"Based on his own family history, David Pryce-Jones’s virtuosic novel tells the tale of the Ellingens, one of the richest and most powerful Jewish families in the Habsburg Empire. Gustav will ascend from the poverty and obscurity of an orphanage to the pinnacle of Viennese society, steering the family’s fortunes through defeat in the Great War, the inflation of Weimar, and the perils of Depression. His only child, Henriette, must cope with the challenges of innocence and wealth. But her only child, Jules, will face a far more terrible challenge in the rise of Nazism. The Afternoon Sun is a vivid portrait of four brilliant generations and their Europe by a peerless observer who knew them as few others could."--

The view of themselves as the chosen people of God has been maintained by Jews from the beginnings of their history to the present. The author explores the development of this idea in Jewish theology and law, and essays a contemporary retrieval of the classical doctrine of election. Through an examination of the philosophical implications of the idea, he argues for the correlation of election and revelation, and shows both what the notion of election should mean for Jews today, and how non-Jews can better understand it.

Alan Dundes, in this casebook of an anti-Semitic legend, demonstrates the power of folklore to influence thought and history. According to the blood libel legend, Jews murdered Christian infants to obtain blood to make matzah. Dundes has gathered here the work of leading scholars who examine the varied sources and elaborations of the legend. Collectively, their essays constitute a forceful statement against this false accusation. The legend is traced from the murder of William of Norwich in 1144, one of the first reported cases of ritualized murder attributed to Jews, through nineteenth-century Egyptian reports, Spanish examples, Catholic periodicals, modern English instances, and twentieth-century American cases. The essays deal not only with historical cases and surveys of blood libel in different locales, but also with literary renditions of the legend, including the ballad “Sir Hugh, or, the Jew’s Daughter” and Chaucer’s “The Prioress’s Tale.” These case studies provide a comprehensive view of the complex nature of the blood libel legend. The concluding section of the volume includes an analysis of the legend that focuses on Christian misunderstanding of the Jewish feast of Purim and the child abuse component of the legend and that attempts to bring psychoanalytic theory to bear on the content of the blood libel legend. The final essay by Alan Dundes takes a distinctly folkloristic approach, examining the legend as part of the belief system that Christians developed about Jews. This study of the blood libel legend will interest folklorists, scholars of Catholicism and Judaism, and many general readers, for it is both the literature and the history of anti-Semitism.

Chaim Weizmann’s autobiography is a highly personal account of his life in the Zionist movement. Book One, completed in 1941, covers the years 1874-1917 and Book Two covers the years 1918-1948.Weizmann describes the Russian shtetl where he was born in 1874, his schooling in Pinsk and his university studies in Berlin, Geneva and Freiburg (Switzerland) where he received his PhD in chemistry in 1899 before moving to Manchester in 1904. He portrays many leading Zionists such as Theodor Herzl, Achad Ha-am, Max Nordau, Shmarya Levin, Ussishkin, Jabotinsky, Ruppin. He describes the opposition by assimilationist Jews (like Edwin Montagu) to Zionism, and internal debates within the Zionist movement, such as the defeat of Herzl’s Uganda plan — bitterly opposed by Weizmann — at the 6th Zionist Congress (1903) and his frictions with the American Zionists led by Brandeis. Weizmann describes how, during World War I, his work on acetone brought him into contact with British political leaders such as Lloyd George, Arthur Balfour and Winston Churchill and facilitated the Balfour Declaration which, in 1917, paved the way for “the establishment in Palestine of a national home for the Jewish people”.Weizmann recounts his role in the creation of what would become Israel’s leading scientific institutions, the Hebrew University, the Weizmann Institute of Science and the Technion, including his fundraising efforts in Europe and in the United States on their behalf and for other Zionist initiatives. He became the first President of Israel, and died in office in 1952.“... one of the important historical documents of our time.” — Orville Prescott, The New York Times (January 19, 1949)“[Trial and Error] is likely to be read for many years to come as an authoritative exposition of the Zionist movement ... records eye-witness accounts of so many crucial events and reflects so many deep insights that it is certain to become of permanent value to the scholar and a delight to the general reader.” — Salo Baron, The New York Times (January 23, 1949)“There are four angles from which one can approach this book. One can take it as a history of Zionism during the last seventy years... a record of personal endeavour triumphant over obstacles and dissension... a sad commentary upon human achievement, when eventual triumph comes at a date, and in circumstances, which rob it of its full savour... the self-portrait of a most remarkable man.” — Harold Nicolson, The Observer (March 27, 1949)“Notable in this intellectually candid record is the fact that [Weizmann] embraced and propagated Jewish nationalism because he regarded it as a positive good, not merely a negative escape from gentile persecution. This intensely human book, which in a sense is the story of modern Zionism, constitutes one of the indispensable sources for the history of our times.” — Robert Gale Woolbert, Foreign Affairs (July 1949)“[Weizmann’s] autobiography ... is an astonishingly objective and life-like narrative, without a trace of dramatization, exaggeration, vanity, self-pity, self-justification; it conveys his authentic, richly and evenly developed, autonomous, proud, firmly built, somewhat ironical nature, free from inner conflict, in deep, instinctive harmony with the forces of nature and society, and therefore possessed of natural wisdom, dignity and authority.” — Sir Isaiah Berlin, Chichele Professor of Social and Political Theory, Oxford University (November 19, 1957)“Ranks between Churchill’s war memoirs and those of Nehru, Masaryk and Trotzky, among the founders’ own stories ...

This compilation of essays, edited by a Palestinian writer and an Israeli journalist, constitutes a challenge to critically rethink the Israeli-Palestinian conflict. Between the Lines presents a groundbreaking study that brings together insights from across the lines of conflict to put the latest chapter of Israeli apartheid and Palestinian resistance into context. Contributors include: Marwan Bargouti, Dr. Azmi Bishara, Dr. Sami Shalom Chetrit, Dr. Saleh Abdel Jawwad, Husam Khader, Eileen Kuttab, Dr. Yitzhak Laor, Dr. Adi Ophir, Dr. Ilan Pappe, Linda Tabar, Graham Usher and Dr. Jamal Zahalqa. "The destruction of a nation is not an everyday event in history. It is being carried out before our eyes, systematically and consciously, with cruelty and self-righteousness, and with the backing of the global superpower. These acute and informed essays develop a perspective on the background and unfolding of these events that is remote from anything likely to be heard in the West. They merit close attention and thoughtful consideration." --Noam Chomsky "This collection provides a lucid and critical analysis of the Israeli and American policies in the Middle East. The disastrous repercussions of this unholy alliance are presented in this collection through incisive and timely contributions. In the best tradition of [the journal] Between the Lines, readers will be rewarded by this collection that unmasks and exposes what the mainstream media refuses to report or admit." --Ilan Pappe, Israeli historian and author of A History of Modern Palestine Toufic Haddad is a Palestinian American activist who was formerly co-editor with Tikva Honig-Parnass of the Jerusalem-based magazine Between the Lines. Tikva Honig-Parnass is a Jewish Israeli active in radical anti-occupation movements.

Twelve distinguished historians, political theorists, and literary critics present new perspectives on multiculturalism in this important collection. Central to the essays (all but one is appearing in print for the first time) is the question of how the Jewish experience can challenge the conventional polar opposition between a majority "white monoculture" and a marginalized "minorities of color multiculture." This book takes issue with such a dichotomy by showing how experiences of American Jews can undo conventional categories. Neither a complaint against multiculturalism by Jews who feel excluded from it, nor a celebration of multiculturalism as the solution to contemporary Jewish problems, Insider/Outsider explores how the Jews' anomalous status opens up multicultural history in different and interesting directions. The goal of the editors has been to transcend the notion of "comparative victimology" and to show the value of a narrative that does not rely on competing histories of persecution. Readers can discover in these essays arguments that will broaden their understanding of Jewish identity and multicultural theory and will enliven the contemporary debate about American culture generally. Twelve distinguished historians, political theorists, and literary critics present new perspectives on multiculturalism in this important collection. Central to the essays (all but one is appearing in print for the first time) is the question of how the Jewish experience can challenge the conventional polar opposition between a majority "white monoculture" and a marginalized "minorities of color multiculture." This book takes issue with such a dichotomy by showing how experiences of American Jews can undo conventional categories. Neither a complaint against multiculturalism by Jews who feel excluded from it, nor a celebration of multiculturalism as the solution to contemporary Jewish problems, Insider/Outsider explores how the Jews' anomalous status opens up multicultural history in different and interesting directions. The goal of the editors has been to transcend the notion of "comparative victimology" and to show the value of a narrative that does not rely on competing histories of persecution. Readers can discover in these essays arguments that will broaden their understanding of Jewish identity and multicultural theory and will enliven the contemporary debate about American culture generally.

STRAWBERRIES WITH EVERYTHING brings a new tone to political memoirs. How did a nice Jewish boy finish up in a place like Poland? In sometimes hilarious detail, Steve Brook describes his early years in prewar London, the emigration of his family to Australia, and his eventual Aussification. While still in his teens he gets a heavy dose of Left politics. After a holiday in Poland, via London, he is offered a job at the Polish Radio in Warsaw. He spends eight years on the wrong side in the Cold War, with a ringside seat at some of the most significant events in European history including the Warsaw Dog Show, the "anti-Zionist" uproar of 1968 and the Soviet-led invasion of Czechoslovakia the same year. He returns to Australia in 1974 and after numerous Candide-like adventures, he finds himself wondering if it was all worthwhile. Of course it was.

"Through this dramatic history by Stefan Heym, we become intimate with the story of the maverick and internationalist Karl Radek, known as the editor of the newspaper of record throughout the Soviet era, Isvestia. Beginning as Lenin's companion at the dawning of the October Revolution, Radek later became Stalin's favorite intellectual - only to find himself entangled in the great purges of the late 1930s and scripting his own trial. In this, his last historical novel, Heym reveals Radek as a brilliant Bolshevik journalist and politician who found himself at every turn of the wheel of fate. A central figure of the communist world, Radek was such a controversial and perennially ambiguous personality that even his historical biography seems a work of fiction. With his thick glasses and most non-Aryan appearance, marked by what some might have seen as distinctively Jewish argumentative skills and humor, Radek's enormous talent as a writer, political acumen, and continuous curiosity carried him through event after event. In the struggles of the revolutionary movement Radek changed sides several times and came into conflict with Stalin, was exiled to Siberia, capitulated and resumed his editorial duties at Isvestia -- only to get caught up in the purge trials and sentenced to prison, where he died. As Heym sculpts credible conversations with Lenin, Luxemburg, Liebknecht, Trotsky, Stalin, and many others (all seen from Radek's perspective) we come to know Radek as a man haunted by the fear that the insurgency will cease to move forward, living his life as a frenzied chase in pursuit of the continuation of the revolution, until the very end. Originally published in Munich in 1995, this first-ever English translation of Radek fashions the inner voice of a unique figure in the global revolutionary wave of the first half of the twentieth century"--

Analyzes the image of the Jew in flims from the 1920s through the 1990s, in a number of countries (the USSR, Poland, Hungary, Czechoslovakia, East and West Germany, France, Italy, the USA, and Israel). Highlights the influence of stereotypes not only in antisemitic films, but also in pro-Jewish and anti-antisemitic ones, revealing how latent antisemitic images have been projected even in the latter two types of films. Contains a broad range of films, including Nazi documentaries and Hollywood films with Jewish or "Jewish" heroes (e.g. Paul Newman in "Exodus"). The sections deal with the "Jew" as perpetrator, victim, hero, and anti-hero. The analyses of many different films explore issues related to antisemitism and the Shoah. Celluloid images of the "Jew" have both reflected history and helped to mold it.

What we cannot keep. What we cannot lose. A sweeping masterwork of love and loss, secrets and survival, On the Sickle's Edge is told through the voices of three characters who lay bare their family's saga: the endearing, scrappy South-African born Lena, transported to Latvia and later trapped in the USSR; her granddaughter Darya, a true Communist whose growing disillusionment with Soviet ideology places her family at mortal risk; and Steven, a painter from Boston who inadvertently stumbles into the tangled web of his family's past. Against the roiling backdrop of twentieth-century Russia and Eastern Europe, the novel delivers equal parts historical drama, political thriller and poignant love story. On the Sickle's Edge takes the reader on a roller-coaster ride through some of the most tumultuous events of the 20th century. Instantly immersed in seven generations of the Shtein family, we witness their exhilarating celebrations and provocative controversies, and gain an intimate understanding of the pivotal events in South Africa, Latvia and the Soviet Union. Neville Frankel's ability to combine historical insight and human passion is spellbinding. I couldn't put it down. -- Pamela Katz , The Partnership: Brecht, Weill, Three Women, and Germany on the Brink In the hands of a masterful storyteller, On the Sickle's Edge pits the weight of an oppressive regime against individual tenacity and profound personal courage. Inspired by Frankel's own family history, this multi-generational epic holds up a mirror to a universal truth: all immigrants face the powerful tension between assimilation and cultural identity. We have--all of us--lived life on the edge of the sickle. -- Rabbi Andrew Baker , Director of International Jewish Affairs, American Jewish Committee

Much more than a particular period in world history, modernity has fundamentally transformed how we think and live, and especially how we understand and relate to religious traditions. As the 'ghetto walls' have fallen, both empirically and metaphorically, Judaism is compelled to compete in an open marketplace of ideas. Jews can no longer count on an assumedly necessary Jewish identity or commitment, nor on the rallying force of anti-Semitism to ensure an individual and collective sense of belonging. Rather Jewish moral, spiritual and historical values and ideas must be read with new eyes and challenged to address modernity's proliferating array of questions and realities. The pertinent questions modern Jewry faces are how to embrace modernity as Jews and what such an embrace means for the meaning and future of Jewish life. This collection of essays, authored by scholars of the Shalom Hartman Institute, addresses three critical challenges posed to Judaism by modernity: the challenge of ideas, the challenge of diversity, and the challenge of statehood, and provides insights and ideas for the future direction of Judaism. Providing readers with new insights into Judaism and the Jewish people in contemporary times, the collection explores a wide range of issues that includes: the significance of Israel for the future of Judaism; the Jewish people as a people; the relationship between monotheism and violence; revelation and ethics; Judaism and the feminist challenge; and Judaism and homosexuality.

How to live a life of wisdom and fulfillment in a far-from-perfect world? Philosopher Menachem Fisch and artist Debra Band together probe Qohelet''s inquiry into the value of life "under the sun" in this brilliant work--the first illuminated manuscript of the entire biblical text, the first philosophical analysis tracing the coherent path of this biblical thinker''s full argument. Whereas modern readers influenced by the famous declaration "vanity, vanity, all is vanity" from the 1611 King James Bible have commonly understood that Qohelet found only futility and hopelessness in human life, Fisch restores the literal meaning, "vapor," to Qohelet''s key word, hevel , with implications that reveal Qohelet''s path to wisdom and even serenity. Through linguistic precision and careful unfolding of the book''s philosophical argument, Fisch uncovers Qohelet''s twin concerns: life is short, and situated as we are, far below the heavens, we can never be assured of comprehending our world, or understanding divine will and intent. He reveals Qohelet''s understanding that since we can never fully predict or understand our fortunes or the heritage we leave behind us, the best we can do is to live our lives fully, relating to others attentively, always aware of the limits of human life. In her glowing, immersive, and discursive illuminated paintings of the entire text, Band imagines Qohelet''s teachings, employing the grandest of palaces, the Alhambra, as the central metaphor for the beauty and impermanence of human life and accomplishments. She fills its halls and gardens with often surprising imagery, symbolism, and related poetry, creating a visual midrash that reveals the relationship of Qohelet''s thought to other biblical texts and Jewish lore and its reverberations across the centuries and cultures of Western civilization, from ancient Israel to today''s America. Each illuminated page is complemented by lucid commentary explaining its full meaning. Renowned scholars Ellen F. Davis and Moshe Halbertal crown the work with a penetrating foreword and preface. "Illuminated manuscripts have a rich tradition to which this gem adds creatively. Not only does Debra Band''s exquisite micrography, calligraphy, and artwork invite us to marinate in and meditate on Qohelet''s suggestive composition, Menachem Fisch adds a unique and penetrating philosophical analysis. This work takes us from the ancient world of the Bible through medieval traditions of illumination and into a reading of Qohelet as a harbinger of post-modern thinking."--Peter A. Pettit, Teaching Pastor, St. Paul Lutheran Church, Davenport, Iowa "''Vanity of vanities, all is vanity,'' wrote the mysterious author of the biblical Qohelet--Ecclesiastes, in English, from the Greek. ''There is nothing new under the sun.'' For generations, the meaning of this haunting outlier text seemed clear and even merciless: in its endless cycling, nothing in the cosmos lasts, so nothing matters. Even if God is real, human life is in the end unreal and can have no real purpose. Resignation is the only valid response: at best, ''living for the moment;'' at worst, existential despair. But what if there were something new under the sun? In this fresh approach to Qohelet, philosopher Menachem Fisch and scholar-artist Debra Band radically re-vision a text whose interpretation was ''settled.'' Through exciting exposition that ranges from the history of rabbinical thought to analytical philosophy to the pain of personal loss, and illumined by Band''s glowing paintings, the authors return us to the original Hebrew word on which Qohelet pivots: hevel . When hevel is not read ''figuratively'' but is restored to its literal meaning as ''vapor'' or ''mist,'' an unexpected theology is revealed. What if the text were never a meditation on absurdity after all, but instead ''a vivid portrayal of the limits of human knowledge?'' These limits can inspire us to return to our deepest human challenge: how should we live? Fisch and Band show how we can take up the question again in fascination--and even more, in hope. An unforgettable book."--Kimberley C. Patton, Professor of the Comparative and Historical Study of Religion, Harvard Divinity School

Biblical historian Max Dimont, author of the classic Jews, God, and History, explores the mystery surrounding the predictions Jesus made about his fate. Examining the gospel, Dimont recreates the drama in three acts using his knowledge of the events recorded in the Bible. Thoughtful and fascinating, Appointment in Jerusalem, examines the questions that have surrounded religion for centuries. Who was Jesus, the Christian messiah or a member of a Jewish Sect? Dimont's insight is intelligent and surprising.

One of the country’s more perceptive younger critics, Louis Rubin is well known for his commentaries on the literature of the South. These essays—selected from his critical works over a period of more than a dozen years—reflect his wider concern with the whole spectrum of American literature. In the title essay Rubin treats “tired literary critics” and the often-heard pronouncement that the novel is dead. He argues that the response of novelists to our difficult and demanding times “will doubtless be what the response of writers to difficult and demanding times always has been: namely, difficult and demanding works of literature.” Another essay, “The Experience Difference: Southerners and Jews,” is a perceptive examination of the parallels in different factors and cultural experiences which brought Southern and Jewish writers to prominence. Rubin explores the potential pitfalls for Southern writers today in an essay called “Getting Out From Under William Faulkner.” Edgar Allan Poe’s position in American literary history and H.L. Mencken’s role as a literary critic and an “artist of destruction” who cleared the way and created an audience for the major American writers of the twenties are dealt with in other essays. The collection includes imaginative studies of Henry James, Mark Twain, Edmund Wilson, and Karl Shapiro. Several Southern writers, including Faulkner, Ellen Glasgow, Robert Penn Warren, Flannery O’Connor, and James Branch Cabell, also come under Rubin’s scrutiny.

My parents always told me I was Mexican. I was Mexican because they were Mexican. This was sometimes modified to ÒMexican American,Ó since I was born in California, and thus automatically a U.S. citizen. But, my parents said, this, too, was once part of Mexico. My father would say this with a sweeping gesture, taking in the smog, the beautiful mountains, the cars and houses and fast-food franchises. When he made that gesture, all was cleared away in my mindÕs eye to leave the hazy impression of a better place. We were here when the white people came, the Spaniards, then the Americans. And we will be here when they go away, he would say, and it will be part of Mexico again. Thus begins a lyrical and entirely absorbing collection of personal essays by esteemed Chicana writer and gifted storyteller Kathleen Alcal‡. Loosely linked by an exploration of the many meanings of Òfamily,Ó these essays move in a broad arc from the stories and experiences of those close to her to those whom she wonders about, like Andrea Yates, a mother who drowned her children. In the process of digging and sifting, she is frequently surprised by what she unearths. Her family, she discovers, were Jewish refugees from the Spanish Inquisition who took on the trappings of Catholicism in order to survive. Although the essays are in many ways personal, they are also universal. When she examines her family history, she is encouraging us to inspect our own families, too. When she investigates a family secret, she is supporting our own search for meaning. And when she writes that being separated from our indigenous culture is Òa form of illiteracy,Ó we know exactly what she means. After reading these essays, we find that we have discovered not only why Kathleen Alcal‡ is a writer but also why we appreciate her so much. She helps us to find ourselves.

The climax of Martin Luther King's Poor People's Campaign Published in 1970, Jill Freedman's Old News: Resurrection City documented the culmination of the Poor People's Campaign of 1968, organized by Martin Luther King, Jr. and the Southern Christian Leadership Conference, and carried out under the leadership of Ralph Abernathy in the wake of Dr King's assassination. Three thousand people set up camp for six weeks in a makeshift town that was dubbed Resurrection City, and participated in daily protests. Freedman lived in the encampment for its entire six weeks, photographing the residents, their daily lives, their protests and their eventual eviction. This new 50th-anniversary edition of the book reprints most of the pictures from the original publication, with improved printing and a more vivid design. Alongside Freedman's hard-hitting original text, two introductory essays are included, by John Edwin Mason, historian of African history and the history of photography at the University of Virginia, and by Aaron Bryant, Curator of Photography at the National Museum of African American History and Culture. The photographs of Jill Freedman (born 1939) are held in the permanent collections of major art institutions including The Museum of Modern Art, New York; the International Center of Photography, New York; the New York Public Library; the Jewish Museum, New York; the George Eastman House, Rochester; the Smithsonian American Art Museum, Washington, DC; and the Museum of Fine Arts, Houston. She has had solo exhibitions at numerous museums, including the International Center of Photography, New York; the Museum of Contemporary Photography, Chicago; and the George Eastman House. Seven monographs of her work have been published: Old News: Resurrection City (Grossman, 1970); Circus Days (Harmony, 1975); Firehouse (Doubleday, 1977); Street Cops (Harper & Row, 1982); A Time That Was: Irish Moments (Friendly Press, 1987); Jill's Dogs (Pomegranate Art Books, 1993); and Ireland Ever (Harry Abrams, 2004). Freedman is represented by Steven Kasher Gallery.

By setting forth the book of Genesis as it is re-presented in the rabbinic statement Genesis Rabbah, Neusner demonstrates the way in which Judaism confronted creation and the Genesis story. In 'Confronting Creation', the author presents a new, analytical translation of Genesis Rabbah, a document that came to closure around 400 C.E. What made that particular time crucial in the life of Israel and the Jewish people is an event that also helped shape the entire history of Western civilization - the rise of Christianity to the status of the official religion of the Roman Empire. The Judaic sages' rereading of the Torah's accounts of the beginning of the world and of Israel took place during a time of significant change in Western civilization. That fact explains the importance of this reading of Genesis to Western civilization, because Genesis Rabbah illuminates the Judaic tradition in contemplating God's creation of the world.

Were Jonah's experiences true to the history of ancient Israel? Were they meant to be read comically, philosophically, allegorically, symbolically, or realistically? And is God godly when acting beyond the comprehension of prophets, let alone ordinary human beings? These issues, and many more, are thoughtfully considered in this meticulously detailed and insightful translation of the original Hebrew text of Jonah as created by Jewish authorities during the second half of the first millennium B.C.E. In these profound and enduring tales, realistic events and miraculous incidents merge, and we never have to wait long to witness the power of God's love or wrath. One of the twelve prophets, Jonah faced more challenges in a short span of time than any other biblical hero. He went to sea and nearly drowned in the belly of a great fish. On land, Jonah journeyed east to Nineveh, where his mission was to spread the word of God in a city plagued by evil. He was tested by God at every tum. But even during his darkest hours, his faith never wavered and through all the tumult, he always listened for the comforting voice of the Lord. Author Jack M. Sasson employs the very latest information in biblical scholarship to interpret the many nuances in Jonah's seemingly simple story. Providing Greek, Hebrew, Latin, Aramaic, and, occasionally, Syriac and Arabic translations, this work is an exciting addition to the world-acclaimed Anchor Bible commentaries. From the Hardcover edition.

"What is the relation of philosophy and theology? This question has been a matter of perennial concern in the history of Western thought. Written by one of the premier philosophers in the areas of Jewish ethics and interfaith issues between Judaism and Christianity, Athens and Jerusalem contends that philosophy and theology are not mutually exclusive. Based on the Gifford Lectures David Novak delivered at the University of Aberdeen in 2017, this book explores the commonalities and common concerns that exist between philosophy and theology on metaphysical, epistemological, and ethical questions. Where are they different and where are they the same? And, how can they speak to one another?"--

For ten weeks David Brudnoy, Boston's most popular and erudite conservativeradio-talk-show host, had been off the air. When he signed back on, hisfaithful following was prepared for the usual dose of wry humor, Clintonbashing, and brilliant banter. What they got instead was an electrifyinghourlong monologue, unprecedented in the freewheeling world of talk radio, during which Brudnoy confessed, I am a fifty-four-year-old homosexual...I wassuffering the first attack of HIV--the AIDS virus. What followed was an outpouring of support and devotion from an audience notknown for its tolerance of gay issues. With his story, Brudnoy has crossed thatgreat abyss where the personal and political meet. From his near-halcyon youthas an only child growing up in a small Minnesota town to his heady days as astudent at Yale, he recounts with equal doses of humor and candor a coming ofage that, in fits and starts, eventually recognized a sexual preference for menand a political tendency toward the right. Ruminating on matters that rangefrom his own mortality to TV, radio, friends, family, romance, and politics, Life Is Not a Rehearsal offers up the kind of trenchant and intelligentinsights that are Brudnoy's hallmark.A graduate of Yale with a major in Japanese, David Brudnoy went to graduateschool at Harvard (East Asian studies) before getting his Ph.D. in Americanintellectual history at Brandeis. In 1976 he won a full-time talk radio slot atBoston's WHDH, then moved to WRKO in 1981, finally going on to the region'spowerhouse, WBZ, in 1986. In addition to his hugely successful radio show onWBZ, he is a TV commentator, film critic, newspaper essayist on politics andtravel, and teacher ofjournalism at Boston University. Life Is Not a Rehearsal shows that conservatism is not conformity--or aprejudice or a mere establishmentarian life. Conservatism is about fighting forliberty and embracing responsibility, about war and love if you will. DavidBrudnoy is certainly a veteran of both. --P. J. O'Rourke, author of Give War a Chance David Brudnoy tells the personal story behind the public story of hisremarkable life and extraordinary career. He gives us a memoir that willbenefit many others across the country learning to live with AIDS. --Senator Edward M. KennedyThis is a book about love, loyalty, and the nurturing bonds of family andfriendship. And, it is also a book about the coming of age of a brave andhonorable man who has faced the looming spectre of death with the samecourageous honesty that so many of us have long admired in him. --Sherwin B. Nuland, M.D., author of How We Die In this no-holds-barred memoir, Boston's outspoken, conservative, libertarian, gay, agnostically Jewish, living-with-AIDS, college professor and media iconproves once and for all the inadequacy of labels when it comes to defining alife. Life Is Not a Rehearsal is the story of David Brudnoy as only hecould tell it, with characteristic candor, humor, and the self-awareness of onewho has teetered on the edge, gone over the cliff, and lived to tell. And tellhe does --William F. Weld