""Society without God" explores the phenomena of contentment in the least religious nations"--

At birth, Hermes, son of Zeus and the Nymph Maia, says his first word: "Gimme!" In this brilliant, hilarious graphic novel about the mischievous, fun-loving messenger of the gods, Caldecott Medal winner Mordicai Gerstein, transports classical mythology to the 21st century. "The world!" the newly born Hermes says. "It's even better than I expected! I love it! I want it all!" This book is filled with joy, exuberance, and humor. On his first day of life, Hermes manages to trick a turtle into surrendering its shell and a ram into surrendering its horns, thereby inventing the lyre, music, and song! He also manages to steal his brother Apollo's precious cows, but later redeems himself by outwitting the giant brothers Otus and Ephialtes, who have kidnapped Mars. These adventures and more, all derived from classical mythology, are told with great humor as well as a twenty-first century sensibility by the colossally talented Mordicai Gerstein. The art in this graphic novel is truly spectacular, with 250 illustrations, executed by a master artist and filled with unique humor. A Bank Street Best Book of the Year

Mayim Bialik puts her Ph.D. to work to talk to teen boys about the science and pressures of growing up male in today's world. A must-have book for all teenage boys!

"A picture book biography about Georgia Gilmore, the woman whose cooking helped feed and fund the Montgomery bus boycott of 1956"--

Published on the sixth anniversary of the invasion of Afghanistan, the beginning of the 'War on Terror', John Berger, Naomi Klein, Arundhati Roy, Joe Sacco and others examine the consequences.

This book includes retellings of four fairy tales paired with lunch recipes connected to each story.

This sophisticated and playful nonfiction picture book looks at US presidents! See America’s presidents as never before—made of objects! Using everything from blue jeans to boxing gloves, Hanoch Piven “builds” the characters of eighteen of our nation’s leaders. Revealing anecdotes accompany the creative collages and lend insight to the charismatic personalities of prominent presidents from George Washington to Barack Obama, resulting in an irresistible resource.

A biography of the famous Danish writer of fairy tales, interspersed with excerpts from his stories.

From one of our premier literary scholars, here is a learned and witty introduction to the "sheer vitality of literature and the satisfactions of a close, informed engagement with it" (New York Times). Robert Alter's illumination of the unique power of reading literature is especially valuable at a time when we are surrounded by electronic texts that distract more than engage and when the special claims of literature are disparaged by the high priests of literary theory. Alter explores the strategies that distinguish literature--the resources of style, the dynamics of allusion, the formal design of structure, the play of perspective in narrative. He draws on copious examples from the great works of literary art--from the Book of Genesis to Shakespeare, Conrad, and Nabokov--to illustrate his analysis of what makes reading a source of complex pleasure and insight.

17 November 1979 You were reading a somewhat retro loveletter, the last in history. But you have not yet received it. Yes, its lack or excess of address prepares it to fall into all hands: a post card, an open letter in which the secret appears, but indecipherably. What does a post card want to say to you? On what conditions is it possible? Its destination traverses you, you no longer know who you are. At the very instant when from its address it interpellates, you, uniquely you, instead of reaching you it divides you or sets you aside, occasionally overlooks you. And you love and you do not love, it makes of you what you wish, it takes you, it leaves you, it gives you. On the other side of the card, look, a proposition is made to you, S and p, Socrates and plato. For once the former seems to write, and with his other hand he is even scratching. But what is Plato doing with his outstretched finger in his back? While you occupy yourself with turning it around in every direction, it is the picture that turns you around like a letter, in advance it deciphers you, it preoccupies space, it procures your words and gestures, all the bodies that you believe you invent in order to determine its outline. You find yourself, you, yourself, on its path. The thick support of the card, a book heavy and light, is also the specter of this scene, the analysis between Socrates and Plato, on the program of several others. Like the soothsayer, a "fortune-telling book" watches over and speculates on that-which-must-happen, on what it indeed might mean to happen, to arrive, to have to happen or arrive, to let or to make happen or arrive, to destine, to address, to send, to legate, to inherit, etc., if it all still signifies, between here and there, the near and the far, da und fort, the one or the other. You situate the subject of the book: between the posts and the analytic movement, the pleasure principle and the history of telecommunications, the post card and the purloined letter, in a word the transference from Socrates to Freud, and beyond. This satire of epistolary literature had to be farci, stuffed with addresses, postal codes, crypted missives, anonymous letters, all of it confided to so many modes, genres, and tones. In it I also abuse dates, signatures, titles or references, language itself. J. D. "With The Post Card, as with Glas, Derrida appears more as writer than as philosopher. Or we could say that here, in what is in part a mock epistolary novel (the long section is called "Envois," roughly, "dispatches" ), he stages his writing more overtly than in the scholarly works. . . . The Post Card also contains a series of self-reflective essays, largely focused on Freud, in which Derrida is beautifully lucid and direct."—Alexander Gelley, Library Journal

"From award-winning author Steve Sheinkin, a true story of two Jewish teenagers racing against time during the Holocaust-one in hiding in Hungary, and the other in Auschwitz, plotting escape"--

Gus, Nellie, and baby Jake visit their community garden before shopping at the farmer's market and grocery store to gather healthy ingredients that they help prepare for a picnic, in a story that explains the role of nutrition in health.--

“A thoughtful perspective on humans' capacity for moral behavior.” — Kirkus Reviews “A comprehensive introduction to religious skepticism.” — Publishers Weekly In What It Means to Be Moral: Why Religion Is Not Necessary for Living an Ethical Life , Phil Zuckerman argues that morality does not come from God. Rather, it comes from us: our brains, our evolutionary past, our ongoing cultural development, our social experiences, and our ability to reason, reflect, and be sensitive to the suffering of others. By deconstructing religious arguments for God–based morality and guiding readers through the premises and promises of secular morality, Zuckerman argues that the major challenges facing the world today—from global warming and growing inequality to religious support for unethical political policies to gun violence and terrorism—are best approached from a nonreligious ethical framework. In short, we need to look to our fellow humans and within ourselves for moral progress and ethical action. “In this brilliant, provocative, and timely book, Phil Zuckerman breaks down the myth that our morality comes from religion—compellingly making the case that when it comes to the biggest challenges we face today, a secular approach is the only truly moral one.” —Ali A. Rizvi, author of The Atheist Muslim

"A picture biography of Julio C. Tello, considered to be the founder of modern Peruvian archaeology, that traces his life from an early interest in Peru's ancient cultures to his rise as the most distinguished Indigenous social scientist of the twentieth century. A map and an afterword with additional information, photograph, and source list are included."--

This collection of 101 stories of love and sacrifice provides emotional and practical resources to sustain the family caregiver. These revealing stories from people of all ages who take care of family members, at home or in outside facilities, are filled with emotional support and practical advice. You’ll be inspired and feel appreciated as you read all 101 of these personal glimpses into the lives of other family caregivers, including: How Joan Lunden manages the care of her mother at the same time she is raising young children, as part of the Sandwich Generation. How Jill Eikenberry and Michael Tucker moved Jill’s elderly mother in next door—they eat family meals together, prepared by their daughter. How Leeza Gibbons’ mother planned for her Alzheimer’s disease, and Leeza’s tips on how to accept and manage the diagnosis and care. How Gail Sheehy navigated the caregiving maze during her husband’s battle with cancer, and the 9 emotional stages of the family caregiver. How Dr. Alexis Abramson became her grandmother’s full-time caregiver at age 22, a real-life experience that led to a Ph.D. in Gerontology.

Accompanied by enchanting artwork, this brilliant collection of more than 100 poems from the legendary author celebrates childhood, showing just how wonderful it is to be a kid.