"According to tradition, Moses wrote the first five books of the Bible. Depicted there in suprising and contradicting ways, and both for and against his people, bringer of the tablets of law which he then breaks. By way of a series of possible portraits-including one of a female Moses-Jean-Christophe Attias follows the metamorphoses of the Hebrew liberator through ages and cultures. Drawing on rabbinical sources as well as the Bible itself, he examines the words of the texts and especially their silences. He discovers here a fragile prophet, teacher of a Judaism of the spirit, of wandering, and of incompleteness. The Judaism of Moses speaks to believers and others-to Jews, of course, but also far beyond them, inviting its hearers to have done with tribal pride, the violence of weapons, and the tyranny of a special place"--

"This memoir of a radical Jew follows Jack Nusan Porter's journey from his birth in Ukraine during the Holocaust, through the radical 60s and 70s, to the present day, and details his experiences fighting anti-Semitism, anti-Zionism, xenophobia, and hate"--

Ivan Jablonka's grandparents' lives ended long before his began: although Matès and Idesa Jablonka were his family, they were perfect strangers. When he set out to uncover their story, Jablonka had little to work with. Neither of them was the least bit famous, and they left little behind except their two orphaned children, a handful of letters, and a passport. Persecuted as communists in Poland, as refugees in France, and then as Jews under the Vichy regime, Matès and Idesa lived their short lives underground. They were overcome by the tragedies of the twentieth century: Stalinism, the mounting dangers in Europe during the 1930s, the Second World War, and the destruction of European Jews. Jablonka's challenge was, as a historian, to rigorously distance himself and yet, as family, to invest himself completely in their story. Imagined oppositions collapsed - between scholarly research and personal commitment, between established facts and the passion of the one recording them, between history and the art of storytelling. To write this book, Jablonka traveled to three continents; met the handful of survivors of his grandparents' era, their descendants, and some of his far-flung cousins; and investigated twenty different archives. And in the process, he reflected on his own family and his responsibilities to his father, the orphaned son, and to his own children and the family wounds they all inherited. A History of the Grandparents I Never Had cannot bring Matès and Idesa to life, but Jablonka succeeds in bringing them, as he soberly puts it, to light. The result is a gripping story, a profound reflection, and an absolutely extraordinary history.

Arthur Szyk (pronounced "Shick") was born in Lodz, Poland, in 1894 and died in New Canaan, Connecticut, in 1951. He was considered the greatest miniaturist and painter-illuminator of his era, and the leading political artist in America during World War II. He was internationally recognized and celebrated, and his works of art continue to be exhibited worldwide. This catalogue of institutional holdings of Arthur Szyk's art was created to provide the best jumping off point for those interested in surveying his originals for the purpose of research, scholarship, and curatorial possibilities. 'Arthur Szyk Preserved' illustrates where Szyk's work can be found today. Ultimately, this catalogue recognizes and celebrates the public institutions that serve as vital caretakers of Arthur Szyk's art and legacy. It is hoped that this publication will encourage them to more fully promote public awareness of Szyk's art and the breadth and beauty of his works in multiple and creative ways.

Amy Sedaris meets Woody Allen in an uproarious memoir of self discovery. In her critically acclaimed memoir Dork Whore, Iris Bahr finally lost her virginity in the summer between high school and Brown University. In this book, she’s ready for love a year later—but not much wiser. Through all of her uproarious capers, she tries to reconcile her craving for mindblowing sex with her desire for a meaningful relationship—all in an attempt to become an adult. Sort of.

'In the Lower Saxony region of northwestern Germany sits the city of Osnabrück. This is where, in 1648, the Peace of Westphalia was signed, bringing the Thirty Years' War and one of the most calamitous periods of European history to an end. But the city was later to witness another calamity. Today, as one walks through Old Synagogue Street in a rich neighborhood of Osnabrück, one might miss noticing a pile of pale stones held together by chicken wire that sits between two fashionable homes. These are the well-kept ruins from behind which stares a gaping space--a place of memory and oblivion. Four polished plaques tell the tale of the horror-filled night of November 9, 1938--today known as Kristallnacht--when the synagogue that had stood on this spot was desecrated, looted, set on fire, and eventually demolished by Hitler's forces. On the same day, ninety parishioners were imprisoned by the Gestapo and eventually sent to the Buchenwald concentration camp. Osnabrück was also home to Eve Klein, a member of the city's early-twentieth-century Jewish community and the mother of author Hélène Cixous. In Well-Kept Ruins, Cixous returns to the historic city in 2019 and reflects on the remains of the synagogue that "express the life lost, the life kept." Walking the streets of the city, plumbing the depths of the past along with her own family's history, looking deep into the future, and punctuating her poetic prose with haunting photographs, Cixous explores the ruins at the heart of humanity. Part memoir, part philosophical meditation, Well-Kept Ruins is a genre-defying and timely reflection of the contemporary human condition.'--Publisher description.

Text: English, German (translation)

August 1939. On her summer break from her studies at the Royal Academy of Music, the exquisitely talented young South African pianist, Olda Mehr, and her parents, leave London to visit relatives in Eastern Europe.

A celebration of the work of one of America's top aviation artists. Many of the works of American artist and illustrator Gil Cohen can be found at the John F. Kennedy Center for the Performing Arts in Washington, DC, and the Pentagon, as well as in other important public and private collections. After spending decades as a respected illustrator for magazines and book publishers, Cohen chose to turn his attention to aviation and military themes. His more recent paintings vividly depict the human aspects of America's wars, showing soldiers and aviators in battle and at rest. One of Cohen's recurring observations is that, unfortunately, some of humankind's most remarkable feats of engineering are often created for the purpose of war. Cohen's paintings are collected worldwide, and his clients include the U.S. Air Force, the U.S. Coast Guard; Paramount Pictures; Random House; Holt, Rinehart & Winston; Bantam Books; Harlequin Books; and Boeing-Sikorsky.

Don't Tell Sybil is a libidinous memoir by a master raconteur. George Melly (1926-2007) was impossible to ignore in London cultural circles between the 1950s and 90s. He first came to attention as a jazz singer, notable for risqué songs performed with verve rather than with great technical ability. An arresting personality, Melly dressed the part: his outrageous suits became a mark, and his talents as a raconteur soon brought him fame as a TV talkshow guest (usually late-night shows, for reasons of propriety). His cheerful bisexuality, recounted throughout his three volumes of autobiography, scandalized and then delighted a public whose own sexual attitudes changed over the decades they describe. Don't Tell Sybil is a supplementary volume of autobiography which treats in more detail Melly's youthful and long-lasting attraction to Surrealism, and his equally lengthy friendship with the contradictory character who headed up the English Surrealist group, E.L.T. Mesens. Their adventures form the core of this book--adventures of which Mesens did not want his wife, Sybil, to learn, hence the book's title. Mesens was a perfect subject, an artist and prankster who could be as punctilious and stingy as the most respectable bourgeois. Anecdotes of the artists who showed at Mesens' gallery, such as Schwitters and Magritte, pepper the narrative, a hugely affectionate memoir by a character who was truly larger than life. This new edition is augmented with previously unpublished photographs relating to Melly and English Surrealism.

Banat, a concert violinist and teacher, describes the life of this virtuoso violinist, who is thought to be the earliest black European composer, born on his father's plantation on Guadeloupe

Filmmaker Eva Orner takes us on a personal, gripping and compelling journey to show us how she came to make her documentary about Australia's asylum seeker policies. ' My work as a filmmaker has taken me to some wild, dangerous places ... It's been a crazy, nomadic kind of life, taking me to conflict zones and desperately poor, chaotic, unstable countries. I've been sick, injured, scared and had too many close calls to mention. I spend a lot of time alone, in airports, lugging camera gear, gazing up at flickering departure boards.' But I love it. I love the feeling I get when I am heading into the unknown.' Angry and frustrated with Australia's asylum seeker and refugee policies, Eva Orner, Academy Award®-winning filmmaker, returned home after a decade living in the States to make the documentary Chasing Asylum about the issue. Embarking on a tumultuous eighteen months, Eva travelled to Indonesia, Cambodia, Lebanon, Afghanistan and Iran, spending time with and filming asylum seekers, as well as interviewing politicians, activists and commentators including David Marr and Malcolm Fraser. She smuggled a pen camera into an Indonesian jail to interview a convicted people smuggler, she talked to whistle blowers in Australia, and in Iran she met with the family of the man killed in the Manus Island riot. Chasing Asylum is a compelling insight into a filmmaker's journey, and a very personal story of the cost, risks and rewards of putting yourself on the line for a film and for a cause. The Guardian writes of the film Chasing Asylum: 'The full, muscular weight of the feature documentary format has finally tackled the subject with Chasing Asylum, a viscerally intense expose given gravitas by Academy and Emmy award-winning film-maker Eva Orner ... not just successful, but awfully and unforgettably effective: vital, evocative and gut-wrenching.' 'Eva Orner is no stranger to bravery ... she manifests this steadfastness in relating story after story where pain, violence and horror frame her narrative, interspersed by accounts of the daily life of a filmmaker ... Orner is brave not just emotionally, but also physically, risking imprisonment, illness and violence to uncover the stories of those who have sought refuge ... It is a story that must be told.' Sydney Morning Herald

This memoir, a young poet's tragicomic account of crossed loves and rebellions as he grows from boy to man under the vigilant eyes of the state in the Soviet Union between the 1950s and 1970s, can be approached as a bildungsroman. It is set in Tallinn, Riga and Moscow (with episodes in Uzbekistan, Moldavia, and the Ukraine) and, apart from this author's own story, deals with the experiences of young people of that period, their friendships and attempts to form erotic/romantic attachments, as well as their search for national--Baltic, Jewish, Russian--identity while being watched and sometimes interrogated by the secret police. It also includes some reconstruction of the author's family history: expulsion from Spain, the Magician of Prague, the renowned historian Simon Dubnov. The volume progresses from the demonstration of two seven-year-old boys' against Stalin and Lenin, in Tallinn, in the mid-1950s to a dramatic and doomed love affair with a woman married to an army colonel who attempts to shoot the author as the latter is about to make his final exit from the country, with the KGB on his tail, in the early 1970s. While raising a number of important historical and contemporary issues, the memoir is also an involving narrative, a visually descriptive story, varied and engrossing, involving philosophical, theological, and detective elements; popular and literary culture; countries and languages; high seriousness and undercutting irony.