"We have long since lost our faith in the idea that human beings could achieve human happiness in some future ideal state, a state that Thomas More, writing five centuries ago, tied to a topos, a fixed place, a land, an island, a sovereign state under a wise and benevolent ruler. But while we have lost our faith in utopias of all hues, the human aspiration that made this vision so compelling has not died. Instead it is re-emerging today as a vision focused not on the future but on the past, not on a future-to-be-created but on an abandoned and undead past that we could call retrotopia. The emergence of retrotopia is interwoven with the deepening gulf between power and politics that is a defining feature of our contemporary liquid modern world ? the gulf between the ability to get things done and the capability of deciding what things need to be done, a capability once vested with the territorially sovereign state. This deepening gulf has rendered nation-states unable to deliver on their promises, giving rise to a widespread disenchantment with the idea that the future will improve the human condition and a mistrust in the ability of nation-states to make this happen. True to the utopian spirit, retrotopia derives its stimulus from the urge to rectify the failings of the present human condition - though now by resurrecting the failed and forgotten potentials of the past. Imagined aspects of the past, genuine or putative, serve as the main landmarks today in drawing the road-map to a better world. Having lost all faith in the idea of building an alternative society of the future, many turn instead to the grand ideas of the past, buried but not yet dead. Such is retrotopia, the contours of which are examined by Zygmunt Bauman in this sharp dissection of our contemporary romance with the past"--

'Robert Wilson''s theatre is the stuff of legend. He has taught theatre-goers to see the world with different eyes. Stefan Brecht''s book provides detailed documentation and analysis of a number of Wilson''s earliest groundbreaking works including The Life of Sigmund Freud, Deafman Glance and Einstein on the Beach. ''Never since I was born have I seen anything more beautiful on this earth, never ever has there been another performance to equal this one, because it is simultaneously life at its most vivid and life with its eyes closed, reality mixed with dreaming, the inexplicability of everything in a deaf man''s glance.'' (Louis Aragon Open Letter to Andre Breton) ''His theatre is a world of its own'' (Heiner Muller)'

1955. When Mirabelle Bevan is rescued from a fire at her home on the Brighton seafront she's lucky to escape unharmed - but the blaze takes the life of her neighbour, Dougie Beaumont, a dashing and successful racing driver living in the flat above. It soon becomes clear that this was arson, raising questions about the young man's death that Mirabelle can't resist investigating further. With her curiosity piqued and on the trail of a potential killer she finds herself taking on the mysterious world of Fleet Street with its long lunches and dodgy deals as well as the glamorous motor racing world at Goodwood. It gradually becomes clear to Mirabelle that Dougie Beaumont's life was not as above-board as it first seemed and that this talented man had many secrets, hidden when he was alive by his international lifestyle where he was constantly on the move. Then, when a second shocking murder takes place, Mirabelle's pursuit is frustrated first by Dougie's well-connected and suspicious family and then by the official investigation - led by her would-be lover Superintendent McGregor. With the help of her colleague at McGuigan & McGuigan Debt Recovery, Vesta, and some of her ex-intelligence service connections, Mirabelle discovers the dark secrets of the glamorous racing driver have ramifications far beyond the English coastline.

This volume provides new insights into the role of U.S. consuls in the Ottoman Middle East in the special context of the Holy Land. This volume provides new insights into the role of U.S. consuls in the Ottoman Middle East in the special context of the Holy Land. The motivations and functioning of the American consuls in Jerusalem, and of the consular agents in Jaffa and Haifa, are analyzed as part of the US diplomatic and consular activity throughout the world, and of Western involvement in the Ottoman Empire and in Palestine during the century preceding World War I. The processes of cultural, demographic, economic, environmental, and settlement change and the contribution of the US consuls and American settlers to development of and modernization of Palestine are discussed. Based on primary archival sources such facets as the role of consuls regarding the use of extraterritorial privileges, Western religious and cultural penetration, control of land and land purchase, non-Muslim settlement, judicial systems, and technological innovations are considered from American, Ottoman, and local viewpoints.

This book explores the phenomenon of Saturnism, namely the belief that the planet Saturn, the seventh known planet in ancient astrology, was appointed upon the Jews, who celebrated the Sabbath, the seventh day of the Jewish week. Moshe Idel details how the anonymous, late 14th century Sefer Ha-Peliyah was to have disturbing consequences in the Jewish world three centuries later, interweaving luminaries with the cultural, historical, religious, and philosophical concepts of their day, and demonstrating how cultural agents were inadvertently instrumental in the mid-17th-century mass-movement Sabbateanism that led to the conviction that Sabbatai Tzevi was the Messiah.exploring how the tragic misperception of the Jewish Sabbath by the non-Jewish world led to a linkage of Jews with sorcery in 14th and 15th-century Europe, associating their holy day with the witches' 'Sabbat' gathering, Idel brings this wide-ranging study into the present day with an analysis of 20th-century scholarship and thought influenced by Saturnism, particularly lingering themes related to melancholy in the works of Gershom Scholem and Walter Benjamin.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Elizabethan and Jacobean architecture - not the friendly unassuming architecture of the vernacular but the uniquely strange and exciting buildings put up by the great and powerful, ranging from huge houses to gem-like pavilions and lodges designed for feasting and hunting - is a phenomenon as remarkable as the literature which accompanied it, the literature of Shakespeare, Spenser, Sidney, Marlow, Jonson, Campion and others. Forty years after adventuring into this world in his first book, 'Robert Smythson', in which he discussed one family of mason-architects and the great houses with which they were connected, Mark Girouard has returned to the subject to cover the whole rich field in detail. In this beautiful and fascinating book, Girouard discusses social structure and the way of life behind it, the evolution of the house plan, the ferment of excitement aroused in English patrons and craftsmen as they learnt about the classic Five Orders and the buildings of Ancient Rome from publications and engravings, the surprising wealth of architectural drawings which survive from the period, the inroads of foreign craftsmen who brought new fashions in ornament with them, but also the strength of the native tradition which was creatively integrated with the 'antique' style. Behind the book is a vivid consciousness of the European scene, and the different ways in which different countries reacted to new influences yet did not abandon their native traditions. Italy, France, central Europe and above all the Low Countries provide the background, and England was influenced by all of them. But the principal argument of the book is the individuality of the English achievement. Girouard's pioneering work on Elizabethan architecture, then an unfashionable period, has helped inspire an increasing number of architectural historians to venture into the field. His new book benefits from their researches and publications, but is essentially a product of new research and travel on his part. The results are displayed with his own unique sense of style, and are fired by the excitement which the architecture of the period still generates in him." -- from book jacket.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The ancient site of Tiahuanaco in Bolivia is one of the greatest archaeological mysteries in the world. Some experts date it to 17,000 years ago, although no one has conclusively determined its age. Located at the southern end of Lake Titicaca at about 13,000 feet above sea level, one can find oceanic seashells in the area and ruins of extensive docks on an earlier shoreline. How could this be? This book takes a radical approach by presenting evidence, found at Tiahuanaco, for Earth having had a different moon in the remote past. According to the author, the gravitational pull of this moon caused higher water levels in the area. It also caused a different rotational spin of our planet that is accurately documented in the ancient calendar, found and interpreted by the author and others, that appears on the face of Tiahuanaco's most iconic landmark, the Gate of the Sun. This well researched book contains many notes, charts, and diagrams to support the author's claims, as well as an Index and Bibliography for further reference.

"Born to a Jewish mother and Protestant father in 1923 Berlin, Gregory Baum has devoted his career to a humanistic approach to Catholicism. In The Oil Has Not Run Dry, Baum shares recollections about his lifelong commitment to theology, his atypical views, and his evolving understanding of the Catholic Church's message. Baum's reflects on his groundbreaking work with the Second Vatican Council (1962 65) and how it helped to open the Church to a new understanding of outsiders--one that advocated cooperation with world religions in support of peace and justice and respected secular philosophies committed to truth and social solidarity. Later embracing Latin American liberation theology, he became a leading thinker of the Catholic Left in Canada, adopting radical positions that initially earned support from Canadian bishops in the 1970s. Diverging from official Catholic doctrines regarding women and sexual ethics, Baum eventually left the priesthood, but continued to teach theology and remained active in the Church. The Oil Has Not Run Dry also discusses the contrast between Catholicism in Quebec and English-speaking North America, and the ways in which Baum sees Quebec's culture as more marked by social solidarity. This significant difference has inspired his decision to present in his own writings the original development of Catholic thought in Quebec to an English-speaking readership. Gregory Baum is professor emeritus in the Faculty of Religious Studies at McGill University and the author of Fernand Dumont: A Sociologist Turns to Theology and Truth and Relevance: Catholic Theology in French Quebec since the Quiet Revolution. "--

Determined to fend for herself in a world where only men have real freedom, headstrong Helen, who will be called queen of Sparta and Helen of Troy one day, learns to fight, hunt, and ride horses while disguised as a boy, and goes on an adventure around the Mediterranean world.

"A breathtaking journey across Iran where war and superstition, jealousy and betrayal, and passion and loyalty rage behind the impenetrable walls of mansions and the crumbling houses of the Jewish Quarter. Against the tumultuous background of World War II, Dr. Yaran will find himself caught in the thrall of the anti-Semitic Governor General, the most powerful man in the country. Dr. Yaran falls in love with the Governor General's defiant wife, Velvet, upending not only the life of the doctor's beloved daughter, but the entire community. In his quest to save everything and everyone he loves, Dr. Yaran will navigate the intersections of magic, science, lust, and treachery. His sole ally is the Governor General's servant, an exotic eunuch, who will do anything to aid his mistress in her dangerous quest to attain forbidden love." --

This book is about the principal writings that shaped the perception of Turkey for informed readers in English, from Edward Gibbon’s positing of imperial Decline and Fall to the proclamation of the Turkish Republic (1923), illustrating how Turkey has always been a part of the modern British and European experience. It is a great sweep of a story: from Gibbon as standard textbook, through Lord Bryon the pro-Turkish poet, and Benjamin Disraeli the Romantic novelist of all things Eastern, followed by John Buchan's Greenmantle First World War espionage fantasies, and then Manchester Guardian reporter Arnold Toynbee narrating the fight for Turkish independence.

"Following the destruction of the Jerusalem Temple in 70 CE, Jews were faced with a world in existential chaos--both they and their God were rendered homeless. So the rabbis, aspirants for leadership of the post-destruction Jewish community, appropriated inherited traditions and used them as building blocks for a new religious structure. Not unexpectedly, given the circumstances, this new rabbinic formation devoted considerable attention to matters of space and place. Rabbinic Judaism: Space and Place offers the first comprehensive study of spatiality in Rabbinic Judaism of late antiquity, exploring how the rabbis reoriented the Jewish relationship with space and place following the destruction of the Jerusalem Temple. Drawing upon the insights of theorists such as Tuan and LeFebvre, who define the crisis that "homelessness" represents and argue for the deep relationship of human societies to their places, the book examines the compositions of the rabbis and discovers both a surprisingly aggressive rabbinic spatial imagination as well as places, most notably the synagogue, where rabbinic attention to space and place is suppressed or absent. It concludes that these represent two different but simultaneous rabbinic strategies for re-placing God and Israel--strategies that at the same time allow God and Israel to find a place anywhere. This study offers new insight into the centrality of space and place to rabbinic religion after the destruction of the Temple, and as such would be a key resource to students and scholars interested in rabbinic and ancient Judaism, as well as providing a major new case study for anthropologists interested in the study of space"--

Referring to the chosen-ness of the Jewish people, Paul, the Apostle, ?For God's free gifts and his calling are irrevocable? (Rom. 11: 29). This messenger to the Gentiles understood the unique calling of his people, Israel. So does Daniel Juster. In The Irrevocable Calling, he expands Paul's words, showing how Israel was uniquely chosen to bless the world and how these blessings can be enjoyed today.

The Islamic Republic of Iran has entered its fourth decade, and the values and legacy of the Revolution it was founded upon continue to have profound and contradictory consequences for Iranian life. Despite the repressive power of the current regime the immense creativity of popular cultural practices, that negotiate and resist a repressive system, is a potent and dynamic force. This book draws on the expertise and experience of Iranian and international academics and activists to address diverse areas of social and cultural innovation that are driving change and progress. While religious conservatism remains the creed of the establishment, this volume uncovers an underground world of new technology, media and entertainment that speaks to women seeking a greater public role and a restless younger generation that organises and engages with global trends online.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.