One of France's foremost biologists writes of his childhood, his family, war, and his life in science

Kahn, Roger

Edward R. Murrow was one of America's "most dedicated and eloquent spokesmen. The people of the free world are deeply in his debt. So is broadcast journalism, which, in so many ways, he helped establish and to which he was one of the finest practitioners. He set standards of excellence that remain unsurpassed. His thoughtful spirit of inquiry, his profound insight and his single-minded devotion to quality were without parallel in radio, television or any other medium." -Memorial plaque, CBS Broadcast Center, New York City

A year following the death of Ludwig von Mises, Murray Rothbard wrote the book designed to inspire a new generation to take up the Misesian cause in economic theory and political action. His task was to provide an overview of Mises's writings and place in the social sciences. The essay achieved extraordinary fame. We might even say that "The Essential von Mises," distributed in the form of a mini-book, was more responsible for immortalizing Mises than any other essay ever written.The Mises Institute is thrilled to be able to bring it back again. It has lost none of its power in the intervening years.Here it is coupled with an outstanding biographical piece that Rothbard wrote in the 1990s: "Scholar, Creator, Hero." It goes into greater biographical depth, and incorporates many discoveries made over twenty years. The content really serves as an expansion on the first essay rather than an updated form of the same, so it makes sense to have them placed together.Therefore this book might be called "Rothbard on Mises" but it really serves as the best, short, all-round introduction to Misesian thought to ever appear in print.It is all the essentials of what you must know about this great man and thinker.By the way, the cover is extremely cool, though you might not be able to tell it from the small picture. It is actually made from dozens of tiny pictures of Mises, and really constitutes an artistic and technological marvel.

This is Morton Shulman's own fast- moving story of his eight years in politics. It is sharp but full of public concern, opinionated but self-critical, serious in intent but often hilarious in the telling. It reflects perfectly the life-style of its author-- there is never a dull moment. During his eight years as a member of the provincial Legislature, Morton Shulman's name was rarely off the front pages. Here Shulman tells the dramatic stories behind the headlines, and the stories that never made the front page. For Shulman, an "unrepentant capitalist" millionaire, the decision to run for the NDP was a chance to get back at the Conservative government that had fired him as Coroner. But it became much more than that, as Shulman, the man who always was approachable, became an unofficial ombudsman for the province and the people. Shulman's career as a Member of the Legislature was as stormy as his record in office as Chief Coroner. He smuggled a camera into the House and took pictures of government members asleep during debates. Disguised as a workman, he walked into the INCO plant at Sudbury and spent the night measuring sulphur dioxide levels which proved that in spite of government inspectors' assurances the pollution levels were dangerously high. He exposed Mafia connections with union leaders, politicians and police, and ended up with a Mafia contract on his life and a full-time police guard. He put on a hard hat and walked unchallenged into the Pickering Nuclear Power Plant to show that there was virtually no security in this potentially dangerous area. All these capers had but one goal -- to expose the bureaucratic bungling that affected and sometimes even endangered the lives of the ordinary Canadians who paid the tax bill. One after another he took on the Departments of Labour, Health, Highways, Reform Institutions, Natural Resources, Energy, the Attorney General, Bell Canada and more. His eight years as a Member of the Legislature brought some changes in government policies, Royal Commissions and numerous editorials about the situations he brought to public attention. Sometimes he lost, but the degree of public trust in Morton Shulman brought him national attention. There's never been another Member like Shulman.

A chronologically arranged anthology and history of poetry is supplemented with biographies of the poets

揧ablonsky, a sociologist and one of the foremost authorities in phychodrama, raises the book from ordinary show biz profiles to a penetrating insight into the relationship of personality to screen image, of character to social symbol. Like much about Raft, the book has class.?br>?i>Los Angeles Times 揟he most roguishly appealing movie bio since Errol Flynn抯 My Wicked, Wicked Ways .?br>?i>Kirkus Reviews 揟he story of my good friend George抯 climb from the rowdy speakeasy clubs on Broadway in the twenties to the top of Hollywood stardom is an exciting American saga. Reading George抯 biography by Lewis Yablonsky is the next best thing to being there.?br>?i>Frank Sinatra 揂 great story. George was an important and exciting star. When better men like George are made梩hen I'll make 抏m.?br>?i>Mae West

This book is first a dialogue between a daughter and a father about life, physical sensation, mortality. Both seem to listen to the other with great attention. Secondly it is the extraordinary vehicle for a series of insights into the everyday life and the art of the great Venetian master, following an uncanny incident at the large exhibition of his work staged in Venice in 1990. While attending the exhibition Katya meets an old man, who she becomes convinced can only be the ghost of the great painter. Her 'spiritual' visitor engages her in conversation about the minute particularities of painting some of the pictures there. She shares this experience with her father in a letter. He accepts the encounter at face value and discusses the historical background to the old man's remarks, seeking answers to a series of evidential questions about his daughter's encounter. From then on, the three of them, the old painter, the daughter, and the father discuss animals, Greece, fur, sexuality, the strangeness of drawing.

History of Science

James Thomas Flexner has been a professional writer most of his adult life. After several year spent at the City desk at the New York Herald Tribune after graduating from Harvard University , Flexner went on to become one of America's foremost historians. He has written with great distinction in a unique style accessible to and enjoyed by the scholar and general reader, twenty-six books in the fields of American history and art. Although he is principally known for his historical books, notably his four -volume biography of George Washington, Flexner has written in many forms and for many outlets. He has written for print and television; he has been a lecturer, columnist, reviewer, and even a fiction writer.

The first volume includes the cases of John Wray, John Horvath, George Pappajohn, Peter Demeter, Keith Latta, Wilbert Coffin, and Evelyn Dick. Volume 2 includes Stephen Truscott, the Belshaw Case, Jane Stafford (Billy Stafford), Scopelliti, Amata, Cathy Smith (John Belushi), Katie & Sandy Harper, Gary Sexton, Smithers (amateur hockey death), and Gary Staples (Gerald Burke).

Eleanor Farjeon first met Edward Thomas in the late autumn of 1912, when her brother invited him to tea. It was the beginning of a deep friendship between the painfully shy 31-year-old woman and the reserved writer known for his prose works and literary criticism. Though he died at the Battle of Arras in April 1917, it was a friendship which for Eleanor did not end with his death, but lived beyond it in his letters, and his poems, many of which Edward had sent to her from the trenches of the First World War for her comments. This double memoir uses Edward's letters and Eleanor's diaries and linking commentary to provide an extraordinarily candid account of their developing friendship, and of the enthusiasms they shared - both loved walking, and it was during this period that Edward first found his way into poetry. Edward was often deeply depressed, a man who found in nature something fundamental and ideal, a soldier-poet who wrote about the war in a new way, but Eleanor also shows us another side to his character, capturing moments of joy and humour. She also offers a unique account of Thomas's development as a poet, including the momentous meeting in 1913 with the American poet Robert Frost, whose encouragement led to Thomas's first poems. Thomas describes for her his family, his friendships with other writers, D H Lawrence among them, and also provides an exceptionally detailed account of his experiences in the First World War with the Artists' Rifles. Edward Thomas: The Last Four Years, was widely acclaimed on its first publication in 1958 - this second edition, published on the 80th anniversary of Thomas's death, has an introduction by Anne Harvey, a selection of Eleanor's sonnets 'To E.T.', and 'Walking Tom', a hitherto little-known poem about Edward written by Clifford Bax and Herbert Farjeon. Also included are eight pages of black and white photographs.

The playwright's thoughts on the artistic, personal, and social aspects of his life at a time when his popularity was greatly diminished includes glimpses of the Triumphant Group Theatre members and others close to him

The author shares the story of his family, their immigration, and the challenges of navigating two cultures.

(Limelight). In 1984 Antony Sher, hailed as "the most exciting actor of his generation" by the Observer, made his debut on homemade crutches as the infamous Richard III in the Royal Shakespeare Company production of the play. He would go on to win the Laurence Olivier and Evening Standard Awards for best actor. In his own words and sketches, he chronicles his personal and professional journey to this award-winning performance, from the moment he was offered the role to opening night, in the critically acclaimed book Year of the King, now available in this special 20th anniversary edition. From his brainstorm to use crutches to bring the king's deformity to life, to his research for the role, which included watching interviews with psychopaths, reading about mass murderers, and speaking with doctors and physically challenged individuals, to his visit to his homeland of South Africa, to his experiences in working with the Royal Shakespeare Company, the reader is given a front-row seat to Sher's physical and mental preparation or rather transformation for his landmark performance as "the bottled spider."

"With the wit and penetration well known to readers of Balzac's Omelette and Monsieur Proust's Library, Anka Muhlstein's PEN AND BRUSH revisits the delights of the French novel. This time she focuses on late 19th- and 20th-century writers--Balzac, Zola, Proust, Huysmans, and Maupassant--through the lens of their passionate involvement with the fine arts. She delves into the crucial role that painters play as characters in their novels, which she pairs with an exploration of the profound influence that painting exercised on the novelists' techniques, offering an intimate view of the intertwined worlds of painters and writers at the time. Muhlstein's deftly chosen vignettes bring to life a portrait of the nineteenth century's tight-knit artistic community, where Cezanne and Zola befriended each other as boys and Balzac yearned for the approval of Delacroix. She leads the reader on a journey of spontaneous discovery as she explores how a great painting can open a mind and spark creative fire"--

"I believe the Arabs will unite under a fearless warrior--" Gertrude Bell had a dream--to unite the thousands of tribal clans in Arabia into a single great nation. Putting her political brilliance and deep cultural knowledge of Arabia to the ultimate test, she developed a plan to do just that. But with the onset of The War to End All Wars, her success rests not only on stubborn politicians who believe a woman¿s true place is in the kitchen, but on the Arabic tribes setting aside their differences and fighting as one for freedom. As political bargaining and intrigue threaten to unravel her plans at the seams, Gertrude begins to doubt whether this once-great nation will ever rise to glory again...