Written between 1980 and 1986, the stories in The Lute and the Scars were transcribed from the manuscripts left by Danilo Kis following his death in 1989. Many are autobiographical. Others resurrect protagonists belonging to Kis's fellow Central European novelists.

A compilation of writings by more than 150 women, including renowned poets, novelists, essayists, journalists, and activists.

Winner of the 2020 Prix du Meilleur Livre Etranger, France's best foreign book of the year. 'Astounding' Sebastian Barry 'A masterpiece' Ayad Akhtar 'This little book is ruminative, humane, and gorgeously precise' Jonathan Lethem In this genre-defying book, best-selling memoirist and critic Daniel Mendelsohn explores the mysterious links between the randomness of the lives we lead and the artfulness of the stories we tell. Combining memoir, biography, history, and literary criticism, Three Rings weaves together the stories of three exiled writers who turned to the classics of the past to create masterpieces of their own-works that pondered the nature of narrative itself. Erich Auerbach, the Jewish philologist who fled Hitler's Germany and wrote his classic study of Western literature, Mimesis, in Istanbul. Francois Fenelon, the seventeenth-century French archbishop whose ingenious sequel to the Odyssey,The Adventures of Telemachus - a veiled critique of the Sun King and the best-selling book in Europe for one hundred years - resulted in his banishment. And the German novelist W. G. Sebald, self-exiled to England, whose distinctively meandering narratives explore Odyssean themes of displacement, nostalgia, and separation from home. Intertwined with these tales of exile and artistic crisis is an account of Mendelsohn's struggles to write two of his own books-a family saga of the Holocaust and a memoir about reading the Odyssey with his elderly father-that are haunted by tales of oppression and wandering. As Three Rings moves to its startling conclusion, a climactic revelation about the way in which the lives of its three heroes were linked across borders, languages, and centuries forces the reader to reconsider the relationship between narrative and history, art and life.

Masterly collection of short stories by an American novelist at the height of her powers. It is the stories upon which Cynthia Ozick's literary reputation rests. She writes about bitterness, cruelty and compulsion with brutal acuity and tenderness. She has created a timeless collection in which Greek mythology, superstition and the religious and cultural experience of the Jewish diaspora in America collide. The Pagan Rabbi is seduced by a tree sprite after seeing his daughter rescued from drowning by a water sprite. Such ecstasy is not permitted to mortals and so the scholar must die. He hangs himself with his prayer shawl as he watches the strangely beautiful nymph decay. In Envy, a Yiddish poet who watches the success of a contemporary, becomes very like a character in an I.B. Singer story entrapped by his anguish and haunted by the memory of a child. In the Doctor's Wife, the most gentle of the stories, a poor doctor not unlike Chekhov endures family life in which he is adored by his three sisters and oppressed by his family obligations. In these stories, we see Ozick defining herself and her literary territory. The stories may be read purely as evocations of Jewish experience, where time seems to have by-passed these characters. In the Butterfly and the Traffic Light, Jerusalem is seen upon a hill as only it can be in legend, and America is said not to have cities scarred by battles. This is a dazzling collection of short stories by an internationally celebrated novelist.

The world-renowned novelist, poet and singer/songwriter inspired generations of writers, musicians and artists. For decades, Leonard Cohen tenaciously supplied the world with melancholy but urgent observations on the state of the human heart. With equal parts gravitas and grace, he teased out a startlingly inventive and singular language, depicting both an exalted spirituality and an earthly sexuality. His interweaving of the sacred and the profane, of mystery and accessibility, was such a compelling combination it became seared into memory. Situated between monograph and devotional exercise, this visually striking publication documents a unique exhibition and pays homage to a global star's enormous cultural achievements. Visual artists, filmmakers, performers and musicians from around the world revisit Cohen's words, songs, and biography with new perspectives. Cohen himself makes an appearance as a visual artist with a projection of his many self-portraits. Co-curators John Zeppetelli and Victor Shiffman discuss the two years that went into bringing the ambitious event to fruition, from its original conception as a celebration to its final form of a tribute suffused in elegy. Cohen biographer Sylvie Simmons reviews Cohen's career from early promise to unexpected paths, through set-backs, and onto its astounding culmination. Chantal Ringuet draws upon specific moments in Cohen's life from early childhood to his last writings where he seems to be reciting his own Kaddish, the Jewish prayer for the dead. Also featured are artist statements from each of the 40 participants.

Hoodoo's first grimoire and spell-book, originally edited by the famed folklorist and novelist Zora Neale Hurston, holds a place that no other conjure book can claim, for it provides the modern practitioner with practical training in authentic New Orleans rootwork, circa 1928.Although the author was certainly not Marie Laveau, the more than 50 rites and rituals in this volume present the classic hoodoo spells of the Crescent City, using herbs, candles, incense, powders, baths, and mojo hands to get your way in matters of luck, love, money, family, friendship, protection, uncrossing, and cursing.On the 90th anniversary of its first publication, the Lucky Mojo Curio Company is proud to present a new edition of this seminal text, restored and revised by catherine yronwode. Black and White Magic is truly the one book that every conjure doctor must posses!

Dworkin examines the place and depiction of women in fairy tales and pornography (focusing on the French erotic novels Story of O and The Image and the magazine Suck). She then looks at the historical practices of Chinese foot binding and Medieval European witch burning from a radical feminist perspective. The book's final section discusses the concept of androgyny within various cultures' creation myths and argues for "the development of a new kind of human being and a new kind of human community" free from gender and gendered roles.

"Hailed as a remarkable literary discovery, a lost novel of heart-stopping intensity and harrowing absurdity about flight and persecution in 1930s Germany"--

New York Times bestselling author Belva Plain beguiles us once again with a novel that explores the bonds that sustain families—and the lies that can shatter them forever. Sweeping through the pivotal events of twentieth-century America, The Sight of the Stars chronicles four generations of one remarkable family as they journey through years of love, loss, sacrifice, and unimaginable betrayal. Dressed in a brand-new suit, with one hundred and fifty dollars in his pocket, Adam Arnring says good-bye to his family and boards a train for the fabled West. The year is 1907. Adam is nineteen years old, a young man with stars in his eyes who has always dreamed of a future in the great open spaces of America. Now, far from his New Jersey home, he takes the first step toward attaining that dream, landing a job in a small department store in a booming Texas town. Here he meets a woman who excites him beyond all measure. The exquisite, untouchable Emma Rothirsch lives in a world whose doors are firmly closed to him. But Adam is a man willing to take great risks to get what he wants. One is Emma. The other is to build a lasting business enterprise that will live on through his children and grandchildren. But just when Adam’s dreams are within reach, fate intervenes. Tragedy strikes from the trenches of World War I, setting in motion a series of events that echo down through the years. The owner of a prospering department store and the head of a growing family, Adam succumbs to a moment of weakness that culminates in an unforgivable act of betrayal. And now, as another generation prepares to take its rightful place in the family’s legendary empire, the tenuous threads of the Arnrings’ past begin to unravel, revealing a shattering secret that reaches back nearly a century. Across a teeming canvas of history, through world wars and the close of a century, The Sight of the Stars tells a deeply affecting story of family and forgiveness, guilt and redemption. Brimming with the emotional depth and moral complexity we have come to expect from this incomparable storyteller, The Sight of the Stars is about what happens when we dare to dream, and the moments that can change families forever.

Winner of a Jewish National Book Award and author of The List and Jacob's Oath , both of which achieved outstanding critical acclaim, NBC Special Correspondent Martin Fletcher delivers another breathtaking tale of love, war, and redemption. Tom Layne was a world-class television correspondent until his life collapsed in Sarajevo. Beaten and humiliated, he fell into a hole diagnosed as Post Traumatic Stress Disorder. Eleven years later he returns to the Balkans to film a documentary on the man who caused his downfall: Ratko Mladic, Europe’s biggest killer since Hitler, wanted for genocide and crimes against humanity. Mysterious forces have protected Mladic for a decade, preventing his arrest, and these shadowy but deadly foes swing into action against the journalist. Tom soon falls into a web of intrigue and deceit that threatens his life as well as that of the woman he loves. Drawing upon his own experiences reporting on the wars in Bosnia and Sarajevo, Martin Fletcher has written a searing love story and a painfully authentic account of a war reporter chasing down the scoop of a lifetime.

"B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film by an enigmatic outsider--a film he's convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made, a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete, B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that's left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of "likes" and arbitrary denunciations that are simultaneously his bête noire and his raison d'être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself--the grain of truth at the heart of every joke"--

From the author of The New York Times #1 bestselling novel The Carpetbaggers comes a powerful yarn exposing the money, fame, sex, politics, and power that accompany being at the top of the entertainment industry.... Based on the real lives of network executives and other high-profile personalities in the early days when television first became a viable threat to the all-powerful business of the silver screen, The Inheritors is the first in Harold Robbins's "Trilogy of Greed," and spent 21 weeks on The New York Times bestseller list. Steve Gaunt, the rebellious visionary, is the head of a successful television empire, making him a hit, both in the ratings and with the gorgeous women he meets. Sam Benjamin, one of the last of the old motion picture tycoons, desperately wants to hold on to the power that has long been associated with the more "glamorous" part of the business--the movies. When the two combine forces, they have the potential to remake the entertainment industry--or be each other's undoing. Will their friendship fall apart when their money is on the line, or will their partnership make them even more wealthy and powerful? Entertainment is a dirty business, built by ruthless mavericks, and friendships can fall in a heartbeat when money is on the line. The only rule is that nothing is real in Hollywood. In its initial publication, The Inheritors was a timely indictment of an industry on fire. Today, it is a fascinating look back at a time when television was just coming into its own, and how the movie industry dealt with this new and growing threat.

The late Harold Brodkey made headlines in 1991 upon publication of his 835-page, 27-years-in-the-making epic novel, The Runaway Soul; fortunately for his fans, he'd been turning out enough short stories, journalism, and essays in the interim to mitigate the long, long wait. Sea Battles on Dry Land is a posthumously published collection of essays, many culled from the pages of the New Yorker, that cover such diverse topics as Woody Allen's romantic and legal woes, weather, the AIDS epidemic in New York, and the author's recollections of Frank O'Hara. Divided into sections titled "Celebrity and Politics;" "Wit and Whimsy;" "Life, Love and Sex;" and "Language and Literature," Brodkey's essays, like their subject matter, are a mixed bag ranging from the genuinely insightful to the egregiously self-serving. In "The Roar of the Canon" Brodkey brings considerable critical acumen to his discussion of John O'Hara, pointing out: He did not work in the form in the ways that Fitzgerald and Hemingway did. He did not pursue any would-be essential social truth or analysis of community in his novels, as Dreiser and Faulkner did in theirs. Perhaps O'Hara knew his own fragility: Hemingway ended a suicide, after all. Perhaps O'Hara gambled ineptly but not suicidally: he stayed in the popular-serious mainstream. What's more, the writing here is incisive, elegant, and refreshingly free of the kind of excesses on exhibit in a preceding essay, "Frank and Harold," a queasy mix of starstruck name-dropping ("We entered the Village like the Jews into Canaan. Frank and Ashbery and Larry Rivers greeted us") and tedious recollections of long-past sophomoric conversations ("Frank shouted that surrealism was dead. John or Frank shouted that the entire surface of the canvas mattered. John, I think, said that Auden had loosened the girdle of form"). Sea Battles on Dry Land is proof--if we needed it--that when he was good, Brodkey was very, very good, but when he was bad, he was purple. --Alix Wilber

On one level, The Stepson is the tale of a young man's infatuation with his stepmother, a well-placed bourgeoise with painterly ambitions, of that young man's replication of his father's life (low-class affair, illegitimate son, marriage); and of his own successive marriages and affairs, none of which work. At a much deeper level, it is a study of what Russians call (after Goncharov's novel) oblomovschina, the paralysis of the will. Jean-Noel, the stepson in question, is a nullity with ambitions as long as he needn't do anything to advance them. He doesn't act, he undergoes. It is the intricate, tortuously rationalized play of his passivity before fate (an awful biological mother, a dreadful, deprived younger brother; young women, on an ascending social scale, who want to fill his void) that makes this one of Bove's most fascinating novels, a sort of tragic bedroom farce. . Bove is the Proust of the lower orders, of the defeated, of collective anonymity; he is all circumstance, context, distance. His style is a form of hyper-objectivity; his world bathes in a light where events always just fail to be understood. We should be grateful that forty years after the oblivion into which he fell after 1945 we have recovered a novelist whose work so perfectly incarnates the underside of French life between the wars, and who is now recognized as one of the key French writers of this century.

Beloved storyteller Belva Plain understands the rich tapestry of the human heart like no other. Her many dazzling New York Times bestsellers probe the shifting bonds of marriage and family with insight, compassion, and uncommon grace. And her new novel is no exception. A tale of fathers and daughters, lovers and families, acts of love and acts of betrayal, Her Father’s House is Belva Plain’s most powerful and unforgettable novel yet. It is the spring of 1968 when Donald Wolfe, a young graduate of a midwestern law school, arrives in New York. Filled with ambition and idealism, he is dazzled not only by the big city but by the vivacious, restless Lillian, whom he marries in the heat of infatuation. Surely theirs is no marriage made in heaven, but they have a child, Tina, and she is the love of Donald’s heart. For her he would give up everything--his home, his distinguished career, and his freedom. When his flawed marriage begins to fail, a choice must be made. Shall he consider a step that would force him into flight and a life of hiding? From her earliest years, Tina is exceptional, a brilliant student and a joyous, loving spirit. At the university she falls in love with Gilbert, who graduates from law school just as she is about to enter medical school. Together they go to New York, where she learns the truth about her family’s past, a truth that must change her regard for the father who has protected and cherished her. When a terrible lie has been told out of love, can it be forgiven? With courage and compassion, Belva Plain paints a moving portrait of the choices that shape the course of our lives, the secrets that haunt us, and the love that helps us heal and move on. It is a work of riveting storytelling and rare emotional power by one of the most gifted novelists of our time. From the Hardcover edition.

A remarkable, sweeping novel about collective trauma, memory and love set in the aftermath of the recent Japanese earthquake.

"September, 1939. The opening days of World War II. The invading German Wehrmacht blazes a trail of destruction across Poland. Warsaw is surrounded. France and Britain declare war, but do nothing to help. And a Polish resistance movement takes shape under the shadow of occupation, enlisting those willing to risk death in a David-and-Goliath struggle for a nation's survival. Among them is Captain Alexander de Milja, an officer in the Polish military intelligence service, a cartographer who now must learn a dangerous new role; spymaster in the anti-Nazi underground. Beginning with a daring operation to smuggle the Polish National Gold Reserve to the government in exile, he slips into the shadowy and treacherous front lines of espionage that span occupied Europe; he moves through Poland, France, and the Ukraine, changing identities and staying one step ahead of capture. In Warsaw, he engineers a subversive campaign to strengthen the people's will to resist. In Paris, he poses as a Russian poet, then as a Slovakian coal merchant, drinking champagne in black-market bistros with Nazis while uncovering information about German battle plans. And a love affair with a woman of the French Resistance leads him to make the greatest decision of his life. In the Polish Officer, Alan Furst returns to the shadowy, clandestine arena of World War II spycraft, and the result is a gripping, panoramic espionage novel in the tradition of Graham Greene and John le Carré. The Polish Officer, like Furst's acclaimed Night Soldiers and Dark Star, has a haunting authenticity that brings the era to vital life. His story, brilliantly and colorfully cast, is written with a keen awareness of the nuances of national character, individual psychology, and the weight of history. It evokes the turmoil of a world gone mad, and the courageous heroism of ordinary men and women during the darkest hours of our time. Literate, sophisticated, and utterly convincing, it is by far Furst's best work to date."--

Greece, 1940. In the port city of Salonika, with its wharves and brothels, dark alleys and Turkish mansions, a tense political drama is being played out. As Adolf Hitler plans to invade the Balkans, spies begin to circle--and Costa Zannis, a senior police official, must deal with them all. He is soon in the game, working to secure an escape route for fugitives from Nazi Berlin that is protected by German lawyers, Balkan detectives, and Hungarian gangsters--and hunted by the Gestapo. Meanwhile, as war threatens, the erotic life of the city grows passionate. For Zannis, that means a British expatriate who owns the local ballet academy, a woman from the dark side of Salonika society, and the wife of a shipping magnate. With extraordinary historical detail and a superb cast of characters, Spies of the Balkans is a stunning novel about a man who risks everything to fight back against the world's evil.

It is the late summer of 1938, Europe is about to explode, the Hollywood film star Fredric Stahl is on his way to Paris to make a movie for Paramount France. The Nazis know he's coming--a secret bureau within the Reich Foreign Ministry has for years been waging political warfare against France, using bribery, intimidation, and corrupt newspapers to weaken French morale and degrade France's will to defend herself. For their purposes, Fredric Stahl is a perfect agent of influence, and they attack him. What they don't know is that Stahl, horrified by the Nazi war on Jews and intellectuals, has become part of an informal spy service being run out of the American embassy in Paris. From Alan Furst, the bestselling author, often praised as the best spy novelist ever, comes a novel that's truly hard to put down. "Mission to Paris" includes beautifully drawn scenes of romance and intimacy, and the novel is alive with extraordinary characters: the German Baroness von Reschke, a famous hostess deeply involved in Nazi clandestine operations; the assassins Herbert and Lothar; the Russian film actress and spy Olga Orlova; the Hungarian diplomat and spy, Count Janos Polanyi; along with the French cast of Stahl's movie, German film producers, and the magnetic women in Stahl's life, the socialite Kiki de Saint-Ange and the emigre Renate Steiner. But always at the center of the novel is the city of Paris, the heart and soul of Europe--its alleys and bistros, hotels grand and anonymous, and the Parisians, living every night as though it was their last. As always, Alan Furst brings to life both a dark time in history and the passion of the human hearts that fought to survive it. Praise for Alan Furst "Unfolds like a vivid dream . . . One couldn't ask for a more engrossing novel.""--The Wall Street Journal, "about" Spies of the Balkans" " " "Though set in a specific place and time, Furst's books are like Chopin's nocturnes: timeless, transcendent, universal. One does not so much read them as fall under their spell."--"Los Angeles Times, " about" The Spies of Warsaw" "Alan Furst's novels swing a beam into the shadows at the edges of the great events leading to World War II. Readers come knowing he'll deliver effortless narrative."--"USA Today, " about "The Foreign Correspondent" "Positively bristles with plot, characters and atmosphere . . . "Dark Voyage" has the ingredients of several genres--the mystery, the historical novel, the espionage thriller, the romance--but it rises above all of them."--"The Washington Post, " about" Dark Voyage" "No other espionage writer touches [Furst's] stylish forays into Budapest and Berlin, Moscow and Paris. No other writer today captures so well the terror and absurdity of the spy, the shabby tension and ennui of emigre communities at the time. His characters are hopeless, lethal, charming. His voice is, above all, knowing."--"Boston Sunday Globe, " about "Blood of Victory"

A novelization of the second full-length Babylon 5 television film, this story explores the depths of cyberspace, where a squad of Starfuries makes a discovery that could affect the destiny of the civilized universe. Have they found the threshold to a new age - or a gateway to hell?