This volume offers a fascinating, impressively detailed, account of the professional and personal life of a prominent historian of Latin America. It covers his youth, contacts with a young Leonard Bernstein, and his education at Boston Latin School and Harvard. He served in WWII, rising from private to master sergeant, ending up in a three-man military intelligence unit on Okinawa. There he held in his hands the first aerial photos of atomic-bombed Hiroshima, and was an eye witness to the surrender of Japanese holdouts. In rising from college instructor to department chair Potash recounts the conflicts and tensions that make up academic life. His two-year leave with the State Department was a career transforming experience, turning him eventually into a best selling author on the the military's role in Argentine politics. Potash describes his experiences working with Nazi files as part of an investigating commission created by the Argentine government. Known for his expertise, Potash is frequently consulted in times of crisis by the Argentine media and his name has become a household word in that country. Potash also recalls his courtship and marriage and relationships with his two daughters. Readers have dubbed the manuscript "hard to put down."

Through The Years: An Autobiography is a memoir written by Nathan S. Jonas, detailing his life from childhood to adulthood. The book offers a comprehensive account of Jonas' experiences, including his upbringing, education, career, and personal life. It covers his early years growing up in a small town, his academic pursuits, and his eventual rise to success in his chosen field. The book also delves into his personal relationships, including his marriage and family life. Throughout the book, Jonas reflects on the challenges he faced and the lessons he learned, offering readers a unique perspective on his life and the world around him. The book is a compelling read for anyone interested in personal memoirs and the journey of self-discovery.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A documentary maker evaluates the significant changes that have occurred throughout Japanese society in the past four decades, describes his relationships with some of the nation's important figures, and recounts how his close ties shaped his career

In this collection of interviews from 1978 to 1995 Paley elaborates on the many forces that have influenced her and her writing. In these conversations she reveals not only her triple lives as writer, mother, and political activist but also her perspectives which over the years have become precise and solid. With authority, distinctness, and relentless honesty she speaks out on contemporary issues. She discusses American conditions at large, particularly those that are being neglected or denied. With firm authority Paley discusses topics of wide range, many of which she describes as personal discoveries. She includes politics and environmentalism, the family and human relationships, the impact of background and education, the moral importance of community, feminism and women's liberation, the sexual self and role enforcement, America's need for communality and women's creative response to it, the art of teaching, and the importance of friendship. Paley's conversations, like her writings, are refreshingly candid and radically different from the contemporary American mainstream.

Characters make discoveries about themselves and their relationships, in seven stories that comment on topics ranging from surburbia to Central American politics

The proliferation of dating websites, printed personals, and self-help relationship books reflects the new ways Americans seek close, personal relationships. Exposed to changing and often conflicting values, trends, and fashions--disseminated by popular culture, advertising, and assorted "experts"--Americans face uncertainties about the best ways to meet important emotional and social needs. How do we establish lasting and intimate personal relationships, including marriage? In Extravagant Expectations Paul Hollander investigates how Americans today pursue romantic relationships, with special reference to the advantages and drawbacks of Internet dating compared to connections made in school, college, and the workplace. By analyzing printed personals, dating websites, and advice offered by pop psychology books, he examines the qualities that people seek in a partner and also assesses the influence of the remaining conventional ideas of romantic love. Hollander suggests that notions of romantic love have changed due to conflicting values and expectations and the impact of pragmatic considerations. Individualism, high expectations, social and geographic mobility, changing sex roles, and the American national character all play a part in this fascinating and finally sobering exploration of the efforts of men and women to find love and meaning in life. --Book Jacket.

This guide to the ins and outs of today's dynamic illustration business tells budding illustrators everything that their teacher didn't know or their art director didn't tell them. Using an entertaining, running narrative format to look at key concerns every illustrator must face today, this book covers finding one's unique style and establishing a balance between art and commerce; tackling issues of authorship and promotion; and more. In-depth perspectives are offered by illustrators, art directors, and art buyers from various industries and professional levels on such issues as quality, price negotiation, and illustrator-client relationships. • Includes an afterword by Milton Glaser, well-known designer/illustrator • From the authors of The Education of an Illustrator (1-58115-075-x) Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

The daughter of Oliver Golden, an African American expatriate and agrarian activist of the early 1900's, and Bertha Bialek, youngest daughter of Polish American emigres of Jewish descent, Lily Golden has a special place in history. In this account of her experience, Golden provides a connection between the contemporary and historical relationships of America to Russia. Golden offers a distinctly different and refreshing point of view of the lives and experiences of Russia in her often alluring and romantic, sometimes bitterly painful, yet always vivid and intimate details of her life as a dark-skinned Russian surviving in and struggling against turbulent changes. She brings her tale of a sometimes charmed sometimes challenged existence full circle in her descriptions of her ultimate contact with distant relatives in the United States. Lily Golden allows the reader access into her lifelong revelation that family and community ties are boundless by time and geography.--page 4 of cover.

As Cosmopolitan 's professional agony aunt for the last forty years, Irma Kurtz has had to deal with the most intimate problems of successive generations of readers, while having to keep up with the changing mores and attitudes in British and American society. In these memoirs, she looks back on the seismic transformations that have taken place over the last four decades, as well as her own hectic and often difficult life as a single mother from America living in London. Warm, funny, and perceptive, brimming with wisdom and insight, My Life in Agony is a meditation on the subjects that tend to concern and confuse us the most--from mother-daughter relationships to eating disorders, office politics, and those perennial areas of interest: love and sex.

Australian prime ministers since Harold Holt have all fostered close relationships with the United States, but John Howard has initiated economic and military policies that have bound the two countries even tighter. As a result, many Australians now believe that not only our sovereignty but also our very identity as a nation is under threat, and that we are fast becoming America's 51st state. If this view is correct, it should be reflected not only in our foreign policy but also in our domestic policies. Indeed, the weakening of social safety nets, the privatisation of areas long seen as government responsibilities, and the signing of the Free Trade Agreement all point to the triumph of US-style neo-liberalism. Yet, as Dennis Altman shows, the story is not so simple. Even as official rhetoric immerses us ever deeper into the US worldview, the resilience of the Australian social contract is imposing real limits on the application of neo-liberal principles. And, despite his enthusiastic membership of the coalition of the willing, Howard has assiduously cultivated economic and political ties within our region which, as the global balance of power shifts, will become increasingly relevant. In this elegant and sophisticated meditation on Australian identity, Altman suggests that the tendency to attribute malign American influence to everything we dislike about the contemporary world is the flipside of seeing the US as the only model worthy of emulation, and serves to conceal the deeper questions we face namely, how does Australia imagine its future?

Dave Liebman is one of the leading forces in contemporary jazz. Prominently known for performing with Miles Davis and Elvin Jones, he has exerted considerable influence as a saxophonist, bandleader, composer, author, and educator. In addition to his recent recognition as a National Endowment for the Arts Jazz Master, he has received the Order of Arts and Letters from France and holds an honorary doctorate from the Sibelius Academy in Helsinki, Finland. He has mentored many of today's most notable young jazz musicians worldwide and is a prolific writer on jazz. In What It Is: The Life of a Jazz Artist, friend, pianist, and noted jazz scholar Lewis Porter conducts a series of in-depth interviews with Liebman, who discusses his professional, personal, and musical relationships with Davis and Jones, as well as such notable musicians as Chick Corea, Richie Beirach, Michael and Randy Brecker, and many others. Through the interviews, Liebman discusses such personal matters as contracting polio as a child and the difficulties it caused as an adult during his rise as a jazz musician. He offers insights into the life of jazz performers of his generation, particularly the tumultuous period of the 1960s and 1970s. The book also features rare photos from Liebman's personal collection. A fascinating and witty storyteller, Liebman's stories in What It Is will appeal to jazz fans and scholars by providing a firsthand look into the creative life of one of America's leading jazz musicians.

The Last Half-Century represents the culmination of a lifetime of scholarship by Morris Janowitz. In this comprehensive and systematic analysis of the major trends in American society during the past fifty years, he probes the weakening of popular party affiliations and the increased inability of elected representatives to rule. Centering his work on the crucial concept of social control, Janowitz orders and assesses a vast amount of empirical research to clarify the failure of basic social institutions to resolve our chronic conflicts. For Janowitz, social control denotes a society's capacity to regulate itself within a moral framework that transcends simple self-interest. He poses urgent questions: Why has social control been so drastically weakened in our advanced industrial society? And what strategies can we use to strengthen it again? The expanation rests in part on the changes in social structure which make it more and more complicated for citizens to calculate their political self-interest. At the same time, complex economic and defense problems also strain an already overburdened legislative system, making effective, responsive political rule increasingly difficult. Janowitz concludes by assessing the response of the social sciences to the pressing problem of social control and asserts that new forms of citizen participation in the government must be found.

"I had to do something to escape Hitler's clutches," writes Esti Freud. Yet she waits with her then-16-year-old daughter, Sophie in Paris, until German canons can be heard in the distance, before deciding to escape by bicycle across France as Sophie keeps looking back to see whether German tanks will overtake them. Both women survive by sheer miracle and, in their own ways, come to feel a need to keep a personal record of those tumultuous times. In a memoir written at age 79, Esti Freud, daughter-in-law of Sigmund Freud and wife of his oldest son Martin, looks back on her life that began before the 20th century, was lived on three continents, and stretched through two world wars and the Holocaust. Twenty years after her mother's death, daughter Sophie turned to Esti's memoir as a scaffold for this book, expanding it through family letters and archival material. Out of these documents the author has created a fascinating, many-voiced mosaic--the story of a famous family and of a century seen through the eyes of many characters. Indomitable Esti was not an easy person to love. While she establishes herself professionally three times, in three different languages, her troubled family relationships leave her lonely, often deeply unhappy. Sophie confides that Esti died without son or daughter at her side. This work gives an insider's, in-law view of the family Freud, its foundations, and flaws. The relationship between Esti, daughter of a wealthy Vienna attorney and her husband Martin Freud is foreshadowed by the young lovers' fathers. At first meeting Esti, Sigmund told his son the glamorous woman was "too beautiful" for the clan, meaning her splendor belied a lifestyle not conducive to the frugal Freud ways. And Esti's father, on hearing of her love for Martin, expressed regret she was involved with a man who was "not a financially favorable linkage," and that his family was not respectable since patriarch Sigmund was "just another psychiatrist, and one who writes pornography books at that." Thus begins the ill-fated relationship that would rock two families and a generation of children to come. Sophie weaves into the text letters she inherited, including letters from Martin while he was a prisoner of war, and excerpts from her own diary, kept as an adolescent. The resulting mosaic will fascinate--and perhaps disturb--readers interested in Freud and psychoanalysis, as well as those intrigued by relationships and family.

"In 1966, at the ripe age of 22, Richard Goldstein approached The Village Voice with a novel idea. "I want to be a rock critic," he said. "What's that?" the editor replied. It was a logical question, since rock criticism didn't yet exist. In the weekly column he would produce for the Voice, Goldstein became the first person to write regularly in a major publication about the music that changed our lives. He believed deeply in the power of rock, and, long before it was acceptable, he championed the idea that this music was a serious art form. From his unique position in journalism, he saw the full arc of events that shaped culture and politics in the 1960s--and participated in them, too. He toured with Janis Joplin, spent a day at the Grateful Dead house in San Francisco, and dropped acid with Brian Wilson and the Beach Boys. He was present for Martin Luther King's "I Have a Dream" speech, the student uprising at Columbia, and the riots at the 1968 Democratic Convention. He was challenged to a boxing match by Norman Mailer, and took Susan Sontag to her first disco. Goldstein developed close relationships with several rock legends--Janis Joplin and Jim Morrison, to name two--and their early deaths came as a wrenching shock, fueling his disillusionment as he watched the music he loved rapidly evolve from a communal rite to a vast industry--and the sense of hope for radical social upheaval fade away. Another Little Piece of My Heart is the intimate memoir of the writer as a young man with profound ambition. It is also a sweeping personal account of a decade that no one else could provide--a deeply moving, unparalleled document of rock and revolution in America"--

Is Faith Darwin Asbury really Grace Paley? Or is it coincidental that the personal history, politics, and relationships of the fictional Asbury seem to mirror those of the well-known author? And do other characters in Paley's stories represent individuals she has known, in scenes and entire episodes she has experienced? A writer who translates her life into art not only saves her own life, according to Paley, but offers others the revelation of its meaning. That idea is at the core of Judith Arcana's biographical reading of this strongly autobiographical writer. Grace Paley's Life Stories interweaves details about Paley with critical discussions of her works, examining her as a woman, mother, activist, and Jew. Arcana visited and interviewed Paley at her homes in Vermont and New York over a period of several years. She also interviewed Paley's family, friends, and colleagues. Such extensive research is unmatched in Paley scholarship; Arcana's focus on the political crucible of Paley's consciousness is rare in contemporary literary criticism.

The Public Is Never Wrong: The Autobiography of Adolph Zukor is a memoir written by Adolph Zukor, one of the most influential figures in the early days of Hollywood. In this book, Zukor recounts his life story, from his humble beginnings as an immigrant in New York City to his rise to fame as the founder of Paramount Pictures.Zukor's narrative takes readers on a journey through the early days of the film industry, as he describes his experiences working as a nickelodeon operator and film distributor before ultimately founding his own studio. He also discusses his relationships with some of the biggest names in Hollywood, including Charlie Chaplin, Mary Pickford, and Douglas Fairbanks.Throughout the book, Zukor emphasizes the importance of listening to the audience and giving them what they want. He argues that the public is never wrong and that the key to success in the film industry is to understand and cater to their tastes. He also provides insights into the business side of the industry, discussing topics such as financing, marketing, and distribution.Overall, The Public Is Never Wrong offers a fascinating glimpse into the life and career of one of the most important figures in the history of Hollywood. It is a must-read for anyone interested in the early days of the film industry and the art of storytelling on the big screen.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

"The Matrimonial Flirtations of Emma Kaulfield is an often laugh-out-loud comedy of conflicting manners, values, and customs, set against the backdrop of a Russian immigrant family's struggle to assimilate, their newfound love of capitalism, and their insistent push for their children's tangible success. Emma Kaulfield escaped the Soviet Union in the 1980s when she was 10--hers was one of the last Jewish families to be let out. Now a gorgeous young woman, going to grad school at NYU, chaffing at the cultural restraints of her heritage, Emma is engaged to someone just like her--a handsome young Russian Jew--but then a steamy encounter with a stranger in a restaurant bathroom turns into a torrid love affair. She wrestles with what she knows she should do (career vs. art); who she should love (one of her own vs. the exotic temptation), to remain loyal to her family, her people--after all they have suffered--or cut ties and defy those who love her. The Matrimonial Flirtations of Emma Kaulfield builds in power and suspense, easily becoming an all-night binge read, impossible to put down. Fishbeyn's debut novel is sexy, hilarious, heartbreaking, and breathtaking"--back cover.

"The book is readable and challenging; readers will never see psychiatry in the same way again." -- Choice Reviews Originally called mad-doctoring, psychiatry began in the seventeenth century with the establishing of madhouses and the legal empowering of doctors to incarcerate persons denominated as insane. Until the end of the nineteenth century, every relationship between psychiatrist and patient was based on domination and coercion, as between master and slave. Psychiatry, its emblem the state mental hospital, was a part of the public sphere, the sphere of coercion. The advent of private psychotherapy, at the end of the nineteenth century, split psychiatry in two: some patients continued to be the involuntary inmates of state hospitals; others became the voluntary patients of privately practicing psychotherapists. Psychotherapy was officially defined as a type of medical treatment, but actually was a secular-medical version of the cure of souls. Relationships between therapist and patient, Thomas Szasz argues, was based on cooperation and contract, as is relationships between employer and employee, or, between clergyman and parishioner. Psychotherapy, its emblem the therapist's office, was a part of the private sphere, the contract. Through most of the twentieth century, psychiatry was a house divided-half-slave, and half-free. During the past few decades, psychiatry became united again: all relations between psychiatrists and patients, regardless of the nature of the interaction between them, are now based on actual or potential coercion. This situation is the result of two major "reforms" that deprive therapist and patient alike of the freedom to contract with one another: Therapists now have a double duty: they must protect all mental patients-involuntary and voluntary, hospitalized or outpatient, incompetent or competent-from themselves. They must also protect the public from all patients. Persons designated as mental patients may be exempted from responsibility for the deleterious consequences of their own behavior if it is attributed to mental illness. The radical differences between the coercive character of mental hospital practices in the public sphere, and the consensual character of psychotherapeutic practices in the private sphere, are thus destroyed. At the same time, as the scope of psychiatric coercion expands from the mental hospital to the psychiatrist's office, its reach extends into every part of society, from early childhood to old age. Thomas Szasz is professor of psychiatry emeritus at the State University of New York Health Science Center in Syracuse, New York and Adjunct Scholar at the Cato Institute, Washington, DC. He is the author of over two dozen books in fifteen languages, including The Myth of Mental Illness and most recently, Pharmacracy: Medicine and Politics in America . "The book is readable and challenging; readers will never see psychiatry in the same way again."-- Choice "Szasz now appears to have been transformed into an ally rather than an enemy of the National Health Service general adult psychiatrist. Szasz's project has always been to argue passionately for a boundry of demarcation around the responsibility and power of psychiatry....But what saves this book from being just another mugging of psychiatry is that Szasz does raise a fundamental question at the core of our discipline. If we restricted our attention only to those clients who wanted to see a psychiatrist, and disengaged from all those who really didn't, how different might our professional practice and experience be?"-- The British Journal of Psychiatry

The Jewish Encyclopedia was the first comprehensive collection of all the available material pertaining to the Jews their history, literature, philosophy, ritual, sociology, and biography. Published by Funk & Wagnalls from 1901 to 1906, its successful completion was due to the pluck and determination of its managing editor, Isidore Singer, and to the dedication of its other editors and collaborators, many of whom were world-renowned scholars. Today, the JE has been largely superseded as a reference work, but as a repository of information about Jews and Judaism in the late nineteenth century, it remains a gold mine. Part One of Schwartzs book recounts the lively story of the JEs publication the nascence of the idea, the negotiations with Funk & Wagnalls, the assembling of the board of editors, and the tensions, rivalries, and financial problems that constantly plagued the project. She introduces those who played leading roles in the numerous reviews and announcements that accompanied its publication, and evaluates its significance as the premier cultural event in American Jewish life at the dawn of the twentieth century. In Part Two, an analysis of the JEs contents reveals both the nature and extent of Jewish scholarship at the time and the goals and concerns of those who produced it. As Schwartz demonstrates, the JE marshaled its facts to combat both racial anti-Semitic arguments and Christian polemics. The work summarized, preserved, and expanded upon the results of Wissenschaft des Judentums. It provided the beginnings of a Jewish cultural response to the intellectual challenges of Darwinism and higher biblical criticism. And it presented the unique Reform and modern traditionalist perspectives on Jewish practice and belief. Throughout this fascinating study, Schwartz explores the complex and frequently strong relationships among Jewish leaders. Most importantly, she demonstrates that through its content as well as through the very fact of its publication in the United States and in English, the Jewish Encyclopedia signified the transfer of the center, language, and leadership of Jewish scholarship from the Old World to the New, thus becoming a primary catalyst for the emergence of Jewish scholarship in America.