"A witty, entertaining mystery featuring a hilarious, sharp as a tack new amateur sleuth from the critically acclaimed author of The Invention of Murder. It's just another day at the office for book editor Samantha Clair. Checking jacket copy for howlers, wondering how to break it to her star novelist that her latest effort is utterly unpublishable, lunch scheduled with gossipy author Kit Lowell, whose new book will deliciously dish the dirt on the fashion industry. But little does she know how much trouble Kit's book is about to cause. Before it even goes to print. When police inspector Field turns up at the venerable offices of Timmins & Ross, asking questions about an undelivered package that was addressed to Sam, she knows something is wrong. The messenger sent to deliver the package was murdered, and then Kit goes missing. Suddenly, Sam's nine-to-five life is turned upside down and she is propelled into a criminal investigation. Someone doesn't want Kit's scandalous manuscript published and unless Sam can put the pieces together in time, they'll do anything to stop it. With her deliciously fun, cleverly written debut novel, acclaimed author Judith Flanders introduces readers to an enormously enjoyable, too-smart-for-her-own-good new amateur sleuth, as well as a colorful cast of characters including Sam's witty assistant, effortlessly glamorous mother, and the handsome inspector Field. A whip-smart, impeccably crafted mystery, this tremendously entertaining novel will have readers flying through the pages"--

Trilogy by well known children's author/illus. Fictionalised account of her experience as a child refugee fleeing Nazis. Includes When Hitler stole pink rabbit.

Many of us have tried to call a halt to our spending at one time or another. But what if we decided not to buy anything for a whole year? Obviously, we would need necessities like food and soap, but how would be manage without new clothes, treats, entertainment? Funny, smart and self-deprecating, Not Buying It is a close look at our society's obsession with shopping and the cold turkey confession of a woman we can all identify with - someone who can't live without French roast coffee and expensive wool socks, but who has had enough of spending money for the sake of it. Without consumer goods and experiences, Levine and her partner Paul pursue their careers, nurture family relationships and try to keep their sanity and humour intact. Tracking their progress and lapses, she contemplates the meanings of need and desire, scarcity and security, consumerism and citizenship. She asks the big questions - can the economy survive without shopping? Are Q-tips a necessity? A thought-provoking account of the pleasures and perils of the purchase-driven life, Not Buying It will get readers talking about their reliance on the act of buying and the possibility of getting off the merry-go-round.

Memoirs of the author's youth in Kaposvar, Hungary, her experiences during the Holocaust and immediately after, and a return visit to Hungary in 1977. A ghetto was established in Kaposvar in May 1944, and in July the Jews were deported to Auschwitz. In August, Isaacson, her mother, and her aunt were transported to a labor camp in Hessisch Lichtenau, Germany. In spring 1945 the Jews were transferred to Camp Tekla, a small Hungarian Jewish women's camp in Leipzig, where they were liberated by the American army.

Whether your family is nuclear, blended, extended or unrelated; whether you are single, divorced, living together or married; at a family dinner or dinner party; engaged in combat with the neighbors or the relatives -- there is simply no substitute for the core of civility that must reside at the heart of every house, condo or apartment if it is truly to be a home. With her trademark wit and insight, Miss Manners knocks household discourteousness off its foundation by revealing the secrets of: Getting the housework done when you can't complain about the servant problem -- because the servant is you Kindling warm memories rather than heated conflict at family occasions Making use of common rooms instead of turning them into a mess or a museum -- while everyone huddles in their respective allotted upstairs spaces alone Reviving the art of entertaining to make friends who will love you for yourself (it beats staying home alone watching TV) Being pleasant enough to the neighbors so you're not afraid to walk out your own front door Refusing to recognize that the harried household cannot meet proper standards of behavior, especially since all households are now harried, Miss Manners explains how to return a sense of propriety -- and most of all, tranquility -- to domestic life.

Star reporter for the New York Times , the world's most powerful newspaper; foreign correspondent in some of the most dangerous fields; Pulitzer winner; longest jailed correspondent for protecting her sources, Judith Miller is highly respected and controversial. In this memoir, she turns her reporting skills on herself with the intensity of her professional vocation. Judy Miller grew up near the Nevada atomic proving ground. She got a job at the New York Times after a suit by women employees about discrimination at the paper and went on to cover national politics, head the paper's bureau in Cairo, and serve as deputy editor in Paris and then deputy at the powerful Washington bureau. She reported on terrorism and the rise of fanatical Islam in the Middle East and on secret biological weapons plants and programs in Iraq, Iran, and Russia. She covered an administration traumatized by 9/11 and an anthrax attack three weeks later. Miller shared a Pulitzer for her reporting. She turns her journalistic skills on herself and her controversial reporting which marshaled evidence that led America to invade Iraq. She writes about the mistakes she and others made on the existence in Iraq of weapons of mass destruction. She addresses the motives of some of her sources, including the notorious Iraqi Chalabi and the CIA. She describes going to jail to protect her sources in the Scooter Libby investigation of the outing of CIA agent Valerie Plame and how the Times subsequently abandoned her after twenty-eight years. The Story describes the real life of a foreign and investigative reporter. It is an adventure story, told with bluntness and wryness.

The seven deadly sins of Christianity represent the abysses of character, whereas Shklar's "ordinary vices" - cruelty, hypocrisy, snobbery, betrayal, and misanthropy - are merely treacherous shoals, flawing our characters with mean-spiritedness and inhumanity. Shklar draws from a brilliant array of writers - Moliere and Dickens on hypocrisy, Jane Austen on snobbery, Shakespeare and Montesquieu on misanthropy, Hawthorne and Nietzsche on cruelty, Conrad and Faulkner on betrayal - to reveal the nature and effects of the vices. She examines their destructive effects, the ambiguities of the moral problems they pose to the liberal ethos, and their implications for government and citizens: liberalism is a difficult and challenging doctrine that demands a tolerance of contradiction, complexity, and the risks of freedom.

"The Cambridge Guide to Jewish History, Religion, and Culture is a comprehensive and engaging overview of Jewish life, from its origins in the ancient Near East to its impact on contemporary popular culture. The twenty-one essays, arranged historically and thematically, and written specially for this volume by leading scholars, examine the development of Judaism and the evolution of Jewish history and culture over many centuries and in a range of locales. They emphasize the ongoing diversity and creativity of the Jewish experience. Unlike previous anthologies, which concentrate on elite groups and expressions of a male-oriented rabbinic culture, this volume also includes the range of experiences of ordinary people and looks at the lives and achievements of women in every place and era. The many illustrations, maps, timeline, and glossary of important terms enhance this book's accessibility to students and general readers"--Provided by publisher.

Although marriage is for grown-ups, very few of us are grown up when we marry. Here, the bestselling author of Suddenly Sixty and Necessary Losses presents her life-affirming perspective on the joys, heartaches, difficulties, and possibilities of a grown-up marriage -- and no, that's not an oxymoron! Featuring interviews with married women and men, the findings of couples therapists, the truths offered by literature and movies, and a bemused exploration of her own marriage, Judith Viorst illuminates the issues couples struggle with from "I do" through "till death do us part." Examining marital rivalry, marital manners, marital sex (extramarital, too), marital fighting and apologies, what kids do for (and to) marriage, and the boredom and bliss of everyday married life, Viorst leaves no marital stone unturned. From the early years when we wonder "Who is this person?" and "What am I doing here?" to the realities of divorce, remarriage, and growing older (and old) together, Viorst offers insights and advice with honesty, humanity, and humor -- all the while recognizing how tough it is to be married and, when it works, how very precious it can be.

"Whether she's finding herself or finding a sitter, contemplating her sex life as she rubs hormone night cream on her face, or wrestling with the contradiction of falling in love with a man her parents would actually approve of, Viorst transforms the familiar events of daily life into poems that make you laugh with recognition. Here is the young single girl leaving her parents' home for life in the big city ("No I do not believe in free love/And yes I will be home for Sunday dinners"). Here is the aspiring bohemian with an expensive liberal arts education, getting coffee and taking dictation, "Hoping that someday someone will be impressed/With all I know." Here is that married woman, coping with motherhood ("The tricycles are cluttering my foyer/The Pop Tart crumbs are sprinkled on my soul") and fantasy affairs ("I could imagine cryptic conversations, clandestine martinis...and me explaining that long kisses clog my sinuses") and all-too-real family reunions ("Four aunts in pain taking pills/One cousin in analysis taking notes"). And here she is at mid-life, wondering whether a woman who used to wear a "Ban the Bomb" button can find happiness being a person with a set of fondue forks, a fish poacher, and a wok. Every step of the way, It's Hard to be Hip Over Thirty and Other Tragedies of Married Life demonstrates once and for all that no one understands American women coming of age like Judith Viorst." -- Amazon.com.

"Lulu is sent to Camp Sisterhood to learn how to be a big sister, but she makes it her mission to be the worst sister-in-training in camp history"--

Two boys create a lot of havoc while waiting for their parents to get up on Sunday morning.

Judith Viorst is known and loved by readers of all ages, for children’s books such as Alexander and the Terrible, Horrible, No Good, Very Bad Day ; nonfiction titles, including the bestseller Necessary Losses ; and her collections of humorous poetry, which make perfect gifts for birthdays, Mother’s Day, graduation, Christmas, Chanukah, or at any time of year. When Did I Stop Being Twenty and Other Injustices brings together the best of Judith Viorst's witty, insightful poetry, including many favorites from out-of-print collections. Whether she's finding herself or finding a sitter, or contemplating her sex life as she rubs the hormone night cream on her face, Viorst explores the true and funny ironies all women encounter growing up in the modern world. Here is a young single girl from Irvington, NJ, leaving her parents' home for life in the big city ("No I do not believe in free love/And yes I will be home for Sunday dinners," she promises). Here is the aspiring bohemian with an expensive liberal arts education, getting coffee and taking dictation, "Hoping that someday someone will be impressed/With all I know." Here is that married woman, coping with motherhood ("The tricycles are cluttering my foyer/The Pop Tart crumbs are sprinkled on my soul") and fantasy affairs ("I could imagine cryptic conversations, clandestine martinis...and me explaining that long kisses clog my sinuses") and all-too-real family reunions ("Four aunts in pain taking pills/One cousin in analysis taking notes"). And here she is at mid-life, wondering whether a woman who used to wear a "Ban the Bomb" button can find happiness being a person with a set of fondue forks, a fish poacher, and a wok. Every step of the way, Viorst transforms the familiar events of daily life into poems that make you laugh with recognition. When Did I Stop Being Twenty and Other Injustices demonstrates once and for all that no one understands American women coming of age like Judith Viorst.

The Macdonald sisters -- Alice, Georgiana, Agnes and Louisa -- started life among the ranks of the lower-middle classes, with little prospect of social advancement. But as wives and mothers they made a single family of the poet Rudyard Kipling, the Pre-Raphaelite painter Edward Burne-Jones, Edward Poynter, President of the Royal Academy, and the Prime Minister, Stanley Baldwin. In telling their remarkable story, Judith Flanders displays the fluidity of Victorian society, and explores the life of the family in the 19th century.

Emmeline Mosher is sent from her parents' Maine farm to the mills of Lowell, Massachusetts, a new life and new values, shocking revelations, two great love affairs, and a completely undreamed-of new world

Relates the story of the conception and design of the author's extensive work of art, the "Holocaust Project, " commissioned by the Spertus Museum of Judaica in Chicago. The work consists of a tapestry - twelve pictures combining painting and photographic techniques and three stained glass panels. Most of the book consists of entries from the author's diary from 1985-92, describing the development of her interest in the Holocaust and in her Jewish roots, her study of the literature on the Holocaust, and travels to Europe, Israel, and Australia. The exhibition of this art work aims to place the Holocaust in historical context and to connect it with other cases of genocide and persecution in the modern world. Pp. 169-192 contain color plates of the exhibition.

"There's a little Jewish mother in every mother," as comedienne Judy Gold reveals in her achingly hilarious and poignant book For a Jewish girl who remembers the first book ever read to her as a child was the pop-up version of The Diary of Anne Frank, learning how to be a Jewish mother who wasnt a carbon copy of HER Jewish mother wasnt easy. Here, Emmy Awardwinning comedienne Judy Gold asks, "Are there any Jewish mothers out there like me, or are they all, G-d forbid, like my mother" In 25 Questions for a Jewish Mother, she incorporates her own adventures in Jewish motherdom and her memories of growing up Jewish in suburban New Jersey -- communicating with her mother by putting Ann Landers articles on the fridge ("Dear Ann, My mother wont let me walk alone to school and Im 16! Please help." "Dear Ann, The crossing guard drinks. Please help.") -- with the voices of the fifty other Jewish mothers, she and her co-author, Kathleen Moira Ryan, interviewed. They asked homemakers, lawyers, Holocaust survivors twenty-five questions, including: --Who's your favorite Jewish mother (Judy's is Barbra Streisand.)? --How many times a day do you talk to your children or mother (for Judy, it's anywhere from one to the high double digits)? --Are Jewish mothers really more paranoid (or, "Why do I have to write an entire itinerary with names, addresses, and phone numbers every time I leave the house")? And so on. The culmination of these extraordinary stories confirms that there is ultimately something strong, courageous, and loving in every Jewish mother -- a hopeful -- and very funny -- message to mothers and their children everywhere.