AN INVENTED LIFE: The story of Alan Amron is one of a free-thinking individual, unencumbered by self-imposed constraints. Alan invented the first Post-It sticky notes, battery operated water guns, temperature alarms to prevent blood and food spoilage, the first ever Digital Photo wallet for Nikon, and much more. It is a glimpse into the creative mind of an inventor, entrepreneur, businessman and Federal Court Plaintiff vs. 3M.With over 40 United States patents for his inventions, Alan's journey is truly an inspiration. Who would have thought that a Brooklyn boy would go on to rub shoulders with Frank Sinatra, Kristy McNichol, have a shouting match with J.D. Salinger and partner with the boxing champion of the world Muhammad Ali, who at the time was more famous than the President of the United States, to bring back the Beatles?An Invented Life is a fun roller-coaster ride, with humor in Alan's naivety, heart aches and accomplishments. His charming personality comes through in all that he has accomplished, seeing the ridiculousness of the moments and the displays of his natural chutzpah.The $1.5 Billion dollar SMOKING GUN corroborating Federal Court Testimony by Christopher Turner, former 3M corporate senior VP of new product development from 1964-1990."I knew first hand for the last 40 years, that Alan Amron invented the Post-It sticky notes for 3M, but 3M management had threatened me with losing my pension if I ever came forward. The only reason I'm coming forward now, is those people that threatened my pension are gone."

"Born into a family of successful playwrights and producers, Agnes de Mille was determined to be an actress. Then one day she witnessed the Russian ballet dancer Anna Pavlova, and her life was altered forever. Hypnotized by Pavlova's beauty, in that moment she dedicated herself to dance. Her memoir records with light-hearted humor and wisdom not only the difficulties she faced - the resistance of her parents, the sacrifices of her training - but also the frontier atmosphere of early Hollywood, as well as New York and London during the Depression. "This is the story of an American dancer," writes Agnes de Mille, "a spoiled egocentric wealthy girl, who learned with difficulty to become a worker, to set and meet standards, to brace a Victorian sensibility to contemporary roughhousing, and who, with happy good fortune, participated by the side of great colleagues in a renaissance of the most ancient and magical of all the arts.""--

Adrian Seligman served before the mast in square rigged ships and came home to find his grandfather had left him some money - enough to buy a three-masted barquentine. With an amateur crew and his wife, he sailed to Rio, Tristan da Cunha and Cape Town, then across the Southern Ocean to Sydney.

""Acclaimed author and feisty nonagenarian Hotchner's witty ruminations about the art of living well into old age...with brio and a touch of his trademark sass, Hotchner writes about rediscovering love after 75, finding joy in a scrappy African gray parrot he named after his longtime friend, Ernest Hemingway, and going on his very first safari at age 88." - Kirkus Reviews When youngsters in their seventies and eighties, nervously lurching toward the horizon of ninety, ask me, "What's the secret?" That's what I tell them: "O.J. in the morning, gin and tonic at night." You don't have to be in your seventies or eighties to enjoy A. E. Hotchner's elixir for aging happily, but after reading this charming collection of essays, you may wish you were. Nonagenarian, novelist, playwright, and biographer, Hotchner gives us heartfelt and laugh-out-loud anecdotes that describe his unique reflections on the aging process. His musings cover everything from the outlandish commercials that target the older generation (Viagra, Cialis, and Flomax) to suggestions on adapting the tennis game for seniors (he suggests lowering the net by two inches and moving all outer lines two feet inward) to the advantages of having a pet (his pet parrot often tells guests to "kiss my ass"). He can equally capture the headier side of aging, which is bittersweetly revealed in his piece about divorce. With his disarming, eloquent voice and dry sense of humor, Hotch illuminates life's wisdoms through his optimistic, witty, and romantic outlook, all the while maing you feel, well, not unhappy about growing older. O.J. in the Morning, G&T at Night is a book of courageous advice, humorous wisdom, and, above all, good strategies for how to stay young at heart"--

This autobiography of William G. Dever is unabashedly his story that offers not only candid reflections on his life, but also on the remarkable generation of giants in archaeology in Israel and the evolving history of the fields of biblical and Israeli archaeology. Chapters cover the ups and downs in both his life and career with brutally honesty. His memoir concludes with a postscript on the likely future of biblical archaeology, and an annotated bibliography provides a guide for serious readers who wish to explore some of the scholarly literature to flesh out Dever's narrative--

The ultimate showbiz insider's expose, HOWLING AT THE MOON, is the wildly entertaining and brilliantly narrated autobiography of Walter Yetnikoff, head of CBS Records during its heyday in the 1980s, and then the most powerful man in the music industry. Yetnikoff knew most of the stars and embraced all the excesses of this era: he was mentor to Streisand, father confessor to Michael Jackson, shared a mistress with Marvin Gaye and came to blows with Mick Jagger. He feuded with David Geffen and outmanoeuvred Rupert Murdoch. He was also addicted to cocaine and alcohol - until his doctor gave him just 3 months to live. Yetnikoff came from a working- class Jewish family from Brooklyn; he graduated from law school in the 1950s and proceeded to climb the corporate ladder to the very top. His high-flying ended in breakdown, but throughout his rise and fall, Yetnikoff remained a man of huge charisma and disarming charm. HOWLING AT THE MOON is written with David Ritz, the only 4-time winner of the Ralph J Gleason Music Book award, who has collaborated on the autobiographies of such stars as Ray Charles, BB King, Aretha Franklin and Etta James.

The son of famed director and screenwriter Joseph L. Mankiewicz, and nephew of Citizen Kane screenwriter Herman Mankiewicz, Tom Mankiewicz was genuine Hollywood royalty. This book is an autobiography of his life.

Terry Gibbs, legendary jazz vibraphonist and bandleader, was 12 years old when he kicked off his career as a professional musician, winning first place in an amateur performance. Born and raised in the heart of Brooklyn and possessing tremendous musical talent, Gibbs learned the ins and outs of bebop from pioneers like Dizzy Gillespie, Charlie Parker, and Bud Powell. In 1959 his ensemble, later dubbed The Dream Band, became the toast of Hollywood. Four decades, 65 albums, and 300 compositions later, his story is one of great substance-his foot-tapping music, revolutionary. Good Vibes is a rollicking autobiography that tracks jazz from the turbulent post-war years through the rise of bebop, traversing its changes through the eyes of one of its greatest practitioners. Gibbs's hilarious, poignant, and always fascinating anecdotes reveal little-known attributes and quirks about legendary personalities such as Benny Goodman, Buddy Rich, Steve Allen, Frank Sinatra, Don Rickles, Billie Holiday, and many more. A foreword by Chubby Jackson, a discography, and an index round out this work.

Since he followed it all of his life, Richard Neutra (1892-1970) must have relished the maxim of the Greek philosopher Socrates: "The unexamined life is not worth living." In his books, articles, lectures, correspondence, and even casual conversations, Neutra constantly examined, not only his own life, but the lives of others - present and past - and the human and natural world they inhabited. Nowhere was this truer than in his autobiography Life and Shape, first published in 1962, which now, after years of being out of print, has again happily come back to life. As opposed to Survival Through Design (1954), his superb collection of densely philosophical essays, Neutra took a different tack in Life and Shape, following a lighter and more deliberately relaxed approach. It was as if the usually serious and intense Neutra was giving himself permission to reveal his richly ironic sense of humor and to probe areas in his personal experience which he had not examined as closely before. These included hitherto unrecorded memories of his parents, siblings, and his childhood and education in imperial Vienna, his numbing experiences as an Austrian artillery officer in World War I, and the beginnings of his architectural consciousness in his response to the work of Otto Wagner, Adolf Loos, Erich Mendelsohn, Louis Sullivan, and Frank Lloyd Wright. As in the autobiographies of Sullivan and Wright, Life and Shape concentrates on Neutra's earlier years, both in Europe and America. While he naturally recounts his memories of such well-known commissions as the Lovell Health House (1929), his own Van der Leeuw Research House (1933) and the von Sternberg House (1935), he also muses on such less famous buildings as the small, and now virtually forgotten, Mosk House (1933). Life and Shape also confirms Neutra's obsession with the passage of time and his firm resolution never to waste it. Like Sullivan and Wright, Neutra eschewed writing a factual chronicle, and - at the age of 70 - composed instead a meditation on the aspects of his life and work that seemed, in retrospect, to be the most interesting and significant. He felt no need to try to "include everything" but rather to present an honest recounting of his memory of his life. In writing my own Richard Neutra and the Search for Modern Architecture [Oxford University Press, 1982; Rizzoli Press, 2006], I relied on Life and Shape when I wanted an account of Neutra's experiences told in his own authentic voice. For future generations of architects, historian, and readers, it is good to have it back. - Thomas S. Hines, UCLA Professor Emeritus of History and Architecture

These two volumes ( I Am Mathematician and Ex-Prodigy ) comprise Norbert Wiener's autobiography. Sometimes with humor and sometimes with sadness, they render an account, without sentiment, of the life of the world-renowned mathematician and scientist. An unusual life story, Norbert Wiener's penetrating observations accompany the fascinating details describing the maturation of a major world scientist.

Augustus ( Gaius Julius Caesar Augustus; 23 September 63 BC – 19 August AD 14) is considered the first emperor of the Roman Empire, which he ruled alone from 27 BC until his death in AD 14. Born Gaius Octavius Thurinus, he was adopted posthumously by his great-uncle Gaius Julius Caesar in 44 BC via his last will and testament, and between then and 27 BC was officially named Gaius Julius Caesar. In 27 BC the Senate awarded him the honorific Augustus ("the revered one"), and thus consequently he was Gaius Julius Caesar Augustus. Because of the various names he bore, it is common to call him Octavius when referring to events between 63 and 44 BC, Octavian (or Octavianus) when referring to events between 44 and 27 BC, and Augustus when referring to events after 27 BC. The young Octavius came into his inheritance after Caesar's assassination in 44 BC. In 43 BC, Octavian joined forces with Mark Antony and Marcus Aemilius Lepidus in a military dictatorship known as the Second Triumvirate. As a triumvir, Octavian ruled Rome and many of its provinces. The triumvirate was eventually torn apart under the competing ambitions of its Lepidus was driven into exile, and Antony committed suicide following his defeat at the Battle of Actium by the fleet of Octavian commanded by Agrippa in 31 BC. After the demise of the Second Triumvirate, Octavian restored the outward facade of the Roman Republic, with governmental power vested in the Roman Senate, but in practice retained his autocratic power. It took several years to determine the exact framework by which a formally republican state could be led by a sole ruler; the result became known as the Roman Empire. The emperorship was never an office like the Roman dictatorship which Caesar and Sulla had held before him. Nicolaus of Damascus was a Greek historian and philosopher who lived during the Augustan age of the Roman Empire. His name is derived from that of his birthplace, Damascus. He was born around 64 BC. He was an intimate friend of Herod the Great, whom he survived by a number of years. He was also the tutor of the children of Antony and Cleopatra (born in 40 BC), according to Sophronius. He went to Rome with Herod Archelaus. His output was vast, but is nearly all lost. His chief work was a universal history in 144 books. Other than the biography of Augustus, he also wrote an autobiography, a life of Herod, some philosophical works, and some tragedies and comedies.

This sequel to his autobiography, Witches' Sabbath, covers Sachs's last years.

Son of pioneer movie producer Harry Rapf, Maurice Rapf grew up in Hollywood in that city's golden age. After moving from independent filmmaking to Warner Bros., in 1924 the senior Rapf joined Louis Mayer and became one of the founding members of MGM. Hence, movies were a huge influence in Maurice Rapf's early life. After graduating from college, Rapf worked as a screenwriter for major Hollywood studios, but, in 1947, he left Hollywood, never to work for a major studio again. On numerous occasions, he was called before the House Un-American Activities Committee as an alleged communist, although he never made a public confession or denial. As a result he was blacklisted from the industry and forced to begin a new career in the East. He eventually became a movie critic and film studies professor. Maurice Rapf knows movies and the movie business as an insider, from first-hand experience, not from books. His autobiography is the story of one person's interaction with an evolving Hollywood. Rapf witnessed the historical progression of movie production: from silents to sound, from a fun-loving frontier community to a huge and fiercely competitive industry, from an apolitical never-never land to a community very much aware of-and nervous about-its social responsibility in a period of economic depression and in a period of world peace seriously threatened by the aggression of fascism. Of interest to students and teachers of film studies, of American history, and of American popular culture, as well as anyone who loves movies.

"The autobiography of Martin Karplus, Nobel Prize in Chemistry, 2013, describes the journey from his childhood in Vienna, his escape to Switzerland in 1938 shortly after Hitler's entrance into Austria, his education in New England and California, and scientific career which took him to England, Illinois, Columbia, Strasbourg, and Harvard. The author's optimistic outlook and faith in himself made it possible for him to overcome difficulties in his research and to develop methods in several different fields of science that asked questions to teach him and others something not known before. Paralleling his efforts in science, Martin Karplus enjoyed a life-long interest in cooking, working at some of the best restaurants in France and Spain, and in photography, holding numerous exhibitions of his work around the world"--

For sixty-four years, Isaac Stern has been a great--and greatly loved--performing artist, famous for his profound music-making, his gusto for life, his passionate dedication to sharing his knowledge and wisdom with younger musicians, and his determination in a good cause (Stern is, after all, The Man Who Saved Carnegie Hall). Indeed, there is no more revered musician in the world than Isaac Stern, revered not only as a great violinist but as a warm and generous personality and as a crucial figure and spokesperson in the world of the arts. Brought to America from Russia when he was ten months old, Stern grew up in San Francisco and was quickly recognized as an extraordinary talent. He began performing publicly while still very young, and was soon touring across the country and around the world. His fame escalated when he led the fight to save Carnegie Hall, and again when he was the subject of the Academy Award-winning documentary film From Mao to Mozart. In this book he shares with us both his personal and his artistic experiences: the story of his rise to eminence; his feelings about music and the violin; his rich emotional life; his great friendships and collaborations with colleagues such as Leonard Bernstein and Pablo Casals; his background as an ardent supporter of Israel; his ideas and beliefs about art, life, love, and the world we live in. At seventy-nine, Stern's mind, his wit, and his spirit are as strong as ever, and they are conveyed to us in the most sympathetic and articulate way by Chaim Potok. The two men spent a year talking and sharing their perceptions, and the result is a book in which Stern's voice comes through with complete conviction and persuasiveness. The man on the page is the musician and humanitarian we have loved and admired for so long. Here is the most readable and revealing musical autobiography of the decade.

Yiddish, Spanish, Hebrew, and English-at various points in Ilan Stavans's life, each of these has been his primary language. In this rich memoir, the linguistic chameleon outlines his remarkable cultural heritage from his birth in politically fragile Mexico, through his years as a student activist and young Zionist in Israel, to his present career as a noted and controversial academic and writer. Along the way, Stavans introduces readers to some of the remarkable members of his family-his brother, a musical wunderkind; his father, a Mexican soap opera star; his grandmother, who arrived in Mexico from Eastern Europe in 1929 and wrote her own autobiography. Masterfully weaving personal reminiscences with a provocative investigation into language acquisition and cultural code switching, On Borrowed Words is a compelling exploration of Stavans's search for his place in the world.

The compelling autobiography of Israel's preeminent photojournalist, illustrated with his most memorable images. Today, photojournalist David Rubinger stands at the peak of his profession: a winner of the Israel Prize for services to the media and a fixture on the masthead of Time, he is the only photographer whose work is on permanent display at the Knesset, Israel’s legislature. In this fascinating volume, he reports his own story, which in many ways reflects the history of Israel that he has recorded so faithfully with his camera. Born in Vienna in 1924, he emigrated to British Palestine in 1939 and developed a passion for photography while serving in the British army’s Jewish Brigade. After fighting in Israel’s War of Independence, he became a professional news photographer, reporting on each of his young nation’s subsequent wars from the front lines, at first for the Israeli media and later as a correspondent for Time-Life. He photographed all of Israel’s leaders, many of whom have allowed him a remarkable degree of access to their lives; Ariel Sharon said, “I trust Rubinger even though I know he doesn’t vote for me.” But Rubinger has not confined his reporting to war and politics; by photographing the successive waves of Jewish immigrants from Europe, the Arab world, Russia, and Ethiopia, he has also created a valuable record of Israel’s transformation from a country of six hundred thousand to one of seven million. In recounting his eventful career, Rubinger proves himself a gifted raconteur, sharing anecdotes of the many leading personalities he has photographed and telling the stories behind his most famous pictures, many of which are reproduced here at full-page size. Also illustrated are a selection of Rubinger’s never-before-published personal photographs, which provide vivid behind-the-scenes glimpses into the fast-paced and sometimes daring work of a photojournalist. Both a personal account of one man’s life with the camera and a visual document of the birth of a nation, Israel through My Lens is an essential book for anyone with an interest in Israeli history or the art of photojournalism.

Warning: this memoir makes the enigma of Claude Cahun even more enigmatic; anyone who comes to it looking for confessions will first have to deal with her disavowals. Memories? Choice morsels. My soul is fragmentary.—from DisavowalsClaude Cahun (1894-1954), born Lucy Schwob, was a poet, performer, resistance fighter, prisoner, Surrealist, “constructor and explorer of objects,” photographer, and “queer freak” who invented her life by flaunting the interchangability of roles and playing with the ambivalence of identity. Whether feigning vulnerability on the arm of her lover and stepsister Suzanne Malherbe aka Marcel Moore (“the other me”), making theatrical public appearances in disguise (sailor, gymnast, gypsy), or making herself up (vampire, Buddha, mannequin, angel) for self-portraits and installations, she rendered opposites inoperative and exposed the thinness of gender and power constructs by reducing them to mere surface costumes. In May 1930 Éditions Carrefour of Paris published 500 copies of a book called Aveux non avenues, in which Cahun explored these same dialectics in book form. It is the nearest thing to a memoir Cahun wrote, but in fact the book is an anti-memoir, a critique of autobiography, where she uses subversive photomontages and statements to present herself as a force of genius possessed of the need to resist identification and to maintain within herself “the mania of the exception.” Disavowals is the first appearance of that work, widely considered to be her most important text, in English. Reproductions of the original photomontages introduce the various sections, which in turn explore Cahun's distinctive ideas and obsessions—self-interrogation, narcissism, metamorphosis, love, gender-switching, humor, fear. An extensive introduction by Tate curator Jennifer Mundy sets the text in the context of Cahun's life and art. Also included is a translation of the original preface by Cahun's friend Pierre Mac Orlan, a comment by her biographer, François Leperlier, a note on the translation by Susan de Muth, and a postscript by Agnès Lhermitte.

Winner of the 2004 Prix de Flore—one of France's most distinguished literary prizes—a wildly romantic, true-life love story “History follows a trail of sputtering desire, often calling upon the delusions of lovers to generate the sparks. If it weren’t for us, the world would suffer from a dismal lack of stories," writes Bruce Benderson in this brutally candid memoir. “What astonishes and intrigues is Benderson’s way of recounting, in the sweetest possible voice, things that are considered shocking,” wrote Le Monde. What’s so shocking? It’s not just Benderson’s job translating Céline Dion’s saccharine autobiography, which he admits is driving him mad; but his unrequited love for an impoverished Romanian in “cheap club-kid platforms with dollar signs in his squinting eyes,” whom he meets while on a journalism assignment in Eastern Europe. Rather than retreat, Benderson absorbs everything he can about Romanian culture and discovers an uncanny similarity between his own obsession for the Romanian (named Romulus) and the disastrous love affair of King Carol II, the last king of Romania (1893-1953). Throughout, Benderson—“absolutely free of bitterness, nastiness, or any desire to protect himself,” wrote Le Monde—is sustained by little white codeine pills, a poetic self-awareness, a sense of humor, and an unwavering belief in the perfect romance, even as wild dogs chase him down Romanian streets.