Two sections deal with antisemitism. Pp. 169-182 discuss the immigration era of the late 19th-early 20th centuries, when anti-Jewish rhetoric characterized Jewish immigrants as dirty, poor, and prone to crime. American Jews reacted by trying to "improve" their poor cousins, by sending them away from New York, and by establishing social aid and defense organizations. They protested against oppression of Jews abroad, e.g. in Russia and Romania, and attempted to convince the USA to keep its gates open to Jewish immigration. Pp. 207-222 discuss the increase in the 1930s of antisemitism, both populist and elite, and including pro-Nazism, until the U.S. entry into World War II. American Jews then attempted, with little success, to help rescue Jews from Europe. Maintains that even a unified Jewish community could not have attained more, given the American social and political climate.

Hardcover; excellent condition; no scribbling notes; contains 318 pages

"Published in association with the Center for Documentary Studies at Duke University."

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

Reflecting her combination of dry humour and observation, this is an omnibus edition of the American Helene Hanff's five autobiographical books - Underfoot in Showbusiness, 84 Charing Cross Road, The Duchess of Bloomsbury Street, Apple of My Eye and Q's Legacy.

This ebullient memoir chronicles the author's lifelong love of books, which began with Sir Arthur Quiller-Couch's "The Art of Writing" and developed with works by Izaak Walton, Cardinal Newman, and Milton

Newton's collection of portraits from the worlds of film, fashion, politics and culture can be considered a pantheon of VIP's. But his work is a lot more besides. From his portraits, one can see that he would have most liked to be a Roman paparazzo - as he once admitted. Anyone who had a portrait made by him knew what the result would be, and by the 1980's there were absolutely no 'beautiful people' in this world who did not want to be photographed by him! In front of his camera, both men and women peeled off their covers - literally as well as figuratively. His brilliant staged creations celebrate the attractiveness and prominence of his models as well as their vanity and imperfections. Newton's top-quality work for major fashion journals and elitist art magazines is likewise first-class erotic art. This collection was first published by us in 1985.

Selection of fashion editorials, originally published in 1984, accompanied by Newton texts describing the circumstances of each shoot.

An autobiography of comedian Henny Youngman, from his birth in London, his childhood in Brooklyn, through his early career as a performer in the Borscht Belt, to the present, when he continues to perform while in his mid-80s.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

The Creative Mind is a philosophical work written by the French philosopher Henri Bergson. Originally published in 1934, the book explores the nature of creativity and the creative process. Bergson argues that creativity is not simply a matter of individual genius, but is a fundamental aspect of life itself. He suggests that creativity arises from a tension between the past and the present, and that it is the result of a continual process of invention and adaptation.Bergson draws on a wide range of examples, from the arts to the sciences, to illustrate his ideas about creativity. He discusses the role of intuition and imagination in the creative process, and explores the relationship between creativity and the unconscious mind. He also considers the social and cultural factors that can either encourage or inhibit creativity.Throughout the book, Bergson emphasizes the importance of living in the present moment, and of being open to new experiences and ideas. He argues that creativity is not something that can be taught or learned, but is instead a natural expression of the human spirit.Overall, The Creative Mind is a thought-provoking and insightful exploration of one of the most fundamental aspects of human experience. It is a must-read for anyone interested in the nature of creativity, and in the ways in which we can cultivate it in ourselves and others.This is a new release of the original 1946 edition.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Millions of adult Americans will fondly remember such entertaining movies as Carousel, The Jackpot, and There's No Business Like Show Business. Phoebe and Henry Ephron, who wrote the screenplays for these and other films, were a unique team in that they used their special talents, working with dozens of great names of screen and stage, to create everything from the comic to the somber under circumstances both humorous and quite the opposite. Whether they were working on a Carousel, starring Shirley Jones and Gordon MacRae or a new What Price Glory, or Fred Astaire's Daddy Long Legs, the Ephrons were always learning something new and exciting about a magical assortment of people (Henry remembers the famous director John Ford the day he was faulted by his producer for being two days behind in shooting a film. He tore up six pages and said: "Tell the SOB I'm six days ahead!") This is also a story of the thirty-seven-year marriage of two people who started out with very little, realized their dreams of having a play produced on Broadway, and then went to Hollywood, where they wrote major scripts for some of the biggest stars. Woven throughout the story is the family element of raising four daughters in the make-believe atmosphere of Southern California. As the two Ephrons worried about the work they'd done on one major script, the make-believe turning into a glorious reprieve when it was reported to them that Darryl Zanuck had just told a friend, "I'll never know how the Ephrons took that old chestnut and turned it into this great screenplay." Here, a professional storyteller is at his best in a personal narrative which also brings onstage a fascinating supporting cast.

"Based on long-lost recordings, a set of riveting and revealing conversations with America's great cultural provocateur. There have long been rumors of a lost cache of tapes containing private conversations between Orson Welles and his friend the director Henry Jaglom, recorded over regular lunches in the years before Welles died. The tapes, gathering dust in a garage, did indeed exist, and this book reveals for the first time what they contain.Here is Welles as he has never been seen before: talking intimately, disclosing personal secrets, reflecting on the highs and lows of his astonishing career, the people he knew--FDR, Winston Churchill, Charlie Chaplin, Marlene Dietrich, Laurence Olivier, David Selznick, Rita Hayworth, and more--and the many disappointments of his last years. This is the great director unplugged, free to be irreverent and worse--sexist, homophobic, racist, or none of the above-- because he was nothing if not a fabulator and provocateur. Ranging from politics to literature to the shortcomings of his friends and the many films he was still eager to launch, Welles is at once cynical and romantic, sentimental and raunchy, but never boring and always wickedly funny.Edited by Peter Biskind, America's foremost film historian, My Lunches with Orson reveals one of the giants of the twentieth century, a man struggling with reversals, bitter and angry, desperate for one last triumph, but crackling with wit and a restless intelligence. This is as close as we will get to the real Welles--if such a creature ever existed. "--

Our world is out of balance, says Henry Mintzberg, and the consequences are proving fateful: the degradation of our environment, the demise of our democracies, and the denigration of ourselves, with greed having been raised to some sort of high calling. But we can set things right. Mintzberg argues that a healthy society is built on three balanced pillars: a public sector of respected governments, a private sector of responsible enterprises, and what he calls a plural sector of robust voluntary associations (nonprofits, NGOs, etc.). Communism collapsed because the public sector was overbearing - balance triumphed in 1989, not capitalism. But that misunderstanding has led to the private sector becoming overbearing in many countries, especially the United States, and this imbalance is wreaking havoc. Many governments are now so co-opted by their private sectors that they won't be able to lead the process of renewal. And corporate social responsibility, however laudable, cannot compensate for the corporate social irresponsibility we see all around us. So Mintzberg offers specific ideas for strengthening the plural sector, which has the inclination and the independence to lead radical renewal by challenging unacceptable practices and developing better ones. This means change must be led not by some "them" but by each of us and all of us - if we care about our planet and our progeny.

Mercy of a Rude Stream marks the astonishing return of Henry Roth, sixty years after the publication of his classic novel Call it Sleep . A book of time, memory, and desire, this new novel is set in the New York of World War I: a colorful vibrant, carelessly brutal city where an immigrant boy, Ira Stigmanm is coming of age. Like Joyce's Stephen Dedalus, Ira begins to discover the genius and the burden of his imagination, as he takes his first tentative steps toward adulthood. A contempoary of the great modernist writers, Roth is being rediscovered by a new generation of readers.

Alfred Hitchcock hand-picked this collection 17 short, clean mysteries.

From the award winning author of I'm Not Rappaport and A Thousand Clowns comes a powerful and funny play about three generations of a Jewish family on the Lower East Side. Incorporating autobiographical elements, Eddie Goldberg's story dramatizes what it's like to melt as well as simmer in American society while it encompasses the universals of relations between fathers and sons.

A classic for its insights on complex systems, design, and artificial intelligence, and its contribution to our understanding of human intelligence. --

(Applause Libretto Library). Broadway's biggest musical comedy hit of the 1940s, this was one for the ages and built by a "dream team" songwriter Irving Berlin, librettists Dorothy and Herbert Fields, producers Rodgers & Hammerstein, and star Ethel Merman telling the improbable but true story of sharpshooter Annie Oakley. A staple of the touring and summer stock circuit for years, Annie Get Your Gun kept hitting bull's-eyes, with a film version, two television productions, and thousands of stage revivals over the years. This book presents, for the first time in print, the original libretto. Included are essays describing the fascinating history of the musical's productions, right up to the Tony Award-winning 1999 revival starring Bernadette Peters and then in 2001, in a star-blazing Broadway debut, Reba McEntire.