Fascinated by the idea of Western civilization as being a sequence of numerous misinterpretations and misrepresentations, these nineteen essays cover a broad range of topics with the unifying theme being the crossroads where politics and the imagination meet. An essay on linguistics and culture discusses the shaping of Latin America's collective identity; Peru's modern history is approached as a bloody battle between enlightenment and darkness; and in critiques of Octavio Paz and Gabriel García Márquez, Stavans reflects on the dichotomy between pen and sword in the Hispanic world. In 'Letter to a German Friend', Stavans returns to his fate as a Jew in the Southern Hemisphere, and in 'The First Book,' he connects his passion for literature to his initiation into Jewishness. Finally, in a meditation on Columbus's afterlife, he reflects on the many ways in which we reinvent ourselves in order to make sense of the chaotic world that surrounds us.

A Few Good Voices in My Occasional Pieces on Writing, Editing, and Reading My Contemporaries by Ted Solotaroff

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Spanish American fiction became a world phenomenon in the twentieth century through multilanguage translations of such novels as Gabriel Garcia Marquez's One Hundred Years of Solitude, Manuel Puig's Kiss of the Spider Woman, Octavio Paz's Labyrinth of Solitude, and Isabel Allende's House of the Spirits. Yet these "blockbusters" are only a tiny fraction of the total, rich outpouring of Spanish-language literature from Latin America. In this book, Naomi Lindstrom offers English-language readers a comprehensive survey of the century's literary production in Latin America (excluding Brazil). Discussing movements and trends, she places the famous masterworks in historical perspective and highlights authors and works that deserve a wider readership. Her study begins with Rodó's famous essay Ariel and ends with Rigoberta Menchú's 1992 achievement of the Nobel Prize. Her selection of works is designed to draw attention, whenever possible, to works that are available in good English translations. A special feature of the book is its treatment of the "postboom" period. In this important concluding section, Lindstrom discusses documentary narratives, the new interrelations between popular culture and literary writing, and underrepresented groups such as youth cultures, slum dwellers, gays and lesbians, and ethnic enclaves. Written in accessible, nonspecialized language, Twentieth-Century Spanish American Fiction will be equally useful for general readers as a broad overview of this vibrant literature and for scholars as a reliable reference work.

Originally published in 1957, this volume brings together a collection of essays and hard to source translations on both well and lesser known German writers and poets, including Hölderlin, Benn, Mann and Nietzsche. The essays are linked by a consideration of the tension between the desire for what Thomas Mann called 'the miracle of ingeniousness regained' and the constrains of reason. The book shows how this tension contributes toward the prophetic nature of so much 18th and 19th Century German literature and its modernity, which qualities are also placed in the context of German political and social conditions. All prose quotations are given in English translation, and the majority of verse quotations in both German and English.

Throughout her career, Pulitzer Prize–winning poet Maxine Kumin has been at the vanguard of discussions about feminism and sexism, the state of poetry, and our place in the natural world. The Roots of Things gathers into one volume her best essays on the issues that have been closest to her throughout her storied career. Divided into sections on "Taking Root," "Poets and Poetry," and "Country Living," these pieces reveal Kumin honing her views within a variety of forms, including speeches, critical essays, and introductions of other writers’ work. Whether she is recollecting scenes from her childhood, ruminating on the ups and downs of what she calls "pobiz" (for "poetry business"), describing the battles she’s fought on behalf of women, or illuminating the lives of animals, Kumin offers insight that can only be born of long and closely observed experience.

“We got to talking”—so David Antin begins the introduction to Radical Coherency , embarking on the pursuit that has marked much of his breathless, brilliantly conversational work. For the past forty years, whether spoken under the guise of performance artist or poet, cultural explorer or literary critic, Antin’s innovative observations have helped us to better understand everything from Pop to Postmodernism. Intimately wedded to the worlds of conceptual art and poetics, Radical Coherency collects Antin’s influential critical essays and spontaneous, performed lectures (or “talk pieces”) for the very first time, capturing one of the most distinctive perspectives in contemporary literature. The essays presented here range from the first serious assessment of Andy Warhol published in a major art journal, as well as Antin’s provocative take on Clement Greenberg’s theory of Modernism, to frontline interventions in present debates on poetics and fugitive pieces from the ’60s and ’70s that still sparkle today—and represent a gold mine for art historians of the period. From John Cage to Allan Kaprow, Mark Rothko to Ludwig Wittgenstein, Antin takes the reader on an idiosyncratic, personal journey through twentieth-century culture with his trademark antiformalist panache—one thatwill be welcomed by any fan of this consummate trailblazer.

The twelve contemporary fiction writers interviewed in Passion and Craft go beyond the merely autobiographical, revealing that, despite their differences, they share passionate devotion and discipline for their craft. Included are Richard Ford, winner in 1995 of both the Pulitzer Prize and the PEN/Faulkner Award; Gina Berriault, 1997 winner of the National Book Critics Circle Award; Bobbie Ann Mason; T. Coraghessan Boyle; Rick Bass; Leonard Michaels; Christopher Tilghman; Thom Jones; Julia Alvarez; Andre Dubus; Jayne Anne Phillips; and Tobias Wolff. Their comments will interest readers devoted to their novels and stories, other writers, and aspiring writers.

"This groundbreaking work by one of the world's foremost theoreticians of culture and scholars of Russian philosophy gives for the first time a systematic examination of the development of Russian philosophy during the late Soviet period. Countering the traditional view of an intellectual wilderness under the Soviet regime, Mikhail Epstein provides a comprehensive account of Russian thought of the second half of the 20th century that is highly sophisticated without losing clarity. It provides new insights into previously mostly ignored areas such as late Soviet Russian nationalism and Eurasianism, religious thought, cosmism and esoterism, and postmodernism and conceptualism. Epstein shows how Russian philosophy has long been trapped in an intellectual prison of its own making as it sought to create its own utopia. However, he demonstrates that it is time to reappraise Russian thought, now freed from the bonds of Soviet totalitarianism and ideocracy but nevertheless dangerously engaged into new nationalist aspirations and metaphysical radicalism. We are left with not only a new and exciting interpretation of recent Russian intellectual history, but also the opportunity to rethink our philosophical heritage"--

Poetry. Jewish Studies. Women's Studies. The broken Aleph—first letter of the Hebrew alphabet—represents the chasm between the author, a secular Jew, and her cultural and religious heritage. The poems in this collection explore her efforts to repair that breach and to find her footing in the world, negotiating the path of history and tradition while fully alive to the present. Though her journey is personal, the reverberations of the work are universal, doing what the best poetry always does, permeating boundaries and opening up a space for wonder to enter the world.

"Emancipation of European Jewry during the nineteenth century led to conflict between tradition and modernity, creating a chasm that few believed could be bridged. The emergence of modern traditionalism was fraught with obstacles. The essays published in this collection eloquently depict the passion underlying the disparate views, the particular areas of vexing confrontation and the hurdles faced by champions of tradition. The author identifies and analyzes the many areas of sociological and religious tension that divided the competing factions, including synagogue innovation, circumcision, intermarriage, military service and many others. With compelling writing and facile style, this illuminating work provides keen insight into the history and development of the various streams of Judaism and the issues that continue to divide them in contemporary times"--

Ivan Margolius introduces a number of architects who, throughout history, have found inspirational techniques and discovered solutions to structural problems within their architectural projects.

Here, in Klima's own powerful words, is the motivation behind his writing - the necessity to bear witness to his country's turbulent history. In the title essay of this collection of essays, Klima invokes the spirit of the city that has shaped and sustained him: ironical, cultural, accustomed to adversity but full of hope. A city which has spawned and inspired Milan Kundera, Josef Skvorecky and Pavel Kohut.

Headlines from France suggest that the country's Jews and Muslims are inevitably at odds. But the past tells a different story. In this sweeping history from World War I to the present, Ethan Katz shows that Jewish-Muslim relations were more complex, shaped by everyday encounters and perceptions of deeply rooted similarities as well as differences.

"Telling Histories presents recent installations by two artists--Ellen Rothenberg and Carrie Mae Weems--whose work examines the nature of memory and history. Their art constructs new critical narratives that reclaim 'woman' and her story. Each installation evokes the female body as interrogator of and accomplice to history."

We're living a national ideology that's invisible to us because we're inside it." "We're living a national ideology that's invisible to us because we're inside it." At the outset of his career E. L. Doctorow told Paul Levine, "History written by historians is clearly insufficient." Doctorow's novels carry out that conviction by imagining the great moments of American history--the Old West, the gilded age, the Depression, the cold war--as backdrops for tales of excruciating moral pain and injustice in America. In Conversations with E. L. Doctorow Christopher D. Morris has gathered over twenty of the most revelatory interviews with the acclaimed author of Ragtime, World's Fair, Billy Bathgate, The Book of Daniel, and other novels, plays, and short stories. Whatever the setting or time period, Doctorow's characters spark an unparalleled urgency in the novelist's recreations of history. In his work the American dream and the values his characters try to live by turn to madness and ashes. Within this collection Doctorow explores the themes of his work not only in the contexts of national and literary history but also in terms of disturbing trends in contemporary American culture. Talking about style, Doctorow discusses his experiments with shifting points of view and unreliable narrators as part of the modernist heritage to which readers have become accustomed. But he stresses that these techniques are always subordinate to the telling of a good story and the creation of memorable characters. "My portrait of J. P. Morgan in Ragtime is truer to the man's soul and the substance of his life than his authorized biography," he says. Doctorow's critical and popular success comes from the creation and re-creation of such great characters and the telling of captivating stories in which the writer serves as an independent witness to both the ideals and the corruptions that have driven our history. Christopher D. Morris has been the Charles A. Dana Professor of English at Norwich University in Northfield, Vermont, since 1996. He is also the author of Models of Misrepresentation: On the Fiction of E. L. Doctorow and regularly publishes in journals like The Ohio Review, Critique, and Film Criticism.

Gotz and Meyer, two noncommissioned SS officers, are entrusted with an assignment, "not a big one," but one that "requires efficiency." Their task is to transport five thousand women, children and elderly, one hundred at a time, from a concentration camp near Belgrade in a hermetically sealed truck, in which they are gassed. As Albahari's anonymous narrator, a teacher, obsessively pursues the truth of this systematic annihilation, he shares his findings with his students. Their school bus becomes that truck, and as the memory of Belgrade's lost Jewish souls is evoked, the students are bewildered. Their teacher, worn down as much by the task of making history come alive as by the toll his research has taken on him, is overwhelmed by the horror of his own imaginings. A harrowing, masterfully written story, full of compassion, irony, and lyricism.