“An astounding achievement.” —Megha Majumdar * “Her best book yet.” —Paul Yoon Set in midcentury America, At Last explores a rich family saga centered on two fierce and competitive matriarchs whose intertwined lives reflect the complexities of family, tradition, and personal ambition. “Whole lives course down the decades, and every minute is conveyed with Silver’s signature combination of toughness and grace,” (Laird Hunt). Helene Simonauer and Evelyn Turner are two formidable women whose paths cross when their children marry. Both women are sharp, cunning, and unwavering in their conflicting beliefs about marriage, responsibility, and family and, most pressingly, their efforts to vie for the love of their shared granddaughter. At Last paints a vivid portrait of the American Midwest, capturing the essence of a time and place where societal norms and personal aspirations often clashed. Marisa Silver’s narrative weaves together the lives of Helene and Evelyn, from their vastly different childhoods through the pivotal events that define them. Both intimate and expansive, and capturing the complexities of ambition and love with humor and insight, At Last is a testament to what happens when an unintended, even unwanted relationship turns out to be a central one that defines a life.

"Marge Piercy is a raw, tough, willfull, magnificent novelist." THE CHRISTIAN SCIENCE MONITOR Set against the early days of the modern feminist movement, SMALL CHANGES tells the story of sensual Miriam Berg, who trades her doctorate for marriage and security, but still hungers for a life of her ow,n and shy, frightened Beth who is running from the life Miriam seeks and into a new world of different ideas and a different kind of love.....

The unofficial bible of the French Symbolist movement, admired by Mallarmé, Jarry and Gide, in a new translation When Marcel Schwob published The Book of Monelle in French in 1894, it immediately became the unofficial bible of the French Symbolist movement, admired by such contemporaries as Stéphane Mallarmé, Alfred Jarry and André Gide. A carefully woven assemblage of legends, aphorisms, fairy tales and nihilistic philosophy, it remains a deeply enigmatic and haunting work more than a century later, a gathering of literary and personal ruins written in a style that evokes both the Brothers Grimm and Friedrich Nietzsche. The Book of Monelle was the result of Schwob's intense emotional suffering over the loss of his love, a "girl of the streets" named Louise, whom he had befriended in 1891 and who succumbed to tuberculosis two years later. Transforming her into the innocent prophet of destruction, Monelle, Schwob tells the stories of her various sisters: girls succumbing to disillusionment, caught between the misleading world of childlike fantasy and the bitter world of reality. This new translation reintroduces a true fin-de-siècle masterpiece into English. A secret influence on generations of writers, from Guillaume Apollinaire and Jorge Luis Borges to Roberto Bolaño, Marcel Schwob (1867-1905) was as versed in the street slang of medieval thieves as he was in the poetry of Walt Whitman (whom he translated into French). Paul Valéry and Alfred Jarry both dedicated their first books to him, and he was the uncle of Surrealist photographer Claude Cahun.

A story spanning two world wars and several generations in a German family. In the devastating opening scene, a woman named Helene stands with her seven-year-old son in a provincial German railway station in 1945, amid the chaos of civilians fleeing west. Having survived with him through the horror and deprivation of the war years, she abandons him on the station platform and never returns. The story quickly circles back to Helene's childhood with her sister Martha in rural Germany, which came to an abrupt end with the outbreak of the First World War. Their father is sent to the eastern front, and their Jewish mother withdraws from the hostility of her surroundings into a state of mental confusion. As we follow Helene into adulthood, we watch riveted as the costs of survival and ill-fated love turn her into a woman capable of the unforgivable.

Recreates a school year in the life of teenager Jeremy Reskin, who falls madly in love with the new girl in school and deals in his own way with classes, sports, family conflicts, peer pressure, romance, and hanging out.

The first trade edition of the cult classic from the artist/author hailed by Iggy Pop as “the great nightmare anti-hero of the new age,” legendary tattoo artist Jonathan Shaw, that chronicles a scandalous, degenerative addiction between two people—a wild, brutal, passionate, and unstoppable ride into depravity and darkness through the back alleys of Rio De Janeiro and New York City. A legendary tattoo master and notorious creator of trendsetting underground art, Jonathan Shaw has created a masterpiece with this powerful story that captures the destructive addiction of love, sex and drugs, embodied in two people whose irresistible passions threaten to destroy them. In the wild backwaters of Rio de Janeiro and New York, motorcycle-riding, nomadic outlaw poet Ignacio Valencia Lobos—known as Cigano—attempts in vain to curb the unhinged habits of his lover Narcisa, a crack-smoking philosopher prostitute. Though he knows they will destroy each other, Narcisa is an exquisite poison he cannot resist. As they navigate the chaos of her downward spiral—dragged deeper by the gravity of drugs, burglaries and violence, Cigano recounts a love affair doomed by insanity, dysfunction, and vice. A magnificent epic of literary genius, Narcisa belongs among the works of such greats as Charles Bukowski, Henry Miller, William S. Burroughs, Jack Kerouac, Irvine Welsh, and Hunter S. Thompson.

'Francesa Segal is precise and funny, and The Awkward Age is brimming with keen observations of the highest order--the clever, the sore, and the sublime.' Emma Straub In a Victorian terraced house, in north-west London, two families have united in imperfect harmony. After five years of widowhood, Julia has fallen deeply, unexpectedly in love. James is everything she never knew she wanted - if only her beloved teenaged daughter, Gwen, didn't hate him so much. At the very least, Gwen could be civil to James's son, Nathan. Bringing together two households is never easy, but Gwen's struggle for independence will test her mother's loyalty, and her unexpected actions will threaten this fragile new happiness. The Awkward Age is about the new family; about starting over, about the attempt to build something beautiful amid the mess and complexity of what came before. It is a story about standing by the ones we love, even while they hurt us. We would do anything to make our children happy. But how much should we give?

They met as children, innocents from two different worlds. And from that moment their lives were fated to be forever entwined. Timothy : Abandoned at birth, he finds a home--and a dazzling career--within the Catholic Church. But the vows he takes cannot protect him from one soul-igniting passion. Daniel : The scholarly son of a great rabbi, he is destined to follow in his father's footsteps. And destined to break his father's heart. Deborah : She was raised to be docile and dutiful--the perfect rabbi's wife--but love will lead her to rebellion. And into world's the patriarch would never dare imagine. Reaching across more than a quarter of a century, from the tough streets of Brooklyn to ultramodern Brasilia to an Israeli kibbutz, and radiating the splendor of two holy cities, Rome and Jerusalem, here is Erich Segal's most provocative and ambitious novel to date--the unforgettable story of three extraordinary lives...and one forbidden love. From the Paperback edition.

From the internationally renowned author of In a Different Voice, a remarkable debut novel: a love story that introduces an unforgettable character in modern fiction, Kyra, and a superb new fiction writer, Carol Gilligan. Kyra is an architect designing a new city, a woman of humor and courage living in a vibrant world of family, friends, and colleagues and determined to break out of old structures. When she meets Andreas, a director staging an innovative production of Tosca, neither wants to fall in love–and yet, inevitably, they do. Their story takes us from Cambridge and an island off the coast of Massachusetts to Vienna, Thailand, Cyprus, and Wales as Kyra seeks the deepest truths about herself, other people, loyalty, and love. This reaching leads her to commit singular acts that startle and shock, inspiring new freedom for others as well as for Kyra herself. Rich with Carol Gilligan’s signature gifts–emotional wisdom, subtle renderings of the intricacies of human relationship, conflict and choice, and lyrical prose–Kyra is a luminous, magnificent novel by a writer realizing the range of her powers.

They are two sworn enemies with a single obsession: a woman on the run from them both. Scott Weiss is a private detective. John Foy is a professional killer. The woman is Julie Wyant, a hooker with the face of an angel. Julie spent one night with Foy--a night of psychopathic cruelty that Foy called love. Desperate to get away from him, she vanished without a trace. And Foy wants her back. There's only one man who can find her: Weiss, the best locate operative in the business. She's begged him not to look for her, fearing he'll bring the killer in his wake. But Weiss can't stay away. Now, from a town called Paradise, through a wilderness that feels like hell, Weiss searches for Julie--and the killer follows, waiting for his chance. They are two expert hunters matching move for move--until it ends on Damnation Street.

The acclaimed author of The Rules of Magic presents a “sexually charged...almost hypnotic”( Publishers Weekly ) novel about men, women, romance, and real life. When Teresa was a little girl, she went to sleep with dreams in her head—dreams of dark-eyed, fearless heroes on white horses who would sweep her away. Then men her mother told her about were a special breed, and someday, Teresa vowed, she would fins one of her own. But now, as the adult Teresa negotiates life and love, she begins to understand that fairy tales don't always come true—and that passion isn't always the stuff of dreams...

In The Player, the Hollywood classic that was adapted into the celebrated movie by Robert Altman, film executive Griffin Mill got away with murder. Now Mill is back, down to his last $6 million, and broke. His second wife wants to leave him. His first wife still loves him. His children hate him, and believing that the end of the world is happening, he wants to save them all, with one last desperate plan to save his life: quit the studio and convince an almost billionaire that he has the road map and the mettle to make them both achieve savage wealth. In The Return of the Player , Tolkin again delivers a brilliant, incise portrait of power, wealth, and family in contemporary society gone out of control with greed and excess.

"Do tell us a fairy tale, ganpa." "Well, will you be good and quiet if I do?" "Of course we will; we are always good when you are telling us fairy tales." "Well, here goes.--Once upon a time, though it wasn't in my time, and it wasn't in your time, and it wasn't in anybody else's time, there was a----" "But that would be no time at all." "That's fairy tale time." This is a lovely little book of fairy tales from throughout Europe. The author wrote the stories by finding tales that were common among many different European countries and cultures. The stories were very approachable, and are appropriate for all ages. There are 25 stories in totaly. European Folk and Fairy Tales (also known as Europa's Fairy Book) is a collection of Folk and Fairy Tales by Joseph Jacobs, first published in 1916, including: The Cinder-Maid The King of the Fishes Beauty and the Beast Reynard and Bruin The Dancing Water, The Singing Apple, and the Speaking Bird The Language of Animals Snowwhite Joseph Jacobs (1854 - 1916) was a folklorist, literary critic and historian. His works included contributions to the Jewish Encyclopedia, translations of European works, and critical editions of early English literature. Jacobs wrote for journals and books on the subject of folklore and produced a popular series of fairy tales.

The groundbreaking novel about a woman whose subconscious mind splinters and finds itself in the body of a young man, from the author of I Who Have Never Known Men . Now in paperback with a new foreword by Isle McElroy for the 30th anniversary of its original publication. One afternoon in a café across the Gare du Nord train station in Paris, Aline Berger, a literature professor, struggles to re-read Virginia Woolf’s Orlando , when an odd feeling comes over her. Suddenly, part of her consciousness splits off and finds itself in the body of an attractive young man named Lucien Lèfrene, who works as a rock journalist. In this newfound body, Aline’s splintered mind names themselves Orlanda in homage to Virginia Woolf as a woman who has now become a man. Orlanda begins to follow Aline. And when the two meet again in Belgium, Aline subconsciously sheds her prim tendencies for a more assertive presence, as she begins to understand that Orlanda was born from her own psyche. Orlanda is the assertive, confident, and amorous person, who loves men unabashedly, that Aline has always aspired to be but could never become. The more time the two spend together, the less time they can stand to be apart. This lyrical novel is a stunning portrait of a woman who is forced to confront every part of her soul and embrace herself fully.

Follow sixteen-year-old Faith Duckle in this audacious and darkly funny tale as she moves through the difficult journey from the schoolyard to the harlequin world of the circus. At fifteen, Faith was lured under the bleachers by a bunch of boys at a football game and raped. Now, almost a year later, a newly thin Faith is haunted by her past, and by the cruel, flippant ghost of her formerly fat self, who is bent on revenge. This quest for retribution eventually compels Faith to violence, forcing her to flee home in search of the only friend she has -- a troubled but caring busboy named Charlie, who is the lover of a sideshow performer -- and to tumble into the colorful, transient world of the circus. But as she leaves her old life behind and dives headfirst into a world of adult passions and dreams, mercurial allegiances, and exhilarating self-discovery (while paying considerable dues with a shovel in the elephant tent), Faith ultimately begins to discover who she is and all that she is capable of. Wonder When You'll Miss Me combines tender wit with page-turning energy and characters as original as they are memorable. By turns harrowing and poignant, lyrical and hilarious, it is a vibrant, compelling novel readers won't forget.

Deborah Eisenberg is almost unmatched in her mastery of the short story form. In this, her seventh collection, she demonstrates her virtuosic abilities in precisely distilled, unflinchingly honest studies of human connection and disconnection. From a group of friends whose luxurious Manhattan sublet becomes a front-row seat to the catastrophe of 9/11; to the Roman holiday of a schoolteacher running away from the news of her ex-husband's life-threatening illness; to the too painful love of a brother for his schizophrenic sister, Eisenberg evokes painful and tender truths, both poetic and deeply political. 'The stories are, in their masterly crosshatching of light and dark, concentrated bursts of perfection’ The Times ‘Wonderful . . . written with a ruthless, compassionate eye and a subtle humour' Guardian ‘Further confirms her reputation as one of the most imaginative and exquisitely perceptive of today’s short story writers' Scotland on Sunday 'She makes you smile as much as she haunts with stark truths . . . In the US, many people consider Eisenberg to be up there with Alice Munro, the female monarch of the short-story form. It’s time the UK considered putting her up there too’ Financial Times

Deborah Eisenberg is nearly unmatched in her mastery of the short story form. Now, in her newest collection, she demonstrates once again her virtuosic abilities in precisely distilled, perfectly shaped studies of human connection and disconnection. From a group of friends whose luck in acquiring a luxurious Manhattan sublet turns to disaster as their balcony becomes a front-row seat to the catastrophe of 9/11; to the Roman holiday of a schoolteacher running away from the news of her ex-husband's life-threatening illness, and her unlikely guide, a titled art scout in desperate revolt against his circumstances and aging; to the too painful love of a brother for his schizophrenic sister, whose tragic life embitters him to the very idea of family, Eisenberg evokes, in brooding passionate and brilliant prose, a brutally honest portrait of our lives today, showing us truths which are both poetic and deeply political. 'Like Alice Munro, virtually her only equal in the field, Deborah Eisenberg seems incapable of writing a bad short story . . . Eisenberg's writing at times approaches the beauty of a line of poetry. She manipulates her readers with a master's blend of humor and poignancy. Her stories are wondrous' San Francisco Chronicle

Four-time Edgar Award-winning author Lawrence Block's definitive essay collection on the art of writing fiction For ten years, crime novelist Lawrence Block funneled his wealth of writing expertise into a monthly column for Writer's Digest. Collected here for the first time are those pieces illuminating the tricks of the authorial trade, from creating vibrant characters and generating seamless plots, to conquering writer's block and experimenting with self-publishing. Filled with wit and insight, The Liar's Bible is a must-read for experts, amateurs, and anyone interested in learning to craft great fiction from one of the field's modern masters. This ebook features an illustrated biography of Lawrence Block, including rare photos and never-before-seen documents from the author's personal collection.

Kaus pays a great deal of attention to Catherine's early life. Her relationship with her siblings and the poor relationship she had with her father discussed in detail. Catherine hungered for love, something she would struggle with for her whole life. She desired a husband who would provide her with a crown more dazzling than that of Zerbst, in her native land of Germany. Her marriage to Peter III was a failure but provided her with the crown of Russia. Her extramarital affairs are discussed. After the conspiracy against her husband was successfully carried out, the Imperial Guards proclaimed her the sole ruler of Russia. There was an intense hatred between Catherine and her son Paul, and because of this, Catherine planned to make her grandson, Alexander, the successor to the throne of Russia. Gregory Potemkin loved and admired her as no one else in Catherine's life. A number of illustrations are included as well as an index.

Samuel Perlman, the elderly narrator of Yasmina Reza’s deliriously dyspeptic novel, is surrounded by happy people. His wife Nancy is thrilled to be a member of the human race. His grown son is content crisscrossing the world to “sample exotic fruit with the savages.” But Samuel himself refuses to be happy and his attempt to explain his refusal (half to his son and half to himself) generates an epic, blasphemous, and hilarious rant against the compromises of his life. Whether he is recounting his pal Lionel’s heroic battle against impotence; lamenting the loss of his great love, the irresistible Marisa Botton; or pondering the possibility of a new love in the person of one Genevieve Abramowitz, the droll, irascible Perlman is one of the great talkers of contemporary fiction. And Desolation is one of the most dazzling performances ever written for one voice.