Winner of several national awards including the 1967 Pulitzer Prize, this classic study by David Brion Davis has given new direction to the historical and sociological research of society's attitude towards slavery. Davis depicts the various ways different societies have responded to the intrinsic contradictions of slavery from antiquity to the early 1770's in order to establish the uniqueness of the abolitionists' response. While slavery has always caused considerable social and psychological tension, Western culture has associated it with certain religious and philosophical doctrines that gave it the highest sanction. The contradiction of slavery grew more profound when it became closely linked with American colonization, which had as its basic foundation the desire and opportunity to create a more perfect society. Davis provides a comparative analysis of slave systems in the Old World, a discussion of the early attitudes towards American slavery, and a detailed exploration of the early protests against Negro bondage, as well as the religious, literary, and philosophical developments that contributed to both sides in the controversies of the late eighteenth century. This exemplary introduction to the history of slavery in Western culture presents the traditions in thought and value that gave rise to the attitudes of both abolitionists and defenders of slavery in the late eighteenth century as well as the nineteenth century.

(Boosey & Hawkes Scores/Books). "Appalachian Spring" was composed in 1943-44 as a ballet for Miss Martha Graham on a commission from the Elisabeth Sprague Coolidge Foundation. It was first performed by Miss Graham and her company at the Coolidge Festival in the Library of Congress, Washington, D.C., on October 30, 1944. The original scoring called for a chamber ensemble of thirteen instruments. The present arrangement for symphony orchestra was made by the composer in the spring of 1945. It is a condensed version of the ballet, retaining all essential features but omitting those sections in which the interest is primarily choreographic. In 1945 "Appalachian Spring" received the Pulitzer Prize for music as well as the award of the Music Critics Circle of New York for the outstanding theatrical work of the season.

"A Pulitzer Prize-winning historian's return to memoir, a tale of intellectual coming-of-age on three continents, published in tandem with his classic work of Holocaust literature, When Memory Comes Forty years after his acclaimed, poignant first memoir, Friedlander returns with WHEN MEMORY COMES: THE LATER YEARS, bridging the gap between the ordeals of his childhood and his present-day towering reputation in the field of Holocaust studies. After abandoning his youthful conversion to Catholicism, he rediscovers his Jewish roots as a teenager and builds a new life in Israeli politics. Friedlander's initial loyalty to Israel turns into a lifelong fascination with Jewish life and history. He struggles to process the ubiquitous effects of European anti-Semitism while searching for a more measured approach to the Zionism that surrounds him. Friedlander goes on to spend his adulthood shuttling between Israel, Europe, and the United States, armed with his talent for language and an expansive intellect. His prestige inevitably throws him up against other intellectual heavyweights. In his early years in Israel, he rubs shoulders with the architects of the fledgling state and brilliant minds such as Gershom Scholem and Carlo Ginzburg, among others. Most importantly, this memoir led Friedlander to reflect on the wrenching events that induced him to devote sixteen years of his life to writing his Pulitzer Prize-winning masterpiece, The Years of Extermination: Nazi Germany and the Jews, 1939-1945"--

Pulitzer Prize finalist Philip Dray shines a light on a little known group of men: the nation's first black members of Congress. These men played a critical role in pushing for much-needed reforms in the wake of a traumatic civil war, including public education for all children, equal rights, and protection from Klan violence. But they have been either neglected or maligned by most historians--their "glorious failure" chalked up to corruption and "ill-preparedness."--From publisher description.

A novel about a hunting trip in Alaska which turns into an initiation rite. Vietnam is mentioned only once and the book can be seen either as an allegory or a symbolic psychic explanation of America's fighting in Vietnam. The author has won the Pulitzer Prize, The National Book Award for Arts and Letters (1969) and the 14th Annual Award for Outstanding Service to the Arts, McDowell Colony (1973).

Neil Simon’s inimitable play about the trials and tribulations that test family ties—winner of the 1991 Pulitzer Prize for Drama. What happens to children in the absence of love? That is the question that lies at the heart of this funny and heartrending play by one of America’s most acclaimed and beloved playwrights. Debuting at the Richard Rodgers Theatre in 1990, Lost in Yonkers went on to win four Tony Awards, including Best Play, as well as the Pulitzer Prize, and tells the moving drama about the cruelties and painful memories that scar a family. It is New York, 1942. After the death of their mother, two young brothers are sent to stay with their formidable grandmother for the longest ten months of their lives. Grandmother Kurnitz is a one-woman German front—a refugee and a widow who has steeled her heart against the world. Her coldness and intolerance have crippled her own children: the boys’ father has no self-esteem; their Aunt Gert has an embarrassing speech impediment; their Uncle Louie is a small-time gangster; and their Aunt Bella has the mentality of a child. But it is Bella's hunger for affection and her refusal to be denied love that saves the boys—and that leads to an unforgettable, wrenching confrontation with her mother. Filled with laughter, tears, and insight, Lost in Yonkers is a heartwarming testament to Neil Simon’s talent.

This newest book by Pulitzer Prize winner Justin Kaplan is a sparkling combination of biography, social history, architectural appreciation, and pure pleasure Endowed with the largest private fortunes of their day, two heirs of arch-capitalist John Jacob Astor battled with each other for social primacy. William Waldorf Astor (born 1848) and his cousin John Jacob Astor IV (born 1864) led incomparably privileged lives in the blaze of public attention. Novelist, sportsman, and inventor, John Jacob went down with the Titanic , after turbulent marital adventures and service in the Spanish-American War. Collector of art, antiquities, and stately homes, William Waldorf became a British subject and acquired the title of Viscount Astor. In New York during the 1890s and after, the two feuding Astors built monumental grand hotels, chief among them the original Waldorf-Astoria on lower Fifth Avenue. The Astor hotels transformed social behavior. Home of the chafing dish and the velvet rope, the Waldorf-Astoria drew the rich, famous, and fashionable. It was the setting for the most notorious society event of the era—a costume extravaganza put on by its hosts during a time of widespread need and unemployment. The celebrity-packed lobbies, public rooms, lavish suites, and exclusive restaurants of the grand hotels became distinctive theaters of modern life.

*Finalist for the Pulitzer Prize for Biography* *Winner of the Los Angeles Times Prize for Biography* *Winner of the 2019 Hitchens Prize* Portrays Holbrooke in all of his endearing and exasperating self-willed glory...Both a sweeping diplomatic history and a Shakespearean tragicomedy... If you could read one book to comprehend American's foreign policy and its quixotic forays into quicksands over the past 50 years, this would be it.--Walter Isaacson, The New York Times Book Review By the end of the second page, maybe the third, you will be hooked...There never was a diplomat-activist quite like [Holbrooke], and there seldom has been a book quite like this -- sweeping and sentimental, beguiling and brutal, catty and critical, much like the man himself.--David M. Shribman, The Boston Globe Richard Holbrooke was brilliant, utterly self-absorbed, and possessed of almost inhuman energy and appetites. Admired and detested, he was the force behind the Dayton Accords that ended the Balkan wars, America's greatest diplomatic achievement in the post-Cold War era. His power lay in an utter belief in himself and his idea of a muscular, generous foreign policy. From his days as a young adviser in Vietnam to his last efforts to end the war in Afghanistan, Holbrooke embodied the postwar American impulse to take the lead on the global stage. But his sharp elbows and tireless self-promotion ensured that he never rose to the highest levels in government that he so desperately coveted. His story is thus the story of America during its era of supremacy: its strength, drive, and sense of possibility, as well as its penchant for overreach and heedless self-confidence. In Our Man, drawn from Holbrooke's diaries and papers, we are given a nonfiction narrative that is both intimate and epic in its revelatory portrait of this extraordinary and deeply flawed man and the elite spheres of society and government he inhabited.

From a Pulitzer Prize-winning reporter, the powerful story of how a prominent white supremacist changed his heart and mind. This is a book to help us understand the American moment and to help us better understand one another. "The story of Derek Black is the human being at his gutsy, self-reflecting, revolutionary best, told by one of America's best storytellers at his very best. Rising Out of Hatred proclaims if the successor to the white nationalist movement can forsake his ideological upbringing, can rebirth himself in antiracism, then we can too no matter the personal cost. This book is an inspiration." --Ibram X. Kendi, National Book Award-winning author of Stamped from the Beginning: The Definitive History of Racist Ideas in America Derek Black grew up at the epicenter of white nationalism. His father founded Stormfront, the largest racist community on the Internet. His godfather, David Duke, was a KKK Grand Wizard. By the time Derek turned nineteen, he had become an elected politician with his own daily radio show--already regarded as the the leading light of the burgeoning white nationalist movement. We can infiltrate, Derek once told a crowd of white nationalists. We can take the country back. Then he went to college. At New College of Florida, he continued to broadcast his radio show in secret each morning, living a double life until a classmate uncovered his identity and sent an email to the entire school. Derek Black ... white supremacist, radio host ... New College student The ensuing uproar overtook one of the most liberal colleges in the country. Some students protested Derek's presence on campus, forcing him to reconcile for the first time with the ugliness of his beliefs. Other students found the courage to reach out to him, including an Orthodox Jew who invited Derek to attend weekly Shabbat dinners. It was because of those dinners--and the wide-ranging relationships formed at that table--that Derek started to question the science, history, and prejudices behind his worldview. As white nationalism infiltrated the political mainstream, Derek decided to confront the damage he had done. Rising Out of Hatred tells the story of how white-supremacist ideas migrated from the far-right fringe to the White House through the intensely personal saga of one man who eventually disavowed everything he was taught to believe, at tremendous personal cost. With great empathy and narrative verve, Eli Saslow asks what Derek Black's story can tell us about America's increasingly divided nature.

"Inspired by the true-life events of Antje Paarlberg, So Big is a Pulitzer Prize award-winning drama that depicts the life of Selina Peake de Jong as she navigates the challenges of turn-of-the-century Chicago, Illinois. Selina, a schoolteacher, is determined to inspire her students to pursue their dreams, even if they are unconventional. When she marries a Dutch farmer named Pervus and welcomes a baby boy named Dirk into their family, she nicknames him “So Big.” --Amazon.

Drawing on his experience as a correspondent for The New York Times in Europe and Vietnam, David Halberstam takes a moment to reflect on the recent past, the astonishing events now taking place in the world, and the look of the next century. From the Pulitzer Prize-winning author of The Best and the Brightest and Summer of '49.

A New York Times Notable Book of the Year From the author of The Discoverers and The Creators , an incomparable history of man's essential questions: "Who are we?" and "Why are we here?" Daniel J. Boorstin, the bestselling and Pulitzer Prize-winning author of The Americans , introduces us to some of the great pioneering seekers whose faith and thought have for centuries led man's search for meaning. Moses sought truth in God above while Sophocles looked to reason. Thomas More and Machiavelli pursued truth through social change. And in the modern age, Marx and Einstein found meaning in the sciences. In this epic intellectual adventure story, Boorstin follows the great seekers from the heroic age of prophets and philosophers to the present age of skepticism as they grapple with the great questions that have always challenged man.

Thankfully, Camryn Manheim has never played by the rules. Her fierce determination to defy the beauty myth, the naysayers, and casting stereotypes has resulted in one of today's most remarkable and unique Hollywood success stories. Her groundbreaking role as Ellenor Frutt on television's hottest drama, The Practice, has won her an Emmy Award and a Golden Globe Award--victories that are the culmination of decades of hard work, perseverance, and battles fought with her parents, lovers, the establishment, and herself. In this inspirational memoir, Camryn chronicles her journey from a self-hating, "overweight" teenager who desperately wanted to fit in, to a self-loving, fat activist who is proud to be a misfit. Wake Up, I'm Fat! shares her intelligent, candid, poignant, and often hilarious stories of being fat in a society obsessed with being thin. Camryn takes us from her days as a motorcycle-riding hippie in Santa Cruz to her enrollment at New York University's prestigious school of drama--where Pulitzer Prize-winning Tony Kushner broke the unspoken theater rules of size and cast her in the role of the ingenue--and finally to Hollywood, where she dispelled the fallacy that large women can't be portrayed as sensual, sophisticated, and confident. Camryn's endearing honesty, sass, and razor-sharp wit will appeal to all those who have ever felt like outcasts or yearned to make peace with their bodies.

"Edward Snowden chose three journalists to tell the stories in his Top Secret trove of NSA documents: Barton Gellman of The Washington Post, Glenn Greenwald of The Guardian and filmmaker Laura Poitras, all of whom would share the Pulitzer Prize for Public Service. Poitras went on to direct the Oscar-winning Citizenfour. Greenwald wrote an instant memoir and cast himself as a pugilist on Snowden's behalf. Gellman took his own path. Snowden and his documents were the beginning, not the end, of a story he had prepared his whole life to tell. More than 20 years as a top investigative journalist armed him with deep sources in national security and high technology. New sources reached out from government and industry, making contact on the same kinds of secret, anonymous channels that Snowden had used. Gellman's reporting unlocked new puzzles in the NSA archive. And as Snowden's revelations faded somewhat from the public consciousness, the machinations he exposed continue still, with many policies unaltered despite societal outrage. Dark Mirror is a true-life spy tale that touches us all, told with authority and an inside view of extraordinary events. Within it is a chilling personal account of the obstacles facing the author, beginning with Gellman's discovery of his own name in Snowden's NSA document trove. Google notifies him that a foreign government is trying to compromise his account. A trusted technical adviser finds anomalies on his laptop. Sophisticated impostors approach Gellman with counterfeit documents, attempting to divert or discredit his work. Throughout Dark Mirror, the author wages an escalating battle against unknown digital adversaries who force him to mimic their tradecraft in self-defense. With the vivid and insightful style that marked Gellman's bestselling Angler, Dark Mirror is an inside account of the surveillance-industrial revolution and its discontents, fighting back against state and corporate intrusions into our most private spheres. Along the way, and with the benefit of hindsight, it tells the full story of a government leak unrivaled in drama since All the President's Men"--

For Art Spiegelman, the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers, his first new book of comics since the groundbreaking Maus, is a masterful and moving account of the events and aftermath of that tragic day. Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda. He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey--with his singular artistry and his characteristic provocation, outrage, and wit--the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.

Wallace Stegner was the premier chronicler of the twentieth-century western American experience, and his novels, the Pulitzer Prize–winning Angle of Repose and the National Book Award–winning The Spectator Bird, brought the life and landscapes of the West to national and international attention. Now, in this illuminating biography, Philip L. Fradkin goes beyond Stegner’s iconic literary status to give us, as well, the influential teacher and visionary conservationist, the man for whom the preservation and integrity of place was as important as his ability to render its qualities and character in his brilliantly crafted fiction and nonfiction. From his birth in 1909 until his death in 1993, Stegner witnessed nearly a century of change in the land that he loved and fought so hard to preserve. We learn of his hardscrabble youth on the Canadian frontier and in Utah, and of his painful relationship with his father, a bootlegger and gambler. We follow his intellectual awakening as a young man and his years as a Depression-era graduate student at the University of Iowa, during its earliest days as a literary center. We watch as he finds his home, with his wife, Mary, in the foothills above Palo Alto, which provided him with a long-awaited sense of belonging and a refuge in which he would write his most treasured works. And here are his years as the legendary founder of the Stanford Creative Writing Program, where his students included Ken Kesey, Edward Abbey, Robert Stone, and Wendell Berry. But the changes wrought by developers and industrialists were too much for Stegner, and he tirelessly fought the transformation of his Garden of Eden into Silicon Valley. His writings on the importance of establishing national parks and wilderness areas—not only for the preservation of untouched landscape but also for the enrichment of the human spirit—played a key role in the passage of historic legislation and comprise some of the most beautiful words ever written about the natural world. Here, too, is the story—told in full for the first time—of the accusations of plagiarism that followed the publication of Angle of Repose, and of the shadow they have cast on his greatest work. Rich in personal and literary detail, and in the sensual description of the country that shaped his work and his life—this is the definitive account of one of the most acclaimed and admired writers, teachers, and conservationists of our time.

Between 1948 and 1961, Earnest Hemingway and A. E. Hotchner traveled together from New York to Paris to Spain, fished the waters off Cuba, hunted in Idaho, and ran with the bulls in Pamplona. And everywhere they talked. For 14 years, Hotchner and Hemingway shared a conversation. Hemingway reminisced about his childhood, recalled the Paris literary scene in the twenties, remembered his early years as a writer, and recounted the real events that lay behind his fiction. And Hotchner took it all down. His notes on the many occasions he spent with his friend Papa - in Venice and Rome, in Key West, on the Riviera, in Ketchum, Idaho, where Hemingway died by his own hand in 1961 - provide the material for this utterly truthful, profoundly compassionate bestselling memoir of the Nobel and Pulitzer Prize-winning author. What emerges is an extraordinary portrait of a great writer who had, and determined, the time of his life.

Pulitzer Prize-winning journalist Walter Pincus exposes the darkest secret in American nuclear history—sixty-seven nuclear tests in the Marshall Islands that decimated a people and their land. The most important place in American nuclear history are the Marshall Islands—an idyllic Pacific paradise that served as the staging ground for over sixty US nuclear tests. It was here, from 1946 to 1958, that America perfected the weapon that preserved the peace of the post-war years. It was here—with the 1954 Castle Bravo test over Bikini Atoll—that America executed its largest nuclear detonation, a thousand times more powerful than Hiroshima. And it was here that a native people became unwilling test subjects in the first large scale study of nuclear radiation fallout when the ashes rained down on powerless villagers, contaminating the land they loved and forever changing a way of life. In Blown to Hell , Pulitzer Prize-winning journalist Walter Pincus tells for the first time the tragic story of the Marshallese people caught in the crosshairs of American nuclear testing. From John Anjain, a local magistrate of Rongelap Atoll who loses more than most; to the radiation-exposed crew of the Japanese fishing boat the Lucky Dragon ; to Dr. Robert Conard, a Navy physician who realized the dangers facing the islanders and attempted to help them; to the Washington power brokers trying to keep the unthinkable fallout from public view . . . Blown to Hell tells the human story of America’s nuclear testing program. Displaced from the only homes they had known, the native tribes that inhabited the serene Pacific atolls for millennia before they became ground zero for America’s first thermonuclear detonations returned to homes despoiled by radiation—if they were lucky enough to return at all. Others were ripped from their ancestral lands and shuttled to new islands with little regard for how the new environment supported their way of life and little acknowledgement of all they left behind. But not even the disruptive relocations allowed the islanders to escape the fallout.

In Liberty and the News Walter Lippmann offers us a stern warning about the importance of reliable news to the survival of a healthy democracy. He railed against bad journalism and drove home the point that the general public must be able to ascertain the truth or democracy is doomed. Walter Lippmann was a Pulitzer Prize-winning journalist and the father of modern journalism.

Pulitzer Prize-winning economics journalist Steven Pearlstein argues that our thirty year experiment in unfettered markets has undermined core values required to make capitalism and democracy work. Thirty years ago, 'greed is good' and 'maximizing shareholder value' became the new mantras woven into the fabric of our business culture, economy, and politics. Although, around the world, free market capitalism has lifted more than a billion people from poverty, in the United States most of the benefits of economic growth have been captured by the richest 10%, along with providing justification for squeezing workers, cheating customers, avoiding taxes, and leaving communities in the lurch. As a result, Americans are losing faith that a free market economy is the best system. In Can American Capitalism Survive', Pulitzer Prize-winning journalist Steven Pearlstein chronicles our descent and challenges the theories being taught in business schools and exercised in boardrooms around the country. We're missing a key tenet of Adam Smith's wealth of nations: without trust and social capital, democratic capitalism cannot survive. Further, equality of incomes and opportunity need not come at the expense of economic growth. Pearlstein lays out bold steps we can take as a country: a guaranteed minimum income paired with universal national service, tax incentives for companies to share profits with workers, ending class segregation in public education, and restoring competition to markets. He provides a path forward that will create the shared prosperity that will sustain capitalism over the long term ; Thirty years ago, 'greed is good' and 'maximizing shareholder value' became the new mantras woven into the fabric of our business culture, economy, and politics. Pearlstein argues that our thirty year experiment in unfettered markets has undermined core values required to make capitalism and democracy work. He challenges the theories being taught in business schools and in boardrooms, believing that we're missing a key tenet of Adam Smith's wealth of nations: without trust and social capital, democratic capitalism cannot survive. -- adapted from jacket