Inspired by the Frost/Nixon interviews, and Walter Isaacson's author-subject relationship to Steve Jobs, Alan Friedman tells the story of Silvio Berlusconi, the billionaire media mogul turned prime minster who has dominated Italian life for the past twenty years. Berlusconi has cooperated with the bestselling author and award-winning journalist in the telling of his life story. Warts and all. From the bunga-bunga parties to his most secret moments with world leaders. The book is rich in anecdotes and revelations involving Barack Obama, Hillary Clinton, Geroge W. Bush, Vladimir Putin, Mickhail Gorbachev, Tony Blair, Nicolas Sarkozy, Angela Merkel, and many others.Berlusconi's incredible rise to power started from nothing. A self-created man, he was a cruise ship crooner as a young man, became a real estate tycoon in the '70s, started the first commercial television network in history, and turned AC Milan into a world-class soccer club. And that was all before he survived the squalid swampland of Italian politics to became prime minister who has not only served the longest in Italian history, but also has generated the most controversy of arguably any world leader today. All of which will be explored thoroughly and candidly in these pages in a book that reads like a thriller.

According to Mo Anthoine, who has climbed mountains all over the globe, the famed Mallory only confused the issue by answering the perennial question Why? with Because it is there. What really drives climbers to relish the exhausting, uncomfortable, often dangerous challenge posed by an uphill trek is what Anthoine calls feeding the rat--need to get out, to flush out the system, to court discomfort, and to prevail.

""Acclaimed author and feisty nonagenarian Hotchner's witty ruminations about the art of living well into old age...with brio and a touch of his trademark sass, Hotchner writes about rediscovering love after 75, finding joy in a scrappy African gray parrot he named after his longtime friend, Ernest Hemingway, and going on his very first safari at age 88." - Kirkus Reviews When youngsters in their seventies and eighties, nervously lurching toward the horizon of ninety, ask me, "What's the secret?" That's what I tell them: "O.J. in the morning, gin and tonic at night." You don't have to be in your seventies or eighties to enjoy A. E. Hotchner's elixir for aging happily, but after reading this charming collection of essays, you may wish you were. Nonagenarian, novelist, playwright, and biographer, Hotchner gives us heartfelt and laugh-out-loud anecdotes that describe his unique reflections on the aging process. His musings cover everything from the outlandish commercials that target the older generation (Viagra, Cialis, and Flomax) to suggestions on adapting the tennis game for seniors (he suggests lowering the net by two inches and moving all outer lines two feet inward) to the advantages of having a pet (his pet parrot often tells guests to "kiss my ass"). He can equally capture the headier side of aging, which is bittersweetly revealed in his piece about divorce. With his disarming, eloquent voice and dry sense of humor, Hotch illuminates life's wisdoms through his optimistic, witty, and romantic outlook, all the while maing you feel, well, not unhappy about growing older. O.J. in the Morning, G&T at Night is a book of courageous advice, humorous wisdom, and, above all, good strategies for how to stay young at heart"--

Memoirs of a Jew born in 1922 in Blatná, Czechoslovakia. In 1925 her family moved to Rokycany (west of Prague). In 1940 Fantlová's father was arrested; he was interned in various camps and died in 1945 on a death march. In January 1942, Fantlová was deported to Theresienstadt with her stepmother, brother, and sister. Describes cultural activities in Theresienstadt, especially musical theater, in which she participated. In October 1944 the family was deported to Auschwitz, where Fantlová's stepmother was killed. Her brother was sent to Gleiwitz and died there. Fantlová and her sister were taken to the Kurzbach labor camp, and from there to Gross-Rosen, Mauthausen, and Bergen-Belsen, where her sister perished and Fantlová was liberated. In July 1945 she was sent for treatment to Sweden and remained there.

Munich 1919 is a vivid portrayal of the chaos that followed World War I and the collapse of the Munich Council Republic by one of the most perceptive chroniclers of German history. Victor Klemperer provides a moving and thrilling account of what turned out to be a decisive turning point in the fate of a nation, for the revolution of 1918-9 not only produced the first German democracy, it also heralded the horrors to come. With the directness of an educated and independent young man, Klemperer turned his hand to political journalism, writing astute, clever and linguistically brilliant reports in the beleaguered Munich of 1919. He sketched intimate portraits of the people of the hour, including Erich Mühsam, Max Levien and Kurt Eisner, and took the measure of the events around him with a keen eye. These observations are made ever more poignant by the inclusion of passages from his later memoirs. In the midst of increasing persecution under the Nazis he reflected on the fateful year 1919, the growing threat of antisemitism, and the acquaintances he made in the period, some of whom would later abandon him, while others remained loyal. Klemperer's account once again reveals him to be a fearless and deeply humane recorder of German history. Munich 1919 will be essential reading for all those interested in 20th century history, constituting a unique witness to events of the period.

Memoirs of a Jew born in 1920 in Warsaw; in 1930 he and his parents emigrated to the USA. Ch. 5 (pp. 115-143), "On the Edge of the Volcano, " contains, inter alia, recollections of and reflections on antisemitism in Poland in the 1920s.

Memoirs of Lantos, born to the Leipniker family in 1939 in Makó, Hungary. In 1944, after his older brother was taken away, the rest of the family was sent to the ghetto of Szeged, but the Jews there were soon deported. He and his parents were first sent to Strasshof in Austria for a short time, then to Wiener Neustadt and to Bergen-Belsen, where his father died. He and his mother were then sent on a death transport, during which they were liberated by American soldiers. They returned to Hungary and found that his brother had perished. Lantos later studied medicine in England, and in 1969 decided to remain there.

This special book is a compilation of essays on a remarkable but little-known story that lasted over half a century of world-renown physicist, the late Sir Rudolf Peierls and his wife Genia Kannegiser. Peierls collected a lot of prestigious awards in his lifetime, and in the beginning of WW2, he and Otto Frisch were responsible for the inception of the Anglo-American nuclear program (1940). He was also one of the key contributors in the research at Los Alamos during those turbulent times. Most previous books on Peierls have focused on his scientific research, while the contents for this volume sheds light on his private life in dramatic circumstances. The extensive contributions were not only gathered from the relatives of Genia, the couple's daughters, Landau's students, and from Russian and English archives, but they also include the unique perspectives of the author who is a professional theoretical physicist and is also fluent in Russian, his native language. So, this fascinating story of love, friendship and physics between Rudolf and Genia is being told for the first time from a surprisingly new angle through correspondence between Genia and Rudolf, memoirs and other documents, interesting and informal excerpts from Peierls' private "diary" covering the years 1979-1994 that will take the reader on a journey through communism, world war, the trials and tribulations of the loving couple with distinctly very different personalities.

"A joyful round of the seasons in the garden of the best-selling novelist, memoirist, and champion putterer with a wheelbarrow. On the perimeter of Israel's Jezreel Valley, with the Carmel Mountains rising up to the west, Meir Shalev has a large garden, "neither neatly organized nor well-kept," as he cheerfully explains. Often covered in mud and scrapes, Shalev cultivates both nomadic plants and "house dwellers," using his own quirky techniques. He extolls the virtues of the lemon tree; rescues a precious variety of purple snapdragon from the Jerusalem-Tel Aviv highway; does battle with a saboteur mole rat. He even gives us his superior private recipe for curing olives. The book will attract gardeners and literary readers alike, with its appreciation for the joy of living, quite literally, on earth, and for our borrowed time on a particular patch of it--enhanced, the author continually reminds us, by our honest, respectful dealings with all manner of beings who inhabit it with us"--

Memoirs of Filar, a Jewish pianist born in Warsaw in 1917. Describes his youth as a child prodigy, including his early successes despite anti-Jewish discrimination. Pp. 50-115 relate his experiences in the Holocaust. At the outbreak of the war he fled to Lvov, but he returned to Warsaw after the German occupation in 1941. He entered the ghetto, where he first played with the Jewish symphony orchestra, but was soon sent for forced labor. When his parents and several of his six siblings were deported, he and his brother Joel joined a resistance group. They fought during the uprising, but were then caught and deported, first to Majdanek and then to Skarżysko-Kamienna, Buchenwald, and Schlieben. After surviving a death march, they were liberated at Nixdorf. His parents and two siblings perished in the Holocaust. After the war Filar lived in Germany; in 1950 he emigrated to the U.S., where he became a concert pianist and played in Carnegie Hall in 1952.

In the popular imagination the Special Air Service Regiment, or SAS, is perceived as both protector and avenger of the Crown and emblematic of staunch British individualism. In Dangerous Men, John Newsinger analyses the recent glut of popular books, magazines and films based on the activities of the SAS and assesses the aggressive masculinity, graphic violence and military prowess that are represented in many of the works, and their use in perpetuating myths of muscle-flexing nationalism. The book is divided into four parts covering the myth of the SAS analysed through historical works, and its representation in personal memoirs, fiction, survival manuals, TV documentaries and Hollywood film. Through the works examined, Newsinger deconstructs a range of real and imagined scenarios in which the SAS are pitted against an array of perceived enemies of the state, including the representation of the its role in the storming of the Iranian Embassy and in conflicts from the Falklands to the Gulf. Among the works examined are the bestselling memoirs by Michael Paul Kennedy, Andy McNab, Peter de la Billiere, Chris Ryan, and Jenny Simpson; fiction by James Follett, Terence Strong, Gerald Seymour and the Soldier A-Z series; key historical accounts by Philip Warner,Tony Geraghty, James Adams, and Mark Urban; and acclaimed films such as Who Dares Wins and The Rock .

Approaching the end of her eventful life, Elisabeth Rother has decided to write her memoirs, brushing aside her and her Jewish husband's narrow escape from the Nazis and their difficult arrival in New Jersey in order to concentrate her story on the wayward behavior of her impossible daughter, Renate, and granddaughter, Irene.

"This rediscovered gem of Czech literature, a crime novel by renowned Holocaust memoirist Heda Margolius Kovaly, depicts a chilling moment in history, redolent with the stifling atmosphere of political and personal oppression of the early days of Socialist Czechoslovakia. In 1985, Czech Holocaust memoirist, literary translator, and political exile Heda Margolius Kovaly turned her pen to fiction. Inspired by the stories of Raymond Chandler, Kovaly knit her own terrifying experiences in early 1950s Socialist Prague -- her husband's imprisonment and wrongful execution, her own persecution at his disgrace -- into a gorgeous psychological thriller-cum-detective novel. Set in and around a cinema where a murder was recently committed, Innocence follows the unfolding of the investigation while telling the stories of the women who work there as ushers, each of whom is forced to support herself in difficult circumstances. As the novel brings this group alive, it tells their various life stories that have brought them to this job, the secrets they share with one another, and the secrets they keep. When the detective trying to solve the first murder is found slain by the cinema, all of their secrets come into the light. A smart, evocative, and deeply stirring literary crime novel with international appeal"--

"Gene Gutowski's name is associated with some of the great films of the twentieth century: the Oscar-winning masterpiece The Pianist, Repulsion, Cul-de-sac, and Fearless Vampire Killers. Producer of many of Roman Polanski's classics, Gene Gutowski shares here his extraordinary memoirs: those of a Polish Jew, alone in occupied Warsaw after the deportation of his entire family. As a young man who, with the blind courage of one who has nothing to lose, took incredible risks, he narrowly escaped the many horrors of life in Nazi-occupied Poland. In an extraordinary twist of destiny, and thanks to his prodigious resourcefulness, Gene Gutowski found himself in Germany in 1945, working as an American counter-espionage agent. After the war, he made his way to New York, where he worked as a fashion illustrator and TV producer, then on to London, where he became a successful producer and member of the jet set during the sixties. Finally, he achieved Hollywood consecration with the three Oscars won by The Pianist. It is an extremely endearing personality that reveals itself here, modest about the difficulties overcome, honest about the successes and failures. Gene Gutowski's youth was a thumb of the nose to death and totalitarianism, and his journey is a formidable life lesson"--back cover.

The Education of Fanny Lewald is the autobiography of the most popular and prolific German woman writer of her period (1811-1889). The author of more than fifty books of fiction, travel memoirs, and articles about current events, Lewald was a friend or acquaintance of many of the prominent intellectual, artistic, and political figures of nineteenth-century Europe. Her autobiography is clearly and engagingly written. We see her developing from the bright, oldest child of a middle-class Jewish family in East Prussia into a successful writer and financially independent woman. And we see her struggles with a patriarchal society along the way.

The many thousands of Jews from German-speaking lands who came to the United States throughout the nineteenth century played a major part in laying the foundations of the Jewish community in America. The author considers these immigrants a branch of German Jewry, compelled to seek overseas the political and civil rights denied them at home. In this volume of the Ellis Island Series, the fascinating story of this mass immigration of mostly poor, enterprising, young people is told in vivid detail. Drawing on rare letters, diaries, memoirs, period newspapers, journals, and other firsthand accounts, Barkai traces the process of family-oriented chain migration, resettlement, and acculturation, exploring as well the group's relations with the Jewish community in Germany and with German and Jewish immigrants in the New World. Often starting out as peddlers and storekeepers, the immigrants moved back and forth from East Coast towns and cities to settlements in the South, Midwest, and Far West, helping to expand the American frontier and to develop cities such as Cincinnati St. Louis, Milwaukee, and San Francisco. The narrative chronicles their experiences in the goldfields of California, on Indian reservations, and during the Civil War, in which German-Jewish soldiers in the Union and Confederate armies struggled against bigotry to assert their civil rights. These engaging personal narratives are woven into an account of the formative role played by German-Jewish immigrants in establishing the institutional framework of the American-Jewish community. Their influential network of mutual aid and philanthropic organizations would be challenged, at the turn of the century, by the great mass migration of Jews from Eastern Europe. The author's presentation of the dramatic encounter between these two groups sheds new light not only on this critical period in American-Jewish history but also on the dynamics of cultural change in a pluralist society.

Arnold Daghani (1909-85) came from a German-speaking Jewish family in Suczawa, then in the Austro-Hungarian Empire, now Romania. His understated narrative of his experiences in the slave labour camp at Mikhailowka, south west Ukraine (1942-43), presented here in its first English book edition, provides a day-by-day account of the chilling experiences of Jewish slave labourers. It is written in a compelling style and illustrated by watercolours and drawings that Daghani made secretly in captivity and smuggled out of the camp and a Romanian ghetto. It includes an extraordinary account of the couple's escape and the shooting of over three hundred prisoners. The uniqueness of Daghani's Holocaust testimony lies in his role as an artist which led to his (and his wife's) escape from the camp and their survival. The camps in Ukraine have been under-investigated and the diary provides significant material. It was used as the basis of investigations in the 1960s into war crimes in the slave labour camps in Ukraine, helping to bring attention to the region and providing some form of recognition for those who suffered there. This richly illustrated and scrupulously edited book is distinguished from more conventional Holocaust memoirs by focusing on fundamental questions of historical testimony and the problems of representation in both words and images. Daghani's diary is contextualized on the basis of wide-ranging new historical, archival and art historical research in essays that document the artist's attempts to achieve justice and reconciliation. They locate the diary in relation to contemporary issues on migration and statelessness, genocide and trauma, self-reflection and memory. The diary is both art and document, addressing how we understand and construct history. It enables readers to engage with the Holocaust via the viewpoint of an individual, making statistics more meaningful and history less distant.

Ever wondered where that demonic voice on NPR comes from? In these memoirs, Codrescu recalls his life with irrepressible and uncensored candor. From the bitter-sweet delights of a fantastic childhood in the ruins of a Transylvanian castle to the horror and ecstasy of re-inventing himself as an American in a new language, this Proustian romp brims with erotic delight and language at high heat. In an age rife with "memoirs" set on grinding dull axes, Codrescu's razersharp language is both pitiless and unsparing of his experience.

The complete story of the world's most incredible forgery operation, told by the last surviving Czech counterfeiter of Operation Bernhard. Burger describes his ordeals in different concentration camps before he was enlisted to work alongside other highly qualified experts who were forced to forge currency and other documents.

A love story, a mystery, and a memory guide, Past Forgetting shows a writer's determination to re-create her life.Jill Robinson, novelist and author of Bed/Time/Story, wakes from a coma to discover she's lost her memory and just about any sense of who she was.And is. She likes the look of the man standing next to her bed, but doesn't recognize that he's her husband, Stuart. What matters is that she feels safe around him. As she searches the house for her children, she is reminded that her son and daughter are both grown with families of their own--how well did she ever know them? Can You make up for a past you don't really remember? It is Stuart who begins to fill in the details for Jill, including the fact that she's a well-known writer, although when she meets with her doctors, they say she may never write again. Against all odds, Jill Robinson retrieved her unique writing voice, and in this engaging memoir shows how she does it. She takes us with her on her exploration of'tlie connections between memory and creativity, celebrity and anonymity, and loss and discovery. From her first tentative steps outside her house on Wimpole Street to London's sleek West End. From a trip to Oxford to discuss memory with a professor to her amazing voyage to Los Angeles on an assignment for Vanity fair which takes her back to the sixties world of Hockney, Polanski, and Hopper, Jill forges new paths to memory. In Past Forgetting, Jill Robinson rediscovers friendships she doesn't know she had: Robert Redford tells her stories about her childhood; at John Lahr's London literary teas, she's reintroduced to the writer's world, and Cary Grant offers her memories of her father, Dore Schary. And being with Barbra Streisand reminds her of a time she doesn't quite remember: when her father was running MGM. In her urgent voyage to redefine herself, Jill asks all the questions you've ever asked on the nature of memory. Is recollection shadowed by emotion? Is memory an act of reinvention? Do people reinvent rather than recollect? In Past Forgetting you'll find the answers and you'll meet a writer you won't want to forget.