THE STORY: Brooke Wyeth returns home to Palm Springs after a six-year absence to celebrate Christmas with her parents, her brother, and her aunt. Brooke announces that she is about to publish a memoir dredging up a pivotal and tragic event in the f

Narrated in Lincoln’s own voice, the tragicomic I Am Abraham promises to be the masterwork of Jerome Charyn’s remarkable career. Since publishing his first novel in 1964, Jerome Charyn has established himself as one of the most inventive and prolific literary chroniclers of the American landscape. Here in I Am Abraham , Charyn returns with an unforgettable portrait of Lincoln and the Civil War. Narrated boldly in the first person, I Am Abraham effortlessly mixes humor with Shakespearean-like tragedy, in the process creating an achingly human portrait of our sixteenth President. Tracing the historic arc of Lincoln's life from his picaresque days as a gangly young lawyer in Sangamon County, Illinois, through his improbable marriage to Kentucky belle Mary Todd, to his 1865 visit to war-shattered Richmond only days before his assassination, I Am Abraham hews closely to the familiar Lincoln saga. Charyn seamlessly braids historical figures such as Mrs. Keckley—the former slave, who became the First Lady's dressmaker and confidante—and the swaggering and almost treasonous General McClellan with a parade of fictional extras: wise-cracking knaves, conniving hangers-on, speculators, scheming Senators, and even patriotic whores. We encounter the renegade Rebel soldiers who flanked the District in tattered uniforms and cardboard shoes, living in a no-man's-land between North and South; as well as the Northern deserters, young men all, with sunken, hollowed faces, sitting in the punishing sun, waiting for their rendezvous with the firing squad; and the black recruits, whom Lincoln’s own generals wanted to discard, but who play a pivotal role in winning the Civil War. At the center of this grand pageant is always Lincoln himself, clad in a green shawl, pacing the White House halls in the darkest hours of America’s bloodiest war. Using biblically cadenced prose, cornpone nineteenth-century humor, and Lincoln’s own letters and speeches, Charyn concocts a profoundly moral but troubled commander in chief, whose relationship with his Ophelia-like wife and sons—Robert, Willie, and Tad—is explored with penetrating psychological insight and the utmost compassion. Seized by melancholy and imbued with an unfaltering sense of human worth, Charyn’s President Lincoln comes to vibrant, three-dimensional life in a haunting portrait we have rarely seen in historical fiction.

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PRAISE FOR NOAM CHOMSKY'S OCCUPY AND ZUCCOTTI PARK PRESS: "Having spent so much time thinking about and engaging with social movements, Chomsky is both optimistic about the energy of Occupy and realistic about the challenges it faces. He appreciates the "just do it" ethos and embraces its radical approach to participatory democracy...What makes Chomsky's perspective so interesting, aside from the wealth of his political experience, is the range of his interests. He draws from examples around the world to demonstrate his points. ...It's a big agenda that Occupy has identified, nothing less than a complete renewal of U.S. society and the U.S. role in the world. Chomsky sees not only the radical agenda but also the radical practice of the Occupiers. "Part of what functioning, free communities like the Occupy communities can be working for and spreading to others is just a different way of living, which is not based on maximizing consumer goods, but on maximizing values that are important for life," he concludes in this valuable set of remarks and interviews." --John Feffer, Foreign Policy in Focus, Pick Review "For decades, Chomsky has been marginalized for his insightful, levelheaded, and accurate observations about how our society functions. In Occupy , Chomsky... sets the record straight. And he's got an answer for everything. "It's necessary," Chomsky warns, "to get out into the country and get people to understand what this is about, and what they can do about it, and what the consequences are of not doing anything about it." Occupy begins with a powerful editor's note from Greg Ruggiero, who comments on 'the heartlessness and inhumanity of the system, ' where 'people's stolen homes are sold off to the highest bidder.' And if it isn't obvious to those who are still asking what the demands of Occupy Wall Street are, Ruggiero puts it plainly: 'Occupy embodies a vision of democracy that is fundamentally antagonistic to the management of society as a corporate-controlled space that funds a political system to serve the wealthy, ignore the poor.' One can only cringe at the thought of what will happen if we continue to ignore the wisdom of Noam Chomsky. He gives a clue in Occupy ...." --The Coffin Factory, The Magazine for People who Love Books Occupy is another vital contribution from Chomsky to the literature of defiance and protest, and a red-hot rallying call to forge a better, more egalitarian future. --Alternet Chomsky advocates intelligent activism by those who see the divorce between public policy and public opinion. He is both optimistic and realistic towards this "first major public response to 30 years of class war." --IRISH TIMES, PICK REVIEW " Occupy , is at once a vivid portrait of the now-global movement and a practical guide to intelligent activism, infused with Chomsky's signature meditations on everything from how the wealthiest 1% came to steer society to what a healthy democracy would look like to how we can separate money from politics. Alongside Chomsky's words are some of the most moving and provocative photographs from the Occupy movement. ... [One of] 10 essential books on protest." --Maria Popova, Brain Pickings In Occupy , Chomsky discusses the cornerstone issues, questions and demands that have been driving ordinary Americans to critique the influence of the 1%. The book begins and ends with Chomsky celebrating the life and work of his longtime friend and colleague, Howard Zinn, author of A People's History of the United States. As a call to action, Chomsky encourages people to continue organizing, to continue struggling, and to continue defending citizenship and community-driven democracy from predation from the relentless encroachments of wealth and corporate power.

"In The Truth Has Changed, Josh Fox turns the rapid-fire shocks that are remaking the very fabric of our lives writing as a first responder, a reporter, a documentarian, and an activist into art, literature, and at least one answer to the question of what the future holds. Our normal isn t normal anymore. The paradigm shift that global warming represents parallels a paradigm shift in how we process truth. Both deeply affect democracy." --

A Nobel Prize–winning cancer biologist, leader of major scientific institutions, and scientific adviser to President Obama reflects on his remarkable career. A PhD candidate in English literature at Harvard University, Harold Varmus discovered he was drawn instead to medicine and eventually found himself at the forefront of cancer research at the University of California, San Francisco. In this “timely memoir of a remarkable career” ( American Scientist ), Varmus considers a life’s work that thus far includes not only the groundbreaking research that won him a Nobel Prize but also six years as the director of the National Institutes of Health; his current position as the president of the Memorial Sloan-Kettering Cancer Center; and his important, continuing work as scientific adviser to President Obama. From this truly unique perspective, Varmus shares his experiences from the trenches of politicized battlegrounds ranging from budget fights to stem cell research, global health to science publishing.

Passionate, insightful, often funny, and exhibiting a linguistic richness few writers have equaled, the novels of Saul Bellow are among the defining achievements of postwar American literature. The Library of America volume Novels 1956–1964 opens with Seize the Day, a tightly wrought novella that, unfolding over the course of a single devastating day, explores the desperate predicament of the failed actor and salesman Tommy Wilhelm. The austere psychological portraiture of Seize the Day is followed by an altogether different book, Henderson the Rain King, the ebullient tale of the irresistible eccentric Eugene Henderson, best characterized by his primal mantra “I want! I want!” Beneath the novel’s comic surface lies an affecting parable of one man’s quest to know himself and come to terms with morality; like Don Quixote, Henderson is, as Bellow later described him, “an absurd seeker of high qualities.” Henderson’s irrepressible vitality is matched by that of Moses Herzog, the eponymous hero of Bellow’s best-selling 1964 novel. His wife having abandoned him for his best friend, Herzog is on the verge of mental collapse and has embarked on a furious letter-writing campaign as an outlet for his all-consuming rage. Bellow’s bravura performance in Herzog launched a new phase of his career, as literary acclaim was now joined by a receptive mass audience in America. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

"A great American sport and Native American history come together in this true story of how Jim Thorpe and Pop Warner created the legendary Carlisle Indians football team"--

"As World War II comes to a close, the United States and the Soviet Union emerge as the two greatest world powers on extreme opposites of the political spectrum. After the United States showed its hand with the atomic bomb in Hiroshima, the Soviets refuse to be left behind. With communism sweeping the globe, the two nations begin a neck-and-neck competition to build even more destructive bombs and conquer the Space Race. In their battle for dominance, spy planes fly above, armed submarines swim deep below, and undercover agents meet in the dead of night. The Cold War game grows more precarious as weapons are pointed towards each other, with fingers literally on the trigger. The decades-long showdown culminates in the Cuban Missile Crisis, the world's close call with the third-and final-world war"--

Once there was a boy named Leonard who loved to sing and to act. His parents were immigrants who felt like aliens in America, and certainly didn't understand Leonard's drive to perform. "Learn to play the accordion," his father told him. "Actors starve, but at least musicians can eke out a living." But Leonard reached for the stars... and caught them. He moved to Hollywood, where he took acting lessons, and drove a taxi and took every role he could get. He worked hard, learned his lines, showed up on time, and studied his craft. Until one day he was offered the role of an alien science officer on a new TV show called Star Trek. Leonard knew what it felt like to be an alien. But did he want the role?

This sophisticated and playful nonfiction picture book looks at US presidents! See America’s presidents as never before—made of objects! Using everything from blue jeans to boxing gloves, Hanoch Piven “builds” the characters of eighteen of our nation’s leaders. Revealing anecdotes accompany the creative collages and lend insight to the charismatic personalities of prominent presidents from George Washington to Barack Obama, resulting in an irresistible resource.

In a rambling series of essays -- partly analytical, partly polemical, and partly autobiographical -- Fiedler takes issue with the elitist and prescriptive tendency among the self-appointed guardians of art, and with the modern split between 'high' and 'low' forms of literature. He argues that traditional approaches to and standards of literature have become obsolete, and a criticism which ignores or condescends to Uncle Tom's Cabin, Gone with the Wind, Roots et alia can have little to say about American culture.

A witty political satire ripped from the headlines and written by Congressman Steve Israel, who's met the characters, heard the conversations, and seen the plot twists firsthand. Meet Morris Feldstein, a pharmaceutical salesman living and working in western Long Island who loves the Mets, loves his wife Rona, and loves things just the way they are. He doesn't enjoy the news; he doesn't like to argue. Rona may want to change the world; Morris wants the world to leave him alone. Morris does not make waves. But one day Morris is seduced by a lonely, lovesick receptionist at one of the doctors' offices along his sales route, and in a moment of weakness charges a non-business expense to his company credit card. No big deal, you might think. Easy mistake. But the government's top-secret surveillance program, anchored by a giant, complex supercomputer known as NICK, thinks differently. Eventually NICK begins to thread together the largely disparate and tenuously connected strands of Morris's life.

In Stagestruck noted novelist and outspoken critic Sarah Schulman offers an account of her growing awareness of the startling similarities between her novel People in Trouble and the smash Broadway hit Rent . Written with a powerful and personal voice, Schulman's book is part gossipy narrative, part behind-the-scenes glimpse into the New York theater culture, and part polemic on how mainstream artists co-opt the work of "marginal" artists to give an air of diversity and authenticity to their own work. Rising above the details of her own case, Schulman boldly uses her suspicions of copyright infringement as an opportunity to initiate a larger conversation on how AIDS and gay experience are being represented in American art and commerce. Closely recounting her discovery of the ways in which Rent took materials from her own novel, Schulman takes us on her riveting and infuriating journey through the power structures of New York theater and media, a journey she pursued to seek legal restitution and make her voice heard. Then, to provide a cultural context for the emergence of Rent-- which Schulman experienced first-hand as a weekly theater critic for the New York Press at the time of Rent 's premiere--she reveals in rich detail the off- and off-off-Broadway theater scene of the time. She argues that these often neglected works and performances provide more nuanced and accurate depictions of the lives of gay men, Latinos, blacks, lesbians and people with AIDS than popular works seen in full houses on Broadway stages. Schulman brings her discussion full circle with an incisive look at how gay and lesbian culture has become rapidly commodified, not only by mainstream theater productions such as Rent but also by its reduction into a mere demographic made palatable for niche marketing. Ultimately, Schulman argues, American art and culture has made acceptable a representation of "the homosexual" that undermines, if not completely erases, the actual experiences of people who continue to suffer from discrimination or disease. Stagestruck 's message is sure to incite discussion and raise the level of debate about cultural politics in America today.

When Dr. Bud Payne of Mobile, Alabama, donates two weeks of his time to a Kenyan village hospital, it is the beginning of an astonishing adventure for him and his family.Bud offers to fly a young Maasai girl back to America for life-saving heart surgery. She comes - but not her entire tribe is with her, Maasai warriors carrying spears, mothers in tribal dress carrying babies, even a mysterious medicine man alight from the airplane.The girl goes to the hospital, but the tribe goes to the Paynes' backyard. Gone are Gail Payne's prized rose beds, gone is the lawn. In their place are the mud huts of the Maasai.As the suburban neighbors mingle with the tribesmen and the medicine man mingles with the surgeons, hilarious, harrowing, and even enlightening adventures result. The warriors rustle the nearest redneck's prime dairy cow for slaughter, and the Paynes' children swap their school clothes for war paint. Gail nearly loses her mind and Bud nearly loses his medical license.However, it all leads to a classic happy ending, heightened by a cultural exchange beyond anyone's original dreams.

Lara Vapnyar, author of the prizewinning story collection There Are Jews in My House, brings us a poignant and comic first novel about a delightfully sincere modern-day muse. We meet Tanya as a typical Russian girl, living with her bookish professor mother in a drab Soviet apartment. As a teenager, Tanya becomes obsessed with Dostoevsky and settles on her life’s she will be the companion to a great writer. Her memoirs tell of her immigration to New York after college, the stifling expectations of her Brighton Beach cousins, and the crucial moment in a bookshop on the Upper West Side, where Tanya attends a reading by Mark Schneider, a Significant New York Novelist. Tanya soon moves in with Mark, ready to dazzle in bed, to serve and inspire . . . if only he would spend a little more time writing and a little less time at the gym, the shrink, and the literary soirees where she feels hopelessly unglamorous and out of place. But as she gradually learns to read English—struggling to better understand Mark’s work and her true role as Muse—Tanya also learns more than she expected about the destiny she has imagined for herself. Animated by Vapnyar’s beguiling grace and vividness—with a narrative richness reflecting the great tradition of Russian realism to which she is a natural heir— Memoirs of a Muse is an altogether wonderful novel. It is a lively meditation on female capabilities and happiness, on the mysteries of artistic inspiration (and the absurdities of artistic life), and, perhaps most movingly, on the pain and wonder of the immigrant experience in New York City.

"Pulitzer Prize-winner Donald Margulies weaves together nostalgia, music, and merriment in this new season classic. A holiday show for people of all ages and all faiths, Coney Island Christmas introduces us to Shirley Abramowitz, a young Jewish girl who (much to her immigrant parents' consternation) is cast as Jesus in the school's Christmas pageant. As Shirley, now much older, recounts the memorable story to her great-granddaughter, the play captures a timeless and universal tale of what it means to be an American during the holidays."--Page 4 of cover

What do Joyce Brothers and Sigmund Freud, Rabbi Harold Kushner and philosopher Martin Buber have in common? They belong to a group of pivotal and highly influential Jewish thinkers who altered the face of modern America in ways few people recognize. So argues Andrew Heinze, who reveals in rich and unprecedented detail the extent to which Jewish values, often in tense interaction with an established Christian consensus, shaped the country's psychological and spiritual vocabulary. Jews and the American Soul is the first book to recognize the central role Jews and Jewish values have played in shaping American ideas of the inner life. It overturns the widely shared assumption that modern ideas of human nature derived simply from the nation's Protestant heritage. Heinze marshals a rich array of evidence to show how individuals ranging from Erich Fromm to Ann Landers changed the way Americans think about mind and soul. The book shows us the many ways that Jewish thinkers influenced everything from the human potential movement and pop psychology to secular spirituality. It also provides fascinating new interpretations of Sigmund Freud, Alfred Adler, and Western views of the psyche; the clash among Protestant, Catholic, and Jewish moral sensibilities in America; the origins and evolution of America's psychological and therapeutic culture; the role of Jewish women as American public moralists, and more. A must-read for anyone interested in the contribution of Jews and Jewish culture to modern America.

What do Joyce Brothers and Sigmund Freud, Rabbi Harold Kushner and philosopher Martin Buber have in common? They belong to a group of pivotal and highly influential Jewish thinkers who altered the face of modern America in ways few people recognize. So argues Andrew Heinze, who reveals in rich and unprecedented detail the extent to which Jewish values, often in tense interaction with an established Christian consensus, shaped the country's psychological and spiritual vocabulary. Jews and the American Soul is the first book to recognize the central role Jews and Jewish values have played in shaping American ideas of the inner life. It overturns the widely shared assumption that modern ideas of human nature derived simply from the nation's Protestant heritage. Heinze marshals a rich array of evidence to show how individuals ranging from Erich Fromm to Ann Landers changed the way Americans think about mind and soul. The book shows us the many ways that Jewish thinkers influenced everything from the human potential movement and pop psychology to secular spirituality. It also provides fascinating new interpretations of Sigmund Freud, Alfred Adler, and Western views of the psyche; the clash among Protestant, Catholic, and Jewish moral sensibilities in America; the origins and evolution of America's psychological and therapeutic culture; the role of Jewish women as American public moralists, and more. A must-read for anyone interested in the contribution of Jews and Jewish culture to modern America.