"In spite of the fact that her idea of travel is to stay home with the phone off the hook, Jenny Diski takes a trip around the perimeter of the USA by train. Somewhat reluctantly she meets all kinds of characters, all bursting with stories to tell and finds herself brooding about the marvellously familiar landscape of America, half-known already through film and television. Like the pulse of the train over the rails, the theme of the dying pleasures of smoking thrums through the book, along with reflections on the condition of solitude and the nature of friendship and memories triggered by her past times in psychiatric hospitals. Cutting between her troubled teenaged years and contemporary America, the journey becomes a study of strangers, strangeness and estrangement - from oneself, as well as from the world."--Publisher description.

" What if time could be taken from us-the minutes, the hours, the years of our lives, extracted like organs taken for transplant? What would it mean for the world? And what would it do to the person from whom it's taken? Grace Berney is a mid-level bureaucrat in the Food and Drug Administration, a woman who once brimmed with purpose but somehow turned into a middle-aged single mom with a dull government job and a melancholy sense that life has passed her by. Until the night a strange photo comes across her desk, of a young woman in a hospital bed who has been subjected to a mysterious procedure. Against orders and against common sense, Grace sets out to bring the girl to safety, and finds herself risking her job, her future, and her life on whether she can find the missing girl before an obsessive and violent mercenary who's also looking. Big Time is a fast-paced thriller and a metaphysical mystery about the very nature of our lives." -- Amazon.

This book evokes the mythic giants of the glory days of the American film industry. Creative artists and men's men, flamboyant egoists, performers of spontaneous acts of selfishness and these are Peter Viertel's "dangerous friends". Seeking to distance himself from the intellectual climate of his European emigre upbringing, the young Viertel left the company of Franz Werfel, Thomas Mann, Christopher Isherwood and others of the Los Angeles refugee community to follow his own star. After serving in the Office of Strategic Services during World War II, Viertel was an aspiring screenwriter and novelist when he came to know Ernest Hemingway, John Huston, Orson Wells and others, seeing in these quintessential American extroverts the authentic self-expression he sought in his writing and in his life. In this unsentimental memoir, Viertel draws pictures of these men and how they influenced him. As Viertel follows his mentors around the world, he also retraces an older, deeper the ageless search of a young man for his father - and his own identity.

From the author of two of our most legendary novels, Catch-22 and Something Happened , comes a slyly funny, vastly revelatory memoir that is at once a loving evocation of a lost America and an exploration of the frontier where life turns into literature. Now and Then follows Joseph Heller from his fatherless childhood on the boardwalks of Depression-era Coney Island, where he grew up amid the rumble of the Cyclone and the tantalizing aroma of Mrs. Shatzkin's knishes. It offers a dizzying bombardier's-eye view of the sky over wartime Italy, where Heller encountered the characters and incidents he would later translate into Catch-22. It depicts a writer coming to terms with both rejection and celebrity. Here, in short, is a life filled with incident and insight, recollected with subversive humor, exquisite timing, and a fine appreciation for the absurd.

"In Ecstasy and Terror, Mendelsohn once again casts an eye at literature, film, television, and the personal essay, filtering his insights through his training as a scholar of classical antiquity in illuminating and sometimes surprising ways. Many of these essays look with fresh eyes at our culture's Greek and Roman models: some find an arresting modernity in canonical works (Bacchae, the Aeneid), while others detect a "Greek DNA" in our responses to national traumas such as the Boston Marathon bombings and the assassination of JFK. There are pieces on contemporary literature, from the "aesthetics of victimhood" in Hanya Yanagihara's A Little Life to the uncomfortable mixture of art and autobiography in novels by Henry Roth, Ingmar Bergman, and Karl Ove Knausgard. Mendelsohn considers pop culture, too, in essays on the feminism of Game of Thrones and on recent films about artificial intelligence--a subject, he reminds us, that was already of interest to Homer. This collection also brings together for the first time a number of the award-winning memoirist's personal essays, including his "critic's manifesto" and a touching reminiscence of his boyhood correspondence with the historical novelist Mary Renault, who inspired him to study the Classics."--

In the tumultuous late 60s and early 70s, a social movement known as the "New Left" emerged as a major cultural influence, especially on the youth of America. It was a movement that embraced "flower-power" and psychedelic "consciousness-expansion," that lionized Ho Chi Minh and Fidel Castro and launched the Black Panthers and the Theater of the Absurd. In Return Of The Primitive (originally published in 1971 as The New Left), Ayn Rand, bestselling novelist and originator of the theory of Objectivism, identified the intellectual roots of this movement. She urged people to repudiate its mindless nihilism and to uphold, instead, a philosophy of reason, individualism, capitalism, and technological progress. Editor Peter Schwartz, in this new, expanded version of The New Left, has reorganized Rand's essays and added some of his own in order to underscore the continuing relevance of her analysis of that period. He examines such current ideologies as feminism, environmentalism and multiculturalism and argues that the same primitive, tribalist, "anti-industrial" mentality which animated the New Left a generation ago is shaping society today. --

A novel narrated by octogenarian ex-sportswriter Word Smith, who plans to write the "Great American Novel" and also to tell the tragic and hilarious story of the Ruppert Mundys - the only homeless baseball team ever to play in the big league, who have disappeared from all official histories.

Venezuela, 1992. CIA agent Eva and her Cuban counterpart, Mauricio, must deal with each other, imprisoned crime lord Pran, journalist Mónica, and Swiss banker Günther Müller while reacting to Hugo Chávez, the charismatic and volatile Venezuelan leader.

A wry, thought-provoking fictional portrayal of ten pivotal weeks in the life of Leon Trotsky, inspired by the Russian revolutionary's exile in New York City in 1917, by the New York Times bestselling author of The Company January 12, 1917: An ocean liner docks in New York Harbor. Among the disembarking emigrants is one Lev Davidovich Bronshtein—better known by his nom de guerre, Leon Trotsky. Bronshtein has been on the run for a decade, driven from his beloved Russia after escaping political exile in Siberia. He lives for—and is ready to sacrifice his life for—a workers’ revolution, at any cost. But is he ready to become an American? In the weeks leading up to the February Revolution that will eventually see Lenin’s Bolsheviks seize power, Bronshtein haunts the streets, newspaper offices, and socialist watering holes of New York City, wrestling with the difficult questions of his personal revolutionary ideology, his place in his own family, his relationship to Lenin, and, above all, his conscience. Master of the espionage novel Robert Littell brings to life the world-famous revolutionist’s sojourn in the Bronx in this extraordinary meditation on purpose, passion, and the price of progress.

"Taking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art. Writing from her dual perspective of a practicing painter and art critic, Schor's writing has been widely read over the past fifteen years in Artforum, Art Journal, Heresies, and M/E/A/N/I/N/G, a journal she coedited. Collected here, these essays challenge established hierarchies of the art world of the 1980s and 1990s and document the intellectual and artistic development that have marked Schor's own progress as a critic. Bridging the gap between art practice, artwork, and critical theory, Wet includes some of Schor's most influential essays that have made a significant contribution to debates over essentialism. Articles range from discussions of contemporary women artists Ida Applebroog, Mary Kelly, and the Guerrilla Girls, to "Figure/Ground," an examination of utopian modernism's fear of the "goo" of painting and femininity. From the provocative "Representations of the Penis," which suggests novel readings of familiar images of masculinity and introduces new ones, to "Appropriated Sexuality," a trenchant analysis of David Salle's depiction of women, Wet is a fascinating and informative collection. Complemented by over twenty illustrations, the essays in Wet reveal Schor's remarkable ability to see and to make others see art in a radically new light." -- Publisher's description.

Originally published in 1948, this powerful novel follows a U.S. Army infantry battalion in Europe through the last months of the Second World War - through the Battle of the Bulge, the Allied sweep across Germany, and the discovery of the Nazi death camps. Jacob Levy, a young soldier from St. Louis, has never given much thought to politics, world affairs, or his own Jewish heritage, but after the liberation of Dachau, he confronts the horror of the Holocaust and takes his own violent revenge. Jolted into a new understanding of humanity's connectedness, he comes to terms with his own Jewish identity and grapples with questions of individual moral responsibility that are still contemporary fifty years later. In her afterword, Martha Gellhorn traces the roots of the novel in her own experience as a war correspondent who first heard of the Nazi concentration camps during the Spanish Civil War and herself got to Dachau a week after American soldiers discovered the camp at the end of a village street.

Henry Roth's Call it Sleep, praised when it first appeared in the 1930s, neglected for decades, and reissued to wide acclaim in the 1960s, has been finally hailed as the finest Jewish-American novel of the first half of the century and one of the richest modernist novels to appear in America. The introduction and essays locate the novel in its cultural context and in terms of contemporary debates about ethnic literature, minority writing, modernism and canonization. Thus the volume sets out to consider Roth's hybrid status--as an American writer, a Jewish writer, and a European modernist.

Since emigrating to the U.S. from his native Romania in 1966, Andrei Codrescu has blazed a rocket-bright trail across the cultural landscape of his adopted country, gaining a national audience as public radio commentator, television personality and editor of the radical literary journal Exquisite Corpse. He has also commanded considerable critical recognition for his poetry (Alien Candor, Black Sparrow, 1996), and fiction (most notably, his novel about his Transylvanian homeland, The Blood Countess, 1995).

A collection of stories on lesbians. The title novella is on a romantic triangle, another story deals with the break-up of a lesbian couple who are parents to a boy, and in a third a woman celebrates her menopause. By the author of Heather Has Two Mommies.

"After discovering photography as a teenager through her high school's photo club, Lillian rejects her parents' expectations of college and marriage and moves to New York City in 1955. When a small gallery exhibits partially nude photographs of Lillian and her daughter, Samantha, Lillian is arrested, thrust into the national spotlight, and targeted with an obscenity charge. Mother and daughter's sudden notoriety changes the course of both of their lives and especially Lillian's career as she continues a lifelong quest for artistic legitimacy and recognition. Narrated by Samantha, Feast Your Eyes reads as a collection of Samantha's memories, interviews with Lillian's friends and lovers, and excerpts from Lillian's journals and letters--a collage of stories and impressions, together amounting to an astounding portrait of a mother and an artist dedicated, above all, to a vision of beauty, truth, and authenticity"--Provided by publisher.

From his first feature film, Fear and Desire (1953), to his final, posthumously released Eyes Wide Shut (1999), Stanley Kubrick excelled at probing the dark corners of human consciousness. In doing so, he adapted such popular novels as The Killing , Lolita , A Clockwork Orange , and The Shining and selected a wide variety of genres for his films -- black comedy ( Dr. Strangelove ), science fiction ( 2001: A Space Odyssey ), and war ( Paths of Glory and Full Metal Jacket ). Because he was peerless in unveiling the intimate mysteries of human nature, no new film by Kubrick ever failed to spark debate or to be deeply pondered. Kubrick (1928-1999) has remained as elusive as the subjects of his films. Unlike many other filmmakers he was not inclined to grant interviews, instead preferring to let his movies speak for themselves. By allowing both critics and moviegoers to see the inner workings of this reclusive filmmaker, this first comprehensive collection of his relatively few interviews is invaluable. Ranging from 1959 to 1987 and including Kubrick's conversations with Gene Siskel, Jeremy Bernstein, Gene D. Phillips, and others, this book reveals Kubrick's diverse interests -- nuclear energy and its consequences, space exploration, science fiction, literature, religion, psychoanalysis, the effects of violence, and even chess -- and discloses how each affects his films. He enthusiastically speaks of how advances in camera and sound technology made his films more effective. Kubrick details his hands-on approach to filmmaking as he discusses why he supervises nearly every aspect of production. "All the hand-held camerawork is mine," he says in a 1972 interview about A Clockwork Orange . "In addition to the fun of doing the shooting myself, I find it virtually impossible to explain what I want in a hand-held shot to even the most talented and sensitive camera operator. " Neither guarded nor evasive, the Kubrick who emerges from these interviews is candid, opinionated, confident, and articulate. His incredible memory and his gift for organization come to light as he quotes verbatim sections of reviews, books, and articles. Despite his reputation as a recluse, the Kubrick of these interviews is approachable, witty, full of anecdotes, and eager to share a fascinating story. Gene D. Phillips, S.J., is a professor of English at Loyola University in Chicago, where he teaches fiction and the history of film. He is the author of many notable books on film and is a founding member of the editorial board of both Literature/Film Quarterly and The Tennessee Williams Journal . He was acquainted with Stanley Kubrick for twenty-five years.

PETER BERGER, renowned sociologist and social critic, theologian and novelist, here brings his many gifts to bear on the endlessly interesting, if also painful, predicament of living in the modern world. In discussions ranging all the way from such private experiences as marriage and psychoanalysis to such public issues as the secularization of religion, the corruptions of pornography, or the growing indifference to murder, he brilliantly demonstrates how that predicament has grown out of the modern disbelief in God and the weakening of the institutions of community. The modernity which constitutes the central preoccupation of this book raises questions of both a very general and a very particular kind: "How," in Peter Berger's own words, "can one understand that peculiar reality we know as modern society?" Beyond understanding it, how can one actually engage in meaningful political action in its American version? And how does modernity constrain or condition a man's religious quest? The author's answers, based on a sure sense of history combined with an infinitely patient yet toughminded grasp of the way societies actually work, bring new illumination to virtually every page. For those who have not accepted Peter Berger's views about the nature of our present predicament as well as for those who have-indeed, for everyone concerned with understanding himself as a modern person and as a citizen of a modern state-Facing Up to Modernity is an experience in self- discovery

"In Fireweed, Gerda Lerner, a pioneer and leading scholar in women's history, tells her story of moral courage and commitment to social change with a novelist's skill and a historian's command of context. Lerner's memoir focuses on the formative experiences that made her an activist for social justice before her academic career began. The child of a well-to-do Viennese Jewish family, she was still a teenager when a fascist regime came to power in 1934, and she became involved in the underground resistance movement. The Nazi takeover of Austria cast her into prison, then forced her and her family into exile; she alone was able to leave Europe. Once in the United States, she experienced the harshness of the Depression and despair over the fate of her family. Still, she persisted in adapting to the new culture and to becoming a writer. Here she met and married her life-long partner, Carl Lerner, a film editor and director. Together they become deeply involved in left-wing activities, from struggling to unionize the film industry and resisting the blacklist in Hollywood to community organizing for peace, for an interracial civil rights movement, and for better schools in New York City. Lerner insists that her decades of grassroots organizing largely account for the theoretical insights she was later able to bring to the development of women's history." -- Publisher's description.

In this vivid and deeply moving memoir, novelist Robert Kotlowitz recounts his experiences as a teenaged infantryman in the Second World War. With a sharp, ironic eye, he brings every moment of his service to life, from the day he is drafted as an eighteen-year-old and thrown into basic training and maneuvers in Tennessee. Readers meet his commanding officers and fellow platoon members in all their quirky individuality, see the grimly foreboding drowning of fellow recruits in a swollen river, and feel his excitement and anxiety alike as the young Francophile and Jew arrives in France to face the German army, and watch the drudgery and senselessness of military routine erode his youthful idealism. Most shatteringly, he describes the horrific day in which almost his entire platoon is slaughtered in an ill-advised assault on a German position, during which he must play dead for twelve hours in the midst of furious fire. An immensely moving work of witness and of muted, well-justified rage, Before Their Time joins the ranks of the great and sobering stories of World War II.

Shayna Steinblatt, a lesbian, tries to help her grandmother with the adjustment to nursing home life, make peace with her mother, and work out a lasting relationship with Luz Maria Borges, who may be the love of her life.