What is Roger Kahn, best-selling author of THE BOYS OF SUMMER, doing owning a near-bankrupt minor league baseball team? What is this bunch of major league rejects doing playing their hearts out for an organization that pays peanuts and rations practice baseballs? They -- and you -- are finding out if the dreams that baseball is made of can come true in real life. This funny, poignant story of one special season will make you hesitate before you ever call anything "bush league" again. "Irresistable...Read this book, whether you like baseball or not. Roger Kahn will show you the glories of getting your head in the game, be it baseball or life." (Milwaukee Journal)

The essays in Phillip Lopate's new book record an ardent three-decades-plus love affair with the movies; like Michel Piccoli with Brigitte Bardot in Godard's "Contempt," he is "totally, tenderly, tragically" besotted with the cinema. Artfully braiding emotional and intellectual autobiography with critical and historical commentary, these essays exemplify and record a passionate engagement with an irreplaceable art form, its creators, and its critics. Lopate evaluates those filmmakers who have most affected him since his days as a nascent film cultist at Columbia: Antonioni, Godard, Bresson, Mizoguchi, Fassbinder, Ozu, and Visconti. He celebrates Andrew Sarris as the film critic who first won his heart and provides an eye-opening extended portrait and fondly skeptical critique of Pauline Kael, the most influential film writer of our time. And in essays such as "The Last Taboo: The Dumbing Down of American Movies, " he addresses the elusive question of whether movies can actually think. With his full-hearted affection and bracing intelligence, Phillip Lopate captures, as few others have, the insistent allure of films and filmgoing.

This book is an attempt to hold the policies of George W. Bush, and his actions as president, up to an ethical standard - including his own. But it goes beyond that. it is also a study in a distinctively American ethic, for there are many features of this ethic that are not widely held elsewhere in the developed world.

Painting a vivid, personal portrait of social and political upheaval in Oaxaca, Mexico, this unique memoir employs comics, bilingual essays, photos, and sketches to chronicle the events that unfolded around a teachers' strike and led to a seven-month siege. When award-winning cartoonist Peter Kuper and his wife and daughter moved to the beautiful, 15th-century colonial town of Oaxaca in 2006, they planned to spend a quiet year or two enjoying a different culture and taking a break from the U.S. political climate under the Bush administration. What they hadn't counted on was landing in the epicenter of Mexico's biggest political struggle in recent years. Timely and compelling, this extraordinary firsthand account presents a distinct artistic vision of Oaxacan life, from explorations of the beauty of the environment to graphic portrayals of the fight between strikers and government troops that left more than 20 people dead, including American journalist Brad Will.

This book explores changing American views of race mixing in the twentieth century, showing how new scientific ideas transformed accepted notions of race and how those ideas played out on college campuses in the 1960s. In the 1930s, it was not unusual for medical experts to caution against miscegenation, or race mixing, espousing the common opinion that it would produce biologically dysfunctional offspring. By the 1960s the scientific community roundly refuted this theory. The author traces this revolutionary shift in scientific thought, explaining how developments in modern population biology, genetics, and anthropology proved that opposition to race mixing was a social prejudice with no justification in scientific knowledge. In the 1960s, this new knowledge helped to change attitudes towards race and discrimination, especially among college students. Their embrace of social integration caused tension on campuses across the country. Students rebelled against administrative interference in their private lives, and university regulations against interracial dating became a flashpoint in the campus revolts that revolutionized American educational institutions. The author's provocative study is a personal one, featuring interviews with mixed-race couples and stories from the author's student years at the University of Pittsburgh. As such, this book offers a unique perspective on how contentious debates taking place on college campuses reflected shifts in race relations in the larger society. -- from Back Cover

Why did so many distinguished Western Intellectuals--from G.B. Shaw to J.P. Sartre, and. closer to home, from Edmund Wilson to Susan Sontag-- admire various communist systems, often in their most repressive historical phases? How could Stalin's Soviet Union, Mao's China, or Castro's Cuba appear at one time as both successful modernizing societies and the fulfillments of the boldest dreams of social justice? Why, at the same time, had these intellectuals so mercilessly judged and rejected their own Western, liberal cultures? What Impulses and beliefs prompted them to seek the realization of their ideals in distant, poorly known lands? How do their journeys fit into long-standing Western traditions of looking for new meaning In the non-Western world? These are some of the questions Paul Hollander sought to answer In his massive study that covers much of our century. His success is attested by the fact that the phrase "political pilgrim" has become a part of intellectual discourse. Even in the post-communist era the questions raised by this book remain relevant as many Western, and especially American intellectuals seek to come to terms with a world which offers few models of secular fulfillment and has tarnished the reputation of political Utopias. His new and lengthy introduction updates the pilgrimages and examines current attempts to find substitutes for the emotional and political energy that used to be invested in them.

THE HARVEST is the great, definitive novel of the creation of the Jewish state and the triumphant efforts of the Jewish people to survive and become a nation. In 1972, the Los Angeles Times called Meyer Levin "the most significant American Jewish writer of his time." Norman Mailer referred to him as "one of the best American writers working in the realistic tradition." In addition, Ernest Hemingway called Levin's book CITIZENS "a fine American novel -- one of the best I ever read." Is it any wonder then that the work of Meyer Levin is considered to be among the finest and most important of any twentieth century writer? In the historical novels THE SETTLERS (1972) and THE HARVEST (1978), Levin wove an epic tale of pioneering life in the early Palestine settlements. The works were the culmination of decades of research, and reviewers hailed the duo as the author's masterwork, a Jewish WAR AND PEACE.

Mickey Mantle (1931-1995), the iconic number 7 of the world-famous New York Yankees, was the epitome of power, grace, and class in the 1950s. Veteran New York sportswriter Maury Allen writes candidly of Mantle's luminous achievements, including being named the American League's Most Valuable Player three times and hitting an astonishing 536 career home runs; of Mantle's uneasiness at being a national hero; of Mantle's long, eventually triumphant, struggle with alcoholism; and of Mantle's subsequent losing battle with liver cancer.

An overview of generations of Italians in the Big Apple, weaving together numerous stories from different epochs and different backgrounds. "If you want to learn something about Italian creativity, come to New York. Here, you will find the pride of flying the Italian colors at the Fifth Avenue Columbus Day Parade, the American patriotism of those who perished at Ground Zero, the courage of firefighters and marines on the frontline of the war against terrorism, the babel of dialects at the Arthur Avenue market, portrayals of social change in the writings of Gay Talese, stories of successful business ventures on the TV shows of Maria Bartiromo and Charles Gasparino, political passion in the battles of Mario Cuomo and Rudy Giuliani, creative imagination in the works of Gaetano Pesce, Renzo Piano and Matteo Pericoli, and provocation in the attire of Lady Gaga... The Midtown top managers, whoarrived in the past twenty years, operate in the XXI century, while on Fresh Pond Road in Ridgewood the panelle are still prepared according to the Sicilian recipes transmitted from one generation to the next." (From the "Introduction")

Described as “a continuous carnival” and “the crossroads of the world,” Times Square is a singular phenomenon: the spot where imagination and veracity intersect. To esteemed scholar and author Marshall Berman, it is also the flashing, teeming, and strangely beautiful nexus of his life. In this remarkable book, Berman takes us on a thrilling illustrated tour of Times Square, revealing a landscape both mythic and real. On the Town is a unique look through the lens of the ideas and works of art that inspired–or were inspired by–this landmark’s allure. Times Square pulses with life, drawing countless millions who long to be surrounded by too many in the midst of too much. Beyond the immense crowds, the intoxicating lights, the imposing architecture, and even the recent incursion of corporate headquarters that limn the Square’s present boundaries, there is an indefatigable humanity (and undeniable sexual tension) that, for more than a century, has nourished creative expression. Interleafing his own recollections with astute social commentary, Berman reveals how movies, graphic arts, literature, popular music, television, and, of course, the Broadway theater have reflected Times Square’s voluminous light to illuminate a vast spectrum of themes and vignettes. Berman shows us Times Square as it is seen in Alfred Eisenstadt’s iconic photography, the movies of Busby Berkeley, John Schlesinger, and Martin Scorsese, and the stage choreography of Jerome Robbins. Conversely, we see how Times Square’s distinctive aura finds its source in a stunningly diverse list of performers, writers, and impresarios, including Theodore Dreiser, Florenz Ziegfeld, Ethel Merman, Al Jolson, Bob Dylan, and Bruce Springsteen. Berman also celebrates the unsung heroes of Times Square–the artists, engineers, and hucksters behind the Square’s landmark signs that, throughout the decades, re-created raging waterfalls, blew smoke rings, bathed onlookers in the Square’s eerily welcoming light, and projected the image of what Americans want to be against a surface of who we really are. Part love letter, part revelatory semiotic exposition of a place known to all, On the Town is a nonstop excursion to the heart of American civilization, written by one of our keenest, most entertaining cultural observers.

Mark W. Clark was a major figure in World War II. He was prominent as one of the top American commanders. Together with Dwight D. Eisenhower, Omar N. Bradley, and George S. Patton, Jr., Clark was widely regarded as being responsible for victory on the European side of the conflict. One of the great World War II memoirs by a legendary American general in charge of operations in North Africa and Italy. General Mark W. Clark recounts his wartime exploits and tells the story of the battles in Tunisia and Italy with verve and attention to key detail. An unparalleled account by a great military leader.

Since the 1950s American artists have used abstraction to deliberately attempt to confront the memory of the Holocaust or accepted commissions for memorial works. Examines individual paintings, an architectural project, a video installation, a site-specific sculpture, and commissioned works by Richard Serra, Joel Shapiro, Sol LeWitt, and Ellsworth Kelley (all 1993) in the US Holocaust Memorial Museum. Concludes that abstract art works can represent the Holocaust in complex ways.

The nine essays gathered here pursue the provocative implications of Toni Morrison's claim that no early American writer was more important than Poe in shaping a concept of "American Africanism," an image of racialized blackness destined to haunt the Euro-American imagination. As contributors to this volume reveal, Poe's response to the "shadow" of blackness--like his participation in the cultural construction of whiteness--was both problematic and revealing. Born in Boston but raised mostly in Richmond, surrounded by the practices of slaveholding culture, Poe seems to have shared notions of racial hierarchy and Anglo-Saxon supremacy pervasive on both sides of the Mason-Dixon line. That he promulgated racist stereotypes in depicting black servants--his Jupiters and Pompeys--cannot be denied; that he complicated these stereotypes with veiled, subversive implications, however, gives his fiction peculiar relevance to the task of historicizing racial attitudes in antebellum culture. Was Poe an unabashed proslavery apologist, a careerist who avoided racial politics, a "gradualist" who hoped slavery would just disappear, or an ideological chameleon? Were Poe's views on race extreme or unusual? Overtly, in tales such as "The Gold-Bug," "The Journal of Julius Rodman," and The Narrative of Arthur Gordon Pym, and covertly in such works as "The Black Cat" and "Hop-Frog," Poe alternately caricatured and demonized the racial Other, yet he often endowed such figures with shrewdness and resourcefulness, at times portraying their defiance as inevitable and even understandable. In Romancing the Shadow, leading interpreters of nineteenth-century American literature and culture debate Poe's role in inventing the African of the white imagination. Their readings represent an array of positions, and while they reflect some consensus about Poe's investment in racialized types and tropes, they also testify to the surprising ways that race embedded itself in his work--and the diverse conclusions that can be drawn therefrom.

"Nationalism, often the scourge, always the basis of modern world politics, is spreading. In a way, all nations are willed into being. But a simple declaration, such as Grouvelle's, is not enough. As historian Liah Greenfeld shows in her new book, a sense of nation--nationalism--is the product of the complex distillation of ideas and beliefs, and the struggles over them. Greenfeld takes the reader on an intellectual journey through the origins of the concept "nation" and how national consciousness has changed over the centuries. From its emergence in sixteenth century England, nationalism has been behind nearly every significant development in world affairs over succeeding centuries, including the American and French revolutions of the late eighteenth centuries and the authoritarian communism and fascism of the twentieth century. Now it has arrived as a mass phenomenon in China as well as gaining new life in the United States and much of Europe in the guise of populism"--

At the turn of the 20th century, the Jewish population density in some streets on New York's east side was greater than Calcutta's slums. Today, American Jews are the wealthiest and best-educated ethnic or religious community in the USA. This is a study of the transformation of a community.

"In this follow-up work to Jacob the Liar, Becker tells the story of a man named Aron Blank, tracing his life from his release from a concentration camp in the summer of 1945 through the next twenty or so years. Living in a ghetto at the start of the war, Aron had lost his wife who one day was arrested by the Nazis. In desperation, he turned over his two-year-old son, Mark, for safe-keeping to a neighbor just before he was deported. Now, having survived the war, Aron sets out, with the help of an American relief organization, to find his son."--Jacket.

One hundred twenty-eight biting cartoons reflect on the eight years of U.S. history when Reagan sat in the director's chair. According to the preface, Movie America stars a president who believes only in the movie version of history, and depicts a whitewashed country that "operates within the logic, illusion, and structure of a myth".

Symposium of the Whole traces a discourse on poetry and culture that has profoundly influenced the art of our time, with precedents going back two centuries and more. Beginning with a reassertion of the complexity of poetry among peoples long labeled “primitive” and “savage,” many recent poets have sought to base a new poetics over the fullest range of human cultures. The attempt to define an ethnopoetics has been significantly connected with the most experimental and future-directed side of Romantic and modern poetry, both in the Western world and, increasingly, outside it. As a visionary poetics and as a politics, this complex redefinition of cultural and intellectual values has involved a rarely acknowledged collaboration between poets and scholars, who together have challenged the narrow view of literature that has excluded so many traditions. In this gathering, the Rothenbergs follow the idea of an ethnopoetics from predecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos by poets and social thinkers such as Olson, Eliade, Snyder, Turner, and Baraka. The themes range widely, from the divergence of oral and written cultures to the shaman as proto-poet and the reemergence of suppressed and rejected forms and images: the goddess, the trickster, and the “human universe.” The book’s three ethnographic sections demonstrate how various poetries are structured and composed, how they reflect meaning and worldview, and how they are performed in cultures where all art may be thought of as art-in-motion. Among the poetries discussed are the language of magic; West African drum language and poetry; the Huichol Indian language of reversals; chance operations in African divination poetry; picture-writings and action-writings from Australia and Africa; and American Indian sacred-clown dramas and traditional trickster narratives. The cumulative effect is a new reading of the poetic past and present—in the editors’ words, “a changed paradigm of what poetry was or now could come to be.”

"Diplomacy is essential to the conduct of foreign policy and international business in the twenty-first century. Yet, few international actors are trained to understand or practice effective diplomacy. Poor diplomacy has contributed to repeated setbacks for the United States and other major powers in the last decade. Drawing on deep historical research, this book aims to 'reinvent' diplomacy for our current era. The original and comparative research provides a foundation for thinking about what successful outreach, negotiation, and relationship-building with foreign actors should look like. Instead of focusing only on failures, as most studies do, this one interrogates success. The book provides a framework for defining successful diplomacy and implementing it in diverse contexts. Chapters analyze the activities of diverse diplomats (including state and non-state actors) in enduring cases, including: post-WWII relief, the rise of the non-aligned movement, the Nuclear Non-Proliferation Treaty, the U.S. opening to China, the Camp David Accords, the reunification of Germany, the creation of the European Union, the completion of the North American Free Trade Agreement, and relief aid to pre-2001 Afghanistan. The cases are diverse and historical, but they are written with an eye toward contemporary challenges and opportunities. The book closes with systematic reflections on how current diplomats can improve their activities abroad. Foreign Policy Breakthroughs offers rigorous historical insights for present policy"--

A celebrated historian recounts Hubert Humphrey’s role as a liberal hero of twentieth-century America Hubert Humphrey was liberalism’s most dedicated defender, and its most public and tragic sacrifice. As a young politician in 1948, he defied segregationists and forced the Democratic Party to commit itself to civil rights. As a senator in 1964, he made good on that commitment by helping pass the Civil Rights Act. But as Lyndon B. Johnson’s vice president, his support for the war in Vietnam made him a target for both Right and Left, and he suffered a shattering loss in the presidential election of 1968. Though Humphrey’s defeat was widely seen as the end of America’s era of liberal optimism, he never gave up. Even after his humiliation on the most public stage, he crafted a new vision of economic justice to counter the yawning political divisions consuming American politics. This biography reveals a deep-dyed idealist willing to compromise and even fight ugly in pursuit of a better society. Elegantly crafted and strikingly relevant to the present, True Believer celebrates Hubert Humphrey’s long struggle for justice for all.