In 1945, many Europeans still heated with coal, cooled their food with ice, and lacked indoor plumbing. This book presents an account of the extraordinary development of Europe's economy since the end of World War II. It argues that the continent's history has been critical to its economic performance.

Genocide: The Basics is an engaging introduction to the study of a controversial and widely debated topic. This concise and comprehensive book explores key questions such as; how successful have efforts been in the prevention of genocide? How prevalent has genocide been throughout history? and how has the concept been defined? Real world case studies address significant issues including: The killing of indigenous peoples by colonial powers The Holocaust and the question of "uniqueness" Peacekeeping efforts in the 1990s Legal attempts to create a genocide-free world With suggestions for further reading, discussion questions at the end of each chapter and a glossary of key terms, Genocide: The Basics is the ideal starting point for students approaching the topic for the first time.

As the mortar sets on the first sections of Israel's security fence, international scrutiny has brought the legality of the barrier before The Hague. In this updated edition of a popular seller, Israeli scholar Tanya Reinhart extends her critique to the most recent chapter of this decades-old conflict, exploring the history of the contested region and casting the barrier-which the World Bank has estimated might isolate 250,000 Palestinians and annex 10 percent of West Bank land-as a stark symbol of the conflict itself. In Israel/Palestine, Reinhart traces the development of the Security Barrier, and Israel's new doctrine of "disengagement," launched in response to a looming Palestinian-majority population. Examining the official record of recent diplomacy, including U.S--brokered accords, and talks at Camp David, Oslo and Taba, Reinhart explores the fundamental power imbalances between the negotiating parties, and identifies Israel's strategy of creating facts on the ground to define and complicate the terms of any future settlement. In this indispensable primer, Reinhart's searing insight illuminates the current conflict and suggests a path toward change. Tanya Reinhart is a professor of linguistics and cultural studies at Tel Aviv University and at the University of Utrecht. She is most well known academically for her contribution to theoretical linguistics. In 1994, following the Oslo agreements, which she viewed as a painful deception of the Palestinian people and the ratification of a sophisticated Apartheid regime, she turned to political writing. She has had a regular critical column in Israel's largest daily, Yediot Aharonot, and her writings have appeared in print around the world.

This book holds the distinction and is famous for being the first chess book Bobby Fischer ever read. As Bobby himself tells the story, when he was 6 years old, one day his sister Joan brought home a plastic chess set she had bought in the market and they learned how to play by reading the instructions on the box. Later, when Bobby had developed an interest in the game, Joan brought home a book appropriately entitled "First Book of Chess." It was then a new book, just out. As they say, the rest is history. We will not guarantee that you will become the World Chess Champion if you read this book. We will not even double your money back if you do not become World Chess Champion. However, we will guarantee that you cannot go wrong if you start chess with this book.

A history of the Jewish people from biblical times to the present documents the significant events, ideas, heritage, lifestyle, traditions, religion, and notable Jewish men and women.

Why the meaning of sin changed radically during the first centuries of Christianity Ancient Christians invoked sin to account for an astonishing range of things, from the death of God's son to the politics of the Roman Empire that worshipped him. In this book, award-winning historian of religion Paula Fredriksen tells the surprising story of early Christian concepts of sin, exploring the ways that sin came to shape ideas about God no less than about humanity. Long before Christianity, of course, cultures had articulated the idea that human wrongdoing violated relations with the divine. But Sin tells how, in the fevered atmosphere of the four centuries between Jesus and Augustine, singular new Christian ideas about sin emerged in rapid and vigorous variety, including the momentous shift from the belief that sin is something one does to something that one is born into. As the original defining circumstances of their movement quickly collapsed, early Christians were left to debate the causes, manifestations, and remedies of sin. This is a powerful and original account of the early history of an idea that has centrally shaped Christianity and left a deep impression on the secular world as well.

"The history of Islam stretches from the seventh century to the present and encompasses an area from Spain to Indonesia, North Africa to the Steppes. The material culture of the Muslim peoples is accordingly richly varied, taking in architectural projects on a vast scale and minutely detailed miniature paintings, exquisitely patterned silk textiles and bold calligraphy. The spectacular format of the Timeline allows the reader to view the magnificent sweep of the art of Islam in a unique way. You can see at a glance exactly what was happening in the different arts and countries of Islam within the same period. The Timeline is lavishly illustrated throughout with colour photographs, many of which are taken from the world renowned Khalili Collection. In addition to the Timeline there is a section devoted to the historical dynasties of the Islamic world and a list of Islamic Rulers along with a four-page gatefold map which encapsulates the global aspects of Islamic history and culture. There then follows an essay on the history of Islamic art and architecture, including biographies of leading Muslim craftsmen, painters and architects and specific chapters devoted to individual arts including: architecture, calligraphy, Qur'ans, pottery, glass, jewellery, arms and armour, carpets & textiles, carvings and seals and coins"--Publisher's description.

In a famous passage in The Red and the Black , the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Günter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel García Márquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

In a famous passage in The Red and the Black , the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Günter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel García Márquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

An Intellectual History of Modern China covers modern China's intellectual development from the nineteenth to the end of the twentieth century. Merle Goldman and Leo Ou-fan Lee introduce and set the contemporary, scholarly context for this collection of essays, drawn from the later volumes (Volumes 12-15) of The Cambridge History of China. The chapters trace the transformation of Confucian ideas, the introduction of Western views, and the resulting, uniquely Chinese view of the world. By linking key intellectual developments and figures to emerging political movements, they explain the profound impact of changing ideas and values on Chinese politics and revolution. Merle Goldman brings the history up to date with a new, concluding chapter on the Deng Xiaoping era and China's intellectual scene at the end of the twentieth century.

From the Orwell Prize shortlisted author of Freedom for Sale, The Richis the fascinating history of how economic elites from ancient Egypt to the present day have gained and spent their money. Starting with Ancient Egypt and Greece and culminating with the oligarchies of modern Russia and China, it compares and contrasts the rich and powerful down the ages and around the world. What unites them? Have the same instincts of entrepreneurship, ambition, vanity, greed and philanthropy applied throughout? As contemporary politicians, economists and the public wrestle with the inequities of our time - the parallel world inhabited by the ultra-wealthy at a time of broader hardship - it is salutary to look to history for explanations. This book synthesises thousands of years of human behaviour and asks the question: is the development of the globalised super-rich over the past twenty years anything new?

Spies, secret messages, and military intelligence have fascinated readers for centuries but never more than today, when terrorists threaten America and society depends so heavily on communications. Much of what was known about communications intelligence came first from David Kahn's pathbreaking book, The Codebreakers. Kahn, considered the dean of intelligence historians, is also the author of Hitler’s Spies: German Military Intelligence in World War II and Seizing the Enigma: The Race to Break the German U-Boat Codes, 1939-1943, among other books and articles. Kahn’s latest book, How I Discovered World War II's Greatest Spy and Other Stories of Intelligence and Code, provides insights into the dark realm of intelligence and code that will fascinate cryptologists, intelligence personnel, and the millions interested in military history, espionage, and global affairs. It opens with Kahn telling how he discovered the identity of the man who sold key information about Germany’s Enigma machine during World War II that enabled Polish and then British codebreakers to read secret messages. Next Kahn addresses the question often asked about Pearl Harbor: since we were breaking Japan’s codes, did President Roosevelt know that Japan was going to attack and let it happen to bring a reluctant nation into the war? Kahn looks into why Nazi Germany’s totalitarian intelligence was so poor, offers a theory of intelligence, explicates what Clausewitz said about intelligence, tells—on the basis of an interview with a head of Soviet codebreaking—something about Soviet Comint in the Cold War, and reveals how the Allies suppressed the second greatest secret of WWII. Providing an inside look into the efforts to gather and exploit intelligence during the past century, this book presents powerful ideas that can help guide present and future intelligence efforts. Though stories of WWII spying and codebreaking may seem worlds apart from social media security, computer viruses, and Internet surveillance, this book offers timeless lessons that may help today’s leaders avoid making the same mistakes that have helped bring at least one global power to its knees. The book includes a Foreword written by Bruce Schneier.

A 5-volume series that explores representations of the past from the beginnings of writing to the present day, and from all over the world, volume 1 offers essays by leading scholars on the development and history of the major traditions of historical writing, including the ancient Near East, Classical Greece and Rome, and East and South Asia from their origins until c. AD 600. It provides both an authoritative survey of the field and an unrivalled opportunity to make cross-cultural comparisons--Book Jacket

The must-read music book of the year—and the first such history bringing together all musical genres to tell the definitive narrative of the birth of Pop from 1900 to the mid-1950s. Pop music didn't begin with the Beatles in 1963, or with Elvis in 1956, or even with the first seven-inch singles in 1949. There was a pre-history that went back to the first recorded music, right back to the turn of the century. Who were these earliest record stars—and were they in any meaningful way "pop stars"? Who was George Gershwin writing songs for? Why did swing, the hit sound for a decade or more, become almost invisible after World War II? The prequel to Bob Stanley’s celebrated Yeah! Yeah! Yeah! , this new volume is the first book to tell the definitive story of the birth of pop, from the invention of the 78 rpm record at the end of the nineteenth century to the beginnings of rock and the modern pop age. Covering superstars such as Louis Armstrong, Bessie Smith, Duke Ellington and Frank Sinatra, alongside the unheralded songwriters and arrangers behind some of our most enduring songs, Stanley paints an aural portrait of pop music's formative years in stunning clarity, uncovering the silver threads and golden needles that bind the form together. Bringing the eclectic, evolving world of early pop to life—from ragtime, blues, and jazz to Broadway, country, crooning, and beyond— Let's Do It is essential reading for all music lovers. "An encyclopaedic introduction to the fascinating and often forgotten creators of Anglo-American hit music in the first half of the twentieth century."—Neil Tennant (The Pet Shop Boys)

Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place, he threw himself into the Dutch museums. Soon, he found himself unearthing the strange, inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity, the Dutch Golden Age. As he explored the hidden world of the Dutch Masters (and one Mistress), Moser met a crowd of fascinating personalities- the stormy Rembrandt, the intimate Ter Borch, the mysterious Vermeer. Through their art, he got to know their country, too- from Pieter Saenredam's translucent churches to Paulus Potter's muddy barnyards, and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees. Over the years, Moser found himself on increasingly intimate terms with these centuries-dead artists, and found that they, too, were struggling with the same questions he was. Why do we make art? What is art, anyway - and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? The Upside-Down World is an invitation to ask these questions, and to turn them on their heads- to look, and then to look again. It is a brilliant, colourful and learned book for anyone, whether lifelong scholar or curious tourist, who has ever felt the lure of the Dutch galleries. It shows us art, and artists, as we have never seen them before.

A New Yorker Best Book of 2024 A captivating journey of the expansive world of medieval travel, from London to Constantinople to the court of China and beyond. Europeans of the Middle Ages were the first to use travel guides to orient their wanderings, as they moved through a world punctuated with miraculous wonders and beguiling encounters. In this vivid and alluring history, medievalist Anthony Bale invites readers on an odyssey across the medieval world, recounting the advice that circulated among those venturing to the road for pilgrimage, trade, diplomacy, and war. Journeying alongside scholars, spies, and saints, from Western Europe to the Far East, the Antipodes and the ends of the earth, Bale provides indispensable information on the exchange rate between Bohemian ducats and Venetian groats, medieval cures for seasickness, and how to avoid extortionist tour guides and singing sirens. He takes us from the streets of Rome, more ruin than tourist spot, and tours of the Khan's court in Beijing to Mamluk-controlled Jerusalem, where we ride asses across the holy terrain, and bustling bazaars of Tabriz. We also learn of rumored fantastical places, like ones where lambs grow on trees and giant canes grow fruit made of gems. And we are offered a glimpse of what non-European travelers thought of the West on their own travels. Using previously untranslated contemporaneous documents from a colorful range of travelers, and from as far and wide as Turkey, Iceland, North Africa, and Russia, A Travel Guide to the Middle Ages is a witty and unforgettable exploration of how Europeans understood--and often misunderstood--the larger world.

A History of Soviet Russia"A foremost historian brings vividly to life the men and events of Russia's postrevolutionary era. Though the years of war communism, NEP, and collectivization, Professor Ulam traces the transformation of the Bolsheviks' early sense of mission and advancement of world revolution into the quest for power for its own sake. He skillfully describes the interaction of internal dilemmas with international pressures, the maturing of Soviet political and social systems under communism, and the mixture of nationalistic and ideological motives that colored the behavior of Russia's leaders and shaped its development."Keywords: SOVIET UNION HISTORY 1917 1991

A masterwork of history and cultural studies, Marvelous Possessions is a brilliant meditation on the interconnected ways in which Europeans of the Age of Discovery represented non-European peoples and took possession of their lands, particularly in the New World. In a series of innovative readings of travel narratives, judicial documents, and official reports, Stephen Greenblatt shows that the experience of the marvelous, central to both art and philosophy, was manipulated by Columbus and others in the service of colonial appropriation. Much more than simply a collection of the odd and exotic, Marvelous Possessions is both a highly original extension of Greenblatt’s thinking on a subject that has permeated his career and a thrilling tale of wandering, kidnapping, and go-betweens—of daring improvisation, betrayal, and violence. Reaching back to the ancient Greeks, forward to the present, and, in his new preface, even to fantastical meetings between humans and aliens in movies like Close Encounters of the Third Kind , Greenblatt would have us ask: How is it possible, in a time of disorientation, hatred of the other, and possessiveness, to keep the capacity for wonder—for tolerant recognition of cultural difference—from being poisoned?

Oscar« Fever is both history and appreciation, filled with insider stories and little-known facts, such as who came up with the idea of the Academy Awards«; who the youngest and oldest winners are; which film garnered the most nominations; who has been nominated the most times without ever winning and more. Included are all the latest anecdotes and statistics, as well as a selection of film stills from the greatest winners, nostalgic and new, to tell the inside story of Oscar«. .The Academy Awards ceremony is the single most anticipated and widely viewed spectacle in the world. It has close to one billion viewers every year. How has this event grown, in some seventy-five years, from an intimate gathering of directors and actors to a global phenomenon that dominates magazines, newspapers, radio, TV and the internet.Oscar« Fever is a completely new and far more popular rewriting of And the Winner Is...(1987;1990). It is both history and appreciation, chockablock with inside stories and little-known facts. Included are all the latest facts and statistics, as well as film stills, nostalgic and new, to tell the inside story of Oscar and what the awards really say about our times.

"The legacy of the Second World War has been, like the war itself, an international phenomenon. In both Europe and Asia, common questions of criminality, guilt, and collaboration have intersected with history and politics on the local level to shape the way that wartime experience has been memorialized, reinterpreted, and used. By directly comparing European and Asian legacies, Confronting Memories of World War II, provides unique insight into the way that World War II continues to influence contemporary attitudes and politics on a global scale. The collection brings together experts from a variety of disciplines and perspectives to explore the often overlooked commonalities between European and Asian handling of memories and reflections about guilt. These commonalities suggest new understandings of the war's legacy and the continuing impact of historical trauma. Daniel Chirot is Herbert J. Ellison Professor of Russian and Eurasian Studies at the University of Washington. Gi-Wook Shin is director of the Walter H. Shorenstein Asia-Pacific Research Center at Stanford University, as well as holder of the Tong Yang, Korea Foundation, and Korea Stanford Alumni Chair of Korean Studies. Daniel Sneider is associate director of the Shorenstein Asia-Pacific Center. Contributors include Thomas Berger, Frances Gouda, Julian T. Jackson, Fania Oz-Salzbe, Gilbert Rozman, Igor Torbakov, and Roger Petersen; "A provocative, timely, superbly documented volume on urgent moral, political and historical topics. There is no trace of idealization--the book is objective, clear-minded, and historically poignant. A substantial, truly enriching addition in terms of a global comparative approach"--Vladimir Tismaneanu, University of Maryland, College Park; "This truly 'international' edited volume on the issues of war, memory, and national identity explores how memories about wartime experiences--including criminality, collaboration and reconciliation--are shaped and reshaped, connected to questions of national identity, and used for domestic and international political purposes."--Patricia L. Maclachlan, University of Texas, Austin"