A collection of essays and articles translated from the revised edition of "Les Juifs, la mémoire et le présent" (Paris: La Découverte, 1991), with some changes. The following deal with antisemitism or the Holocaust:

Memoirs of a Jew who was born in 1922 in Zhetel (in Polish, Zdzięcioł). Pp. 73-137 deal with the Holocaust period, and Shelub's experiences as a partisan in the forests of Belarus.

Not only do "modern" Jewish languages like Yiddish and Hebrew have their own Jewish writers, but every major Western tongue?from German and Russian to English and Portuguese?does as well. These writers are often at the crossroad between the two traditions: their Jewish one and their own national one. Is there such a thing as a modern Jewish literary tradition, one navigating across linguistic and national lines? If so, how should one define it? Ilan Stavans is uniquely qualified to answer these questions and to comment on the power and challenges of cultural margins and literary crossings. He has been at the forefront of an appreciation of the Jewish literary tradition that is less asphyxiating, more global. His reflections on Jewish Latin America have won him the nickname "pathfinder." This incomparable volume showcases Stavans's most insightful and provocative?and at times controversial?observations on transnational Jewish culture and literature. Stavans explores the problems and prospects of representing Jewish experiences through such media as Holocaust memoirs and Jewish museums; astutely comments on well-known intellectual figures, including Lionel Trilling, Isaac Babel, Primo Levi, Harold Bloom, and Walter Benjamin; engages in memorable conversations with Norman Manea, Joseph Brodsky, and Ariel Dorfman; and offers compelling glimpses of revelatory moments in his own life.

Poetry. Latino/Latina Studies. Jewish Studies. Translated from the Spanish by Antena. The narrator of TELA DE SEVOYA / ONIONCLOTH travels to Bulgaria, searching for traces of her Sephardic heritage. Her journey becomes an autobiographical and imagined exploration of childhood, diaspora, and the possibilities of her family language: Ladino or Judeo- Spanish, the living tongue spoken by descendants of the Jews expelled from Spain in 1492. Memoir, poetry, storytelling, songs, and dreams are interwoven in this visionary text--this tela or cloth that brings the past to life, if only for a moment, and that looks at the present though the lens of history. In 2012, TELA DE SEVOYA / ONIONCLOTH was awarded one of Mexico's most prestigious literary prizes, the Premio Xavier Villaurrutia, whose previous winners include Octavio Paz, Carlos Fuentes, and Mario Bellatin. "TELA DE SEVOYA / ONIONCLOTH is an absolutely extraordinary text... it successfully joins past and present, life and death, memory and imagination."--Juan Gelman "Readers will find, through this tale of the relationship between a girl and her embittered grandmother, an entirely singular world narrated from the point of view of an 'I' whose range exceeds the territory of any private life."--Mario Bellatin

Upon arriving at the kibbutz, after years of running and living in a constant state of fear and anxiety, I finally felt that I could unburden my heart and mind. I had dreamed of the day I would arrive, alive, in Eretz Israel. The constant stress of the last few years was made easier by my constant desire to achieve that goal. So, when I first arrived in the kibbutz dining hall, it was as if all my dreams had come true. David J. Azrieli was born in 1922 in Maków Mazowiecki, Poland. Written by his daughter Danna, this gripping account of survival during World War II describes David’s extraordinary travels, always just one step ahead of life-threatening danger, which took him to the Soviet-occupied zones of Poland and later to Ukraine, Tashkent, and Buchara. He subsequently served in the Anders Army, before making his way from Baghdad to the frontiers of British-occupied Palestine. The memoir chronicles David J. Azrieli’s arrival in Palestine, his studies at the Technion in Haifa, his experiences as a soldier in the War of Independence, and his realization that most of his immediate family had perished in the Holocaust. Azrieli finally settled in Canada in 1954. There he married his wife, Stephanie, and together they raised four children—Rafi, Sharon, Naomi, and Danna. This story of survival is all the more remarkable given Azrieli’s later achievements as a successful real estate developer and philanthropist. One of the economic giants of the Jewish world, his many developments changed the face of Israel and stand as a striking testament to the strength and courage of a boy whom Hitler could not defeat. The highlight of his activities is the establishment of the Canadian and Israeli Azrieli Foundations, which focus on improving the lives of present and future generations through education, research, healthcare, and arts. -- page 4 of cover.

In 1987 a young Jewish man, the central figure in this captivating book, leaves Moscow for good with his parents. They celebrate their freedom in opulent Vienna and spend two months in Rome and the coastal resort of Ladispoli. While waiting in Europe for a U.S. refugee visa, the book’s twenty-year-old poet quenches his thirst for sexual and cultural discovery. Through his colorful Austrian and Italian misadventures, he experiences the shock, thrill, and anonymity of encountering Western democracies, running into European roadblocks while shedding Soviet social taboos. As he anticipates entering a new life in America, he movingly describes the baggage that exiles bring with them, from the inescapable family traps and ties to the sweet cargo of memory. An emigration story, Waiting for America explores the rapid expansion of identity at the cusp of a new, American life. Told in a revelatory first-person narrative, Waiting for America is also a vibrant love story in which the romantic main character is torn between Russian and Western women. Filled with poignant humor and reinforced by hope and idealism, the author’s confessional voice carries the reader in the same way one is carried through literary memoirs like Tolstoy’s Childhood, Boyhood, Youth, Hemingway’s A Moveable Feast, or Nabokov’s Speak, Memory. Babel, Sebald, and Singer—all transcultural masters of identity writing—are the coordinates that help to locate Waiting for America on the greater map of literature.

When Ellis Douek was nine, his mother insisted that he take up embroidery, in case he became a surgeon when he grew up. Of course she was right, for he became Consultant ENT Surgeon at Guy's Hospital in London. The Douek parents had the unerring quality of belonging in whichever country they lived - Egypt, the Sudan, Columbia and, finally, England. Ellis Douek's memoirs describe the hedonism of life in Egypt, the Suez Crisis which uprooted them, 1950s Bradford, and Paris. He began his medical training in Paris where he, his sister Claudia (Claudia Roden, the cookery writer), and brother Zaki lived free of adult supervision. His training continued in London during a time of smog, digs and landladies. Ellis's days as an army medic provide hilarious accounts of whisky-sodden soldiers, circumcisions and bureaucratic procedures.

This sweeping, eighty-year memoir is the last work of veteran journalist Israel Epstein (1915-2005), one of the very few Western writers to experience the Chinese Communist Revolution firsthand. Born in Poland and raised in China, Epstein served as a war correspondent from the front lines of the Chinese War of Resistance against Japan, as well as during the Communist-Nationalist struggle. Inspired by the immense social revolution taking place, Epstein took Chinese citizenship, only to be imprisoned during the Cultural Revolution. During this dark period, Epstein found his ideals challenged in ways he never imagined, yet his lifelong struggle for social equality has never wavered. This powerful memoir resonates with some of the twentieth century's most turbulent years and is a fascinating read for anyone interested in Chinese history.

In Beyond Imagination, 21 of Canada's most eminent writers of Jewish decent try in their various ways to make sense - if sense can be made - of the Holocaust. Together they bear witness to the most catastrophic and profoundly troubling event of our century, in essays, memoirs, short stories, and poems. With the assistance of the publisher, the contributors to this volume are donating their royalties to help establish a Chair in Jewish Studies at the University of Toronto.

"Inspired by a search for the origin of his Lithuanian-immigrant grandfather's unlikely name - Charles Beresford Price - Stanley Price sets out to assemble his own identity from a multitude of fragments: rugby-playing, patriotic Irish; rebellious orthodox Jewish; Cambridge, anti-Establishment British; 1960s immigrant to America; not to mention, eventually, successful novelist and playwright." "Price introduces us to a varied, Woody Allen-esque cast: the eccentric grandfather who was once famously asked by a Dublin policeman whether he was 'a Catholic Jew or a Protestant Jew'; the ageing spinster aunts Minnie and Hilda, aka 'The Girls'; a wind-obsessed rabbi; and guest appearances from Elizabeth Taylor, Richard Burton and Marilyn Monroe." "Criss-crossing both the Irish Sea and the North Atlantic, this perfectly paced and witty memoir also tells a little-known story: that of the Jews of Ireland - their history, culture and contribution."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Memoirs of a Jew who was born in Warsaw ca. 1920. In 1939 he went to study in Lvov. Describes the Nazi occupation in 1941, the pogrom by Germans and Ukrainians which followed, the anti-Jewish laws, and life in the ghetto, where Stankiewicz became a forger of papers. In spring 1943 he escaped from the ghetto and fled to Ukraine, posing as a German soldier; however, he was arrested by the Gestapo and sent to Buchenwald. A friend helped him obtain classification as a Pole, thereby improving his conditions in the camp. He was liberated in April 1945 and emigrated to the U.S. in 1949.