"This is a dazzling performance. It supplies conceptual links between phenomena where historians have often sensed a connection without being able to describe it adequately. . . [Bercovitch] has written intellectual history at the highest level."—Edmund S. Morgan, New York Review of Books

The best-selling author of Vagina, Give Me Liberty, and The End of America illuminates a dramatic buried story of gay history--how a single English law in 1857 led to a maelstrom, with reverberations lasting down to our day.

A potpourri of major league happenings between 1900 and 1978. Includes records, anecdotes, photographs, and biographical information.

Documents all sides of the Rushdie controversy, providing an international chronology of events, early reviews of the book, and more reflective articles drawn from the huge, worldwide coverage, fairly and fully representing all points of view.

In this sparkling debut, a young critic offers an original, passionate, and erudite account of what it means to feel Jewish--even when you're not. Self-hatred. Guilt. Resentment. Paranoia. Hysteria. Overbearing Mother-Love. In this witty, insightful, and poignant book, Devorah Baum delves into fiction, film, memoir, and psychoanalysis to present a dazzlingly original exploration of a series of feelings famously associated with modern Jews. Reflecting on why Jews have so often been depicted, both by others and by themselves, as prone to "negative" feelings, she queries how negative these feelings really are. And as the pace of globalization leaves countless people feeling more marginalized, uprooted, and existentially threatened, she argues that such "Jewish" feelings are becoming increasingly common to us all. Ranging from Franz Kafka to Philip Roth, Sarah Bernhardt to Woody Allen, Anne Frank to Nathan Englander, Feeling Jewish bridges the usual fault lines between left and right, insider and outsider, Jew and Gentile, and even Semite and anti-Semite, to offer an indispensable guide for our divisive times.

Death and the Idea of Mexico is the first social, cultural, and political history of death in a nation that has made death its tutelary sign. Examining the history of death and of the death sign from the sixteenth-century holocaust to contemporary Mexican American identity politics, anthropologist Claudio Lomnitz’s innovative study marks a turning point in understanding Mexico’s rich and unique use of death imagery. Unlike contemporary Europeans and Americans, whose denial of death permeates their cultures, the Mexican people display and cultivate a jovial familiarity with death. This intimacy with death has become the cornerstone of Mexico’s national identity. It is tempting to view this rich elaboration of death imagery as yet another example of an “invented tradition,” that is, a cult shaped by the modern state’s cultural policies or by the narrow interests of contemporary identity politics. Lomnitz takes a different approach. Rather than flattening out the tradition by insisting only on the ways it is willfully manipulated, this book focuses on the dialectical relationship between dying, killing, and the administration of death, and the very formation of the colonial state, of a rich and variegated popular culture, and of the Mexican nation itself. The elevation of Mexican intimacy with death to the center of national identity is but a moment within that history ― within a history in which the key institutions of society are built around the claims of the fallen. Based on a wide range of sources ― from missionary testimonies to newspaper cartoons, from masterpieces of artistic vanguards to accounts of public executions and political assassinations ― Death and the Idea of Mexico moves beyond the limited methodology of traditional historiographies of death to probe the depths of a people and a country whose fearless acquaintance with death shapes the very terms of their social compact. This work effects a novel turn in the classical historiography of death ― a turn that can be characterized by a move from social and cultural history to political history. The move toward the politics of death gives readers a unique insight into the peculiar story of death in the Americas.

In this concluding volume of James the Brother of Jesus and the Dead Sea Scrolls II: The Damascus Code, the Tent of David, the New Covenant, and the Blood of Christ, renowned biblical scholar Robert Eisenman compresses in a more reader-friendly format the results of previous work, creating a more comprehensive picture of Jesus' brother James as "the pivotal Opposition Leader" of the time leading up to the War against Rome (66-70 CE). Is there an interconnecting code between the New Testament and the Dead Sea Scrolls? Eisenman - who broke the Scrolls monopoly and was the first to identify the so-called "James Ossuary" as fraudulent - shows that there is. Moreover, in this newly-revised volume, he 'decodes' many beloved and famous sayings of the Gospels, such as "Every plant which My Heavenly Father has not planted shall be uprooted," "A man shall not be known by what goes into his mouth but by what comes out of it," "Do not throw Holy Things to dogs," etc. including chapters like "The Dogs who Licked Poor Lazarus' Sores" or "Rabbi Eliezer's Bad Breath and Lazarus' Stinking Body." In identifying the Scrolls as the literature of "the Messianic Movement in Palestine"; he not only connects "James the Brother of Jesus" to the Leadership of 'Early Christianity' in Palestine, but also to "the Righteous Teacher" in the Scrolls. Offering a point-by-point analysis of James' relationship to the Habakkuk Commentary, The Damascus Document, The War Scroll, etc., he also illumines the subjects "the Pella Flight and raising the Fallen Tent of David," "Paul as an Herodian," "the Wilderness Camps," and "Peter"'s role as "a prototypical Essene" but in Acts as a mouthpiece for anti-Semitism. In doing so he, not only clarifies the true history of Palestine in the First Century, but deciphers the way 'the picture' of "Jesus" was put together in the Gospels and, as a consequence, what can be known about the real "Jesus." He also covers subjects like "the New Covenant in the Land of Damascus" and Paul's attack on James on the Temple steps, extending it to the competition between Paul and "the Party of James" over "Circumcision" in Antioch and the conversion of Queen Helen Adiabene and her sons in Northern Syria, who led the "famine relief" effort ascribed to Paul in Acts. Moreover, he will show the figure of James to have been so influential and highly-regarded in the Jerusalem of his day that his death was the capstone event leading up to the Jewish Revolt against Rome. In making these arguments and exposing actual 'overwrites', a crucial new point that emerges is his identification of the Qumran document called by scholars "MMT" as a 'Jamesian' Letter to "the Great King of the Peoples beyond the Euphrates." At the same time, he unravels the real "code" behind the pivotal New Testament allusion: "This is the Cup of the New Covenant in My Blood," connecting it to "the New Covenant in the Land of Damascus" and "giving the Cup of the Right Hand of the Lord ( "the Cup of Divine Wrath") to drink" in both the Damascus Document and Habakkuk Pesher in the Scrolls. Did Paul know the meaning of the famous Damascus Document (discovered in Cairo in the Nineteenth Century) "to set the Holy Things up according to their precise specifications" - or the reverse of it, as Peter is presented as being made to understand by "a Voice out of Heaven" and "a Tablecloth" descending out of it - "to make no distinctions between Holy and profane" - on a rooftop in Gaza? In this series, Eisenman's revelations will extend far beyond these examples. James the Brother of Jesus and the Dead Sea Scrolls, both I and II, will complete the task of rescuing James from the oblivion into which he was cast, either intentionally or via benign neglect. His conclusion will, therefore, definitively bear on the problem of "the Historical Jesus" "Who and whatever James was, so was Jesus." Eisenman's many readers will not be disappointed.

Best-selling author Richard Lederer offers a chorus of praise to those who change our lives one day and one lesson at a time. Readers will meet great teachers throughout history, as well as educators captured in literature, film, and comic strips. Offering compelling proof that teachers really do make a difference in the English, math, history, and science classrooms, A Tribute to Teachers celebrates the most unheralded, exhausting, income-challenged, and ultimately rewarding of all professions.

WINNER OF THE NOBEL PRIZE IN LITERATURE, 2014 Haunted by the fate of Dora Bruder - a fifteen-year-old girl listed as missing in an old December 1941 issue of Paris Soir - Nobel Prize-winning author Patrick Modiano sets out to find all he can about her. From her name on a list of deportees to Auschwitz to the fragments he is able to uncover about the Bruder family, Modiano delivers a moving survey of a decade-long investigation that revived for him the sights, sounds and sorrowful rhythms of occupied Paris. And in seeking to exhume Dora Bruder's fate, he in turn faces his own family history. Translated by Joanna Kilmartin 'Absolutely magnificent' Le Monde

Double Agent is a watershed in the recent revival of interest in the role of the public critic and intellectual who writes about culture, politics, and the arts for an intelligent general audience. Offering acute portraits of critics both famous and neglected, Dickstein traces the evolution of cultural criticism over the last century from Matthew Arnold to New Historicism. He examines the development of practical criticism, the rise and fall of literary journalism, and the growth of American Studies, and rereads the work of critics like Arnold, Walter Pater, I.A. Richards, Roland Barthes, Edmund Wilson, R.P. Blackmur, Lionel Trilling, Alfred Kazin, and George Orwell. In essays and books that are themselves works of literature, these writers made criticism central to the public sphere, balancing social and literary values, politic commitment and aesthetic judgment. Though marginalized or ignored by academic histories of criticism, their example has proved immensely valuable for younger critics eager to find a personal voice and reach a wider public. Dickstein concludes with a lively and provocative dialogue that weighs the claims of recent literary theory and the importance of renewing public culture.

About the Book Books about Civilization are concerned with the development of structured societies that grow to require urban planning, develop social and cultural elites, and forms of writing for record keeping, complex organization and transfer of ideas. Almost invariably, the process of civilization results in the growth of empires, and subjugation of less civilized peoples. Titles include: Ancient Man: The Beginning of Civilizations, Syllabus: Introduction to the History of European Civilization, Evolution and Culture, The Pivot of Civilization, The Western Hemisphere Idea: Its Rise and Decline, The decay of capitalist civilisation, and The fate of empires; being an inquiry into the stability of civilisation. About us Trieste Publishing's aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. Our titles are produced from scans of the original books and as a result may sometimes have imperfections. To ensure a high-quality product we have: thoroughly reviewed every page of all the books in the catalog repaired some of the text in some cases, and rejected titles that are not of the highest quality. You can look up "Trieste Publishing" in categories that interest you to find other titles in our large collection. Come home to the books that made a difference

With his groundbreaking and controversial DIM hypothesis, Dr. Leonard Peikoff casts a penetrating new light on the process of human thought, and thereby on Western culture and history. In this far-reaching study, Peikoff identifies the three methods people use to integrate concrete data into a whole, as when connecting diverse experiments by a scientific theory, or separate laws into a Constitution, or single events into a story. The first method, in which data is integrated through rational means, he calls Integration. The second, which employs non-rational means, he calls Misintegration. The third is Disintegration—which is nihilism, the desire to tear things apart. In The DIM Hypothesis Peikoff demonstrates the power of these three methods in shaping the West, by using the categories to examine the culturally representative fields of literature, physics, education, and politics. His analysis illustrates how the historical trends in each field have been dominated by one of these three categories, not only today but during the whole progression of Western culture from its beginning in Ancient Greece. Extrapolating from the historical pattern he identifies, Peikoff concludes by explaining why the lights of the West are going out—and predicts the most likely future for the United States.

"An acknowledged classic. Katz has transformed our conception of Jewish history from the 16th to the 18th century. Because of his work, we now understand that the ghetto was no longer sealed off at that time from outside opinions and that the movement towards modernity had begun long before the Jews were actually legally emancipated. Making this work available again in the revised edition is a service to scholarship and to public enlightenment." —Arthur Hertzberg "Since it first appeared in Hebrew in 1958, Tradition and Crisis has had a tremendous impact on generations of students and scholars. Katz's innovative use of sources has introduced scholars to new methodologies and opened new vistas for research. This new, unabridged translation is therefore highly welcome. It will ensure its continued use in the English-speaking world." —Jehuda Reinharz, Richard Koret Professor of Modern Jewish History, Brandeis University "Like a lovingly restored painting, Bernard Cooperman's new, annotated translation of Jacob Katz's classic portrait of early Jewish modernity can now be fully appreciated for the first time. An admirable achievement." —Ivan G. Marcus When it first appeared in Hebrew in 1958 and in English in 1961, Tradition and Crisis , Jacob Katz's groundbreaking study of Jewish society at the end of the Middle Ages, dramatically changed our perceptions of the Jewish community prior to the era of modernity. This new, unabridged translation by Bernard Dov Cooperman makes this classic available to new generations of students and scholars, together with Katz's original source notes, and an afterword and an updating bibliographic appendix by Professor Cooperman. Katz revolutionized the field by tapping into a rich and hitherto unexplored source for reconstructing the sociology of a previous era: the responsa literature of the Rabbinic establishment during the Middle Ages. The self-governing communities of Jews in Europe dealt with issues both civil and religious. The questions and answers addressed to the rabbinic authorities and courts provide an incomparable wealth of insights into life as it was lived in this period and into the social, historical, cultural, and economic issues of the day. How did European Jewry progress from a socially and culturally segregated society to become a component of European society at large? What were Jewish attitudes toward the Gentile world from which Jewry had been secluded for centuries? What were the bridges from the old to the new era? Tradition and Crisis traces the roots of modernity to internal developments within the communities themselves. Katz traces the modern movements of the Haskalah (Enlightenment) in the West and Hasidism in the East, to an internal breakdown in the structure of these communities and the emergence of an alternative leadership in the wake of the Sabbatian challenge. A dynamic work that has radically changed our view of this history, Tradition and Crisis remains the pivotal text for understanding the revolution in the entire conception of Jewish identity in the modern era.

Kabbalah: An Introduction to Jewish Mysticism is a clear, accessible "primer" and introduction to the major teachings of the Jewish mystics, to various dominant forms of Jewish mystical experiences, as well as to many of the significant texts that constitute classical Jewish mystical literature, and to their authors. Rather than provide an historical approach, this introduction to Jewish mysticism delineates five "models" of Jewish mystical theology and experience: Normal Mysticism, Mystical Intimacy, Addressing God's Needs, Drawing Down Divine Grace, and Prophetic Kabbalah. Sherwin not only presents primary texts in translation, but also offers an explanation of each selection and provides a bibliography for further study.

The Moment of Cubism is one of John Berger’s most important collections of art criticism. Whether considering Vermeer in his studio, Poussin’s poignant meditation on death, or the complexities of Rodin’s sculpture, Berger draws together the threads that bind individual artists to their social and political context. Here Berger argues that Cubism was a moment rather than a movement, one that came and went without the consent of its key figures – Picasso and Braque above all. He makes a case for Cubism’s revolutionary influence. As always, Berger helps us see the world in new ways

Traces the life of the American novelist from her childhood in the newly settled prairies of Nebraska through her years as a journalist, editor, and teacher, and examines the relationship between what she wrote and who she was.

Seeing the Insane is a richly detailed cultural history of madness and art in the Western world, showing how the portrayal of stereotypes has both reflected and shaped the perception and treatment of the mentally disturbed. Covering the Middle Ages through the end of the nineteenth century, Sander L. Gilman explores the depictions of mental illness as seen in manuscripts, sculptures, lithographs, and photography. With artistic renderings and medical illustrations side-by-side, this volume includes over 250 visual displays of the mentally ill. These images capture society's reliance on visual motifs to assign concrete qualities to abstract ailments in an attempt to understand the marginalized. Gilman's collection of images demonstrates how society has relegated the mentally ill to a state of "otherness" and portrays how society's perceived realities concerning the insane have morphed and evolved over centuries. Sander L. Gilman, PhD, is a distinguished professor of the Liberal Arts and Sciences as well as Professor of Psychiatry at Emory University. A respected educator, he has served as Old Dominion Visiting Professor of English at Princeton; Northrop Frye Visiting Professor of Comparative Literature at the University of Toronto; Mellon Visiting Professor of Humanities at Tulane University; Goldwin Smith Professor of Humane Studies at Cornell University; and Professor of the History of Psychiatry at Cornell Medical College. He has written and edited several books including The Face of Madness and Sexuality: An Illustrated History . " Seeing the Insane is a visual history of the stereotypes that have shaped the perception of the mentally ill from medieval through modern times. The result is nearly as heartbreaking as a visual history of the Holocaust. In picture after picture, the book portrays centuries of intolerance for deviance, mindless cruelty, unthinking prejudice, and self-righteous abuse of the weak and ill." - American Journal of Psychiatry "As extraordinary in concept as it is in its execution. . . . This remarkable book helps laymen as well as specialists to see the insane, but it does far more. When we study the past, we understand the present. When we see the conventional stereotype images of insanity, we find they still color our concepts of madness. Through these pictures of the insane, we see all humanity. We look, not through a glass darkly, but through a multiplicity of media, brightly." - Antiquarian Bookman Readers interested in related titles from Sander L. Gilman will also want to see: Face of Madness: Hugh W. Diamond and the Origin of Psychiatric Photography (ISBN: 9781626549234), Sexuality: An Illustrated History (ISBN: 9781626549227).

Weisberg’s first volume in the Whitewash series dissected the Warren Report and its failure to confront evidence of conspiracy in the JFK assassination. In this sequel he shows how the agencies of the investigation—the FBI, the Secret Service, the Dallas police, and the lawyers who worked for the Commission—made this possible by often corrupting evidence and consistently avoiding pursuit of clear and critical evidence pointing to and defining a conspiracy. The author demonstrates that their failure was rooted not only in institutional inability but also in a deliberately twisted investigative structure. In the years since its original publication in 1974, the books in Weisberg’s Whitewash series have become classics of assassination literature and have established the author as one of the premier investigators and researchers in his field. Decades later, the shocking revelations painstakingly detailed in his work have lost none of their impact, and the information uncovered beneath the government’s whitewash is crucial to understanding the assassination of John F. Kennedy.

Where and why was democracy successful in the twentieth century? In The Democratic Century , Seymour Martin Lipset and Jason Lakin combine social, cultural, economic, and institutional analyses to explain why democracy has succeeded in some countries and failed in others. Defining democracy as a political system in which all adults may vote in contested elections to choose their representatives, Lipset and Lakin argue that the mainstays of a successful system are institutions that encourage the diffusion of power—such as competitive parties, an independent civil society, and federalist arrangements. But central to their argument is the notion that culture, at least as much as any other variable, is responsible for the establishment of democracy. The authors’ concept of culture is not static, however. They argue that, because cultures interact with social, economic, and political variables, they can change and become compatible with democracy. Consequently, Lipset and Lakin hope for a democratic twenty-first century. The Democratic Century revisits theories from Lipset’s earlier works, including the classics Agrarian Socialism and Political Man . But the authors do more than update Lipset’s work; they offer an expansive view of democratic systems and of the vast body of relevant literature.