With our American Philosophy and Religion series, Applewood reissues many primary sources published throughout American history. Through these books, scholars, interpreters, students, and non-academics alike can see the thoughts and beliefs of Americans who came before us.

Enigmatic and explosive, Irving Layton was indisputably one of this country's most controversial literary figures. His flamboyant style and outspokenness won him friends and enemies. His visceral and lyrical poetry earned him reverence and international acclaim. In Waiting for the Messiah, first published in 1985, Layton writes openly about his life and the discordant impulses that shaped him into the provocative poet and personality that he became. With the vitality, passion, and intimacy that characterizes his verse, his memoir -- covering the years between 1912 and 1946 -- sheds welcome light on Irving Layton's public persona, and gives further substance to one of the most impressive bodies of work in Canadian poetry. His self-portrait teems with insight and energy, and paints a picture of a colourful life, from its beginnings in Montreal's Jewish ghetto. As a high-spirited, life-loving, and sensual boy, he reacted against anti-Semitism and poverty that surrounded him, rejecting his parents' values and orthodox beliefs. He battled his way through an educational system that provided no outlet for his imagination. Layton's "crazy need for experience" drove him to embrace or challenge all that he encountered, and he recounts his first experiences with sex and death, his associations with literary friends and rivals, his relationships with women. Equally compelling is his description of Montreal in the forties as a city crackling with literary and political energies. It was in the ferment of this milieu that Layton ripened as a poet In Waiting for the Messiah, Layton unleashes his sparkling prose style. He is bold and revealing, scathing and witty. The result is a rich and entertaining memoir of a life which as "commuted daily between heaven and hell" and produced poems which have made a lasting contribution to Canadian literature.

"My grandfather was a horse thief, My grandmother a bootlegger, My father a bookmaker and my brother a scalper; so there was nothing left for me but politics." Thus begins Call Me Pisher: A Madcap Romp Through City Hall, the hilarious, informative and undoubtedly (to some) maddening account of City Councillor Howard Moscoe's 32 years in public office. As you'll discover, Moscoe used the tradecraft of all those questionable vocations to cajole, manipulate and beguile his council colleagues. While he advanced an agenda that often focused on derailing his political opponents, it was always driven by the ultimate goal of improving the quality of life in his ward and in the city as a whole. You will also discover why the name Moscoe elicited widely varying, and sometimes extreme, reactions. Former Mayor Mel Lastman derided Moscoe as "the best excuse for birth control I know." Councillor Adam Vaughan hailed Moscoe's "ability to drive those in power crazy. In fact, if he were on your side he could drive you crazy too. His style could inspire and confound you all at the same time." Toronto Life, marking his retirement from politics in 2010, expressed "hope that the next council can live up to the same level of wit and absurdity." And Toronto Star columnist Royson James offered this assessment: "Moscoe is no angel. He is a blustery, bombastic, hard-nosed advocate for the disabled, the downtrodden, and anyone else that comes up against the wall of bureaucracy that is often erected at city hall. His advocacy often brings him into conflict with the bureaucrats who really run the city. What the councillor lacks in finesse he makes up in integrity." There are bugs under every rock and in 32 years of public office Howard Moscoe managed to turn over a lot of boulders. You can read about them by snagging a copy of this insightful and provocative chronicle. Who knows? You may even be in it.

This book obviously does not set out a complete record of the Nixon scandals or of the Nixon career. It doesn't even include all the cartoons about Nixon or relating to him--which probably number more than those Block did on almost any other public figure (good or bad), including such long-in-the-limelight persons as Franklin D. Roosevelt and Joseph Stalin. It does include a large number of the Nixon cartoons, along with dates of some incidents, and comments and recollections about their subject--a political career which in some way has affected all of us.

A native of Vienna, Henry Koerner immigrated to the United States in 1938, a refugee from Hitler's persecution of the Jews. Upon his return to Vienna as an American soldier in 1946, he learned that his family had been deported and killed. This volume documents the painter's formation through his experience of loss, exploring his magical realism work of the period 1945-57.

Harry Stein gives us the conversations of a group of older men who meet every week for lunch to reflect on their lives and the state of the world. What is a well-lived life? What is honour, and does it have a place in our society? A profound and poignant meditation on the meaning of honour, told through the words of men who lived life according to the forgotten rules of trust and responsibility. From these conversations, Stein shows us men who lived their lives according to values that have since been declared relative or obsolete: honour, responsibility, decency, and an uncynical commitment to being the best men they could be. Stein presents the stories of this remarkable group of men who lived through the difficult time of the mid-20th century and all its wars and social upheavals. We meet Moe Turner, Stein's father-in-law, a mathematician involved in research on the H-bomb who is Stein's connection to the group. We meet Boyd Huff, a survivor of the Nazi prisoner camps, whose youngest son was killed in a gun accident and oldest is a hospitalized schizophrenic. We meet Gene Cooper, an electrical engineer and the emotional centre of the group. These three men, and the rest of the club, have had difficult lives and plenty of trying moments, yet all of them have survived with their sense of right and wrong, of honour and love, fully intact. Stein connects their background, stories and lives, to the valuable views and ideas they share with him now. What the reader comes away with is a renewed sense of purpose, a new confidence in the strength of courage and conviction in your beliefs—even as those of the world change around you.

This is the autobiography of George Koltanowski, the greatest showman and promoter that chess has ever known. Koltanowski will be best remembered as an exhibitor, writer, promoter and showman. Possessed with an incredibly powerful memory, Koltanowski would often give exhibitions, playing several games blindfold simultaneously. Strangely, what wowed the spectators the most was not that he would win all the games, even though blindfolded, but that after the games were over, he would recite the complete moves of the games without looking at the board, something which any competent master can do. Being an exhibitor giving blindfold exhibitions is what he was best known for, but it was only one aspect of his chess career. He was also a top level player. He defeated grandmasters Flohr and Rubinstein and drew Alekhine, Fine, Kotov and Keres in tournament games.

"Do You Mind If I Smoke? tells the story of Fenella Fielding's remarkable 65-year career in theatre, radio, TV and film. Best known for her 1960s film appearances in classic comedies such as Carry On Screaming, Doctor in Clover and Carry On Regardless, Fielding's sublime talents also brought her success in serious roles on the stage, including title roles in Hedda Gabler and Colette. Spiced with star-studded anecdotes and personalized with moving stories about innocence and experience, the early struggles of an aspiring actress and later professional rivalries, Do You Mind If I Smoke? is a witty, warm and wonderfully recounted memoir of an extraordinary life."--

Leopold von Ranke (1795-1886), generally recognized as the founder of the school of modern critical historical scholarship, and Jacob Burckhardt (1818-1897), the great Swiss proponent of cultural interpretation, are fathers of modern history--giants of their time who continue to exert an immense influence in our own. They are usually seen as contrasts, Ranke as representative of political history and Burckhardt of cultural history. In five essays, each flowing gracefully into the next, the distinguished historian Felix Gilbert shows that such contrasts are oversimplifications. Despite their interest in different aspects of the past, Ranke's and Burckhardt's views arose from common elements in the first half of the nineteenth century, the time in which they grew up and in which their first masterworks attracted such wide attention. This concise volume clarifies the beginnings of history as an autonomous discipline, while forcing us to examine our views on basic questions in historical scholarship. In the case of Ranke, relating his work to his times counteracts the current tendency to disregard the difference between the historical concepts of the eighteenth and nineteenth centuries. By focusing on this difference, Gilbert emphasizes the originality and novelty of Ranke's ideas about history. Although Burckhardt is often portrayed as an intellectually lonely figure, this book reveals the importance of relating his thought to the intellectual trends of his time. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The second volume in the Nobel Prize winning author Elias Canetti's trilogy of memoirs, The Torch in My Ear This book presents an account of Canetti's young manhood, of his arrival in Vienna in the early 1920s, of his schooling, and of the beginning of his life as a writer.

For three decades, Earl Strom ruled the courts as pro basketball's best, most respected referee. In Calling the Shots, he tells stories he could not tell until his retirement. "Charming, humorous, and often bitingly critical, Strom's memoirs should win both friends and enemies alike".--Kirkus Reviews. 8 pages of photographs.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Time in Africa: Flying and Fun from 1963 to 1983 covers 20 amazing years of David Price’s life as a pilot, working primarily in Africa. Although filled with personal adventures and humorous anecdotes, Time in Africa is much more than an autobiography. It is also an amazing glimpse of a time in aviation before computerized flight controls and when some older planes were still made of plywood and canvas. Having flown planes such as a DC3, Dove, Comet 4, Viscount, B737 and B707, the author shares stories of near disaster, having to make mechanical repairs and adjustments while flying—including once with a fire ax, and landing and taking off in the desert without a runway. Adding further interest to these stories is the setting: Libya, Kenya, Tanzania, Uganda, Cameroon, Zambia, Guinea, and Nigeria in their early days of independence post colonization. A natural storyteller, David portrays what life was like in Africa—both for the privileged Whites and the native Blacks—along with providing insight into the politics and attitudes of the time. From starting an airplane with car batteries strapped to a baggage trolley to having to put out a charcoal fire started in the aisle of a plane to brew a cup of tea, it is clear that there were few dull moments during David’s time as a pilot in Africa. It is also evident that he enjoyed every minute there, as will his readers as he takes them back to an amazing place in an interesting time.

Margaretha van Hulsteyn (also known as Scrappy) is the daughter of respected South African attorney Sir Willem van Hulsteyn, and an aspiring actress. While studying in London after the Great War, Scrappy changes her name to Marda Vanne and enters into a relationship with one of the foremost actresses of her day, Gwen Ffrangcon-Davies. However, on a visit to her parents in the Union of South Africa, Marda meets Hans Strydom, an attorney and uncompromising radical politician with the soubriquet 'The Lion of the North'. Their meeting changes the course of her life, at least temporarily... Strydom went on to become a principal progenitor of the harshest discriminatory legislation, Apartheid, which endured for decades until his nephew, President FW de Klerk, in a volte-face , dismantled the laws of Apartheid.

Book by Abrahams

You Wake Me Each Morning That is what listeners around the world have said to Connie for years, as they heard her radio broadcasts in this country and around the world. The first time she heard the phrase was from Sam Lewis, America's long - time Ambassador to Israel. Some listeners have called the voice sexy, authoritative, funny, snobby, or sophisticated. Connie tries to incorporate it all, as she tells the stories that make the news or change history. Of the many compliments she has received, the most important came from Nelson Mandela. The former South African President said he listened to her broadcasts for years while in prison. He told her, during a Washington news conference, "You Gave My People Hope." Then he went onto say, "You are not as big as I thought you were!" In her autobiography, Connie tells of the struggles of a one-woman news bureau. She recounts such events as the unrest in Washington in 1968; the killing of Robert Kennedy (she had one of the last interviews with him); the Invasion of Czechoslovakia, where she stayed for six months; a brief kidnapping in Lebanon in l982, and White House coverage of Presidents from Lyndon Johnson to Barack Obama and beyond. Connie received the Lifetime Achievement Award for Excellence in Journalism from the New Zealand National Press Club at the New Zealand Parliament on August 15, 2006. This is a book for people of all ages, but especially those who are working the hardest to find themselves. To all the message is - never give up, be different from the crowd, and have fun!