"A broad panorama in brilliant prose." -- American Historical Review In this groundbreaking work of labor history, Irving Bernstein uncovers a period when industrial trade unionism, working-class power, and socialism became the rallying cry for millions of workers in the fields, mills, mines, and factories of America. With an introduction by Frances Fox Piven.

"To confront American culture is to feel oneself encircled by a thin but strong presence. I call it Emersonian, an imprecise term but one that directs us to a dominant spirit in the national experience." Thus Irving Howe, America's distinguished social critic and a longtime reader of the Sage of Concord, begins this illuminating discussion of Emerson and his disciples and doubters. What is the Emersonian spirit? What inspired it, what propelled it? And what does it mean to us today? History gave Emerson his opportunity and then took it away. Coming to manhood during the 1830s and 1840s, the time of "the newness" when Americans beheld the world with unbounded expectations, Emerson became the spokesman for the self-reliant new man he believed had arisen, ready to thrust aside mossy traditions and launch a new revolution of freewheeling thought. But the rapid pace of the American experience overtook the Emersonian vision; in the 1850s, the rising problems of slavery, a boom-and-bust economy, the vulgarity of mass culture overwhelmed the idealist. His satellite spirits wavered and shrouded the Emersonian optimism: Hawthorne, with his stories of moral breakdown; Thoreau, rooted in nature yet inclined to the cranky and fanatical; Melville, his fathomless blackness waiting beneath archetypal fables of innocence and evil also Walt Whitman, Orestes Brownson, Twain--all were influenced by, yet reacted against, the Emersonian "newness." Howe identifies three kinds of response: the literature of work (Melville and Mark Twain), the literature of Edenic fraternity (James Fenimore Cooper, Whitman, Twain again), and the literature of loss (all the post-Civil War writers). He lays before us the intellectual and personal tragedy of the first great American man of letters, yet also shows that Emerson's belief in the untapped power of free men pervades not only the lives and works of his contemporaries but is also a permanent part of the American psyche.

Is global capitalism on its last legs? Is the era of American leadership over? Has the West begun a decline into a new Dark Age? Does American civilization deserve to survive? These are the unnerving questions raised by the Great Crash of 2009. This book presents a radically new answer, insisting that global society has only begun to realize its full potential. Author HowardBloom argues that there's a hidden mandate beneath the surface of capitalism: "It's struggling to whisper and rumble its message to you and me. That hidden imperative can lift us from economic crisis, can make us a leader in the next-generation economy, and can dramatically upgrade our ability to empower our fellow human beings." Bloom sees crisis as opportunity, opportunity for the whole human race.In more than eighty short, fast chapters, insights appear suddenly, like the quick bursts of flashbulbs, taking the reader on a sweeping tour of human history, from the Stone Age to the present. Every chapter conveys a radically new way to see the astonishing mechanism we call "Western Civilization." Bloom marvels at how humans have turned toxic waste into food and fuel, trash into treasure, and garbage into gold. He shows how we've produced material miracles based on immaterial things-passion, persistence, and fantasy. He shows that what many regard as the end is just the beginning. The beginning of something you've never before imagined. The author explains why the secret to capitalism's next great leap does not lie in new financial tricks, but in tapping things right under our noses in radically new ways-that is, tapping our imagination, our desire to feel useful, our desire to help others, and our desire to be recognized for contributing to the welfare of humanity. The key to next-generation capitalism lies in a big-picture view that's utterly unlike anything you've previously perceived. A big-picture view that will startle you. A big-picture view with which you can ignite the world, get a new handle on your life, and help transform society. This brilliant, inspirational work of daring ideas and breathtaking research offers more than hope. It offers unseen levels of understanding. Understanding that can literally redefine what it means to be a human being.

From the winner of the Pulitzer Prize and the Ruth Lilly Prize Carl Dennis has become one of the most important American poets writing today. Unknown Friends , his tenth book, is about separation and connection, about actual friends we can never know fully and friends never met who are summoned into existence through the efforts of an imagination that insists on dialogue. While accepting our ignorance as inevitable, the poems work to expand the notion of what it means to be part of a community larger than any we can comprehend, both a community given to us by history and one outside of history through which the world of experience is nurtured and sustained.

After Capitalism is the apex of the life’s work of one of the most respected scholars of the American workplace. For nearly half a century, Seymour Melman has been an influential commentatoron capitalism, militarism and their discontents. In After Capitalism he explores a growing trend in capitalist systems worldwide: workplace democracy. The end of the Cold War in 1991 inspired an unprecedented outburst of triumphalist rhetoric among proponents of unfettered capitalism. Free-marketeers believed that we were witnessing “the end of history,” and proclaimed that the market economy was here to stay, that all alternatives had been proven inferior. Melman, in dissent, tracks the increasing social and economic inequities and the resulting cries for workplace reform. He points out the ominous parallels between the Soviet Union’s planned economy and the relentless onward march of American capitalism. Just as the Soviet planned economy venerated “the State” above all else, American capitalism views the health and eternal expansion of the free market as the ultimate goal: both propagate vast and harmful income gaps, both rely on and promote militarism—and neither leaves much room for consideration of workers’ well-being. Melman analyzes the adverse economic impact of these flaws and oversights, which have led to “grave production weaknesses in the U.S. economy,” and he suggests an alternative to current economic organization that holds out the promise of both greater fairness and equity and more soundly balanced production. “Workplace democracy,” in which workers actively participate in the management of their workplace, is gaining ground in venues as diverse as Israeli kibbutzim and Basque factories. Melman explains how workplace democracy can, and why it should, be implemented in America. After Capitalism is the new century’s first essential book about labor: thoughtful, humane, at once commonsensical and revolutionary, Melman’s prescriptions can inspire changes in the way the world works.

The slave-hire system of Charleston, South Carolina, in the 1700s and the 1800s produced a curious object--the slave badge. The badges were intended to legislate the practice of hiring a slave from one master to another, and slaves were required by law to wear them. Slave badges have become quite collectible and have excited both scholarly and popular interest in recent years. This work documents how the slave-hire system in Charleston came about, how it worked, who was in charge of it, and who enforced the laws regarding slave badges. Numerous badge makers are identified, and photographs of badges, with commentary on what the data stamped on them mean, are included. The authors located income and expense statements for Charleston from 1783 to 1865, and deduced how many slaves were hired out in the city every year from 1800 on. The work also discusses forgeries of slave badges, now quite common. There is a section of 20 color plates.

Using his extraordinary grasp of the theatre, Robert Brustein, Dean of the Yale Drama School and prize-winning critic, examines campus turmoil, radicalism versus liberalism, the fate of the free university, and the new revolutionary life style. Brustein sees American society as profoundly decadent, and those radicals from whom creative and rational alternatives should come as being increasingly dominated by sentimentality and false emotionalism. His observations are often controversial, always timely and interesting.

These interviews with Henry Rollins conducted by RE/Search (and Search & Destroy) founder V. Vale focus on Henry's travels -- often to countries considered dangerous and off-limits. There are references to Punk Rock history, the Occupy movement, and numerous personal adventures and experiences over the past 30-plus years of combing the planet giving musical and Spoken Word performances, and generally being as creative and humorous as possible no matter what the situation may be . Whatever Henry wants to do, he does it while giving his full attention, like a kind of Zen master. RE/Search tries to reveal the full scope of his creativity, achievements and darkly sardonic perceptiveness and contempt for cliche. This book is full of both humor and inspiration.

Six weeks ago, Imperial Japanese military forces conquered and occupied the Hawaiian Islands. A puppet king sits on Hawaii’s throne, his strings controlled by the general of the invasion force. American POWs, malnourished and weak, are enslaved as hard laborers until death takes them. Civilians fare little better, struggling to survive on dwindling resources. And families of Japanese origin find their loyalties divided. Meanwhile, across the United States, from Pensacola, Florida, to San Diego, California, the military is marshaling its forces. Steel factories and fuel refineries are operating around the clock. New recruits are enlisting, undergoing rigorous training exercises. All for the opportunity to strike back and drive the enemy from American soil…

Meticulously researched and imaginatively wrought, Warrior Queen is the sweeping epic of the infamous Boudica who challenged the vicious might of the Roman Empire. In 43 AD Boudica became the queen of a Celtic tribe and a Roman sympathiser. But after years of loyal service she finds herself brutally betrayed. The fury of her unleashed vengeance threw the Roman Empire's forces into chaos and made her a goddess to her own people. Here, Alan Gold retells the story of Boudica in a novel that embraces all the fiery passion and intrigue of this remarkable woman.

Long considered a noteworthy title on the Jewish role in early American history this book focuses on the Jewish community as a whole during the tumultuous years of the war, and on its effort to raise the concept of human rights and equality above restrictions based on race or religion.

For fifteen tense and troubled years between the election of John F. Kennedy in 1960 and the resignation of Richard Nixon in 1974, the United States struggled to direct its domestic life and its role in a rapidly changing world. These fifteen years are as rich as any in American history, rich in incident - the Bay of Pigs, the Cuban Missile Crisis, the civil rights struggle, the antiwar crusade, the opening of China, Watergate, Kennedy's assassination, Johnson's retirement, the fall of Nixon: rich in personality - Robert Kennedy, Stokely Carmichael, Martin Luther King, Jr, Earl Warren, Bob Dylan, Henry Kissinger, George Wallace, Hubert Humphrey: and rich, finally in what it tells us of power, its attainment, and its use at home and abroad.

First Published in 1940, The American Presidency is the first full length study of the presidency in action in America to be written by an Englishman. It explains the working of the complicated system over which the President presides and particularly the vexed question of the dual control of foreign relations in the United States. Professor Laski offers a new theory of the place of the presidency in American life and, incidentally, throws light on the inner nature of the other great Anglo-Saxon democracy. His book is more than a formal description. It is essentially a novel interpretation of the greatest elective office in the democratic world. This is a must-read historical reference work for students of politics, American politics, and American history.

"Until someone tells you, you never know in whose dreams you appear..." - From the prologue of To Catch the Lightning What is the price of our dreams? Beginning in the late 1890s, Edward Sheriff Curtis undertook the seemingly overwhelming odyssey of capturing the past, of documenting and photographing the fading way of life of the American Indian. In To Catch the Lightning , Alan Cheuse has created a remarkable portrait of the man who would become a legend. Drawn on his epic journey by a series of female muses, Curtis turns his lens on a landscape of unparalleled beauty and tradition. Curtis@ desire to complete his destiny as foretold by Chief Joseph, to photograph all of the hundreds of western American Indian tribes, is a haunting tale of the struggle between ambition and duty. The architect of the finest lasting visual record of a culture close to extinction, Curtis stands as a testament to the power of the sacrifices we make for the dreams that compel us. With the ear of a poet and the eye of a historian, Cheuse has crafted a masterwork of American historical fiction. Lyrical, beautifully written, and impressively researched, To Catch the Lightning is a novel of the American spirit. PRAISE FOR TO CATCH THE LIGHTNING: "To Catch the Lightning is a story of loss - of choices made and prices paid, of the future coming fast and the past disappearing faster. Cheuse@s narrative is refracted through multiple voices, each distinct, but each containing its own poetic precision. A wonderful, wonderful book of quiet power and great beauty." - Karen Joy Fowler, author of Wit@s End and The Jane Austen Book Club "To Catch the Lightning tells Curtis@ story vividly and eloquently. It is a great American story, about a life spent preserving and honoring those elements of life which are most respected and beloved. Alan Cheuse is to be congratulated for this vivid novel." - William Kittredge, author of The Willow Field and The Next Rodeo "Bravo to Cheuse for this incarnation of a major and unfairly forgotten American artist, capturing an era so crucial in native American, and therefore American history. I found it immediate and innovative." - Diane Johnson, author of Le Divorce and Lulu in Marrakech "The photography and cinema of Edward Curtis exist at the intersection of art, history, anthropology, and technology. He was an essentially American kind of genius, and Alan Cheuse has transformed his life into compelling fiction that digs deep into the mystery and sacrifice and selfishness of creative vision." - Charles Frazier, author of Cold Mountain and Thirteen Moons "... the narrative brims with keen insight." - Publishers Weekly "Curtis devoted his life to creating the most significant and comprehensive retrospective of American Indian culture, which he viewed as @one of the great races of mankind.@ Curtis correctly predicted that the culture was near extinction ... and much of his work remains the only recorded history of a civilization even then becoming the stuff of legend." - ForeWord Magazine Catch Alan Cheuse in your town: Key West, FL: January - Key West Lit

The legendary image of America as a land of opportunity was challenged in 1928 by Al Smith's race for the presidency. Could the governor from New York, a Catholic from the Lower East Side, really become president? His candidacy began a dark episode in American history as Al Smith found himself a victim of the very society that, ironically, gave him his greatest opportunity. p This sympathetic account of Smith's political career demonstrates that a changing society in the decades after World War I propelled Americans toward isolationism and a reassertion of comfortable verities about religion and ethnicity. Oscar Handlin notes that Americans were fundamentalists in 1928, and their anti-Catholicism affected the outcome of the presidential election. But religion was only one symptom of the American anxiety that prejudiced attitudes toward the city, toward foreigners, toward the League of Nations and Prohibition. Disillusioned and betrayed by an unsuccessful peace, Americans searched for external causes on which to lay blame, and Al Smith seemed to epitomize the alien forces that were undermining the nation.

2016 Reprint of Undated Original Edition [Circa 1965]. Full facsimile of the original edition, not reproduced with Optical Recognition Software. This gives a succinct account of Rothbard's view of the state. Following Franz Oppenheimer and Albert Jay Nock, Rothbard regards the state as a predatory entity. It does not produce anything but rather steals resources from those engaged in production. In applying this view to American history, Rothbard makes use of the work of John C. Calhoun How can an organization of this type sustain itself? It must engage in propaganda to induce popular support for its policies. Court intellectuals play a key role here, and Rothbard cites as an example of ideological mystification the work of the influential legal theorist Charles Black, Jr., on the way the Supreme Court has become a revered institution. A wealth of citations and references supports the basic premise.

The new single-volume edition of Conceived in Liberty is here! After so many years of having to juggle four volumes, the Mises Institute has finally put it altogether in a single, 1,616-page book. This makes it easier to read, and makes clearer just what a contribution this book is to the history of libertarian literature. There's never been a better time to remember the revolutionary and even libertarian roots of the American founding, and there's no better guide to what this means in the narrative of the Colonial period than Murray Rothbard. For anyone who thinks of Murray Rothbard as only an economic theorist or political thinker, this giant book is something of a surprise. It is probably his least known treatise. It offers a complete history of the Colonial period of American history, a period lost to students today, who are led to believe American history begins with the US Constitution. Rothbard's ambition was to shed new light on Colonial history and show that the struggle for human liberty was the heart and soul of this land from its discovery through the culminating event of the American Revolution. These volumes are a tour de force, enough to establish Rothbard as one of the great American historians. It is a detailed narrative history of the struggle between liberty and power, as we might expect, but it is more. Rothbard offers a third alternative to the conventional interpretive devices. Against those on the right who see the American Revolution as a "conservative" event, and those on the left who want to invoke it as some sort of proto-socialist uprising, Rothbard views this period as a time of accelerating libertarian radicalism. Through this prism, Rothbard illuminates events as never before. The volumes were brought out in the 1970s, but the odd timing and uneven distribution prevented any kind of large audience. They were beloved only by a few specialists, and sought after by many, thanks to their outstanding reputation. The Mises Institute is pleased to be the publisher of this integrated book. This single volume covers the discovery of the Americas and the colonies in the 17th century, the period of "salutary neglect" in the first half of the 18th century, the advance to revolution, from 1760-1775 and the political, military, and ideological history of the revolution and after.

"Funny, moving, and undeniably sexy. The heady blend of smart dialogue and characters. . .makes it a candidate to be the "Angels in America" of the Bush II decade."--"San Francisco Chronicle" "The two works ["Angels in America" and "In the Wake"] use a volatile chapter in American history as background in their exploration of how the sociopolitical maladies of an age play out in the personal conduct of characters."-- Charles McNulty, "Los Angeles Times" Lisa Kron, author of Broadway's "Well" and the OBIE-winning solo show "2.5 Minute Ride," has taken on the big question of our country's character. On the Thanksgiving after the controversial 2000 election, political junkie Ellen gathers with family and friends in her cramped New York apartment. But she soon discovers--with an unexpected passionate encounter--that ideas about America and our own selves are not as fixed as they once seemed. A play with plenty of humor and passion to go with its politics, Kron's work premiered last year at Berkeley Rep and Los Angeles' Center Theater Group, and debuted at The Public Theater in New York this fall. Lisa Kron's plays have been performed on Broadway, off-Broadway, and around the world. She is a founding member of the award-winning theater group The Five Lesbian Brothers, and teaches playwriting at Yale University.

Advance Praise for A Shattered Peace "The peace settlements that followed World War I have recently come back into focus as one of the dominant factors shaping the modern world. The Balkans, the Middle East, Iraq, Turkey, and parts of Africa all owe their present-day problems, in part, to these negotiations. David Andelman brings it all back to life--the lofty ideals, the ugly compromises, the larger-than-life personalities who came to Paris in 1919. And he links that far-away diplomatic dance to present-day problems to illuminate our troubled times. A tremendous addition to this vitally important subject." --Ambassador Richard Holbrooke "The peace conference in Paris at the end of World War I was the first and last moment of pure hope for peace in the history of world affairs. Our president Woodrow Wilson was the sorcerer for this hope, and he kindled great expectations in people everywhere. David Andelman, a classic reporter and storyteller, tells this fascinating tale of hope falling finally and forever on the shoals of naivete and hard-headed cynicism." --Leslie H. Gelb, former columnist for the New York Times and President Emeritus of the Council on Foreign Relations "The failed peace settlement following the Great War of 1914-1918 has been the subject of many fine books. In many respects, David Andelman's A Shattered Peace is the best of these. It is compact and compellingly written. Moreover, it explains more clearly than any other work how the failure of peacemaking in 1919 shaped later history and, indeed, shapes our own era." --Ernest R. May, Charles Warren Professor of American History, Harvard University "It is the power and fascination of David Andelman's new book, A Shattered Peace, that he shows us--with the clarity of a first-rate reporter and the drama and detail at the command of a first-rate novelist--that we are all still enmeshed in the loose ends of the Treaty of Versailles. Andelman brings us to Korea, to Vietnam, to the Persian Gulf, and to Iraq in our own vexed era. His story is alive with color, conflict, and interesting people. We could not find a better guide to this time." --Richard Snow, Editor in Chief, American Heritage

Frank Chodorov was an extraordinary thinker and writer, and hugely influential in the 1950s. This is his American classic that argues that the income tax, more than any other legislative change in American history, made it possible to violate individual rights that were at the core of the founding. He argues that income taxes are different from other forms because they deny the right of private property and presume government control over all things. The introduction is by former IRS commissioner J. Bracken Lee.