-examines some of the historic crimes that shocked not only the county but Britain as a whole. Among the gruesome cases featured here are the doctor who was poisoned with morphine in Faversham; the couple who were brutally battered to death in their beds in Chislehurst; and the strange death of a young German man whose body was discovered with one hand missing on Ramsgate beach. All manner of murder and mystery are included here, making Kent Murders a must-read for true crime enthusiasts everywhere.

The county of Essex has rolling arable farmland, Epping Forest, sleepy villages and busy market towns - a wide variety of settings for murder. This compilation includes not only the more celebrated cases, but dramatic and tragic stories. Cases are included from Colchester, Dagenham, Clavering, Buckhurst Hill and Witham, among others.

Contained within the pages of this book are the stories behind some of the most notorious murders in Gloucestershire's history. The cases covered here record the county's most fascinating but least known crimes, as well as famous murders that gripped not just Gloucestershire but the whole nation. From the Cheltenham torso murder to William Harrision, the Campden Wonder (who walked back into Chipping Campden two years after three men were executed for killing him); from poaching near Stroud to poisoning in the Forest of Dean, this is a collection of the county's most dramatic and interesting criminal cases. the truth about these extraordinary crimes. Using contemporary illustrations and tracing the stories through the words of those who were actually there on the ground, she re-creates the drama of case and courtroom. Gloucestershire Murders is a unique re-examination of the darker side of the county's past.