"Seventh Seltzer has done everything he can to break from the past, but in his overbearing, narcissistic mother's last moments he is drawn back into the life he left behind. At her deathbed, she whispers in his ear the two words he always knew she would: "Eat me." This is not unusual, as the Seltzers are Cannibal-Americans, a once proud and thriving ethnic group, but for Seventh, it raises some serious questions, both practical and emotional. Of practical concern, his dead mother is six-foot-two and weighs about four hundred and fifty pounds. Even divided up between Seventh and his eleven brothers, that's a lot of red meat. Plus Second keeps kosher, Ninth is vegan, First hated her, and Sixth is dead. To make matters worse, even if he can wrangle his brothers together for a feast, the Can-Am people have assimilated, and the only living Cannibal who knows how to perform the ancient ritual is their Uncle Ishmael, whose erratic understanding of their traditions leads to conflict. Seventh struggles with his mother's deathbed request. He never loved her, but the sense of guilt and responsibility he feels--to her and to his people and to his "unique cultural heritage"--is overwhelming. His mother always taught him he was a link in a chain, thousands of people long, stretching back hundreds of years. But, as his brother First says, he's getting tired of chains. Irreverent and written with Auslander's incomparable humor, Mother for Dinner is an exploration of legacy, assimilation, the things we owe our families, and the things we owe ourselves"--

"Saul Bellow wrote marvelously acute, unsparing, tender, ferocious, hilarious, and wise letters throughout his long life (1915-2005). Friends, lovers, wives, colleagues, and fans all cross these pages.This self-portrait shows the influences at work in the man and illuminates his enduring legacy: the novels and stories that earned him a Nobel Prize and the admiration of readers the world over."-Back cover.

She is everyone's favorite sex therapist; a four-foot-seven dynamo who answers the most intimate questions with disarming candor and heartening warmth. Yet few really know the real Dr. Ruth-her loves, her losses, and the irrepressible spirit that has helped her through it all-until now. Meet the child orphaned by the Holocaust, the Israeli soldier wounded on her 20th birthday, and the extraordinary woman who has called five countries home. ALL IN A LIFETIME is the revealing autobiography of a fighter who has survived heartache with her spirit intact, including the shattering loss of her husband, and how she's learned to thrive.

~ An Anne Izard Storytellers’ Choice Award Winner ~ A Storytelling World Honor Book Once, when young Nasruddin was acting up in class by distracting his friends with endless antics, jests, and stories, his irate teacher uttered a curse: “Whatever you do or say, people will only laugh at you.” Now, eight centuries later, children, adults, and wise fools everywhere are still laughing at Nasruddin (Nasreddin Hoca), one of the world’s most beloved folk characters. This entertaining and insightful retelling of more than a year’s worth of daily Mullah stories brings the famed Persian legend into the Twenty-First Century. Storytellers, folklorists, Sufis, comedians, wisdom seekers, and everyone who loves to laugh will be enriched and enlightened by the timeless wit, inscrutable wisdom, and uncommon sense of humor of Mullah Nasruddin. “Suresha identifies the real strength of Nasruddin’s stories in context to world literature and story performance, that is, its power to build bridges between cultures. … The point of these stories is to speak to the audience in the language and metaphors that are familiar.” — Storytelling, Self, Society “A contemporary reworking of the tales (the stories fit for a general audience, at least) … to Suresha’s credit he has maintained the direct, unadorned style that is a hallmark of folk tales. … a delightful break from the everyday world for an hour or two.” — Green Man Review “A fine pick and very highly recommended.” — Midwest Book Review “These hilarious, and at times, ribald folk tales of the Turkish wise fool take the reader to another time and place, and share the spiritual lessons of Nasruddin. … The teaching stories included in this volume help to build bridges between cultures by exemplifying Arabic wisdom and universal human humor.” — from the Preface by Ann Shapiro, Executive Director, Connecticut Storytelling Center

~ An Anne Izard Storytellers' Choice Award Winner~ A Storytelling World Honor BookOnce, when young Nasruddin was acting up in class by distracting his friends with endless antics, jests, and stories, his irate teacher uttered a curse: "Whatever you do or say, people will only laugh at you." Now, eight centuries later, children, adults, and wise fools everywhere are still laughing at Nasruddin (Nasreddin Hoca), one of the world's most beloved folk characters. This entertaining and insightful retelling of more than a year's worth of daily Mullah stories brings the famed Persian legend into the Twenty-First Century. Storytellers, folklorists, Sufis, comedians, wisdom seekers, and everyone who loves to laugh will be enriched and enlightened by the timeless wit, inscrutable wisdom, and uncommon sense of humor of Mullah Nasruddin."Suresha identifies the real strength of Nasruddin's stories in context to world literatureand story performance, that is, its power to build bridges between cultures. ... The point of these stories is to speak to the audience in the language and metaphors that are familiar." - Storytelling, Self, Society"A contemporary reworking of the tales (the stories fit for a general audience, at least) ... to Suresha's credit he has maintained the direct, unadorned style that is a hallmark of folk tales. ... a delightful break from the everyday world for an hour or two." - Green Man Review"A fine pick and very highly recommended." - Midwest Book Review"These hilarious, and at times, ribald folk tales of the Turkish wise fool take the reader to another time and place, and share the spiritual lessons of Nasruddin. ...The teaching stories included in this volume help to build bridges between cultures by exemplifying Arabic wisdom and universal human humor." - from the Preface by Ann Shapiro, Executive Director, Connecticut Storytelling Center

"Comprehensive and intelligently organized. . . . Jazz aficionados . . . should be grateful to have so much good writing on the subject in one place."-- The New York Times Book Review "Alluring. . . . Capture[s] much of the breadth of the music, as well as the passionate debates it has stirred, more vividly than any other jazz anthology to date."-- Chicago Tribune No musical idiom has inspired more fine writing than jazz, and nowhere has that writing been presented with greater comprehensiveness and taste than in this glorious collection. In Reading Jazz , editor Robert Gottlieb combs through eighty years of autobiography, reportage, and criticism by the music's greatest players, commentators, and fans to create what is at once a monumental tapestry of jazz history and testimony to the elegance, vigor, and variety of jazz writing. Here are Jelly Roll Morton, recalling the whorehouse piano players of New Orleans in 1902; Whitney Balliett, profiling clarinetist Pee Wee Russell; poet Philip Larkin, with an eloquently dyspeptic jeremiad against bop. Here, too, are the voices of Billie Holiday and Charles Mingus, Albert Murray and Leonard Bernstein, Stanley Crouch and LeRoi Jones, reminiscing, analyzing, celebrating, and settling scores. For anyone who loves the music--or the music of great prose--Reading Jazz is indispensable. "The ideal gift for jazzniks and boppers everywhere. . . . It gathers the best and most varied jazz writing of more than a century."-- Sunday Times (London)

"Quiara Alegria Hudes was the sharp-eyed girl on the stairs while her family danced in her grandmother's tight South Philly kitchen, "frizzy hair cut short, bangs teased into stiff clouds, sweat glistening in the summer fog, pamper-butt babies weaving between legs." Quiara was awed by her aunts and uncles and cousins, but haunted by the secrets of the family and the unspoken stories of the barrio -- even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering of powerful orishas with tragic wounds and she vowed to tell their stories--but first she'd have to get off the stairs and join the dance; she'd have to find her langauge. This is an inspired exploration of home, family, memory, and belonging, narrated by the obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty"--

"Stella loves books so much, she starts her own library--but then a storm threatens to destroy everything"--

Appelemando loves to dream! The villagers think he will never amount to much, but his friends know better. They can see his dreams drift up from the top of his head and float into the sky. Then, one rainy day, Appelemando's dreams are blown onto all the wet walls and roofs of the town, covering the houses and stores with fantastic pictures. The villagers are astonished and angry: How could the children do such a thing! Not until Appelemando and his friends lose their way in the forest do the villagers recognize the wonder and value of Appelemando's special gift. With her vibrant folk-art illustrations, Patricia Polacco draws young readers into Appelemando's magical world, where they will discover the importance of dreaming and the power of true friendship.

Legendary porn star Nina Hartley's guide to thrilling, liberating, mind-blowing, soul-fulfilling, and intimacy-building sex! Witty, smart, and frankly provocative, Nina Hartley knows sex. As a sex performer, sexual adventurer, and sex educator, she's done the fieldwork and has taken extensive notes. Now, she's ready to share her research. Let's just say that she's had all the sex-the good, the bad, and the indifferent-so you won't necessarily have to! Nina Hartley's Guide to Total Sex is for sexual pioneers and enthusiastic novices. Unabashedly erotic, the book covers a lot of territory, allowing readers to sample the whole smorgasbord or just nibble at what they see as the choicest bits. To start things off, Nina includes explicitly detailed chapters on foreplay, oral sex, masturbation, toys, and games. Sexual adventurers (and voyeurs) will find chapters on swinging, three-ways, anal sex, erotic domination, sensual submission, and much more. Nina is a strong advocate of safe sex, physically and emotionally, and she helps readers establish personal ground rules. But as a sexual liberationist and a feminist, her core belief is that, between consenting adults, all sexual behaviors are a matter of personal choice. Whether you're trying to reignite the passion with a longtime spouse, or explore new terrain with a new lover, Nina offers a variety of ideas to achieve exhilarating, deeply satisfying, intimate, and profoundly liberating sex.

"As a card-carrying lesbian, Hillary voter, and New York Times reporter, Nellie Bowles fit right in with her San Francisco neighbors and friends - until she started questioning whether the progressive movement she knew and loved actually helped people. Gently informed that asking these questions meant she was "on the wrong side of history," Bowles did what any reporter worth her salt would do: she started investigating for herself. The answers she found were stranger-and funnier-than she'd expected. In Morning After the Revolution, Bowles gives readers a front-row seat to the absurd drama of a political movement gone mad. With irreverent accounts of attending Robin DiAngelo's multi-day course on "The Toxic Trends of Whiteness," meeting the social justice activists who run "Abolitionist Entertainment, LLC," and coming to figurative blows with the New York Times' "disinformation czar," she deftly exposes the more comic excesses of wealthy progressives. Deliciously funny and painfully insightful, Morning After the Revolution is Slouching Towards Bethlehem for the 21st century - a moment of collective psychosis preserved in amber. This is an unmissable debut by one of America's sharpest journalists"--

From Nathan Rabin, former staff writer for The A.V. Club and The Dissolve and the author of Weird Al: The Book, You Don't Know Me But You Don't Like Me, and The Weird Accordion to Al, comes The Fractured Mirror, an exhaustively researched exploration of American movies about filmmaking. This loving deep dive chronicles, with humor, wit, and affection, a solid century of cinema about cinema, with illustrations from Felipe Sobreiro ( The Return of the Blues Brothers ) and a foreword from legendary filmmaker Joe Dante ( Gremlins, Matinee ). As an homage to The Golden Turkey Awards, which included a fake movie along with a plethora of real-life stinkers, Rabin got bad movie luminaries like How Did This Get Made's Paul Scheer, Dan McCoy of The Flop House, Andrew Jupin of We Hate Movies and Author/Humorist Mike Sacks to create blurbs for movies that exist only in their imaginations. The Fractured Mirror covers over 500 movies, from internationally beloved classics to notorious flops. It documents Bucky Larson: Born to Be a Star and Burden of Dreams, and everything in between. Movie history has never been so much fun! Praise for The Fractured Mirror "Nathan Rabin doesn't just write about Hollywood, he rewires how you watch it. The Fractured Mirror channels the same brilliance he brought to My Year of Flops and points it straight at showbiz itself. Every chapter left me itching to rewatch movies I'd written off, this time with brand-new eyes."- Paul Scheer "In this sparkling and essential compendium, one of America's all-time greatest cultural critics turns his keen eye and full heart to movies about American filmmaking, and thank goodness. This "casual epic," to paraphrase Rabin on Tarantino, deserves a spot on your shelf between Kael's FOR KEEPS and Peary's CULT MOVIES." - Julie Klausner, " The Fractured Mirror is an absolute feast for movie lovers, especially movie lovers who enjoy movies about making movies. And man, is it comprehensive! Possibly obsessive. But so much fun. Rabin's writing is smart, witty, and lively throughout."- Bill Corbett " The Fractured Mirror is such a fun, engaging read. Nathan's work always has a certifiable uniqueness and introspection that delivers laughs and deeper ways to rethink our views on film and pop culture."- Greg Sestero "Nathan Rabin's "The Fractured Mirror" sent me down a Proustian memory hole, bringing to mind not only how many of these titles our Tenna-Rotor (tm) brought in from distant New York, but of how films about filmmaking planted the absurd dream in my mind that I could someday join that crazy circus, myself. Hats off to Nathan - and to the next generation of filmmakers, his lovingly curated list will inspire!"- Steven E. DeSouza, screenwriter, 48 Hours, Commando, Die Hard

In 1950's Brooklyn, sisters Rose and Pearl Weiss grow up in a loving but strict ultra-Orthodox Jewish family, never dreaming of defying their parents or their community's unbending and intrusive demands. Then, a chance meeting with a young French immigrant turns Rose's world upside down, its once bearable strictures suddenly tightening like a noose around her neck. Defiantly, she begins to live a secret life that shocks her family when it is discovered. Out of guilt and an overwhelming desire to be reconciled with those she loves, she finally bows to her parents' demands that she agree to an arranged marriage. But the night before her wedding, she commits an act of defiance so unforgivable it will exile her forever from her innocent young sister, her family, and all she has ever known. Forty years later, pious Pearl's sheltered young daughter Rivka suddenly discovers the truth about the family outcast, her Aunt Rose, now a successful photographer. Inspired, but na℗♭.ve and reckless, she sets off on a dangerous adventure that will stir up the ghosts of the past and alter the future in unimaginable ways for all involved.

When Little Raccoon asks his mother when she loves him the most, she finally answers "always right now."

Playing with Bob Dylan, the Paul Butterfield Blues Band, and the Electric Flag in the '60s, and on record and film soundtracks in the '70s, Michael Bloomfield was one of the foremost blues guitarists of his generation. Me and Big Joe is the tale of Bloomfield's early days in Chicago, where in his quest to truly understand blues music, he befriends great blues legend Joe Lee Williams (Aka Big Joe). Together, they embark on a journey to the dark, smoky blues clubs of the Midwest, encountering Lightnin' Hopkins, Sonny Boy Williamson, Tampa Red, Kokomo Arnold and other blues musicians along the way. Me and Big Joe is a classic American adventure story, a must read for any blues lover or musician.

The author of The Group , the groundbreaking bestseller and 1964 National Book Award finalist that shaped a generation of women, brings reminiscences of her girlhood to this intimate and illuminating memoir How I Grew is Mary McCarthy's intensely personal autobiography of her life from age thirteen to twenty-one. Orphaned at six, McCarthy was raised by her maternal grandparents in Seattle, Washington. Although her official birthdate is in 1912, it wasn't until she turned thirteen that, in McCarthy's own words, she was "born as a mind." With detail driven by an almost astonishing memory recall, McCarthy gives us a masterful account of these formative years. From her wild adolescence--including losing her virginity at fourteen--through her eventual escape to Vassar, the bestselling novelist, essayist, and critic chronicles her relationships with family, friends, lovers, and the teachers who would influence her writing career. Filled with McCarthy's penetrating insights and trenchant wit, this is an unblinkingly honest and fearless self-portrait of a young woman coming of age--and the perfect companion to McCarthy's Memories of a Catholic Girlhood .

A rare art history classic that The New York Times calls a “delightful, scholarly and gossipy romp through the character and conduct of artists from antiquity to the French Revolution.” Born Under Saturn is a classic work of scholarship written with a light and winning touch. Margot and Rudolf Wittkower explore the history of the familiar idea that artistic inspiration is a form of madness, a madness directly expressed in artists’ unhappy and eccentric lives. This idea of the alienated artist, the Wittkowers demonstrate, comes into its own in the Renaissance, as part of the new bid by visual artists to distinguish themselves from craftsmen, with whom they were then lumped together. Where the skilled artisan had worked under the sign of light-fingered Mercury, the ambitious artist identified himself with the mysterious and brooding Saturn. Alienation, in effect, was a rung by which artists sought to climb the social ladder. As to the reputed madness of artists—well, some have been as mad as hatters, some as tough-minded as the shrewdest businessmen, and many others wildly and willfully eccentric but hardly crazy. What is certain is that no book presents such a splendid compendium of information about artists’ lives, from the early Renaissance to the beginning of the Romantic era, as Born Under Satur n. The Wittkowers have read everything and have countless anecdotes to relate: about artists famous and infamous; about suicide, celibacy, wantonness, weird hobbies, and whatnot. These make Born Under Saturn a comprehensive, quirky, and endlessly diverting resource for students of history and lovers of the arts. “This book is fascinating to read because of the abundant quotations which bring to life so many remarkable individuals.”– The New York Review of Books

Within a Budding Grove (1919) is the second volume of Marcel Proust's seven-part novel In Search of Lost Time . Written while Proust was virtually confined to his bedroom from a lifelong respiratory illness, Within a Budding Grove is a story of memory, history, family, and romance from a master of Modernist literature. Praised by Virginia Woolf, Vladimir Nabokov, Michael Chabon, and Graham Greene, In Search of Lost Time explores the nature of memory and time while illuminating the history of homosexuality in nineteenth century Europe. After years of admiring the Swann family from a distance, the narrator befriends the lovely young Gilberte. Through her, he gains access to her parents and their home, where artists and intellectuals gather to discuss their lofty ideals alongside the latest gossip. Despite his attraction to Gilberte, he finds himself enthralled with her mother, a careworn beauty so often ignored by her husband. As he grows and learns, he begins to recognize the reality concealed by convention: the secret liaisons between lovers; the petty competitions of artists; the fleeting nature of affection and lust alike. Written in flowing prose, Within a Budding Grove is a masterpiece of twentieth century fiction that continues to entertain and astound over a century after it appeared in print. This edition of Marcel Proust's Within a Budding Grove is a classic work of French literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare's finesse to Oscar Wilde's wit, this unique collection brings together works as diverse and influential as The Pilgrim's Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

THE TV REFERENCE BOOK THAT BECAME A NATIONAL MEDIA SENSATION"Full of fool's gold and genuine TV treasures," New York Post"A must-browse for media freaks," USA Today"A remarkable encyclopedia," TV GuideThis is the ground-breaking, exhaustively-researched book that revealed, for the first time ever, all of the details behind the thousands of TV series ideas that were developed and rejected by the networks since the dawn of television. The book was an instant, national sensation when it was first published in 1990, winning enthusiastic critical acclaim and enormous media attention, including on-air praise from TV legend Johnny Carson on "The Tonight Show," and was adapted into two hour-long specials, "The Greatest Shows You Never Saw" on CBS and "The Best TV Shows That Never Were" on ABC. This is a landmark work of television history and research ... a must-read for anyone who loves TV... and who wants to know how shows get on-the-air...and how they don't."The best bathroom reading ever!" San Francisco Chronicle"One of the best books ever written about television," TVParty.com"A fascinating book," Johnny Carson"Packed with amusing failures," Chicago Sun-Times"Irresistible, enthralling, a page-turner. Goldberg puts just enough historical background in the book to make the bizarre psychology of the networks make sense," Hartford Courant