Ammiel Alcalay's groundbreaking work, After Jews and Arabs, published in 1993, redrew the geographic, political, cultural, and emotional map of relations between Jews and Arabs in the Levantine/Mediterranean world over a thousand-year period. Based on over a decade of research and fieldwork in many disciplines-including history and historiography; anthropology, ethnography, and ethnomusicology; political economy and geography; linguistics; philosophy; and the history of science and technology-the book presented a radically different perspective than that presented by received opinion. Given the radical and iconoclastic nature of Alcalay's perspective, After Jews and Arabs met great resistance in attempts to publish it. Though completed and already circulating in 1989, it didn't appear until 1993. In addition, when the book was published, there wasn't enough space to include its original bibliography, a foundational part of the project. A Bibliography for After Jews and Arabs presents the original bibliography, as completed in 1992, without changes, as a glimpse into the historical record of a unique scholarly, political, poetic, and cultural journey. The bibliography itself had roots in research begun in the late 1970s and demonstrates a very wide arc. In addition to the bibliography, we include three accompanying texts here. In "Behind the Scenes: Before After Jews and Arabs, " Alcalay takes us behind the closed doors of the academic process, reprinting the original reader reports and his detailed rebuttals, and in "A Bibliography for After Jews and Arabs A Brief Introduction," Alcalay contextualizes his own path to the work he undertook, in methodological, historical, and political terms. Also included is "A Poetics of Bibliography." Poet, novelist, translator, critic, and scholar Ammiel Alcalay teaches at Queens College and The Graduate Center, CUNY. His books include After Jews and Arabs, Keys to the Garden, Memories of Our Future, Islanders, and neither wit nor gold: from then. A 10th-anniversary edition of from the warring factions, a book-length poem dedicated to Srebrenica, and a book of essays, a little history, came out in 2013. a little history also came out in a Portuguese translation with Editor Lumme, São Paolo in 2019. During the wars in ex-Yugoslavia, he was the primary translator of texts from Bosnia, and translations include Sarajevo Blues and Nine Alexandrias by poet Semezdin Mehmedinovic, as well as works by journalist Zlatko Dizdarevic, and many others. Alcalay is the General Editor of Lost & Found: The CUNY Poetics Document Initiative, a series of student and guest-edited archival texts emerging from New American Poetry, and he was the recipient of a 2017 Before Columbus Foundation American Book Award for this work.

The only country in the world with a line in its national anthem as desperate as “this people has already suffered for its past and its future,” Hungary is a nation defined by poverty, despair, and conflict. Its history, of course, took an even darker and more tragic turn during the Holocaust. But the story of the Jews in Hungary is also one of survival, heroism, and even humor—and that is the one acclaimed author Adam Biro sets out to recover in One Must Also Be Hungarian , an inspiring and altogether poignant look back at the lives of his family members over the past two hundred years. A Hungarian refugee and celebrated novelist working in Paris, Biro recognizes the enormous sacrifices that his ancestors made to pave the way for his successes and the envious position he occupies as a writer in postwar Europe. Inspired, therefore, to share the story of his family members with his grandson, Biro draws some moving pictures of them here: witty and whimsical vignettes that convey not only their courageous sides, but also their inner fears, angers, jealousies, and weaknesses—traits that lend an indelible humanity to their portraiture. Spanning the turn of the nineteenth century, two destructive world wars, the dramatic rise of communism, and its equally astonishing fall, the stories here convey a particularly Jewish sense of humor and irony throughout—one that made possible their survival amid such enormous adversity possible. Already published to much acclaim in France, One Must Also Be Hungarian is a wry and compulsively readable book that rescues from oblivion the stories of a long-suffering but likewise remarkable and deservedly proud people.

From Kirkus Reviews paper 0-8142-0780-4 A second collection from English professor (U. of Mass.) and critic Clayton, the first winner of the Sandstone Prize for Short Fiction. Clayton's new volume is, in many ways, a maturing of the concerns of his previous collection. As in Bodies of the Rich (1984), he focuses on the minutiae of daily life as a reflection of the ways in which his intelligent, middle-class protagonists express and experience loss. In Radiance, the protagonists are almost all Jews, assimilated to varying degrees but aware of and generally comfortable with their ethnic/religious identity. What they arent comfortable with is their lives--marriage as an act of settling for less, marriages that are failing or have long since dissolved, friends and family who die, parents who commit suicide. For several of his low-key heroes--in ``Glory,'' ``Open-Heart Surgery,'' and the most fully realized piece here, ``The Man Who Could See Radiance''--coping with loss takes the form of a sort of magic realist device in which people see and feel beyond their senses, becoming aware of a larger presence that may be understood as having a religious significance. The use of this device in three stories out of only ten, though, makes for a certain repetitiveness. Two tales, ``Muscles'' and ``Time Exposure,'' about episodes in an unhappy marriage that involves the husband's domineering brotherall as experienced by the couples sonhave the feeling of sketches for a novel-in-progress; theyre affecting but seem unfinished. Still, Clayton's best, ``Talking to Charlie'' and ``History Lessons,'' have a poignance that comes from an intense sensitivity to the quiet suffering that most often goes unexpressed in the rush of daily life. Uneven but distinctive short fiction from an author with a genuine gift. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. Product Description A collection of short stories about the lives of assimilated American Jews, who attempt to reach an opening into the spiritual realm while dealing with unsuccessful marriages, middle-class life, and the unhappiness of existence Review ...[Clayton writes] with compassion, simplicity and power... -- The New York Times Book Review, Patrick Farrell

"Inspired by a search for the origin of his Lithuanian-immigrant grandfather's unlikely name - Charles Beresford Price - Stanley Price sets out to assemble his own identity from a multitude of fragments: rugby-playing, patriotic Irish; rebellious orthodox Jewish; Cambridge, anti-Establishment British; 1960s immigrant to America; not to mention, eventually, successful novelist and playwright." "Price introduces us to a varied, Woody Allen-esque cast: the eccentric grandfather who was once famously asked by a Dublin policeman whether he was 'a Catholic Jew or a Protestant Jew'; the ageing spinster aunts Minnie and Hilda, aka 'The Girls'; a wind-obsessed rabbi; and guest appearances from Elizabeth Taylor, Richard Burton and Marilyn Monroe." "Criss-crossing both the Irish Sea and the North Atlantic, this perfectly paced and witty memoir also tells a little-known story: that of the Jews of Ireland - their history, culture and contribution."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Analyzes the works of Canadian Jewish poet A.M. Klein (1909-1972) written in the late 1920s-early 1950s, reading them as a combative poetic response to history. Klein's early poetry in "Hath Not a Jew, " composed against the background of the rise of antisemitism in Europe and in Montreal, his hometown, reveals his deep identification with Jewish tradition and his disillusionment with the humanist inability to confront Nazism. Deeply affected by news of the Holocaust, he wrote his mock epic "The Hitleriad" in 1942, in which he presented Hitler's ugliness, mediocrity, and meanness of spirit. This seems an attempt to demystify Hitler, paralleled perhaps by Arendt's concept of the banality of evil. "The Rocking Chair, " a collection of poems, and the novel "The Second Scroll" represent Klein's attempt to come to terms with the post-Holocaust world. Ch. 4 (pp. 61-80), "The Hitleriad: Against the Silence of the Apocalypse, " appeared in "Studies in American Jewish Literature" 9 (1990).

Analysing the political relations between the Kingdom of Poland and the hasidic movement, this book examines plans formulated by the government and by groups close to government circles regarding hasidim, and describes how a hasidic body politic developed in response. Marcin Wodzinski demonstrates that the rise of hasidism was an important factor in shaping the Jewish policy of both central and provincial authorities and shows how the creation of socio-political conditions that were advantageous to the hasidic movement accelerated its growth. While concentrating on the dynamic that developed in the Kingdom of Poland, the discussion is informed by a consideration of the relationship between the state and the hasidic movement from its inception in the Polish - Lithuanian Commonwealth. The novelty of this study lies in the fact that, whereas most analyses of political culture concentrate on states and societies with well-established electoral systems of representation, Wodzinski focuses on the under-researched area of political relations between a non-democratic state and a low-status community lacking authorized representation. Applying concepts more often associated with cultural history, his analysis draws a distinction between the terms of reference of high-level political debate and the actual implementation of policy middle- and low-level officials. Similarly, in analysing hasidic responses he differentiates between high-level hasidic representations in the state and the grassroots politics of the community. This combination enables a broad contextualization of the whole subject, integrating the social and cultural history of Polish Jewry with that of Polish society in general.

Review An expert weaver, Stollman brings together themes of religion, science, and love into an emotional whole. -- Kirkus Reviews, January 1, 2003 Stollman's weightier fictions - elegantly written and wise - returns literature to its rightful role. -- Miami Herald, March 2, 2003 Product Description A collection of short stories by the author of The Far Euphrates and The Illuminated Soul represents his earlier works as published in such literary magazines as American Short Fiction, the Yale Review, and Tikkun and explores such themes as the impact of the past on the present and of one person on another. 12,500 first pirnting. From Library Journal A story collection from the author of two celebrated novels: The Far Euphrates and The Illuminated Soul. Copyright 2002 Reed Business Information, Inc. About the Author Aryehlev Stollman is a neuroradiologist and the author of two books, The Illuminated Soul and The Far Euphrates, which is an American Library Association Notable Book, a Los Angeles Times Book Review Recommended Book of the Year, and the winner of a Wilbur Award and Lambda Award.

David Ellenson prefaces this fascinating collection of twenty-three essays with a remarkably candid account of his intellectual journey from boyhood in Virginia to the scholarly immersions in the history, thought, and literature of the Jewish people that have informed his research interests in a long and distinguished academic career. Ellenson, President of the Hebrew Union College-Jewish Institute of Religion, has been particularly intrigued by the attempts of religious leaders in all denominations of Judaism, from Liberal to Neo-Orthodox, to redefine and reconceptualize themselves and their traditions in the modern period as both the Jewish community and individual Jews entered radically new realms of possibility and change. The essays are grouped into five sections. In the first, Ellenson reflects upon the expression of Jewish values and Jewish identity in contemporary America, explains his debt to Jacob Katz's socio-religious approach to Jewish history, and shows how the works of non-Jewish social historian Max Weber highlight the tensions between the universalism of western thought and Jewish demands for a particularistic identity. In the second section, "The Challenge of Emanicpation," he indicates how Jewish religious leaders in nineteenth-century Europe labored to demonstrate that the Jewish religion and Jewish culture were worthy of respect by the larger gentile world. In a third section, "Denominational Responses," Ellenson shows how the leaders of Liberal and Orthodox branches of Judaism in Central Europe constructed novel parameters for their communities through prayer books, legal writings, sermons, and journal articles. The fourth section, "Modern Responsa," takes a close look at twentieth-century Jewish legal decisions on new issues such as the status of woemn, fertility treatments, and even the obligations of the Israeli government towards its minority populations. Finally, review essays in the last section analyze a few landmark contemporary works of legal and liturgical creativity: the new Israeli Masorti prayer book, David Hartman's works on covenantal theology, and Marcia Falk's Book of Blessings. As Ellenson demonstrates, "The reality of Jewish cultural and social integration into the larger world after Emancipation did not signal the demise of Judaism. Instead, the modern setting has provided a challenging context where the ongoing creativity and adaptability of Jewish religious leaders of all stripes has been tested and displayed."

"Ninette is an unlikely protagonist: Compelled by poverty to work as a prostitute, she dreams of a better life and and an education for her son. Plucky and street-wise, she enrolls her son in the local school and the story unfolds as she narrates her life to the school's headmistress. Ninette's account is both a classic rags-to-riches tale and a subtle, incisive critique of French colonialism."-- From back cover.