Constitutional Choices illuminates the world of scholarship and advocacy uniquely combined by Laurence Tribe, one of the nation's leading professors of constitutional law and most successful practitioners before the Supreme Court. In his new book, Tribe boldly moves beyond the seemingly endless debate over which judicial approaches to enforcing the Constitution are 'legitimate' and which are not. Arguing that all claims to legitimacy must remain suspect, Tribe focuses instead on the choices that must nonetheless be made in resolving actual constitutional controversies. To do so, he examines problems as diverse as interstate banking, gender discrimination, church subsidies, the constitutional amendment process, the war powers of the President, and First Amendment protection of American Nazis. Challenging the ruling premises underlying many of the Supreme Court's positions on fundamental issues of government authority and individual rights, Tribe shows how the Court is increasingly coming to resemble a judicial Office of Management and Budget, straining constitutional discourse through a managerial sieve and defending its constitutional rulings by 'balancing' what it counts as 'costs' against what it deems 'benefits'. Tribe explains how the Court's calculus systematically excludes basic concerns about the distribution of wealth and power and conceals fundamental choices about the American polity. Calling for a more candid confrontation of those choices and of the principles and perspectives they reflect, Tribe exposes what has gone wrong and suggests how the Court can begin to reclaim the historic role entrusted to it by the Constitution.

How to avoid a fiscal crisis in the next generation -- and how to protect yourself if the government acts too late: policy recommendations and individual strategies to protect against skyrocketing tax rates, drastically reduced health and retirement benefits, high inflation, and a ruined currency. In 2030, as 77 million baby boomers hobble into old age, walkers will outnumber strollers; there will be twice as many retirees as there are today but only 18 percent more workers. How will America handle this demographic overload? How will Social Security and Medicare function with fewer working taxpayers to support these programs? According to Laurence Kotlikoff and Scott Burns, if our government continues on the course it has set, we'll see skyrocketing tax rates, drastically lower retirement and health benefits, high inflation, a rapidly depreciating dollar, unemployment, and political instability. The government has lost its compass, say Kotlikoff and Burns, and the current administration is heading straight into the coming generational storm. But don't panic. To solve a problem you must first understand it. Kotlikoff and Burns take us on a guided tour of our generational imbalance, first introducing us to the baby boomers--their long retirement years and "the protracted delay in their departure to the next world." Then there's the "fiscal child abuse" that will double the taxes paid by the next generation. There's also the "deficit delusion" of the under-reported national debt. And none of this, they say, will be solved by any of the popularly touted remedies: cutting taxes, technological progress, immigration, foreign investment, or the elimination of wasteful government spending. So how can the United States avoid this demographic/fiscal collision? Kotlikoff and Burns propose bold new policies, including meaningful reforms of Social Security, and Medicare. Their proposals are simple, straightforward, and geared to attract support from both political parties. But just in case politicians won't take the political risk to chart a new direction, Kotlikoff and Burns also offer a "life jacket"--guidelines for individuals to protect their financial health and retirement. This paperback edition of The Coming Generational Storm has been revised and updated and includes a new foreword by the authors.

Winner of the World Fantasy Award Tenth Anniversary Edition, with a new introduction and three extra stories. It's a rainy day when the woman approaches Joe. He is a private detective and she is looking for someone, as these things often go. Her quarry is the obscure author of a series of pulp novels featuring one Osama bin Laden: Vigilante. Joe's quest will take him across the world in search of the writer. And every step of the way - from the backwaters of Laos to Paris and London - he is plagued, by assailants he cannot name, by questions he cannot hope to answer and by ghostly entities he cannot seem to shake. Joe knows how the story should end, but even he is not ready for the truths he will find in New York and atop a quiet hill above Kabul, nor for the choice he will have to make there...

A sequel to A Coney Island of the Mind (written forty years after the original in what the author has called "a poetry seizure" that lasted more than a year), A Far Rockaway of the Heart is a sequence of one hundred and one related poems with recurrent themes. The author also thinks of it as a kind of caustic critique of modern poetry, including confrontations with or parodies of major figures in the literary avant-garde before the arrival of the Beat generation, notably Pound and Eliot, Beckett and Joyce.

Short and inspiring, but rarely surprising, this collection of remarks, aphorisms and exhortations about the nature and purpose of poetry began in the late 1950s, when Ferlinghetti was just coming into his own as a Beat poet and publisher of City Lights Books. After 50 years of revisions and additions, his claims may not strike experienced readers as fresh-and some may even seem cliched: "The state of the world," his first page declares, "calls out for poetry to save it." On the other hand, Ferlinghetti's very large body of fans (he is one of the bestselling 20th-century American poets) should find reason and justice in these eternal verities, couched in up-to-date lingo: "Poems are e-mails from the unknown beyond cyberspace," for example. Beginning teachers of creative writing should also find Ferlinghetti's instructions of use: "Read between the lines of human discourse." Two groups of aphorisms make up most of the volume, to which Ferlinghetti adds a short essay and two 1970s poems. "Modern Poetry Is Prose" encourages young writers to discover the "dark spirit of earth and blood"; "Populist Manifesto #1" hopes "Whitman's wild children," however pressed down by modernity, will soon "Awake and sing in the open.

A prize-winning historian takes an exceptionally clear-eyed look at America's strategic predicament in the Middle East, over the past 30 years.

Mint condition! This book could pass as new!! Printed in the USA. First Printing March 1995. COLLECTOR'S EDITION

Perhaps the greatest physicist of the second half of the twentieth century, Richard Feynman changed the way we think about quantum mechanics, the most perplexing of all physical theories. Here the author, himself a theoretical physicist, offers a scientific biography: a narrative coupled with clear and novel expositions of science at the limits. An immensely colorful persona in and out of the office, Feynman revolutionized our understanding of nature amid a turbulent life. The author presents that life, from the death of Feynman's childhood sweetheart during the Manhattan Project to his reluctant rise as a scientific icon, seen through the science, providing a new understanding of the legacy of a man who has fascinated millions. A reflection on the issues that drive physics today, this work captures the story of a man who was willing to break all the rules to tame a theory that broke all the rules.

Just months before her death, Marilyn Monroe gave a young photographer his big break, and this is his story "You're already famous, now you're going to make me famous," photographer Lawrence Schiller said to Marilyn Monroe as they discussed the photos he was about to shoot of her. "Don't be so cocky," Marilyn replied, "photographers can be easily replaced." The year was 1962, and Schiller, 25, was on assignment for Paris Match magazine. He already knew Marilyn -- they had met on the set of Let's Make Love -- but nothing could have prepared him for the day she appeared nude during a swimming pool scene for the motion picture Something's Got to Give . Marilyn & Me is an intimate story of a legend before her fall and a young photographer on his way to the top. Schiller's original text and extraordinary photographs--over two thirds of which have never or rarely been published --take us back to that time, and to the surprising connection that allowed Marilyn to bond with a kid from Brooklyn, a kid with a lot of ambition but very little experience. Now, 50 years later, TASCHEN is publishing Lawrence Schiller's story as a signed, numbered monograph limited to 1,962 copies, for the year of Monroe's untimely death. Schiller's is a story that has never been told before, and he tells it with tact, humor, and compassion. The result is a real and unexpected portrait that captures the star in the midst of her final struggle. Collector's Edition of 1,712 numbered copies (books numbered No. 251-1,962) signed by the photographer. Also available in two Art Editions of 125 copies , each with an original photograph The book and clamshell box are covered in a custom woven duchesse silk from one of the world's most distinguished silk mills, Taroni , of Como, Italy Printed on archival paper Four foldouts, with one gatefold measuring a full 110 cm (44 in.) across Translation booklet of the text available in German, French and Spanish with purchase upon request

When this book first appeared in 1982, it introduced readers to Robert Irwin, the Los Angeles artist "who one day got hooked on his own curiosity and decided to live it." Now expanded to include six additional chapters and twenty-four pages of color plates, Seeing Is Forgetting the Name of the Thing One Sees chronicles three decades of conversation between Lawrence Weschler and light and space master Irwin. It surveys many of Irwin's site-conditioned projects—in particular the Central Gardens at the Getty Museum (the subject of an epic battle with the site's principal architect, Richard Meier) and the design that transformed an abandoned Hudson Valley factory into Dia's new Beacon campus—enhancing what many had already considered the best book ever on an artist.

Offers a profile of Academy Award winning sound and film editor Walter Murch and his amateur work in astrophysics as an outsider trying to rehabilitate the discredited eighteenth-century Titius-Bode theory.

One effect of rising interest in the Kabbalah is a renewed focus on the Shekhinah, Judaism's divine feminine principle. Written with warmth and clarity, On the Wings of Shekhinah interweaves historical views of this concept with thoughtful quotes and guided meditations. Rabbi Leah Novick offers healing strategies for both Jews and non-Jews disaffected by rigid gender roles. Awareness of the Shekhinah’s energy within and around us helps bring hope to a planet afflicted by war, violence, and environmental abuse — this book shows how to find and use that energy.

"Long awaited after No Future, and making queer theory controversial again, Lee Edelman's Bad Education proposes a queerness without positive identity-a queerness understood as a figural name for the void, itself unnamable, around which the social order takes shape. Like Blackness, woman, incest, and sex, queerness, as Edelman explains it, designates the antagonism, the structuring negativity, preventing that order from achieving coherence. But when certain types of persons get read as literalizing queerness, the negation of their negativity can seem to resolve the social antagonism and totalize community. By translating the nothing of queerness into the something of "the queer," the order of meaning defends against the senselessness that undoes it, thus mirroring, Edelman argues, education's response to queerness: its sublimation of irony into the meaningfulness of a world. Putting queerness in relation to Lacan's "ab-sens" and in dialogue with feminist and Afropessimist thought, Edelman reads works by Shakespeare, Jacobs, Almodovar, Lemmons, and Haneke, among others, to show why queer theory's engagement with queerness necessarily results in a bad education that is destined to teach us nothing"--

"Consisting of photographs taken over the last decade in a majority of the fifty states, [book title] is a vast compendium of the country's eccentricities and obsessions documented at the beginning of the twenty-first century. ... they reveal the photographer's lifelong preoccupation with America's distinctive landscape and his humorous, often revelatory view of the nation from the driver's seat"-- Jacket.

BOOK #3 in THE DEAD MAN saga, the action/horror series that readers and book critics alike are hailing as "an epic tale" that compares to the best of Stephen King and Dean Koontz...The sign on the exit reads "Heaven." What better place could there be for a dead man to visit? But when Matt takes the ramp, he finds a banner welcoming him by name to a tiny town seemingly left behind by the 21st century... and waiting for him to rescue it. But when he agrees to save Heaven's citizens from a coming terror, he discovers that evil has more faces than he could ever imagine - and good is far more complicated than he ever dreamed.

The industry speaks out about SUCCESSFUL TELEVISION WRITING "Where was this book when I was starting out? A fantastic, fun, informative guide to breaking into?and more importantly, staying in?the TV writing game from the guys who taught me how to play it." --Terence Winter, Coexecutive Producer, The Sopranos "Goldberg and Rabkin write not only with clarity and wit but also with the authority gleaned from their years of slogging through Hollywood?s trenches. Here is a must-read for new writers and established practitioners whose imagination could use a booster shot." --Professor Richard Walter, Screenwriting Chairman, UCLA Department of Film and TV "Not since William Goldman?s Adventures in the Screen Trade has there been a book this revealing, funny, and informative about The Industry. Reading this book is like having a good, long lunch with your two best friends in the TV business." --Janet Evanovich "With sharp wit and painful honesty, Goldberg and Rabkin offer the truest account yet of working in the TV business. Accept no substitutes!" --Jeffrey B. Hodes and Nastaran Dibai, Coexecutive Producers, Third Rock from the Sun "Should be required reading for all aspiring television writers." --Howard Gordon, Executive Producer, 24 and The X-Files

Go back in time to the 1980s, and visit the sets of movies like Back to the Future, A Nightmare on Elm Street, and A View To a Kill , where young journalist Lee Goldberg, years before he was a #1 New York Times bestselling author ( Lost Hills, True Fiction , etc) and TV writer/producer ( Monk , Diagnosis Murder, SeaQuest , etc), interviewed Michael J. Fox, William Friedkin, Wes Craven, Chevy Chase, Robert Zemeckis, Roger Moore, and many other actors, directors, producers and screenwriters. These informative, fascinating, and trivia-packed interviews offer a revealing look at film-making in the 1980s, while also exploring the long careers of established talents like Kurt Russell and director Fred Schepsi at the top of their game...and introducing newcomers like Johnny Depp and director W.D. Richter, some of whom went on to greatness, and others who disappeared into obscurity. Lee Goldberg put himself through college by writing freelance articles, primarily about movies, TV and publishing, for publications like Starlog, American Film , Cinefantastique, and the San Francisco Chronicle . He didn't do it just to pay his tuition and support himself... he also saw it as a way to get a graduate school education in all aspects of the entertainment industry...learning lessons he's still benefitting from today.

"It would be hard to imagine a better guide to this difficult subject." --Scientific American In Three Roads to Quantum Gravity, Lee Smolin provides an accessible overview of the attempts to build a final "theory of everything." He explains in simple terms what scientists are talking about when they say the world is made from exotic entities such as loops, strings, and black holes and tells the fascinating stories behind these discoveries: the rivalries, epiphanies, and intrigues he witnessed firsthand. "Provocative, original, and unsettling." --New York Review of Books "An excellent writer, a creative thinker."--Nature