Masterpieces of Hebrew Literature is a true masterpiece of its own--one of the few collections in which readers can find important works of Jewish tradition and culture by such authors as Rashi, Maimonides, Judah Halevi, and Joseph Caro, all in one place. Curt Leviant includes literature that spans many genres, from fiction and poetry to legal, ethical, and midrashic works; from responsa and Biblical commentary to histories and letters. His brief introductions place the works and their authors in historical perspective.

A collection of animals celebrates the months of the year, one by one, in poetry

"Verse is born free but everywhere in chains. It has been my project to rattle the chains." (from "The Revenge of the Poet-Critic") In My Way, (in)famous language poet and critic Charles Bernstein deploys a wide variety of interlinked forms—speeches and poems, interviews and essays—to explore the place of poetry in American culture and in the university. Sometimes comic, sometimes dark, Bernstein's writing is irreverent but always relevant, "not structurally challenged, but structurally challenging." Addressing many interrelated issues, Bernstein moves from the role of the public intellectual to the poetics of scholarly prose, from vernacular modernism to idiosyncratic postmodernism, from identity politics to the resurgence of the aesthetic, from cultural studies to poetry as a performance art, from the small press movement to the Web. Along the way he provides "close listening" to such poets as Charles Reznikoff, Laura Riding, Susan Howe, Ezra Pound, Allen Ginsberg, and Gertrude Stein, as well as a fresh perspective on L=A=N=G=U=A=G=E, the magazine he coedited that became a fulcrum for a new wave of North American writing. In his passionate defense of an activist, innovative poetry, Bernstein never departs from the culturally engaged, linguistically complex, yet often very funny writing that has characterized his unique approach to poetry for over twenty years. Offering some of his most daring work yet—essays in poetic lines, prose with poetic motifs, interviews miming speech, speeches veering into song—Charles Bernstein's My Way illuminates the newest developments in contemporary poetry with its own contributions to them. "The result of [Bernstein's] provocative groping is more stimulating than many books of either poetry or criticism have been in recent years."—Molly McQuade, Washington Post Book World "This book, for all of its centrifugal activity, is a singular yet globally relevant perspective on the literary arts and their institutions, offered in good faith, yet cranky and poignant enough to not be easily ignored."— Publishers Weekly "Bernstein has emerged as postmodern poetry's sous -chef of insouciance. My Way is another of his rich concoctions, fortified with intellect and seasoned with laughter."—Timothy Gray, American Literature

Praise for Bill Berkson: "A serene master of syntactical sleight and transformer of the mundane into the marvelous." -- Publishers Weekly "That was Bill through and through, still curious and receptive after a lifetime of glamorous soldiering through the fields of art and poetry." -- City Lights, "Homage to Bill Berkson" Wide-ranging and experimental, Expect Delays confronts past and present with rare equilibrium, eyeballing mortality while appreciating the richness and surprise, as well as the inevitable griefs, inherent in the time allowed. Dress Trope Critics should wear white jackets like lab technicians; curators, zoo keepers' caps; and art historians, lead aprons to protect them from impending radiant fact. Bill Berkson is a poet, critic, and professor emeritus at the San Francisco Art Institute.

Product Description Looking for Genet brings together twenty-five of Chester’s notorious essays and reviews, including pieces on Nabokov’s Pale Fire (“a total wreck, and for one reason: it’s not funny, and it’s supposed to be”), Burroughs’s Naked Lunch (“the first half is pleasantly readable without too much skipping, the second is pleasantly skippable without too much yawning”), and Updike’s Pigeon Feathers (“a god who has allowed a writer to lavish such craft upon these worthless tales is capable of anything”). Here too are sketches from his penniless bohemian life in Paris, seven “Letters from Morocco” written for the New York Herald Tribune, and Chester’s final piece―the half-mad, previously unpublished “Letter from the Wandering Jew,” a howl of rage and despair from his hated final home, Jerusalem. Together these pieces are testament to the life and the talent of the Sixties’ most memorable literary iconoclasts. About the Author Alfred Chester was, in the words of Gore Vidal, “a glorious writer, tough as nails.” His works include The Exquisite Corpse (Black Sparrow Books, 2004), Head of a Sad Angel (stories, 1990), and Looking for Genet (essays, 1992). Born in Brooklyn in 1928, he died in Tel Aviv in 1971.Edward Field won an Academy Award for writing narration for the documentary film To Be Alive. His other awards include the Lamont Award from the Academy of American Poets, the Shelley Memorial Award from the Poetry Society of America, the Prix de Rome from the American Academy of Arts & Letters, and the Lambda Literary Award. Field has lived in New York City and has taught at Sarah Lawrence College and Hofstra University.

The Catalogue of the Hebrew Manuscripts in the Bodleian Library and in the College Libraries of Oxford is a comprehensive reference book written by Adolf Neubauer. The book provides a detailed and systematic catalogue of all the Hebrew manuscripts that are held in the Bodleian Library and the College Libraries of Oxford. The author has meticulously researched and documented each manuscript, providing a brief historical background and detailed descriptions of their contents, including the language, script, and binding. The book is an invaluable resource for scholars and researchers interested in the study of Hebrew manuscripts, Jewish history, and culture. It is an essential reference work for anyone studying or researching the rich cultural heritage of the Jewish people.1886. Including MSS. in other languages, which are written with Hebrew characters, or relating to the Hebrew language or literature; and a few Samaritan MSS. With forty facsimiles. Partial Contents: Works Quoted; Concordances of the Old and New Numbers; Biblical MSS; Translation of the Bible; Midrash and its Commentaries; Commentaries and Super-Commentaries; Thalmud, Halakhah; Thalmud, Agadah; Liturgies and their Commentaries; Theology, Philosophy and Ethics; Masorah, Grammar and Lexicography; Kabbalah; Poetry and Rhymed Prose; Mathematics, Astronomy, Astrology, Magic and Cosmography; Medicine; Miscellaneous; Additional MSS and Omissions; College MSS; MSS written in Roman Characters in Connection with Hebrew Literature; Latest Acquisitions; and Additional Samaritan MSS. See other titles by this author available from Kessinger Publishing.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Kumin reflects on the process of writing poetry and on life in the country

By juxtaposing several translations of the same passage from Homer; an elegy from Ovid and lines from Herrick that read like an adaptation of Ovid; or a 15th-century poem about a rooster and a contemporary poem about white chickens, Louis Zukofsky has established a means for judging the values of poetic writing. A wonderful education for the fledgling poet, this handbook, first published in 1948, is the best elucidation of Zukofsky's "objectivist" premises for recognizing value in specific instances of poetry.

Poetry. Art. This book features important new visual works by one of the U.S.'s best known and respected avant-garde writers. "The principal subject of my poems is qualities indigenous to words themselves; everything else should be shunted aside as something else"--Richard Kostelanetz. "[Kostelanetz] is probably the world's most experimental writer, or at least he represents the farthest extreme of the formalist approach within the broader field of 'experimental writing.'...His output in 'visual poetry,' a medium between poetry and painting which differs from most concrete poetry by being non-linear and non-synatactic, is among his most significant work"--A Reader's Guide to Twentieth-Century Writers.

A tender work of mourning, this poetry collection—owing to the remembered words of a much-loved husband—recalls the author’s life before marriage and considers a future after her husband’s death. Imagining that future, she confronts the myths of an afterlife, a belief in God, her debts to other poets, and her dependence on friends and children. At the center of these beautiful lyrics—written with complete control of rhythm and tone—it is a man, rather than grief, that appears clearly.

Midnight Strike D.L. Lang's 12th book of poetry. D.L. Lang served as Vallejo's poet laureate from September 2017 to September 2019. This book contains 70 new poems primarily written between September 2018 and July 2019, and includes topical poetry, some Jewish poems, and poetry written for events in and around Vallejo, California.

Barefoot in the Sanctuary is a volume of poetry inspired by long hikes out in the wilderness, spiritual experiences with my synagogue community, and artistic absorption of the tumultuous times we live in. It is D.L. Lang's 7th poetry book.

Poetry. "In the poems of CONTROLLING INTERESTS Bernstein continually reveals his desire for the concomitance of the individual and the world, of all language and experience . This book is one of the most original and imaginative in American lyric verse"--Douglas Messerli. "Bernstein presents the reader with a world in which the articulation of an individual language is all but prevented by the official discourses that bombard the consciousness from all sides . He [is] on to something important"--Marjorie Perloff. "It is writing of absolute necessity, demanding not to be appreciated, but understood"--Ron Silliman.

This is a selection from "Side Effects", "Standing To" and another volume to be published in 1990. As Ursula Fanthorpe's critical reputation grows she also stands a better-than-average chance of actually being read. Her work is accessible, particularly to a female readership.

Robin Morgan's work, celebrated for its vindication of female experience and its evocation of the zeitgeist, is here intensely personal and powerful in new ways. In her sixth book of poems, prize-winning poet Robin Morgan undertakes a radical departure from her previous work, as she locates the landscape of her vision in the stark isolation of a self confronting love's aftermath, its losses, and its undeniable betrayals. In poems documenting a seven-year silence, Morgan's voice emerges markedly different, sounding a singular passage through a private hell of despair, the madness of a "Hot January," to a place of furious peace in which the artist weeps "to recognize the self I'd fled to find."