A Sunday Times Book of the Year Winner of the Polari Prize 'A book about love, identity, acceptance and the freedom to write, paint, compose and wear corduroy breeches with gaiters. To swear, kiss, publish and be damned. It is vastly entertaining and often moving... There isn't a page without an entertaining vignette' The Times . The extraordinary story of how a singular group of women in a pivotal time and place – Paris, Between the Wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves their stories into those of the four central women to create a vivid moving tapestry of life among the Modernists in pre-War Paris. 'One of the best books I've read this year.' James Bridle

"A gifted and audacious writer confronts her lifelong battle with depression and her search for release This Close to Happy is the rare, vividly personal account of what it feels like to suffer from clinical depression, written from a woman's perspective and informed by an acute understanding of the implications of this disease over a lifetime. Taking off from essays on depression she has written for The New Yorker and The New York Times Magazine, Daphne Merkin casts her eye back to her beginnings to try to sort out the root causes of her affliction. She recounts the travails of growing up in a large, affluent family where there was a paucity of love and of basics such as food and clothing despite the presence of a chauffeur and a cook. She goes on to recount her early hospitalization for depression in poignant detail, as well as her complex relationship with her mercurial, withholding mother. Along the way Merkin also discusses her early, redemptive love of reading and gradual emergence as a writer. She eventually marries, has a child, and suffers severe postpartum depression, for which she is again hospitalized. Merkin also discusses her visits to various therapists and psychopharmocologists, which enables her to probe the causes of depression and its various treatments. The book ends in the present, where the writer has learned how to navigate her depression, if not "cure" it, after a third hospitalization in the wake of her mother's death."--

Barbara Amiel's long-awaited memoir is shockingly honest, richly detailed and pulls few punches. An instinctive feminist and now a foe of feminism's political correctness, her own memoirs cover a formidable array of experiences - political, sexual, marital and material. Born in London during the Blitz, the only consistent strain in her early life was a fierce belief in her identity as a Jew even as the Jewish community disowned her and an unquestioned view that women were free to do anything in any arena they chose without any need to win society's approval. Which she very often did not. Her rise to the senior rungs of journalism began in Canada after the emigration of her family and continued in the United Kingdom on her return. With four marriages and an assorted number of beaus, some famous, some infamous (some rather young, some rather elderly), she moved through different worlds encountering problems made more intractable on occasion by her own faulty choices. It is a measure of her writing skill that she held down plum jobs for many decades in Canadian and British journalism as well as appearances in U.S. publications ranging from the Wall Street Journal to Vogue. As a writer of unabashedly libertarian views, she was derided as much for her wardrobe as for her ideas. Pilloried for years in books and television and called every conceivable name by the media, she is philosophical. 'I love fashion, sex and opera, ' she once told an interviewer, 'but life would have been easier if my passions had been for train-spotting and stamp collecting. 'Her life has an operatic quality with a wildly diverse cast including Elton John, Henry Kissinger, Anna Wintour, Oscar de la Renta, Princess Diana, Tom Stoppard, Brooke Astor, Ghislaine Maxwell, Ronald Harwood, David Frost and an array of the aristocrats of Manhattan and the stately homes of England. All handled, she writes 'with my fatal combination of naivete and self-absorption'. The epic battle with the U.S. justice system leading to the trial and imprisonment of her husband Conrad Black (eventually substantially vindicated) became a litmus paper for sorting out friends from those who were quick to judge and brutal in their dismissal.

From the highly acclaimed author of Out of Egypt and Call Me by Your Name , a series of linked essays on memory by "the poet of disappointed love--and of the city" ( New York Times Book Review ). In these fourteen essays Andre Aciman, one of the most poignant stylists of his generation, dissects the experience of loss, moving from his forced departure from Alexandria as a teenager, though his brief stay in Europe and finally to the home he's made (and half invented) on Manhattan's Upper West Side. From False Papers : We remember not because we have something we wish to go back to, nor because memories are all we have. We remember because memory is our most intimate, most familiar gesture. Most people are convinced I love Alexandria. In truth, I love remembering Alexandria. For it is not Alexandria that is beautiful. Remembering is beautiful.

"Andi Dorfman, star of ABC's The Bachelorette, became a New York Times bestseller with IT'S NOT OKAY, her story of searching for love on national TV. In her new book, readers can follow her adventures as a still-single gal living in NYC--it's Sex and the City for the reality TV generation"--

At the height of Hollywood's Golden Age, Tony Curtis starred in Houdini and Spartacus, made comedy history with Jack Lemmon in the unforgettable Some Like It Hot, was friends with Frank Sinatra, Cary Grant and James Dean, and romanced screen sirens such as Marilyn Monroe, Janet Leigh and Natalie Wood. He lived a life he could only dream of growing up in the Bronx. Born Bernard Schwarz to immigrant parents, this is Tony Curtis' story of his hard-knock childhood, his wild days as a Hollywood playboy, his destructive drug addiction and his life now as an artist in his eighties. Sparing no name, no detail and no ego, Tony Curtis talks intimately about the people he has known during his long, illustrious career, his co-stars, the studio owners, his wives, his lovers and his friends. This book will be the true record of his life, told with humour, grace and honesty.

"Comprehensive and intelligently organized. . . . Jazz aficionados . . . should be grateful to have so much good writing on the subject in one place."-- The New York Times Book Review "Alluring. . . . Capture[s] much of the breadth of the music, as well as the passionate debates it has stirred, more vividly than any other jazz anthology to date."-- Chicago Tribune No musical idiom has inspired more fine writing than jazz, and nowhere has that writing been presented with greater comprehensiveness and taste than in this glorious collection. In Reading Jazz , editor Robert Gottlieb combs through eighty years of autobiography, reportage, and criticism by the music's greatest players, commentators, and fans to create what is at once a monumental tapestry of jazz history and testimony to the elegance, vigor, and variety of jazz writing. Here are Jelly Roll Morton, recalling the whorehouse piano players of New Orleans in 1902; Whitney Balliett, profiling clarinetist Pee Wee Russell; poet Philip Larkin, with an eloquently dyspeptic jeremiad against bop. Here, too, are the voices of Billie Holiday and Charles Mingus, Albert Murray and Leonard Bernstein, Stanley Crouch and LeRoi Jones, reminiscing, analyzing, celebrating, and settling scores. For anyone who loves the music--or the music of great prose--Reading Jazz is indispensable. "The ideal gift for jazzniks and boppers everywhere. . . . It gathers the best and most varied jazz writing of more than a century."-- Sunday Times (London)

"Quiara Alegria Hudes was the sharp-eyed girl on the stairs while her family danced in her grandmother's tight South Philly kitchen, "frizzy hair cut short, bangs teased into stiff clouds, sweat glistening in the summer fog, pamper-butt babies weaving between legs." Quiara was awed by her aunts and uncles and cousins, but haunted by the secrets of the family and the unspoken stories of the barrio -- even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering of powerful orishas with tragic wounds and she vowed to tell their stories--but first she'd have to get off the stairs and join the dance; she'd have to find her langauge. This is an inspired exploration of home, family, memory, and belonging, narrated by the obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty"--

Playing with Bob Dylan, the Paul Butterfield Blues Band, and the Electric Flag in the '60s, and on record and film soundtracks in the '70s, Michael Bloomfield was one of the foremost blues guitarists of his generation. Me and Big Joe is the tale of Bloomfield's early days in Chicago, where in his quest to truly understand blues music, he befriends great blues legend Joe Lee Williams (Aka Big Joe). Together, they embark on a journey to the dark, smoky blues clubs of the Midwest, encountering Lightnin' Hopkins, Sonny Boy Williamson, Tampa Red, Kokomo Arnold and other blues musicians along the way. Me and Big Joe is a classic American adventure story, a must read for any blues lover or musician.

"We think we know Emily Dickinson: the Belle of Amherst, virginal, reclusive, and possibly mad. But in A Loaded Gun, Jerome Charyn introduces us to a different Emily Dickinson: the fierce, brilliant, and sexually charged. Through interviews with contemporary scholars, close readings of Dickinson's correspondence and handwritten manuscripts, and a suggestive, newly discovered photograph that is purported to show Dickinson with her lover, Charyn's literary sleuthing reveals the great poet in ways that have only been hinted at previously: as a woman who was deeply philosophical, intensely engaged with the world, attracted to members of both sexes, and able to write poetry that disturbs and delights us today" -- Publisher's description

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY HARPER’S BAZAAR • In this candid memoir, featuring a foreword by Barbra Streisand, renowned designer Donna Karan shares intimate details about her lonely childhood, her four-plus decades in the fashion industry, her two marriages, motherhood, and her ongoing quest for self-acceptance and spiritual peace. Donna Karan was born into the fashion business—her father was a tailor, and her mother was a showroom model and Seventh Avenue saleswoman—yet Karan dreamed of becoming a dancer like Martha Graham or a singer like Barbra Streisand. Fashion was her destiny, though. My Journey traces Karan’s early days as an intern at Anne Klein, the creation of her Seven Easy Pieces (which forever changed the way working women dressed), and the meteoric rise of her company. Along with juicy industry stories, Karan candidly discusses her difficult mother and traumatic childhood, her turbulent romantic life, all the loved ones she has lost over the years, and the personal awakening that occurred just as she reached the height of professional and financial success. That awakening set Karan down a path of spiritual discovery and self-improvement. From est to Kabbalah, from silent retreats to leech therapy, Karan tried everything to find, as she writes, “calm in the chaos.” But she also reveals how a chaotic life, fueled by endless curiosity and childlike impulses, helped her design seminal collections season after season for global powerhouse brands Donna Karan New York and DKNY. She also details how she has channeled her creativity (and her urge to solve problems and nurture others) into philanthropic work, particularly her early outspoken advocacy for AIDS awareness and research, and the creation of her Urban Zen Foundation, focusing on integrated healthcare and education as well as preservation of culture, which led to her current efforts in Haiti. Karan’s life has been crowded with glamorous characters and adventures around the world. But she sometimes still feels like that awkward teen from Long Island who never fit in—which makes her all the more endearing. Brimming with Karan’s infectious energy, My Journey is about much more than the fashion world: It is the story of a young woman whose vision and hard work made her a role model for women everywhere—a woman who dreamed big, fought to have it all, broke the rules, and loved passionately along the way. Praise for My Journey “By turns moving, insightful, and hilarious, yet always, always heartfelt . . . When you’re a true force of fashion, nothing holds you back.” — Vogue “When Donna Karan stepped down . . . it was the end of an era, so consider this autobiography her parting gift. . . . Expect a holistic view of the woman behind one of the most influential American labels.” — StyleCaster “Donna’s creativity and passion as a committed philanthropist are matched only by her gift for friendship. Whether she’s making the world more beautiful or giving a Haitian artisan the tools to create a sustainable business, Donna has always led with great heart and wonderful humor.” —President Bill Clinton “What we take for granted often comes from the most revolutionary of sources. In New York in the 1980s, no one was more radical than Donna Karan. She created a way of dressing that was womanly, practical, and empowering.” —Anna Wintour “An extraordinary personal, professional, and spiritual life . . . defined by Donna’s incredible resilience, her inward search for calm in the midst of success, and her insistence on always following her heart.” —Arianna Huffington

From legendary Olympic gold medalist Dara Torres comes a motivational, inspirational memoir about staying fit, aging gracefully, and pursuing your dreams. Dara Torres captured the hearts and minds of Americans of all ages when she launched her Olympic comeback as a new mother at the age of forty-one - years after she had retired from competitive swimming and eight years since her last Olympics. When she took three silver medals in Beijing - including a heartbreaking .01-second finish behind the gold medalist in the women's 50-meter freestyle - America loved her all the more for her astonishing achievement and her good-natured acceptance of the results. Now, in Age Is Just a Number, Dara reveals how the dream of an Olympic comeback first came to her - when she was months into her first, hard-won pregnancy. With humor and candor, Dara recounts how she returned to serious training - while nursing her infant daughter and contending with her beloved father's long battle with cancer. Dara talks frankly about diving back in for this comeback; about being an older athlete in a younger athletes' game; about competition, doubt, and belief; about working through pain and uncertainty; and finally - about seizing the moment and, most important, never giving up. A truly self-made legend, her story will resonate with women of all ages - and with anyone daring to entertain a seemingly impossible dream.

This book of thoroughly engaging essays from one of today's most prodigious innovators provides a uniquely personal perspective on the lives and achievements of a selection of intriguing figures from the history of science and technology. Weaving together his immersive interest in people and history with insights gathered from his own experiences, Stephen Wolfram gives an ennobling look at some of the individuals whose ideas and creations have helped shape our world today. Contents includes biographical sketches of: Richard Feynman Kurt Godel Alan Turing John von Neumann George Boole Ada Lovelace Gottfried Leibniz Benoit Mandelbrot Steve Jobs Marvin Minsky Russell Towle Bertrand Russell Alfred Whitehead Richard Crandall Srinivasa Ramanujan Solomon Golomb

"In Roman Year, André Aciman captures the period of his adolescence that began when he and his family first set foot in Rome, after being expelled from Egypt. Though Aciman's family had been well-off in Alexandria, all vestiges of their status vanished when they fled, and the author, his younger brother, and his deaf mother moved into a rented apartment (eventually revealed to be a recently vacated brothel) on Via Clelia. Though dejected, Aciman's mother and brother found their way into life in Rome, while Aciman burrowed into his bedroom. The world of novels eventually allowed him to open up to the city and, through them, discover the beating heart of the Eternal City.Aciman's time in Rome did not last long before he and his family moved across the ocean, but by the time they did, he was leaving behind a city he loved. In this memoir, the author, a genius of "the poetry of the place" (John Domini, The Boston Globe), conjures the sights, smells, tastes, and people of Rome as only he can. Aciman captures, as if in amber, a living portrait of himself on the brink of adulthood and the city he worshipped at that pivotal moment. Roman Year is a treasure, unearthed by one of our greatest prose stylists" --Amazon.com.

"Conservative legend David Horowitz opens up about his storied personal life and remarkable family. Now 75 years old, Horowitz reflects on the good and bad fortune that has touched his life and muses philosophically about love, happiness, and his own mortality. "--

A celebration of the relationships that bring us strength, purpose, and joy Ties That Bind honors the people who nourish and strengthen us. StoryCorps founder Dave Isay draws from ten years of the revolutionary oral history project’s rich archives, collecting conversations that celebrate the power of the human bond and capture the moment at which individuals become family. Between blood relations, friends, coworkers, and neighbors, in the most trying circumstances and in the unlikeliest of places, enduring connections are formed and lives are forever changed. The stories shared in Ties That Bind reveal our need to reach out, to support, and to share life’s burdens and joys. We meet two brothers, separately cast out by their parents, who reconnect and rebuild a new family around each other. We encounter unexpected joy: A gay woman reveals to her beloved granddaughter that she grew up believing that family was a happiness she would never be able to experience. We witness lifechanging friendship: An Iraq war veteran recalls his wartime bond with two local children and how his relationship with his wife helped him overcome the trauma of losing them. Against unspeakable odds, at their most desperate moments, the individuals we meet in Ties That Bind find their way to one another, discovering hope and healing. Commemorating ten years of StoryCorps, the conversations collected in Ties That Bind are testament to the transformational power of listening.

Elie Wiesel (1928-2016) is best known as the author of Night, survivor of Auschwitz and a powerful, enduring voice of the Holocaust. A recipient of the Nobel Peace Prize and the Presidential Medal of Freedom, he was a hero of human rights, professor and author of more than 50 books. Among his accomplishments, Wiesel co-founded Moment Magazine with Leonard Fein in 1975 to be a place of conversation for America's Jews. For editor-in-chief Nadine Epstein, he became a mentor and friend after she took over the magazine in 2004. In this striking volume, Epstein shares her memories of Wiesel and brings together 36 interviews with friends, colleagues and others who knew him - including, his son Elisha, Michael Berenbaum, Wolf Blitzer, Father Patrick Debois, Ronald S. Lauder, Bernard Henri-Levi, Kati Marton, Natan Sharansky, Ben Kingsley, and Oprah Winfrey. The foreword is by British Rabbi Jonathan Sacks and the afterword is by broadcaster Ted Koppel. To celebrate this humanitarian and keep his inspiration alive, Epstein presents readers with a visual history of Wiesel's life and examines the influence of Night. This chilling story of the Holocaust has already gripped the souls of millions of readers. Epstein includes a selection of his speeches and writings, lively conversations with teenagers about Night and discussion questions. The book features more than 100 photos. Says Rabbi Jonathan Sacks: "This book of reflections is a fitting tribute to the legacy of Elie Wiesel. In its pages and through the words of its contributors, you will feel a promise, not just to the souls who perished, but also to Elie and all those who survived Europe's darkest night." From the Inside Flap "It is absolutely imperative for this legacy of Elie Wiesel's to continue. It has to, and if it doesn't, it is our loss, and it will be an unfathomable loss." ―Ben Kingsley "Wiesel taught us that we must not forget; that there is no greater sin than that of silence and indifference. In doing so he has not just illumined the past, he has illumined the future" ―Oprah Winfrey "There was something burning inside of Elie, a flame ignited by injustice and pain. He was willing to share that part of himself. Pain can make people retreat from life, but opened Elie to the world." ―Kathleen Kennedy Townsend "He performed the alchemy of converting pain, injustice and horror into love, compassion and tolerance. We remember him not so much because he so often succeeded but because he never stopped trying." ―Ted Koppel "I believe there is a risk of Elie Wiesel, the Holocaust, and other genocides being forgotten. Without a real effort to retain their memory, they may simply disappear from history. Elie Wiesel was a light in the night for the whole world, not just the Jewish one." ―Father Patrick Desbois About the Author Editor: Nadine Epstein, Editor-in-Chief of Moment Magazine, is the founder and executive director of the Center for Creative Change and founder of the Daniel Pearl Investigative Journalism Initiative. An award-winning journalist and author, she reported for the City News Bureau of Chicago and the Chicago Bureau of the New York Times and covered the U.S.-Mexico border. She was a Knight-Wallace Fellow at the University of Michigan, where she also taught journalism. She is also an artist and the creator of the iShadow Project. Foreword: Rabbi Lord Jonathan Sacks is the former Chief Rabbi of the United Kingdom. He is the author of more than 25 books, most recently Not in God's Name: Confronting Religious Violence. Ted Koppel was the anchor and managing editor of ABC News Nightline for 25 years. He is currently a contributor to CBS News Sunday Morning and author of Lights Out.

Warm, funny episodes, each complete with the perfect recipe from the life of America’s favorite mother-in-law from the hit comedy Everybody Loves Raymond In Are You Hungry, Dear? , Doris takes her signature line from the show and makes it her own in a program that pairs hilarious stories and dramatic turning points from her fascinating life with delicious recipes from her kitchen. She shares the lessons learned in two marriages and numerous love affairs, her struggles with her own family, and her heroic efforts to build a career and raise a son on her own. Those who love feisty, judgmental, opinionated Marie Barone will see how Doris is all that and more: tough, sweet, brave, direct, and vibrant. Listeners will embrace the unforgettable life of this very open star, and relate to the issues--like ageism in Hollywood, sex in the senior years, and her daughter-in-law’s imperfect meat sauce--that Doris cares about passionately. Are You Hungry, Dear? is for everyone who loves a laugh, a great recipe, and a true inside glimpse of a very approachable star.

This candid autobiography, the last work by renowned psychologist Albert Ellis, is a tour de force of stimulating ideas, colorful descriptions of memorable people and events, and straightforward, no-nonsense talk. Ellis, the creator of one of the most successful forms of psychotherapy―Rational Emotive Behavior Therapy (REBT)―recounts the memorable episodes of his life; discusses how he coped with emotional problems at different stages of life; describes his love life; and subjects his own self-description to a ruthlessly honest critique. The heart of Ellis's book is his analysis of the psychological leitmotifs that have appeared again and again throughout his life. He describes the aim of this autobiography as follows: "As far as I can, I shall present my bad and good, stupid and intelligent, weak and strong points. Why? Because, following H. G. Wells's recommendation, I want to go as all-out as I can. I want to acknowledge my idiocies―and use REBT to feel sorry about but unashamed of them. I want to make the point―again a central tenet of REBT―that all humans are fabulously fallible―including, of course, me. We have no real choice about this, but we can unconditionally accept ourselves―our so-called essence or being―with our fallibility. That will momentously help us, probably encourage us to acquire unconditional self-acceptance (USA) and possibly inspire other people to give it to themselves, too." With a concluding chapter by Ellis's widow, Debbie Joffe Ellis, describing the final years of his life, this is the definitive summation of the life and work of one of psychology's most successful thinkers and practitioners.

Once there was a boy named Leonard who loved to sing and to act. His parents were immigrants who felt like aliens in America, and certainly didn't understand Leonard's drive to perform. "Learn to play the accordion," his father told him. "Actors starve, but at least musicians can eke out a living." But Leonard reached for the stars... and caught them. He moved to Hollywood, where he took acting lessons, and drove a taxi and took every role he could get. He worked hard, learned his lines, showed up on time, and studied his craft. Until one day he was offered the role of an alien science officer on a new TV show called Star Trek. Leonard knew what it felt like to be an alien. But did he want the role?