A paradox of surface and depth pervades the field of aesthetics. How can art's surface meanings and qualities be properly appreciated without understanding the cultural context that shapes their creation and perception? But exploring such underlying cultural conditions challenges the perception of thosequalities and meanings of aesthetic surface that constitute the captivating power of art. If aesthetics deals with both surface and depth, impassioned immediacy yet also critical distance of judgment, how can this doubleness be held together in one philosophical vision? In his new book, Richard Shusterman explores the dialectics of surface and depth by examining key issues in the philosophy of art and culture?from the logic of interpretation and evaluation to the roots of taste and convention, from the meanings of aesthetic purity and immediacy to the role of nature, theory, and history in our experience and understanding of art. In treating these topics, Shusterman combines the methods of analytic philosophy, critical theory, and poststructualism to arrive at new positions, displaying the philosophical versatility, originality of vision, and graceful, accessible writing that have become his trademark. Surface and Depth is crowned by a new definition of art as dramatization.

From the romantic, highly detailed realism of his large-scale "Mountain" photographs to multimedia pieces that embrace abstract forms drawn from close observation of nature, Clifford Ross's work is unlike any other. In 2002, Ross invented his R1 camera, with which he has produced some of the highest resolution single shot photographs ever realized. In a Ross landscape, viewers can spot a bird in a tree on a mountain a mile away. Ross's longstanding desire to reconcile realism and abstraction in his art intensified when he took up photography in the mid-1990s. This book offers the first comprehensive survey of his work, from large-scale, highly detailed landscape photographs to his latest "invisible art" -- an augmented reality app for smartphones that reveals a hidden work within a work. Seen & Imagined accompanies a landmark exhibition at MASS MoCA. Featuring 139 images, most of them in color, including such major Ross series as "Mountains," "Mountain Redux," "Harmoniums," and "Digital Waves," it is the first fine-art book to offer readers an augmented reality 3D "pop up" experience (through a free downloadable app) using their smartphones. Texts by noted writers and critics David Anfam, Quentin Bajac, Arthur C. Danto, Jack Flam, Nicholas Negroponte, and Jock Reynolds, comment on Ross's work, placing it within the history of art and technology, alongside an interview by Orville Schell with the artist. -

"This is a book about the public display of death in contemporary culture. It consists of a series of essays on specific cases in which death is displayed in museums and in photography. The essays focus mainly on representations of violence and death in events in recent Israeli history, including the assassination of Yitzhak Rabin and the Palestinian Intifada, and on the visual presence of traumatic events in Israeli culture throughout the twentieth century. They show how images of these events both shape and aestheticize the viewer's experience of death."--

The only country in the world with a line in its national anthem as desperate as “this people has already suffered for its past and its future,” Hungary is a nation defined by poverty, despair, and conflict. Its history, of course, took an even darker and more tragic turn during the Holocaust. But the story of the Jews in Hungary is also one of survival, heroism, and even humor—and that is the one acclaimed author Adam Biro sets out to recover in One Must Also Be Hungarian , an inspiring and altogether poignant look back at the lives of his family members over the past two hundred years. A Hungarian refugee and celebrated novelist working in Paris, Biro recognizes the enormous sacrifices that his ancestors made to pave the way for his successes and the envious position he occupies as a writer in postwar Europe. Inspired, therefore, to share the story of his family members with his grandson, Biro draws some moving pictures of them here: witty and whimsical vignettes that convey not only their courageous sides, but also their inner fears, angers, jealousies, and weaknesses—traits that lend an indelible humanity to their portraiture. Spanning the turn of the nineteenth century, two destructive world wars, the dramatic rise of communism, and its equally astonishing fall, the stories here convey a particularly Jewish sense of humor and irony throughout—one that made possible their survival amid such enormous adversity possible. Already published to much acclaim in France, One Must Also Be Hungarian is a wry and compulsively readable book that rescues from oblivion the stories of a long-suffering but likewise remarkable and deservedly proud people.

"A new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices--of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons--whose music still resonates well into our present"--

"A new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices--of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons--whose music still resonates well into our present"--

"The Nazi Holocaust & the Exile of Yiddish is a history of the Algemeyne Entsiklopedye (General Encyclopedia, Berlin, Paris, & New York, 1932-1966), the only attempt to publish a comprehensive encyclopedia of universal knowledge in the Yiddish language. In the decade after World War I, the potential for Yiddish was seemingly limitless.The global number of speakers of Yiddish was estimated at between nine and ten million, with major communities in Poland, the Soviet Union, and the United States. But by the early 1930s, as Jews were becoming invested in their host states, a dramatic rise in antisemitism from the political right threatened their new status. Extreme nationalists sought to undo Jewish participation in civic life, limit Jewish migration and settlement, and contain - or even purge - Jews' political, economic, cultural, and racial influence. This combination of factors led many within the Yiddishist camp both to reassert their commitment to the language and to a distinct Jewish national identity, increasing the urgency for the Entsiklopedye's architects to embark upon their project. Uncertainty over the Jewish future began to be reflected in the Entsiklopedye itself. The volumes of 1936 and 1937 contain otherwise out-of-place monograph-length entries on the specifically Jewish topics of "Antisemitism" and "Land of Israel," presaging a shift away from general subjects and toward more specifically Jewish content. In September 1939, the German invasion of Poland cut the Entsiklopedye off from its major source of readers and trapped many of its contributors who were based there. Just as the second Yidn volume was being sent to subscribers in Spring 1940, Germany invaded France. Making matters even worse, the copies of the second Yidn volume were sent to the United States, and but most copies were lost at sea. A few volumes that had been sent via the regular mail arrived safely in New York, however. The encyclopedia's editors themselves fled and, after making a harrowing escape via Spain and Portugal, arrived in New York by late summer / early autumn 1940. With the end of World War II and as the enormity of the Nazi Holocaust was becoming understood, the editors decided that the Entsiklopedye should continue. The post-war Yidn volumes contain descriptive essays on Jewish life on the eve of the Holocaust, a study of Jewish life in the Americas, and the last two volumes (1964 and 1966) are historical overviews of the Holocaust. By the release of the final volume in 1966, few of the original editors of The Algemeyne Entsiklopedye were still alive. Many of the great Jewish scholars who contributed to the project had also passed. In the Foreword, the administrator of the Entsiklopedye Iser Goldberg outlined the task of future Jewish scholarship as one of creating a new corpus of work dedicated to the Holocaust. He declared that this project that once was to guide millions of Yiddish readers into the modern world was now dedicated to "the thousands of readers and subscribers in Jewish communities" with the much more modest goal of making "an important contribution to the growing khurbn [Holocaust] literature." By bringing this neglected and unique work of Jewish scholarship back into studies of modern Jewish history, Trachtenberg makes a significant contribution to current historiographical debates on the content and boundaries of Jewish knowledge in the tumultuous middle decades of the twentieth-century. In large measure because of the lack of researchers able to work in the Yiddish language, the significance and history of the Algemeyne Entsiklopedye has been overlooked, despite the fact that it was one of the great (and few) collaborative projects involving the twentieth century's most influential Jewish scholars. This monograph will inform recent scholarly discussions on the function of Yiddish before, during, and after World War II, on the extent to which Eastern European Jews turned away from Diaspora Nationalism on the eve of war, and to what degree Jews in the United States were "silent" in the decades following the Nazi Holocaust"--

Written by Alexander Trachtenberg in 1935, The History of May Day is an invaluable asset for any Marxist-Leninist student. In this classic pamphlet Alexander Trachtenberg delivers a concise history of the origins of May Day. The origin of May Day is indissolubly bound up with the struggle for the shorter workday--a demand of major political significance for the working class. This struggle is manifest almost from the beginning of the factory system in the United States. Although the demand for higher wages appears to be the most prevalent cause for the early strikes in this country, the question of shorter hours and the right to organize were always kept in the foreground when workers formulated their demands against the bosses and the government. As exploitation was becoming intensified and workers were feeling more and more the strain of inhumanly long working hours, the demand for an appreciable reduction of hours became more pronounced.

This book was written in 1940, but never published. The authors had held, until May 1940, responsible positions in the Czech Refugee Trust Fund, which brought political refugees (including large numbers of communists) to Britain. In May 1940 they were dismissed from their posts by the Home Office due to their political affiliations. The introduction (pp. ix-xxvi) relates the history of the authors and their book, which is a critique of British prewar and wartime immigration policy. 65,000 refugees from Germany, Austria, and Czechoslovakia immigrated to Britain in 1933-39; 90% of them were "racial refugees" - i.e. Jews or part-Jews. Describes the events that impelled these people to leave the Reich. Dwells on the hardships and social discrimination which confronted the refugees in Britain both before and during the war. In April 1940 an internment campaign was launched; many refugees were interned in camps in the country or in the dominions. Discusses the legal aspects of the reception of refugees in Britain. Compares the ordeals of refugees in Britain with those in France, where the situation was much worse.

First published in 1928, Palestine Old and New is a historical travel guide providing a preliminary account of Palestine through the eye of a Zionist. The book takes the reader through the natural landscape of Palestine, familiarizing them with the local Muslim, Jewish and Christian populations, and providing both historical and Biblical accounts of various sites. As the chief immigration officer in British Mandate of Palestine from 1921 to 1934, the intended audience of the author was the Jews thinking about immigrating to Palestine, but his descriptive portrayal of the currently occupied territory is a rich account for present readers of the Palestine that was. The language used is a reflection of its era and no offence is meant by the Publishers to any reader by this republication. This book will be of interest to students of history, political science, international relations and geography.

"The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--

Professor Pinchas Polonsky has written an important study of the Religious Zionist thought of Rabbi Abraham Isaac Kook, one of the great Jewish thinkers of the 20th century. The book explores Rav Kook's religious revolution, the religious significance of the State of Israel, the national dialogue with God, contemporary problems in Judaism, the modernization of Judaism. Rav Kook was deeply steeped in rabbinic literature, including kabbala, and has offered unique insights into the current spiritual life of the Jewish people.

A study of the theater's treatment of homosexuals and homosexuality from the 1920s to the 1990s.

"In Film and Fate: Camera Flashes Illuminating a Life, Ilse Aichinger describes her past and her present largely from the viewpoint of her abiding passion for the cinema, and for still photography. She reflects on her life by discussing directors ranging from Luchino Visconti to Leni Riefenstahl, actors ranging from Orson Welles to Stan Laurel, and photographs by Bill Brandt depicting subjects as diverse as the Brontës’ Haworth Parsonage and London’s East End. Though Aichinger’s recollections are detailed, intriguing and vivid, they are pervaded by her sense of the contingency and fragility of existence – of how the presence of pictures and people in her life presages their disappearance, and of how 'memory shatters easily when you try to master it'" --

From a height of almost 100,000 members during the Depression, when politicians, workers, and intellectuals were drawn into its orbit, the American Communist Party has descended into irrelevance and isolation, failing even to run a presidential candidate in 1988. Indeed, as Guenter Lewy writes in this critical account of American Communism, despite decades of feverish activity and ferocious discipline, it was a cause doomed to fail from the very beginning. In The Cause that Failed, Lewy offers an incisive narrative of the American Communist Party from the days of John Reed to the advent of glasnost. He traces its origins and development, underscoring how its devotion to Moscow and inflexible Marxist ideology isolated it from the American scene--in fact, most of its first members were Eastern European immigrants. During the left wing tide of the Depression the Communist Party reached the peak of its influence, as it joined labor unions and progressive organizations in a "Popular Front." But Lewy reveals the deceptive, antidemocratic, self-defeating tactics the Communists pursued even then, as they manipulated front organizations, seized control of political parties, peace groups, and labor unions, and enforced political conformity among members and sympathizers. He follows the Party through its inexorable decline in the succeeding decades, up to its current position as one of the last Stalinist parties left in a world of glasnost and perestroika. Lewy also provides a sharply critical discussion of the encounter between Communism and liberal and mainstream America