A timely investigation of the most innovative recent urban housing constructions The Republicans who run American government today have defied the normal laws of political gravity. They have ruled with the slimmest of majorities and yet have transformed the nation's governing priorities. They have strayed dramatically from the moderate middle of public opinion and yet have faced little public backlash. Again and again, they have sided with the affluent and ideologically extreme while paying little heed to the broad majority of Americans. And much more often than not, they have come out on top. This book shows why--and why this troubling state of affairs can and must be changed. Written in a highly accessible style by two professional political scientists, Off Center tells the story of a deliberative process restricted and distorted by party chieftains, of unresponsive power brokers subverting the popular will, and of legislation written by and for powerful interests and deliberately designed to mute popular discontent. In the best tradition of engaged social science, Off Center is a powerful and informed critique that points the way toward a stronger foundation for American democracy.

south america

When Jacqueline met Anne on her way home from school in the 1940s, the two girls formed an instant friendship. But with every day came an increasing sense of fear, especially as the Nazis took over Amsterdam. Despite the impending war, the friendship between Anne Frank and Jacqueline van Maarsen would never be broken, even when Anne was forced into hiding. In this beautiful memoir, Jacqueline remembers Anne, their friendship, and the chilling Holocaust experience of barely escaping deportation by the Nazis, helplessly watching friends and family disappear, and starting her life again after the war. Through Jacqueline's memories and black-and-white photos, Anne Frank will come to life and continue to be remembered. "[A] fascinating account of Anne, her family, and her friends before she went into hiding . . . This absorbing book vividly portrays life in occupied Amsterdam and throws interesting sidelights on Anne Frank's story."— Booklist

Vintage paperback

With death looming, Jacques Derrida, the world's most famous philosopher--known as the father of deconstructionism--sat down with journalist Jean Birnbaum of the French daily Le Monde. They revisited his life's work and his impending death in a long, surprisingly accessible, and moving final interview. Sometimes called obscure and branded abstruse by his critics, the Derrida found in this book is open and engaging, reflecting on a long career challenging important tenets of European philosophy from Plato to Marx. The contemporary meaning of Derrida's work is also examined, including a discussion of his many political activities. But, as Derrida says, To philosophize is to learn to die; as such, this philosophical discussion turns to the realities of his imminent death--including life with a fatal cancer. In the end, this interview remains a touching final look at a long and distinguished career. Jacques Derrida was director of studies at the ecole des Hautes etudes en Sciences Sociales and professor of humanities at the University of California, Irvine. Among the most recent of his many books translated into English are Eyes of the University, Negotiations, Who's Afraid of Philosophy?, and Rogues: Two Essays on Reason.

The Animal That Therefore I Am is the long-awaited translation of the complete text of Jacques Derrida's ten-hour address to the 1997 Cérisy conference entitled "The Autobiographical Animal," the third of four such colloquia on his work. The book was assembled posthumously on the basis of two published sections, one written and recorded session, and one informal recorded session. The book is at once an affectionate look back over the multiple roles played by animals in Derrida's work and a profound philosophical investigation and critique of the relegation of animal life that takes place as a result of the distinction--dating from Descartes--between man as thinking animal and every other living species. That starts with the very fact of the line of separation drawn between the human and the millions of other species that are reduced to a single "the animal." Derrida finds that distinction, or versions of it, surfacing in thinkers as far apart as Descartes, Kant, Heidegger, Lacan, and Levinas, and he dedicates extended analyses to the question in the work of each of them. The book's autobiographical theme intersects with its philosophical analysis through the figures of looking and nakedness, staged in terms of Derrida's experience when his cat follows him into the bathroom in the morning. In a classic deconstructive reversal, Derrida asks what this animal sees and thinks when it sees this naked man. Yet the experiences of nakedness and shame also lead all the way back into the mythologies of "man's dominion over the beasts" and trace a history of how man has systematically displaced onto the animal his own failings or bêtises. The Animal That Therefore I Am is at times a militant plea and indictment regarding, especially, the modern industrialized treatment of animals. However, Derrida cannot subscribe to a simplistic version of animal rights that fails to follow through, in all its implications, the questions and definitions of "life" to which he returned in much of his later work.

17 November 1979 You were reading a somewhat retro loveletter, the last in history. But you have not yet received it. Yes, its lack or excess of address prepares it to fall into all hands: a post card, an open letter in which the secret appears, but indecipherably. What does a post card want to say to you? On what conditions is it possible? Its destination traverses you, you no longer know who you are. At the very instant when from its address it interpellates, you, uniquely you, instead of reaching you it divides you or sets you aside, occasionally overlooks you. And you love and you do not love, it makes of you what you wish, it takes you, it leaves you, it gives you. On the other side of the card, look, a proposition is made to you, S and p, Socrates and plato. For once the former seems to write, and with his other hand he is even scratching. But what is Plato doing with his outstretched finger in his back? While you occupy yourself with turning it around in every direction, it is the picture that turns you around like a letter, in advance it deciphers you, it preoccupies space, it procures your words and gestures, all the bodies that you believe you invent in order to determine its outline. You find yourself, you, yourself, on its path. The thick support of the card, a book heavy and light, is also the specter of this scene, the analysis between Socrates and Plato, on the program of several others. Like the soothsayer, a "fortune-telling book" watches over and speculates on that-which-must-happen, on what it indeed might mean to happen, to arrive, to have to happen or arrive, to let or to make happen or arrive, to destine, to address, to send, to legate, to inherit, etc., if it all still signifies, between here and there, the near and the far, da und fort, the one or the other. You situate the subject of the book: between the posts and the analytic movement, the pleasure principle and the history of telecommunications, the post card and the purloined letter, in a word the transference from Socrates to Freud, and beyond. This satire of epistolary literature had to be farci, stuffed with addresses, postal codes, crypted missives, anonymous letters, all of it confided to so many modes, genres, and tones. In it I also abuse dates, signatures, titles or references, language itself. J. D. "With The Post Card, as with Glas, Derrida appears more as writer than as philosopher. Or we could say that here, in what is in part a mock epistolary novel (the long section is called "Envois," roughly, "dispatches" ), he stages his writing more overtly than in the scholarly works. . . . The Post Card also contains a series of self-reflective essays, largely focused on Freud, in which Derrida is beautifully lucid and direct."—Alexander Gelley, Library Journal

Dick Cheney is the most powerful yet most unpopular vice president in American history. He has thrived alongside a president who, from day one, had little interest in policy and limited experience in the ways of Washington. Yet Cheney's relentless rise to prominence over three decades has happened almost by stealth. Now veteran reporters Lou Dubose and Jake Bernstein reveal the disturbing truth about the man who has successfully co-opted executive control over the U.S. government, serving as the de facto 'shadow president' of the most dominant White House in a generation. Cheney has always been an astute politician. He survived the collapse of the Nixon presidency, finding a position of power in the administration of Gerald Ford. He was then elected to the House of Representatives and later served in the cabinet of the first Bush presidency. But when he became George W. Bush's running mate, Cheney reached a new level of influence. From the engineering of his own selection as vice president to his support of policies allowing torture as a permissible weapon in the 'war on terror', Cheney has consistently steered America to the right. With unique access to numerous first-hand sources, Vice provides an unprecedented expose of Cheney's career. Its startling revelations concern the war in Iraq, his relationship with the CIA and with big business, his involvement with Enron, his attitude towards Iran and his ruthless manoeuvering which today effectively puts him in charge of American policy at home and abroad. In the tradition of Carl Bernstein and Bob Woodward's All the President's Men , this powerful work of investigative journalism takes us behind the scenes in Washington, into hitherto secret meetings and deep into the heart of political decision-making. Utterly gripping, Vice chronicles and exposes the hijacking of the American presidency and illustrates the arrogance of power as never before.

Jamaica Kincaid's new novel is the haunting, deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, daughter of a Carib mother and a half-Scottish, half-African father, was delivered to his laundress as an infant, bundled up like his clothes. The Autobiography of My Mother is a story of love, fear, loss, and the forging of a character, an account of one woman's inexorable evolution evoked in startling and magical poetry.

"Trading is notoriously tough. But Altucher's new book adds a noteworthy addition to the library on Warren Buffett. He shows a lot of Buffett that isn't readily available in the existing common literature. Definitely required reading for any serious Buffett buff." -Kenneth L. Fisher, Forbes' "Portfolio Strategy" Columnist Founder and CEO, Fisher Investments "Finally, someone blows apart the myth that Warren Buffett is a buy-and-hold investor. Altucher has given us an insightful and well-written commentary on how Buffett has amassed his track record, and what we can do to emulate him. He details the trade-by-trade examples. This is a must read for anyone wanting to learn about how the Master Investor works." -John Mauldin, author, Bull's Eye Investing editor of Thoughts from the Frontline (www.2000wave.com) While Warren Buffett is considered the "world's greatest value investor," there's another side to Buffett that is rarely talked about. Although Buffett has gained recognition for his value investing approach to the markets, the fact is that nobody-over the past fifty years-has traded and invested with a more diverse group of strategies than Buffett. Trade Like Warren Buffett challenges the current coverage of this great investor by including details of all of Buffett's investing and trading methods, including mean reversion, commodities, bonds, arbitrage, market timing, funds, as well as Graham-Dodd. To augment the discussion of each strategy, Trade Like Warren Buffett also includes interviews with leading financial professionals, who reveal in detail how they've successfully used the same techniques. There is no one way to sum up Warren Buffett's investment style. But if you're interested in boosting the performance of your portfolio, Trade Like Warren Buffett can show you how.

The 1993 government assault on the Branch Davidian compound near Waco, Texas, resulted in the deaths of four federal agents and eighty Branch Davidians, including seventeen children. Whether these tragic deaths could have been avoided is still debatable, but what seems clear is that the events in Texas have broad implications for religious freedom in America. James Tabor and Eugene Gallagher's bold examination of the Waco story offers the first balanced account of the siege. They try to understand what really happened in Waco: What brought the Branch Davidians to Mount Carmel? Why did the government attack? How did the media affect events? The authors address the accusations of illegal weapons possession, strange sexual practices, and child abuse that were made against David Koresh and his followers. Without attempting to excuse such actions, they point out that the public has not heard the complete story and that many media reports were distorted. The authors have carefully studied the Davidian movement, analyzing the theology and biblical interpretation that were so central to the group's functioning. They also consider how two decades of intense activity against so-called cults have influenced public perceptions of unorthodox religions. In exploring our fear of unconventional religious groups and how such fear curtails our ability to tolerate religious differences, Why Waco? is an unsettling wake-up call. Using the events at Mount Carmel as a cautionary tale, the authors challenge all Americans, including government officials and media representatives, to closely examine our national commitment to religious freedom.

Unique in its cross-cultural, global, and gender-balanced perspectives--and emphasis on humanistic and transpersonal psychologists--this book explores the positive aspects of major personality theorists, stressing each ones relevance for personal understanding. Exceptionally well-written and accessible, it encourages and supports readers in using themselves as the primary touchstone for each theory. Each chapter gives them opportunities to validate their insights through direct experience, and, by observing their own reactions, come to their own conclusions about the utility and value of each theory. Sigmund Freud and Psychoanalysis. Anna Freud and the Post-Freudians: Melanie Klein, Donald Winnicott, Heinz Kohut, and the Gestalt Therapy of Fritz and Laura Perls. Carl Gustav Jung and Analytical Psychology. Alfred Adler and Individual Psychology. Karen Horney and Humanistic Psychoanalysis. The Psychology of Women: A Relational Approach. Erik Erikson and the Life Cycle. Wilhelm Reich and Somatic Psychology. William James and the Psychology of Consciousness. B. F. Skinner and Radical Behaviorism. Cognitive Psychology. The Personal Construct Theory of George Kelly. Carl Rogers and the Person-Centered Perspective. Abraham Maslow and Transpersonal Psychology. Yoga and the Hindu Tradition. Zen and the Buddhist Tradition. Sufism and the Islamic Tradition. For therapists, educators, social workers and anyone interested in personality and personal adjustment.

The actors in James Franco's brilliant debut novel include a McDonald's drive-thru operator who spends his shift trying on accents; an ex-child star recalling a massive beachside bacchanal; hospital volunteers and Midwestern transplants; a vampire flick starlet who discovers a cryptic book written by a famous actor gone AWOL; and the ghost of River Phoenix. Then there's Franco himself, who prowls backstage, peering out between the lines--before taking the stage with fascinating meditations on his art, along with nightmarish tales of excess. "Hollywood has always been a private club," he writes. "I open the gates. I say welcome. I say, Look inside." Told in a dizzying array of styles--from lyric essays and disarming testimonials to hilariously rambling text messages and ghostly footnotes--and loosely modeled on Alcoholics Anonymous's Twelve Steps and Twelve Traditions , Actors Anonymous is an intense, wild ride into the dark heart of celebrity.

From world-renowned psychologist and bestselling author of The Soul's Code , a profound examination of the roots of man's primal love/hate relationship with war. War is a timeless force in the human imagination-and, indeed, in daily life. If recent events have taught us anything, it is that peacetime is not nearly so constant and attainable as wartime. During the 5,600 years of recorded history, 14,600 wars have been fought-2 to 3 for every year of human history. War is a constant thing. And yet no one really understands why that is. In A Terrible Love of War , James Hillman, one of the central figures in psychology in the twentieth and twenty-first centuries, fills this great void and undertakes a groundbreaking examination of the origins, needs, and rewards of war. Moreover, in this brilliant inquiry, Hillman explores many other essential questions, such as: € Is war a necessary part of our human soul and, therefore, a necessary part of our lives? € Why do we need enemies? € What scars does warfare carve on the psyche of its soldiers? And why does it have such a permanent effect? € If war is such a "normal" part of our existence, why do we fear it so much? And alternately, how could we ever embrace a force so destructive, so wanton, and so inhuman? € Can the impulse to engage in war be tamed? Hillman asserts that "if we want war's horror to be abated so that life may go on, it is necessary to understand and imagine." A Terrible Love of War is a crucial tool to understanding war-a crucial book for us all.

This book is James Hillman's main analysis of analysis. He asks he basic question," What does the soul want?" With insight and humor he answers: "It wants fiction to heal."

In this work, acclaimed Jungian James Hillman examines the concepts of myth, insight, eros, body, and the mytheme of female inferiority, as well as the need for the freedom to imagine and to feel psychic reality. By examining these ideas, and the role they have played both in and outside of the therapeutic setting, Hillman mounts a compelling argument that, rather than locking them away in some inner asylum or subjecting them to daily self-treatment, man's "peculiarities" can become an integral part of a rich and fulfilling daily life.