In 1921, when he was 11 years old, Anatol Rapoport attempted to ice skate out of Russia to freedom in Poland. Caught by border guards and turned back, he decided to try again with the help of professional Army smugglers. This bittersweet story of emigration, by the famed psychologist and mathematician known for his work in game theory, is set against the background of the Russian revolution and civil war. Poignant accounts of life in the Ukraine and Crimea, stories of Red and White Army soldiers bivouacking in his home, and a 200-mile train ride that takes 13 days in the comfort of a boxcar make this Canadian/American author's story unforgettable.

My Life And Loves In Greenwich Village is a memoir written by Maxwell Bodenheim, an American poet and novelist who lived in the bohemian neighborhood of Greenwich Village in New York City during the early 20th century. The book is a candid account of Bodenheim's personal and professional life, detailing his struggles as a struggling writer, his relationships with women, and his experiences with drugs and alcohol. Bodenheim describes the colorful characters and events that defined the Greenwich Village scene during his time there, including the rise of modernist art and literature, the emergence of jazz music, and the social and political movements of the era. The book also provides insights into the author's own creative process, as he discusses his writing techniques and the inspiration behind his work.Overall, My Life And Loves In Greenwich Village is a fascinating glimpse into the bohemian lifestyle of early 20th century New York City, as seen through the eyes of one of its most talented and troubled writers.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This book is a biography of one of the most famous and influential living mathematicians, Peter Lax. He is virtually unique as a preeminent leader in both pure and applied mathematics, fields which are often seen as competing and incompatible. Although he has been an academic for all of his adult life, his biography is not without drama and tragedy. Lax and his family barely escaped to the U.S. from Budapest before the Holocaust descended. He was one of the youngest scientists to work on the Manhattan Project. He played a leading role in coping with the infamous "kidnapping" of the NYU mathematics department's computer, in 1970. The list of topics in which Lax made fundamental and long-lasting contributions is remarkable: scattering theory, solitons, shock waves, and even classical analysis, to name a few. His work has been honored many times, including the Abel Prize in 2005. The book concludes with an account of his most important mathematical contributions, made accessible without heavy prerequisites. Reuben Hersh has written extensively on mathematics. His book with Philip Davis, The Mathematical Experience, won the National Book Award in science. Hersh is emeritus professor of mathematics at the University of New Mexico.

Critical analyses of the films directed by John Boorman are accompanied by interviews with the filmmaker

The long-awaited memoir of Julius Rudel, the legendary opera conductor and arts administrator, gives insight into his ground-breaking repertory choices and his collaborations with Beverly Sills, Plácido Domingo, and others. As a seventeen-year-old Jewish boy, Julius Rudel escaped from Austria after the Nazi invasion and moved to New York, where he began his career as an unpaid musical assistant and worked his way up through the ranks of the newly formed New York City Opera, being named in 1957 as the company's general director and principal conductor. Later, he became the first artistic director of the Kennedy Center in Washington, DC. In his twenty-two-year leadership of New York City Opera, Rudel challenged audiences with new and unusual repertoire -- including fifteen world premieres and three seasons consisting entirely of American operas -- turning the popularly priced "People's Opera" intothe most influential and daring opera company in the United States. Rudel writes in detail of his unusual repertoire choices and of the political battles behind New York City Opera's move to Lincoln Center in 1966, and hereminisces about his legendary collaborations with Beverly Sills (on Handel's Giulio Cesare and Donizetti's "Three Queens") and Plácido Domingo (on Ginastera's Don Rodrigo ) -- and about his work with other extraordinary talents including Norman Treigle, Phyllis Curtin, William Ball, Frank Corsaro, Tito Capobianco, Leopold Stokowski, Leonard Bernstein, Harold Prince, and Gian Carlo Menotti. First and Lasting Impressions givesa rare personal look into Julius Rudel's career as a conductor and administrator during the glory years of New York City Opera. Julius Rudel was general director and principal conductor of New York City Opera from 1957to 1979, and since that time has been a frequent guest conductor at the Metropolitan Opera and many of the world's other great opera houses. Rebecca Paller, a curator at the Paley Center for Media in New York, has written about the arts for publications including Opera News, Opera, Vogue, Playbill, Symphony, and American Theatre.

John Byner is a man of many voices and characters, from impersonating the slow, rolling gait and speech of John Wayne, to lending his voice to The Ant and the Aardvark cartoons. His dead-on impersonations, as well as his unique talents as a character actor, have put him on the small screen in peoples' homes, the big screen in theaters, and no screen on Broadway. Growing up in a big family on Long Island, John discovered his uncanny ability to mimic voices as a child when he returned home from a Bing Crosby movie and repeated Bing's performance for his family in their living room. He discovered his talent made him the focus of everyone's attention, and allowed him to make friends wherever he went, from elementary school to the U.S. Navy. John started his career in nightclubs in New York, but soon found himself getting national acclaim on The Ed Sullivan Show. With that he was on his way. This memoir is the best and funniest moments of his life, career, and relationships with some of the biggest names in entertainment, both on and off the screen.

"[Marshall] understands that the neighborhoods and cities that no longer exist can be conjured by memory and reanimated by art."-- San Francisco Chronicle "Born in Brooklyn of Arabic/Jewish heritage, Marshall may represent the keynote, most critical multicultural mixture of our time."--Naomi Shihab Nye, Hungry Mind Review Inspired by the posthumous discovery of letters written by his father but never mailed, Jack Marshall's memoir is both a moving story of a writer's artistic coming-of-age and a lush, lyrical recollection of a childhood spent in Brooklyn's Arabic-speaking Jewish community. Born in 1936 to an Iraqi father and Syrian mother who had immigrated to the United States, Marshall grew up in the hardworking Sephardic community--enveloped in an extended family that spoke little English, no Yiddish, and whose way of life owed more to their Middle Eastern homelands than to European Jewish traditions. As the sights, sounds, and tastes of midcentury New York leap off the page, Marshall beautifully evokes the magic of youth and discovery. From playing "running bases" in the Brooklyn streets to making egg creams at Coney Island, from his mother's rich kibbeh and baklava to the vast world revealed in the books of the New York Public Library, from the pleasures of music to the mysteries contained under a microscope, Marshall's story is as enduring as it is original. And before he sets sail for Africa as a seaman on a Norwegian freighter, Marshall has, through his negotiation of language, culture, family strife, and issues of education, faith, and politics, shined a light upon the possibilities of our collective future. A critically acclaimed poet, Jack Marshall has received a PEN Center USA West Award, two Bay Area Book Reviewers awards, and was a finalist for the National Book Critics Circle Award. He lives in the San Francisco Bay Area.

Dollars for Scholars, Dr. Irving A. Fradkin, with Michael J. Vieira, Branden Books, Paperback ISBN 9780828319744 $19.95; E-Book ISBN 9780828319744, $9.99 It all started when Dr. Fradkin received the first donation: “Here’s a buck!” His organization, Citizens’ Scholarship Foundation of America , however, took hold when another donor said, “Here’s a million!” This book tells the story of Dr. Fradkin’s crusade to raise money so that thousands of needy students would have access to institutions of higher learning through his scholar-ship grants. When people say, only in America” they include the feats of Dr. Fradkin. He started with a dollar and grew it to tens of millions of dollars now administered by a national headquarters with hundreds of chapters located in every state, and counting benefactors by the tens of thousands. Dollars for Scholars is a tribute to Dr. Irving Fradkin whose vision and efforts have become emblematic in the concrete reality rooted in the phrase, “only in America.”

Paperback in very good condition. Covers are slightly scored and sunned, and edges are a little worn. Page block is lightly tanned. Binding is sound and pages are clear. LW

'Bill Freund, the late social historian and leading analyst of African history, passed away in 2020 soon after finishing his autobiography. Often described as the academy's 'outsider insider', he was an eminent South African historian who published prodigiously in the areas of labour, capital and economic history. What influenced this American-educated academic to become such an astute and trusted observer of the political economy in Africa? We follow Bill's intellectual journey from a modest Jewish home in Chicago in the 1950s to the Universities of Chicago, Yale, Ahmadu Bello University in Nigeria and Dar-es-Salaam, Tanzania, and finally to a permanent teaching position at the University of KwaZulu-Natal in Durban, South Africa. Peppered in between the commentaries on academic life are stories of his travels, poems he wrote for loved ones, and endearing anecdotes of friendships that shaped his life. As an 'outsider', both in the United States and abroad, he is able to offer rich insights into the world of Africanists and their scholarship on different continents. His thoughtful and balanced observations on late- and post-apartheid South Africa are especially interesting and refreshing. This posthumously published autobiography will give deeper insight into this unusual man and the world that shaped him - and which he in turn influenced through a deep commitment to rigorous scholarship. It includes a select bibliography of Bill Freund's many publications as well as a foreword by Robert Morrell on the making of this autobiography."--Amazon description.

"In Catbird: The Ballad of Barbi Prim, the world meets an insightful, opinionated eight-year-old who's already taken a few steps toward becoming a pioneer--but also a shadow of her quirky self. Although she's corroded--sometimes literally--by a toxic but familiar social atmosphere, her love of singing propels her to become the first ordained woman cantor in 3,000 years of Jewish history. A family crisis exposes old and enduring wounds, but she begins to rescue herself--by diligently going to therapy--and embarks on an imperfect but perpetual metamorphosis, becoming the well-coiffed heroine of her own story. Barbara Ostfeld shows us that we are all brave pioneers--at becoming our true selves." -- Amazon.com.

Allan Spear had a long and distinguished career as a historian and as a Minnesota state senator. Perhaps best known for coming out as openly gay during his first term in the Minnesota Senate-becoming one of the first elected officials in the nation to do so-Spear was also a leader of Eugene McCarthy's run for the presidency, an organizer against the war in Vietnam, and a key proponent for the establishment of the African-American studies department at the University of Minnesota. Spear's memoirs are fascinating and moving: in early chapters on his childhood and college years, he writes with great introspection about his growing self-awareness of being gay. Later he writes about his development as an intellectual, particularly as a white man fighting to win legitimacy for the study of African-American history and culture. During his time at the University of Minnesota, Spear became deeply involved with the Minnesota Democratic-Farmer-Labor Party (DFL) and the antiwar movement. At the same time, Spear became increasingly active in the emerging gay rights movement and began the process of coming out to his friends and colleagues. After a failed run for the Minnesota House in 1968, Spear was elected to the Minnesota Senate in 1972 and served as Senate president from 1993-2000. In 1993, he was instrumental in the passage of the Minnesota Human Rights Act, which protected LGBT people from discrimination in housing, education, and employment-an achievement he considered one of the finest of his career. A skilled parliamentarian, he remained a progressive leader in the legislature until his retirement in 2000. Spear passed away on October 11, 2008, leaving his memoir slightly incomplete. A stirring afterword by John Milton completes the story of Spear's life, chronicling the recognition of his accomplishments as a politician and activist during his final years.