Volume Two in Schlesinger's Age of Roosevelt series, this book describes Roosevelt's first tumultuous years in the White House.

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Over 500 illustrations document the Jewish contribution to American politics, commerce, industry, finance, labor, and the arts and highlight this survey of daily life and great Jewish personalities

Americans have died for the right to vote. Yet our democratic system guarantees no one, not even citizens, the opportunity to elect a government. Allan Lichtman calls attention to the founders' greatest error--leaving the franchise to the discretion of individual states--and explains why it has triggered an unending struggle over voting rights.--

Examines the effect of the Holocaust on traditional attempts to explain the Jewish people's sufferings while retaining the concept of covenant with God. also examines its influence on the self-image of American Jewry. Analyzes the works of Elie Wiesel, Isaac Bashevis Singer, Saul Bellow, and Cynthia Ozick, among others, and suggests that awareness of a covenantal concept of Judaism is a criterion for authentic Holocaust literature. Adopts the definition of the Holocaust as a unique event - the plan to exterminate an entire nation, and describes various approaches to theological problems raised by the Holocaust.

"The New Yorker sent [A.J.] Liebling to Paris in October 1939 to cover the war in Europe. The assignment lasted through the liberation of Paris and a few weeks thereafter, and here for the first time Liebling's war dispatches ... are arranged to form a coherent narrative"--Jacket.

Boys aren't the only ones who read comics—girls do too! From Betty and Veronica to Slutburger and Art Babe, Girls to Grrrlz explores the amazing but true history of girl comics. Pop culture fans will delight in author Trina Robbinss chronological commentary (with attitude) on the authors, artists, trends, and sassy, brassy characters featured in comic books for the last half-century. Meet the bubble-headed bombshells of the '40s, the lovelorn ladies of the '50s, the wimmin libbers of the '70s, and the grrrowling grrrlz of today. Her commentary is paired with a ton of rare comic book art pulled from the best girl comics published since World War II. Bridging the gap between Ms. and Sassy , between Miss America and Naomi Wolf, From Girls to Grrrlz reminds us how comic book characters humorously—and critically—reflect our changing culture.

The author's thesis is that the members of the Continental Congresses made political decisions based on the limited alternatives available to them at the time. This theory is intended to disprove more popular views such as the one asserting that the Continental Congresses were driven by radical, ideological members.

"David Stein brought right-wing congressmen, celebrities, writers and entertainment industry figures together for shindigs, closed to outsiders. . . . There was just one problem. Stein was not who he claimed."-- The Guardian "I disagreed with lots of the book and found the depiction of some people to be cruel, but no denying it was also funny, intriguing and eye-opening." --Rory Carroll Author Comandante: Hugo Chavez's Venezuela , reporter for The Guardian In 2013, Republican "hero" David Stein made international headlines when he was unmasked as David Cole, the notorious Jewish Holocaust denier who made an entirely different set of headlines in the 1990s with his videos from within the gates of Auschwitz and his appearances on shows like 60 Minutes and Donahue . After a $25,000 bounty was put on his head by a violent extremist group, Cole left behind the bizarre world of Holocaust revisionism, a landscape populated by Hitler fetishists who Cole himself detested. Then, David Stein the Republican organizer was born. Stein soon became a major force in the closed-door world of Hollywood right-wingers--people who felt as alienated from the mainstream of their profession as Cole had felt as the lone Jewish Holocaust revisionist. Soon enough, Stein was working with major GOP power players and far-right Hollywood A-listers, creating huge private events for the West Coast GOP elite . . . until it all came crashing down when a vengeful former girlfriend outed him publicly. Condemned by those who had previously lauded him, Cole was left with nothing but his story. And here he tells it, warts and all, including the first-ever exposé of the secretive Hollywood far-right underground, "Friends of Abe."

In her sparkling new book, Lillian Robinson looks at Wonder Women - all of them - Supergirl, Invisible Girl, Invisible Woman, She Hulk - and examines what these cartoon heroines mean for everyday life. Can you balance a home, career, and the struggle for justice? What about men? Does flying help? Drawing upon her long career as a formidable feminist critic yet wearing her knowledge lightly, Lillian Robinson finds the essence of wonder women in our non-animated three-dimensional world. This book will delight and provoke anyone interested in the history of feminism or the importance of comics in contemporary life.

Introduction: It's only a movie / Thomas S. Freeman -- A tyrant for all seasons: Henry VIII on film / Thomas S. Freeman -- Saints and cinemas: A man for all seasons / Peter Marshall -- Anne of the thousand days / Glenn Richardson -- Lady Jane Grey on film / Carole Levin -- From Hatfield to Hollywood: Elizabeth I on film / Susan Doran -- Lady in waiting: young Elizabeth Tudor on film / Judith Richards -- Kapur's Elizabeth / Christopher Haigh -- Mary Queen of Scots (1971) / John Guy -- The Armada, war and propaganda in the cinema / Will Coster -- Elizabeth: the golden age: a sign of the times? / Vivienne Westbrook -- Shakespeare in love: Elizabeth I as Dea ex Machina / Brett Usher -- The private lives of Elizabeth and Essex and the romanticization of Elizabethan politics / Paul E.J. Hammer -- Oliver Cromwell and the civil wars / John Morrill -- The unfilmed Oliver Cromwell / David L. Smith -- Winstanley / Christopher Durston -- Why don't the Stuarts get filmed? / Ronald Hutton.

In drama and in musical comedy, in popular song and in symphonic music, in movies and in literature, Jews have contributed to American culture in the 20th century to a degree out of all proportion to their numbers. But does this vast creative output coalesce into something identifiable as an American Jewish culture? Stephen J. Whitfield answers this question with a resounding "yes!" Whitfield focuses on areas where the specifically Jewish contribution has been little explored. He surveys such fields as popular music, musical theater, and drama, focusing on key figures from Jerome Kern and the Gershwins to Stephen Sondheim and Jerome Robbins; Leonard Bernstein and Aaron Copland to Irving Berlin and Bob Dylan; Arthur Miller and Lillian Hellman to David Mamet and Wendy Wasserstein. At the same time, Whitfield tackles the complex issue of race and American Jewish culture, tracing the extensive interpenetrations of Jewish and African American music. He also offers a stunning examination of Jewish American representations of the Holocaust, focusing on stage and film adaptations of Anne Frank's Diary and on Steven Spielberg's Schindler's List. In a poignant, final chapter, Whitfield ponders the future of American Jewish culture after a century of assimilationist pressure and mainstream success. The distinctive culture that he has traced through the 20th century, Whitfield concludes, may finally become submerged and lost. Only a renewed emphasis on Judaism itself, he believes, offers the hope for American Jews to maintain the dual cultural identities that they have so long succeeded in nurturing --

Dream of Life is an intimate look into the interior life of the musician, artist, and poet Patti Smith. Integrated throughout the book are quotes and private transcripts, along with personal and unpublished photographs that reveals Patti's extraordinary personal journey. Captured are such colourful moments as Patti reciting "Prayer for New York" in 1975, hanging out at the Chelsea Hotel with Robert Mapplethorpe, jamming with colloborator Sam Shepard, Patti's reading of an Allen Ginsberg poem at his funeral, kicking around the beach with Flea from the Red Hot Chili Peppers, and so much more.

All cities have their secrets, but none are so dark as San Francisco's, the city that Ambrose Bierce famously described as "a point upon a map of fog." With its reputation as a shadowy land of easy vice and hard virtue, San Francisco provided the ideal setting for many of the greatest films noir, from classics like The Maltese Falcon and Dark Passage to obscure treasures like Woman on the Run and D.O.A. , and neo-noirs like Point Blank and The Conversation . Readers visit the Mission Dolores cemetery where James Stewart spied Kim Novak visiting Carlotta's grave in Vertigo ; the Steinhart Aquarium, where a steamy love scene unfolded between Orson Welles and Rita Hayworth in The Lady from Shanghai ; and the Kezar Stadium, where Clint Eastwood captures the serial killer, Scorpio, in a blaze of ghastly white light in Dirty Harry . In this guide to the great films noir and the locations where they were shot, the mythic noir city meets San Francisco's own dark past. With period film stills.

Judah P. Benjamin (1811-1884) was a brilliant and successful lawyer in New Orleans, and one of the first Jewish members of the U.S. Senate. He then served in the Confederacy as secretary of war and secretary of state, becoming the confidant and alter ego of Jefferson Davis. In this new biography, author James Traub grapples with the difficult truth that Benjamin, who was considered one of the greatest legal minds in the United States, was a slave owner who deployed his oratorical skills in defense of slavery. How could a man as gifted as Benjamin, knowing that virtually all serious thinkers outside the American South regarded slavery as the most abhorrent of practices, not see that he was complicit with evil? This biography makes a serious moral argument both about Jews who assimilated to Southern society by embracing slave culture and about Benjamin himself, a man of great resourcefulness and resilience who would not, or could not, question the practice on which his own success, and that of the South, was founded.

Call It English identifies the distinctive voice of Jewish American literature by recovering the multilingual Jewish culture that Jews brought to the United States in their creative encounter with English. In transnational readings of works from the late-nineteenth century to the present by both immigrant and postimmigrant generations, Hana Wirth-Nesher traces the evolution of Yiddish and Hebrew in modern Jewish American prose writing through dialect and accent, cross-cultural translations, and bilingual wordplay. Call It English tells a story of preoccupation with pronunciation, diction, translation, the figurality of Hebrew letters, and the linguistic dimension of home and exile in a culture constituted of sacred, secular, familial, and ancestral languages. Through readings of works by Abraham Cahan, Mary Antin, Henry Roth, Delmore Schwartz, Bernard Malamud, Saul Bellow, Cynthia Ozick, Grace Paley, Philip Roth, Aryeh Lev Stollman, and other writers, it demonstrates how inventive literary strategies are sites of loss and gain, evasion and invention. The first part of the book examines immigrant writing that enacts the drama of acquiring and relinquishing language in an America marked by language debates, local color writing, and nativism. The second part addresses multilingual writing by native-born authors in response to Jewish America's postwar social transformation and to the Holocaust. A profound and eloquently written exploration of bilingual aesthetics and cross-cultural translation, Call It English resounds also with pertinence to other minority and ethnic literatures in the United States.

Over the course of sixty years, Alfred Kazin's writings confronted virtually all of our major imaginative writers, from Emerson to Emily Dickinson to James Wright and Joyce Carol Oates -- including such unexpected figures as Lincoln, William James, and Thorstein Veblen. This son of Russian Jews wrote out of the tensions of the outsider and the astute, outspoken leftist -- or, as he put it, "the bitter patriotism of loving what one knows." Editor Ted Solotaroff hasselected material from Kazin's three classic memoirs to accompany his critical writings. Alfred Kazin's America provides an ongoing example of the spiritual freedom, individualism, and democratic contentiousness that he regarded as his heritage and endeavored to pass on.