Mill workers of the Northeast talk about industrial development, working conditions, and trade unions

This Elibron Classics book is a facsimile reprint of a 1896 edition by the University Press, Cambridge.

Who She Was brings a compassionate yet unflinching eye to the American Jewish experience. Researched as a history, written like a novel, Who She Was stands in the tradition of such classics as Call It Sleep and The Assistant. In bringing to life his mother, Samuel G. Freedman has given all readers a memorable heroine.

On the Front Lines of the Women's Movement When Michele Landsberg's first column for the Toronto Star hit newsstands in May 1978 it was the first time a feminist interpretation of the news had made it into daily circulation in a Canadian newspaper. While not sure initially if she wanted to be the Star's "woman columnist," Michele tried to use her column as a voice for those who had none. The hundreds of letters that poured in - both those in support of what she was writing and those outraged by it - let her know that what she was doing not only mattered, it was badly needed. For twenty-five years, Michele Landsberg chronicled the lives of women, their struggles and their achievements. She became an activist in support of women's rights, childcare programs, education reform, rape crisis centres, women's work and health, and many more hotly debated issues. Her columns were a force for social and legal change - women turned to her because they knew that they could count on her to tell the real story. In Writing the Revolution Michele takes the best of those 3000 columns and uses them to reflect on the past, present, and future of women's lives in Canada. While recognizing the success of the women's movement, she knows the fight is not over. A feminist hero and an unflinching activist, Michele is an inspiration to the women who read her column, and to a passionate new generation of women who are fighting to see that the revolution continues.

"Julia Howe (1819-1910) was a beautiful, studious New York heiress and aspiring poet when she married Bostonian Dr. Samuel Gridley Howe, a hero of the Greek war of independence against the Turks and an internationally acclaimed pioneer in the education of the blind. Their marriage united two exceptional people. Together the Howes knew many of the key figures of their era, from Charles Dickens and Florence Nightingale in England, to Margaret Fuller, Henry Wadsworth Longfellow, Horace Mann, Charles Sumner, and John Brown. But despite his philanthropic and abolitionist ideals, Dr. Howe did not support married women's work outside the home. He isolated Julia, opposed her literary ambitions, and wasted her inheritance. She defied him by continuing to publish poems and plays while raising their six children. She also secretly wrote a bold novel about a hermaphrodite, undiscovered until long after her death. And during the Civil War, she wrote the words to the most powerful and enduring anthem in the nation's history. Authorship of the 'Battle Hymn of the Republic' made her famous and revered. But she fought her own civil war at home, battling with her husband over her rights to equality, intellectual freedom, and a public voice. As soon as the war ended, she became a pacifist and suffragist leader. In the second half of her life, she came into her own as a tireless campaigner for women's rights and social reform. In this biography, Elaine Showalter tells the story of Howe's determined self-creation and vividly restores her to the pantheon of feminist intellectuals who changed the world"--Jacket

"Orenstein is such a breezy, funny writer, it's easy to forget she's an important thinker too."--People In this lively, funny memoir, Peggy Orenstein sets out to make a sweater from scratch--shearing, spinning, dyeing wool--and in the process discovers how we find our deepest selves through craft. Orenstein spins a yarn that will appeal to everyone. The COVID pandemic propelled many people to change their lives in ways large and small. Some adopted puppies. Others stress-baked. Peggy Orenstein, a lifelong knitter, went just a little further. To keep herself engaged and cope with a series of seismic shifts in family life, she set out to make a garment from the ground up: learning to shear sheep, spin and dye yarn, then knitting herself a sweater. Orenstein hoped the project would help her process not just wool but her grief over the recent death of her mother and the decline of her dad, the impending departure of her college-bound daughter, and other thorny issues of aging as a woman in a culture that by turns ignores and disdains them. What she didn't expect was a journey into some of the major issues of our time: climate anxiety, racial justice, women's rights, the impact of technology, sustainability, and, ultimately, the meaning of home. With her wry voice, sharp intelligence, and exuberant honesty, Orenstein shares her year-long journey as daughter, wife, mother, writer, and maker--and teaches us all something about creativity and connection.

This interpretation of the way female sexuality was viewed by the nineteenth-century European medical profession characterizes an attitude based on massive ignorance and prejudice

This is a love story; an unlikely convergence of two people from different worlds who were able to make a rich and tender life together, and not only endure each other's company in alarmingly close quarters but revel in it. Edith Iglauer was born in Cleveland and lived an urban, sophisticated life in New York until she met and married John Daly, a commercial fisherman in British Columbia. She spent more than four years on his forty-one-foot troller, the Morekelp until his sudden death. John Daly was an impassioned and greatly talented fisherman who was convinced that he could "think like a fish"; an amateur philosopher who worked out, and followed, an orginal set of beliefs and principles; a mystic who, after forty years of fishing, felt himself to be at one with the sea and the mountains along the British Columbia coast; a scholarly looking, high-spirited, full-blown eccentric who covered the white walls of his pilothouse with his favorite quotations in bold black letters ("Lawyers spend their professional careers shoveling smoke. O.W. Holmes") Fishing with John established Edith Iglauer as one of BC's most popular writers. This unusual West Coast love story sold 16,000 copies in hardcover and continues to be a bestseller in paperback.

This engaging account of Franklin's years in Paris and his numerous friendships and romantic conquests there draws on letters written to and from Franklin. Widely praised when it was first published more than twenty years ago, the book provides intriguing insights into eighteenth-century France and the life and the character of America's first ambassador.

"Brodsky chronicles how RAWA members, whose identities have been concealed in order to survive, have run schools and orphanages, supplied medical care in secret, and covertly documented fundamentalist atrocities against Afghan women through cameras hidden in their clothes. Since the toppling of the Taliban, RAWA continues its important work, not only helping women and children survive the aftermath of years of abuse, but continuing to fight for human rights, equality for women, and a free and democratic Afghanistan."--BOOK JACKET.

"Moacyr Scliar was the preeminent literary voice of the Jewish immigrant experience in modern Brazil. Now his most ambitiously satirical and irreverent novel is at last translated into English, offering not just a significant contribution to Latin American and Jewish literature but to world literature as well. In a past-life therapy session, a mysterious woman makes a remarkable breakthrough when she discovers that in a previous life she was one of King Solomon's seven hundred wives. In language that hilariously mixes modern jargon and biblical diction, she sets out to tell the story of her earlier incarnation three thousand years in the past, revealing how she went from a provincial nobody to a queen. Yet being royalty isn't all it's cracked up to be. As the least desirable of King Solomon's wives and concubines, she is unceremoniously discarded and forgotten in his harem. But as luck would have it, she possesses a unique gift: she is a woman who knows how to read and write. Once her talent is discovered, King Solomon charges her with writing what will become one of the most important texts in human history. Along the way our nameless narrator leverages her newfound status as royal scribe to bring about her own secret agenda. A brilliant feminist critique skewering the absurdities of patriarchy, The Woman Who Wrote the Bible is a comic masterpiece of truly biblical proportions"-- Provided by publisher.

Examines and criticizes Niebuhr's and Tillich's doctrines of sin and grace from the perspective of women's experience.

Elana Sztokman arrived in Israel in 1993 as a young religious mother wearing a long skirt and a hat covering her hair. Today, nearly 30 years later, after spending years fighting for women's rights in Orthodoxy, writing books about gender in religion, and eventually leaving that world behind, she confronts the personal struggles behind the public persona, revealing the traumas from her past that affected her entire relationship with her body. From two-time winner of the National Jewish Book Council Award comes a refreshing and very personal exploration of cultures of the female body in Jewish life. This collection of essays - marking the 25-year anniversary of her feminist awakening and spanning a diverse career of research, writing, and advocacy around Jewish women's experiences - offers political and personal insights and retrospectives on some of the most burning issues today. Topics include: sexuality, relationships, body-image, body-cover, ritual immersion, fat-shaming, slut-shaming, domestic violence, and sexual abuse. Elana brings her characteristic honesty, courage, wit, and profound insight into her writing, and shares some of her own traumas that set her on a sometimes tortuous life path.

Just Say Yes, perhaps the first marijuana memoir ever published, is a positive account of long-term cannabis use. With ruthless honesty and deadpan humor, the author observes the effect of weed upon every aspect of her life: marriage, motherhood, friendship, work, sport, sex. As John Updike wrote about Hiller's short story collection, Skin, this is "good, brave and joyful writing." Ten years after its first publication, the updated edition of Just Say Yes addresses the changing status of cannabis in America and includes a foreword by Steve DeAngelo. "This funny, wry and very candid memoir purports to be a Confession of an American Pot-Smoker but is really a cultural/personal history of the past fifty years. The narrative progresses backward, and not only the past but innocence itself is recaptured." -Phillip Lopate, Nonfiction Director, MFA Writing Program, Columbia University "Likely to loosen up fellow smokers, while adding a personal take to the public discussion of cannabis." -Kirkus Reviews "Brilliant, important, and beautifully written." -Betsy Prioleau, author of Seductress and Swoon

A study based on ca. 700 personal stories of Jewish survivors of Ravensbrück, including ca. 200 testimonies held in the Yad Vashem archives; information from memoirs; and interviews conducted with survivors after the war or during 1997-2005 by Agassi and the team of scholars from Israel and Germany who worked with her, as well as with relatives of survivors who are no longer alive. The percentage of Jews among Ravensbrück prisoners was small, thus this camp was sometimes neglected by scholars of the Holocaust. Divides the history of the Ravensbrück camp (1939-45) into five periods, and presents a sociological portrait of the Jewish population in each period. Gives the distribution of the Jewish prisoners by countries of origin, reasons for arrest and incarceration, age, marital status, etc. Dwells on the prisoners in the satellite camps, the evacuation marches in the last stage of the war, and the rescue of some of the prisoners by Count Bernadotte in February-March 1945. Notes manifestations of antisemitism on the part of some non-Jewish prisoners. There was little group-wide social organization among non-political Jewish prisoners in Ravensbrück, only small group relationships. Resistance was limited to small-scale sabotage at in work places. Nonetheless, the very survival in Ravensbrück constituted a type of heroism.

Examines the personal values and philosophies of Edith Stein, Simone Weil, Anne Frank, and Etty Hillesum in relation to the pressures and conditions under which they lived in the Nazi era. All had "strong Christian affinities." Under the challenge of terror they were "Christians by choice, Jews by decree." Each responded to her Jewishness in a distinct way: Stein felt close to the Jews; Weil had a hateful attitude toward them and tried to obliterate herself as a Jew; Frank and Hillesum both affirmed their Jewish identities. In the face of Hitler, each, in her own way, resisted.

Young women in the 21st century have choices. They can marry or not; the doors of educational institutions and industry are wide open to them. They can do and be whatever they choose. But to keep moving forward, it is important to understand from where we have come. And Norma Yaeger's story helps put it is perspective. Like most young women in the 1950's, Norma Yaeger married young, had children, and depended on her husband to support their families. Unlike most women of the times, when things went awry and her husband failed to provide, Norma took it upon herself to make a better life for her and her kids. The stock market enthralled her. Never mind that she knew of no other women in the industry. Norma set out to get her NY Stock Exchange license. When she acquired it in 1962, it was not to break a barrier, it was to support her family. Norma had already conquered her deepest fears, broke and alone with three children in an isolated house in the Catskills. And she knew what thrilled her- staring at stock prices through a big window of brokerages. Wall Street was not ready for her. Women were not allowed to step foot on the floor of the New York Stock Exchange. The phrase "glass ceiling" wasn't even invented yet. And equal pay for equal work was a term yet to be uttered. But Norma was unstoppable. She acquired the license, walked the floor of the Exchange, and fought for and got equal pay. As one of the pioneering women on Wall Street, Norma had a fascinating career, accomplished much, and paved the way for other women. But the glass ceiling is still only cracked, not yet broken, and she hopes that her story can be an inspiration to the women still pushing against it in all walks of life.