First published in 1925, Anzia Yezierska's "Bread Givers" is the tale of a young Jewish-American immigrant woman and her struggle to control her own destiny in Manhattan's Lower East Side at the turn of the century. The novel is based in large part on Yezierska's own life experiences immigrating from Poland as a child and growing up in New York City in an Orthodox Jewish family. "Bread Givers" centers on the story of its main character, Sara Smolinsky, who lives with her older sisters and parents in a poor tenement in the Lower East Side. The Smolinsky family is destitute and struggles to make ends meet as the father, Reb, refuses to work and spends all his time studying the Torah and clinging to the traditions of the country he left behind. He arranges unhappy marriages for his older daughters in the hope of becoming rich himself. Sara vows to avoid her sisters' fates and takes her life into her own hands, pursuing an education and refusing to marry just because it is expected of her. "Bread Givers" is both an engaging portrait of New York at the beginning of the twentieth-century and a timeless tale of a young woman's journey of self-discovery and determination. This edition is printed on premium acid-free paper.

One of America's most versatile writers, author of bestselling biographies such as Steve Jobs and Benjamin Franklin , has assembled a gallery of portraits of (mostly) Americans that celebreate genius, talent, and versatility, and traces his own education as a writer and biographer. In this collection of essays, the brilliant, acclaimed biographer Walter Isaacson reflects on lessons to be learned from Benjamin Franklin, Albert Einstein, Bill Gates, Henry Kissinger, Ronald Reagan and Mikhail Gorbachev, Hillary Clinton and Bill Clinton, and other interesting characters he has chronicled both as biographer and journalist. The people he writes about have an awesome intelligence, but that is not the secret to their success. They had qualities that were even more rare, such as imagination and true curiousity. Isaacson also reflects on how he became a writer, the lessons he learned from various people he met, and the challenges for journalism in the digital age. He also offers loving tributes to his hometown of New Orleans, which offers many of the ingredients for a creative culture, and to the Louisiana novelist Walker Percy, who was an early mentor. In an anecdotal and personal way, Isaacson describes the joys of writing and the way that tales about the lives of fascinating people can enlighten our own lives.

A captivating novel that evokes the author s "New York Times" bestseller "The House at Tyneford " Natasha Solomons s breathtaking new novel has it all: a love triangle, family obligations, and rediscovering joy in the face of grief, all set against the alluring backdrop of an English country estate. "It's a terrible thing to covet your brother s girl" New Year s Eve, 1946. Candles flicker, a gramophone scratches out a tune as guests dance and sip champagne for one night Hartgrove Hall relives better days. Harry Fox-Talbot and his brothers have returned from the war determined to save their once grand home from ruin. But the arrival of beautiful wartime singer Edie Rose tangles the threads of love and duty, and leads to a devastating betrayal. Fifty years later, now a celebrated composer, Fox reels from the death of his adored wife, Edie. Until his connection with his four-year old grandson - a piano prodigy propels him back into life, and ultimately to confront his past. An enthralling novel about love and treachery, joy after grief, and a man forced to ask: is it ever too late to seek forgiveness?"

In this supplement to Jonathan Lethem's novel A Gambler's Anatomy, the renowned novelist engages in a concerted transatlantic dialogue with cult theorist Laurence A. Rickels, exploring the vicissitudes of popular culture and the profound influence of Philip K. Dick on their respective lines of flight. Foregrounding the introjections between California and Germany, they address a range of ideas, subjects and figures, from B-movies, science fiction, Wile E. Coyote and the Devil to trauma theory, Freud, Hitchcock and German Expressionism. Animating their zone of interrogation is the "blot"--an algorithm of innuendo, an uncanny defamiliarization of reality and "truth" wherein the trajectories of meaning, desire and perception fold into themselves like an origami in flames.

A Library Journal Horror Best Seller From Nebula Award winner Sam J. Miller comes a frightening and uncanny ghost story about a rapidly changing city in upstate New York and the mysterious forces that threaten it. Ronan Szepessy promised himself he'd never return to Hudson. The sleepy upstate town was no place for a restless gay photographer. But his father is ill and New York City's distractions have become too much for him. He hopes that a quick visit will help him recharge. Ronan reconnects with two friends from high school: Dom, his first love, and Dom's wife, Attalah. The three former misfits mourn what their town has become--overrun by gentrifiers and corporate interests. With friends and neighbors getting evicted en masse and a mayoral election coming up, Ronan and Attalah craft a plan to rattle the newcomers and expose their true motives. But in doing so, they unleash something far more mysterious and uncontainable. Hudson has a rich, proud history and, it turns out, the real-state developers aren't the only forces threatening its well-being: the spirits undergirding this once-thriving industrial town are enraged. Ronan's hijinks have overlapped with a bubbling up of hate and violence among friends and neighbors, and everything is spiraling out of control. Ronan must summon the very best of himself to shed his own demons and save the city he once loathed.

Stan Leventhal paints a picture of Christopher Street in the 80s and 90s. "The streets became ours again. When the fag-bashers began to get bold, to slither from their slimy lairs, the young gay guys and fledgling lesbians fought back. There was a new war to win, along with battles of fear, ignorance, and indifference... But now the streets belong to us again. We paid for it with our muscles, our brains, our bodily fluids. It has our names written all over it. Our blood fills the cracks in the pavement. It's ours and we're never going to give it up." Against that backdrop, we see the pieces of an ordinary life. He's an editor for a porn publishing house - it's not glamorous, it's just work. His relationship is on the verge of ending. He is visited by the ghosts of friends he has lost to AIDS. In the midst of the familiar days, he learns from his doctor that he too has AIDS. Leventhal's final novel was produced in 1995. This new edition features a foreword by Paras Borgohain who is currently writing a screenplay for the novel.

Creating a sensation around the world, Twelve established its seventeen-year-old author as a powerful voice of the new millennium. The chilling novel follows prep school dropout White Mike through the week between Christmas and New Year's 1999, as he takes a year off to deal an alluring new drug to his privileged peers on Manhattan's Upper East Side. The kids of Twelve have it all; Chris and Claude and Hunter and Laura have the best, and most, of everything, but are constantly looking for something more exotic, and more dangerous. But Twelve is not a coming-of-age story, because these kids never had a childhood--their parents are off on holiday in Bali or business in Brussels, leaving hired help to look the other way as the kids stay home alone in their multimillion-dollar town houses, partying with drugs and sex and, in the end, much worse. From page one, the pace is set toward an apocalyptic climax. In the penultimate party scene, when we thought we couldn't be surprised, we are shocked. And throughout the book, where there is an excess of everything but hope, we are filled with that very emotion as White Mike struggles for nothing less than his soul.

A novel of rare genius, The Man with the Golden Arm describes the dissolution of a card-dealing WWII veteran named Frankie Machine, caught in the act of slowly cutting his own heart into wafer-thin slices. For Frankie, a murder committed may be the least of his problems. The literary critic Malcolm Cowley called The Man with the Golden Arm "Algren's defense of the individual," while Carl Sandburg wrote of its "strange midnight dignity." A literary tour de force, here is a novel unlike any other, one in which drug addiction, poverty, and human failure somehow suggest a defense of human dignity and a reason for hope.

"There is no privacy more inviolable than that of the prisoner. To visualize that cell in which he is thinking, to reach what he alone knows; that is a blank in the dark." Privileged whites in post-apartheid South Africa, Harald and Claudia Lindgard have managed to live the better part of 50 years without ever confronting the deepest shadows in their culture or in their own souls. Though they conceive of themselves as liberal-minded, neither has ever taken any active political stand; neither has ever been in any black person's home. Harald sits on the board of an insurance company; Claudia is a compassionate doctor. Neither of them has ever been inside a courtroom before; neither has ever been inside a prison. When their architect-son, Duncan, is arrested for murder, both know that the charge is preposterous. But Duncan himself fails to deny his guilt, and his parents are brought by a harsh and ungainly process to accept the possibility that he has committed an unthinkable crime. Nadine Gordimer's The House Gun is a gravely sustained exploration of their long-delayed but necessary descent into an intimate acquaintance with the culture of violence that surrounds them and that is "the common hell of all who are associated with it." The novel is a mystery, but not in the usual sense of the whodunit. Here the question of who quickly gives way to why and thence to other, still deeper quandaries of culpability, both immediate and ultimate. The enigmatic Duncan becomes a dark mirror in which his stunned parents must desperately grope for a new vision of themselves and their world--a vision that will not shatter, as their old one has, under a single blow from reality. Gordimer's prose is mannered and severe; humor is rare, or absent. "As the couple emerge into the foyer of the courts, vast and lofty cathedral echoing with the susurration of its different kind of supplicants gathered there, Claudia suddenly breaks away, disappearing towards the sign indicating toilets. Harald waits for her among these people patient in trouble, no choice to be otherwise, for them, he is one of them, the wives, husbands, fathers, lovers, children of forgers, thieves and murderers." This difficult exposition is the reader's own dark mirror, where we as spectators fumble from one dubious explanation to the next--a twisted reflection always reminding us that, underlying this social tragedy, there is a mystery play in the old sense, and an unanswerable question: What is a human being? Paragraph after paragraph, the reader is led into deeper and deeper perceptions of the sensibilities and the dilemmas of these characters--into a quiet intimacy with their trouble that is sometimes acutely uncomfortable, but which pays off richly in an ending that reconciles our sense of the horror of violence with our desire to believe in the value of each life. --Daniel Hintzsche

Michelle Huneven, Richard Russo once wrote, is "a writer of extraordinary and thrilling talent." That talent explodes with her third book, "Blame," a spellbinding novel of guilt and love, family and shame, sobriety and the lack of it, and the moral ambiguities that ensnare us all. The story: Patsy MacLemoore, a history professor in her late twenties with a brand-new Ph.D. from Berkeley and a wild streak, wakes up in jail--"yet again"--after another epic alcoholic blackout. "Okay, what'd I do?" she asks her lawyer and jailers. "I really don't remember." She adds, jokingly: "Did I kill someone?" In fact, two Jehovah's Witnesses, a mother and daughter, are dead, run over in Patsy's driveway. Patsy, who was driving with a revoked license, will spend the rest of her life--in prison, getting sober, finding a new community (and a husband) in AA--trying to atone for this unpardonable act. Then, decades later, another unimaginable piece of information turns up. For the reader, it is an electrifying moment, a joyous, fall-off-the-couch-with-surprise moment. For Patsy, it is more complicated. Blame must be reapportioned, her life reassessed. What does it mean that her life has been based on wrong assumptions? What can she cleave to? What must be relinquished? When Huneven's first novel, "Round Rock," was published, Valerie Miner, in the "Los Angeles Times Book Review," celebrated Huneven's "moral nerve, sharp wit and uncommon generosity." The same spirit electrifies "Blame." The novel crackles with life--and, like life, can leave you breathless.

Lara Vapnyar, author of the prizewinning story collection There Are Jews in My House, brings us a poignant and comic first novel about a delightfully sincere modern-day muse. We meet Tanya as a typical Russian girl, living with her bookish professor mother in a drab Soviet apartment. As a teenager, Tanya becomes obsessed with Dostoevsky and settles on her life’s she will be the companion to a great writer. Her memoirs tell of her immigration to New York after college, the stifling expectations of her Brighton Beach cousins, and the crucial moment in a bookshop on the Upper West Side, where Tanya attends a reading by Mark Schneider, a Significant New York Novelist. Tanya soon moves in with Mark, ready to dazzle in bed, to serve and inspire . . . if only he would spend a little more time writing and a little less time at the gym, the shrink, and the literary soirees where she feels hopelessly unglamorous and out of place. But as she gradually learns to read English—struggling to better understand Mark’s work and her true role as Muse—Tanya also learns more than she expected about the destiny she has imagined for herself. Animated by Vapnyar’s beguiling grace and vividness—with a narrative richness reflecting the great tradition of Russian realism to which she is a natural heir— Memoirs of a Muse is an altogether wonderful novel. It is a lively meditation on female capabilities and happiness, on the mysteries of artistic inspiration (and the absurdities of artistic life), and, perhaps most movingly, on the pain and wonder of the immigrant experience in New York City.

An authentic literary great, Singer was an author whose extraordinary talents won him a worldwide audience. And with this impressive novel, he proved that he was at the height of his creative power until his recent death at age 86. Scum evokes the teeming life of 1906 Warsaw's backstreets. Max Barabander, distraught over the recent death of his son, flees the life of wealth and respectability he has attained in Buenos Aires, to return to the poverty and shadows of his youth spent in Warsaw. He fears impotence which leads him to the pursuit of mindless sex with five different women who view him only as an escape from their drab lives. The author recalls the teeming life of 1906 Jewish Warsaw in this impressive novel of changing mores and values. . .

Already considered a classic of Holocaust literature, The Seventh Well is a novel of total absorption, a heroic achievement, and one destined for literary transcendence. Fred Wander demonstrates that the survival of a single man is a collaborative enterprise, and The Seventh Well, named after the well of truth, recalls Dante's Inferno with its mesmerizing descent into evil. Its existence is a miracle.

In 2005, celebrated novelist Francisco Goldman married a beautiful young writer named Aura Estrada in a romantic Mexican hacienda. The month before their second anniversary, during a long-awaited holiday, Aura broke her neck while body surfing. Francisco, blamed for Aura's death by her family and blaming himself, wanted to die, too. Instead, he wrote Say Her Name , a novel chronicling his great love and unspeakable loss, tracking the stages of grief when pure love gives way to bottomless pain. Suddenly a widower, Goldman collects everything he can about his wife, hungry to keep Aura alive with every memory. From her childhood and university days in Mexico City with her fiercely devoted mother to her studies at Columbia University, through their newlywed years in New York City and travels to Mexico and Europe--and always through the prism of her gifted writings--Goldman seeks her essence and grieves her loss. Humor leavens the pain as he lives through the madness of grief and creates a living portrait of a love as joyous as it is deep and profound. Say Her Name is a love story, a bold inquiry into destiny and accountability, and a tribute to Aura, who she was and who she would've been.

A stunning early novel by the twice Booker-shortlisted author of Hot Milk and Swimming Home , Deborah Levy. Like her namesake Jack Kerouac, J.K. is always on the road, travelling Europe with her typewriter in a pillowcase. From J.K.'s irreverent, ironic perspective, Levy charts a new, dizzying, end-of-the-century world of shifting boundaries and displaced peoples. _________________________________ 'An exciting writer, sharp and shocking as the knives her characters wield' Sunday Times 'Levy is a brilliant writer' Telegraph 'Levy's strength is her originality of thought and expression' Jeanette Winterson

Hailed as a writer of uncommon clarity by the New Yorker, National Book Award finalist Allegra Goodman has dazzled readers with her acclaimed works of fiction, including such beloved bestsellers as The Family Markowitz and Kaaterskill Falls. Now she returns with a bracing new novel, at once an intricate mystery and a rich human drama set in the high-stakes atmosphere of a prestigious research institute in Cambridge, Massachusetts. Sandy Glass, a charismatic publicity-seeking oncologist, and Marion Mendelssohn, a pure, exacting scientist, are codirectors of a lab at the Philpott Institute dedicated to cancer research and desperately in need of a grant. Both mentors and supervisors of their young postdoctoral proteges, Glass and Mendelssohn demand dedication and obedience in a competitive environment where funding is scarce and results elusive. So when the experiments of Cliff Bannaker, a young postdoc in a rut, begin to work, the entire lab becomes giddy with newfound expectations. But Cliff's rigorous colleague-and girlfriend-Robin Decker suspects the unthinkable: that his findings are fraudulent. As Robin makes her private doubts public and Cliff maintains his innocence, a life-changing controversy engulfs the lab and everyone in it. With extraordinary insight, Allegra Goodman brilliantly explores the intricate mixture of workplace intrigue, scientific ardor, and the moral consequences of a rush to judgment. She has written an unforgettable novel.

From Ragtime and Billy Bathgate to The Book of Daniel, World’s Fair, and The March, the novels of E. L. Doctorow comprise one of the most substantive achievements of modern American fiction. Now, with Homer & Langley, this master novelist has once again created an unforgettable work. Homer and Langley Collyer are brothers–the one blind and deeply intuitive, the other damaged into madness, or perhaps greatness, by mustard gas in the Great War. They live as recluses in their once grand Fifth Avenue mansion, scavenging the city streets for things they think they can use, hoarding the daily newspapers as research for Langley’s proposed dateless newspaper whose reportage will be as prophecy. Yet the epic events of the century play out in the lives of the two brothers–wars, political movements, technological advances–and even though they want nothing more than to shut out the world, history seems to pass through their cluttered house in the persons of immigrants, prostitutes, society women, government agents, gangsters, jazz musicians...and their housebound lives are fraught with odyssean peril as they struggle to survive and create meaning for themselves. Brilliantly conceived, gorgeously written, this mesmerizing narrative, a free imaginative rendering of the lives of New York’s fabled Collyer brothers, is a family story with the resonance of myth, an astonishing masterwork unlike any that have come before from this great writer.

In The Winter Vault, award-winning poet and novelist Anne Michaels crafts a love story of extraordinary depth and complexity, juxtaposing historic dislocations with the most intimate moments of individual lives. In 1964, a newly married Canadian couple settles into a Nile River houseboat moored below the towering figures of Abu Simbel. Avery is one of the engineers responsible for moving the temple above the rapidly rising waters of the Aswan Dam. At the edge of a world about to be lost forever, Avery and and his new wife Jean begin to create their own world. But it will not be enough to bind them when tragedy strikes and they go back to separate lives in Toronto. There Jean meets Lucjan, a Polish artist whose haunting stories of his shattered childhood in occupied Warsaw draw her further away from Avery. But, in time, he will also show her the way back to consolation and forgiveness.

It's 1922 and David Bendiger, an aspiring eighteen-and-a-half-year-old writer, arrives in Warsaw, penniless and homeless. His only contacts are Sonya, a young woman with whom he has had amorous dealings in the village they have left, and a Zionist functionary who informs him he has qualified for a certificate permitting him to emigrate to Palestine. But in order to make the journey David must enter into a fictitious marriage with a woman so eager to get to Palestine that she will pay all the expenses. While David waits for his certificate, he becomes involved not only with Sonya but with Edusha, the sexually avant-garde Communist Party member in whose apartment he finds a temporary haven; and with Minna, the well-to-do young woman who wants to join her fiance in Palestine and agrees to "marry" David. Grappling with romantic, political, and youthful turmoil, David also confronts his literary future and religious past when his older brother - a writer disillusioned by a recent sojourn in Russia - and his father, an Orthodox rabbi, both turn up in Warsaw. The Certificate was serialized in Yiddish in 1967, but may have been written much earlier. The translator, Leonard Wolf, in a postscript calls it "a very young man's book" and "certainly the most playful of Singer's long fictions", with its alternately comic and poignant shifts in plot. Young David's passions for women, philosophizing, Jewish religious speculation, and Walter Mitty-like fantasies make The Certificate a captivating novel in the great tradition of a master storyteller.

Elements of Style , the Pulitzer Prize—winning playwright Wendy Wasserstein’s first novel, is a scathing comedy about New York's high society facing the post—9/11 world. Francesca Weissman, an Upper East Side pediatrician rated number one by Manhattan magazine, floats on the fringes of the upper strata of privilege and aspiration. Through her bemused eyes we meet the thoroughbred socialite Samantha Acton; relentless social climber Judy Tremont; Barry Santorini, an Oscar-winning moviemaker accustomed to having his way; his supermarket heiress wife, Clarice; and more, tossed together in a frothy stew of outrageous conspicuous consumption and adulterous affairs that play out on Page Six. But when Wasserstein’s madcap tour of the social lives and mores of twenty-first-century Manhattan veers into tragedy, we finally see the true cost of her characters’ choices, and the beating heart of this dazzling novel.