Inside of Time is a book for everyone eager to read about the personal and human side of our stirring times. The vivid recollections of a trailblazing eyewitness to history, combined with stories of Gruber's intimate friendships with luminaries of the century, has created a book to cherish. In the Roosevelt administration and as a foreign correspondent with the New York Herald Tribune, Gruber worked with, wrote about, and was mentored by a cast that included Harold Ickes, FDR's Secretary of the Interior, who in 1941 appointed Gruber as his personal representative to Alaska; Helen Rogers Reid, Herald Tribune publisher and Gruber's boss, who scheduled her to speak at lecture forums where Gruber shared the podium with Churchill and DeGaulle; Golda Meir, with whom she swapped kitchen table confidences about their families; David Ben-Gurion, whose prophetic voice made him the most inspiring leader Gruber ever knew; and Eleanor Roosevelt, whom Gruber shepherded to Israel in the early 1950s. Spanning 1941–1955, Gruber also recalls the fierce anti-Semitism she overcame in Congress, the DP camps she saw in Germany after WWII, and traveling with the Israeli army during the War for Independence. Sixteen pages of photographs add to this enthralling autobiography by one of America's best journalists.

Fans of The Daily Show will appreciate this timely collection of satirical essays by counterculture icon Paul Krassner. With irreverence and an often X-rated wit, Krassner writes with a unique perspective on comedy and obscenity in politics and culture, from "Bong Hits 4 Jesus" banners to scenes cut out of movies including Borat and Milk. In his essay "Don Imus Meets Michael Richards," Krassner examines racism in comdey, from Lenny Bruce to Dave Chapelle, on The Sarah Silverman Snow and Curb Your Enthusiasm and in controversial comic strips like The Bookdocks. In his piece "The Great Muhammad Cartoon Controversy," he looks at free speech and self-censorship in the face of threats—real and perceived—from religious fundamentalists. Throughout, Krassner riffs about busted public figures, counterculture, free speech, late-night talk shows, censorship, sex and the current state of satire. "These are times of repression," says Krassner, "and the more repression there is, the more there is for irreverence toward those in authority." Paul Krassner is an author, journalist, stand-up comedian and founder of the freethought magazine the Realist, which he published from 1958 to 2001. He was a co-founder of the Yippies and a member of Ken Kesey's Merry Pranksters. He received an Upton Sinclair Award for dedication to freedom of expression. Krassner was a close friend of Lenny Bruce and the editor of Bruce's autobiography, How to Talk Dirty and Influence People. A prolific writer, his articles have appeared in Rolling Stone, Spin, Playboy and many other venues. He has been a guest on Late Night with Conan O'Brien and Politically Incorrect with Bill Maher and writes regularly for High Times, Adult Video News and Huffington Post.

"A mix of autobiography and lucid invention, this highly personal work offers a deeply affecting exploration of the meaning of identity and pedigree. With his signature blend of candor, mystery, and bewitching elusiveness, Patrick Modiano weaves together a series of interlocking stories from his family history: his parents' courtship in occupied Paris; a sinister hunting trip with his father; a chance friendship with the deposed King Farouk; a wistful affair with the daughter of a nightclub singer; and the author's life as a new parent. Filled with a coterie of dubious characters - Nazi informants, collaborationist refugees, and black-market hustlers - Modiano's riveting vignettes capture the drama that consumed Paris during World War II and its aftermath. Written in tones ranging from tender nostalgia to the blunt cruelty of youth, this is a personal and revealing book that brings the enduring significance of a complicated past to life."--Publisher.

This is the as-told-to political autobiography of Phüntso Wangye (Phünwang), one of the most important Tibetan revolutionary figures of the twentieth century. Phünwang began his activism in school, where he founded a secret Tibetan Communist Party. He was expelled in 1940, and for the next nine years he worked to organize a guerrilla uprising against the Chinese who controlled his homeland. In 1949, he merged his Tibetan Communist Party with Mao's Chinese Communist Party. He played an important role in the party's administrative organization in Lhasa and was the translator for the young Dalai Lama during his famous 1954-55 meetings with Mao Zedong. In the 1950s, Phünwang was the highest-ranking Tibetan official within the Communist Party in Tibet. Though he was fluent in Chinese, comfortable with Chinese culture, and devoted to socialism and the Communist Party, Phünwang's deep commitment to the welfare of Tibetans made him suspect to powerful Han colleagues. In 1958 he was secretly detained; three years later, he was imprisoned in solitary confinement in Beijing's equivalent of the Bastille for the next eighteen years. Informed by vivid firsthand accounts of the relations between the Dalai Lama, the Nationalist Chinese government, and the People's Republic of China, this absorbing chronicle illuminates one of the world's most tragic and dangerous ethnic conflicts at the same time that it relates the fascinating details of a stormy life spent in the quest for a new Tibet.

This book - the author calls it "a melancholic account" - is an intellectual autobiography of Joseph Agassi, which especially focusses on his relation to Karl R. Popper. Moreover it affords interesting insights into philosophical discussion within the Popper-circle in London as well as into relations among his students of that time (Imre Lakatos, William W. Bartley, Paul Feyerabend a.s.o.)

But who could describe my fright when, on the next morning, I awoke and found myself feeling as if completely changed into a woman. — Case 129, Autobiography, from Psychopathia Sexualis, a Medico-Forensic Study by Richard Von Krafft-Ebing At the time the passage above was written, people who felt trapped in the wrong gender automatically became case-studies. Today they become the men and women they always felt they were. Transsexuals test our notions of what it is to be male or female and, more provocatively, what it means to be one self as opposed to another. “Their stories,” says Jonathan Ames, “hold the appeal of an adventurer’s tale.” In Sexual Metamorphosis , Ames presents the personal narratives of seventeen gender pioneers. Here is Christine Jorgensen, the first celebrity transsexual, greeting thousands of well-wishers from the stage of Madison Square Garden. Here is Caroline Cossey, former model and Bond (as in James) girl, being outed in the tabloid press. Here is novelist and English professor Jennifer Finney Boylan discussing her impending transformation with her heartbroken spouse and supportive yet confused colleagues. The result is a fascinating and compulsively readable book, filled with anguish, introspection and courage.

The work that helped to determine Paul Feyerabend's fame and notoriety, Against Method, stemmed from Imre Lakatos's challenge: "In 1970 Imre cornered me at a party. 'Paul,' he said, 'you have such strange ideas. Why don't you write them down? I shall write a reply, we publish the whole thing and I promise you—we shall have a lot of fun.' " Although Lakatos died before he could write his reply, For and Against Method reconstructs his original counter-arguments from lectures and correspondence previously unpublished in English, allowing us to enjoy the "fun" two of this century's most eminent philosophers had, matching their wits and ideas on the subject of the scientific method. For and Against Method opens with an imaginary dialogue between Lakatos and Feyerabend, which Matteo Motterlini has constructed, based on their published works, to synthesize their positions and arguments. Part one presents the transcripts of the last lectures on method that Lakatos delivered. Part two, Feyerabend's response, consists of a previously published essay on anarchism, which began the attack on Lakatos's position that Feyerabend later continued in Against Method. The third and longest section consists of the correspondence Lakatos and Feyerabend exchanged on method and many other issues and ideas, as well as the events of their daily lives, between 1968 and Lakatos's death in 1974. The delight Lakatos and Feyerabend took in philosophical debate, and the relish with which they sparred, come to life again in For and Against Method, making it essential and lively reading for anyone interested in these two fascinating and controversial thinkers and their immense contributions to philosophy of science. "The writings in this volume are of considerable intellectual importance, and will be of great interest to anyone concerned with the development of the philosophical views of Lakatos and Feyerabend, or indeed with the development of philosophy of science in general during this crucial period."—Donald Gillies, British Journal for the Philosophy of Science (on the Italian edition) "A stimulating exchange of letters between two philosophical entertainers."—Tariq Ali, The Independent Imre Lakatos (1922-1974) was professor of logic at the London School of Economics. He was the author of Proofs and Refutations and the two-volume Philosophical Papers . Paul Feyerabend (1924-1994) was educated in Europe and held numerous teaching posts throughout his career. Among his books are Against Method ; Science in a Free Society ; Farewell to Reason ; and Killing Time: The Autobiography of Paul Feyerabend , the last published by the University of Chicago Press.

This stimulating collection of essays in an autobiographical framework spans the period from 1963 to the present. It encompasses Gerda Lerner's theoretical writing and her organizational work in transforming the history profession and in establishing Women's History as a mainstream field. Six of the twelve essays are new, written especially for this volume; the others have previously appeared in small journals or were originally presented as talks, and have been revised for this book. Several essays discuss feminist teaching and the problems of interpretation of autobiography and memoir for the reader and the historian. Lerner's reflections on feminism as a worldview, on the meaning of history writing, and on problems of aging lend this book unusual range and depth. Together, the essays illuminate how thought and action connected in Lerner's life, how the life she led before she became an academic affected the questions she addressed as a historian, and how the social and political struggles in which she engaged informed her thinking. Written in lucid, accessible prose, the essays will appeal to the general reader as well as to students at all levels. Living with History / Making Social Change offers rare insight into the life work of one of the leading historians of the United States.

Potency and Act is the second of three works in which Edith Stein said she endeavored to fulfill her “proper mission’ in philosophy, her “life’s task”: relating the phenomenology of her teacher Edmund Husserl and the scholasticism of St. Thomas Aquinas. But more than “critically comparing” the two ways of thinking, she wished to “fuse” them into her own “philosophical system,” searching for that perennial philosophy lying “beyond ages and peoples, common to all who honestly seek truth.” More Information Edith Stein was a Jewish phenomenologist who became a Catholic after reading the autobiography of St. Teresa of Jesus and entered the order of Discalced Carmelites founded by the saint. Stein died in Auschwitz in 1942 and was herself canonized in 1998 as St. Teresa Benedicta of the Cross. Her philosophical thinking had been formed by Husserl, but she came to “find a home in Aquinas’s thought world.” In Potency and Act she “aimed to get from scholasticism to phenomenology and vice versa” and “allow the two ways of doing philosophy to come to resolution within herself.” The first of the three works in which she carried out her mission was a play where Husserl and Aquinas appear on stage to discuss their agreements and differences (in Knowledge and Faith , ICS Publications, Edith Stein’s Collected Works, vol. 8). The second, Potency and Act , was written in 1931 but published for the first time in 1998. The third was her major work, Finite and Eternal Being , written around 1935 and also published posthumously, in 1950 (Collected Works, vol. 9). Potency and Act is complementary to Finite and Eternal Being , for they are quite different in content. The approach to the study of being in Potency and Act is “modal” as the title implies; her treatment of possible worlds and of form prescribing possibilities relates to phenomenological themes and also to recent developments in logical semantics. Philosophy of religion, of course, is a central concern. We reach God not only through faith and contemplation, she says, but “by thinking,” using “logical reasoning” both from the world without (as in St. Thomas) and from the world within (“the way of St. Augustine”); indeed, God’s existence is also a “purely formal conclusion.” Her many searching analyses are suggestive in their own right: on human freedom, temporality, self-knowledge, individuality, evolution (which she “fits into the “scholastic world view”), atheism, eschatology.

A collection of lectures delivered in May 2002 under the auspices of the Samuel and Althea Stroum Lectures in Jewish Studies at the University of Washington. Analyzes autobiographical works of seven Jews from antiquity to the 20th century. Two of these reflect despair in the midst and in the wake of World War II. Ch. 4 (pp. 103-138), "Autobiography as Farewell I: Stefan Zweig, " discusses the Austrian Jewish writer, who committed suicide in 1942, as a non-Zionist universalist even in the face of Nazism. Pp. 131-136 deal with the persecution of the Jews. Ch. 5 (pp. 139-174), "Autobiography as Farewell II: Sarah Kofman, " discusses the life and works of Kofman, who committed suicide in 1994. Focuses on her "Rue Ordoner, Rue Labat" and her Holocaust experiences as a child in Paris. Her father was killed in Auschwitz, and Kofman was looked after by a Christian woman to whom she felt closer than her mother. Deals with the conflicts in Kofman's sexual and religious identities.

As the founder of financial futures and initiator of Globex, the world's first global electronic trading system, Leo Melamed revolutionized the finance industry. Man of the Futures, his definitive memoir, recounts Melamed's journey from Holocaust survivor and accidental runner at the Chicago Mercantile Exchange (CME), to one of the most prominent leaders in the world of finance. At 33, Melamed gave up a promising law career to pursue his dream of becoming a full-time pit-trader at the CME. He quickly ascended the ranks to become chairman. From there, he set out to disrupt the status quo and ultimately transform both the exchange itself and the broader finance industry. Through daring to embrace innovative ideas many considered absurd, Melamed was a pioneer, continually fighting for modernisation in the financial markets through diversification and the introduction of new technologies. Covering the internal battles waged within the CME, the launch of the International Monetary Market (IMM) and the rise of Globex, this enthralling autobiography details the struggles, scandals and triumphs of a visionary in his field. Together with behind-the-scenes reminiscences about the financial markets, this narrative delves into Melamed's philanthropic work at the US Holocaust Memorial Museum, as well as his fascinating dealings with political figures at home in Chicago, at the White House, and around the world in China, Japan, Singapore, Great Britain, Russia, South Korea, and Brazil. . Man of the Futures offers exclusive access to the rationale behind some of the biggest financial decisions and dealings in the late 20th and early 21st century. Join Leo Melamed for this fascinating and revealing story of a life lived in pursuit of the future. --

A guide to the art of personal writing, by the author of" Fierce Attachments "and "The End of the Novel of Love"All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question "The Situation and the Story" asks--and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid inteligence that has made Gornick one of our most admired writers of ninfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.

With lively style, good humor and insight, Robin Hemley helps you turn all that you experience into fresh and powerful fiction. By learning to "reimagine," you'll focus on translating real-world people and events into characters and scenes that happen on paper for the first time. You'll think "what if" instead of "what is" in order to take control of your material and cut loose the inhibitions of real life. In these pages, you'll learn how to hone your observation skills and fill your journal with rich and vivid details. (Because, as Hemley writes, "Life is in the details, and so is good fiction.") You'll see how to decide which ideas to bring to fiction and which ones to let go. And you'll learn how to: find the right form - novel, short story, vignette, memoir - for the story you want to tell; use "triggers" to start your reader's imagination rolling; keep your fiction emotionally honest by making the right choices between "the way it happened" and what the story dictates (ask "Is it believable?", not "Did it happen?"); create composites of real people and places that fit the unique needs of your story and empower your imagination; focus your fiction. Make sure everything, every character counts - and eliminate "people who sit at the end of the bar without a role to play"; fictionalize - ethically and legally - other people's stories. Learn your rights as a writer versus their rights to privacy. (Can you use actual names? When do you need to get permission?) To illustrate how writers feed their fiction with reality, Hemley uses examples from his own work and from fiction masters of yesterday and today. At the end of each chapter, challenging exercises help you apply the basic theories and push them even further. An adventurous read, Turning Life Into Fiction will help you create fiction that's just as strange and wonderful and "real" as the life that inspires it.

Chaim Weizmann's autobiography is a compelling account of his life, from his early years in Belarus to his leadership in the Zionist movement and eventual presidency of Israel. In this book, Weizmann reflects on the challenges he faced and the decisions he made, offering a unique perspective on modern Jewish history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Through The Years: An Autobiography is a memoir written by Nathan S. Jonas, detailing his life from childhood to adulthood. The book offers a comprehensive account of Jonas' experiences, including his upbringing, education, career, and personal life. It covers his early years growing up in a small town, his academic pursuits, and his eventual rise to success in his chosen field. The book also delves into his personal relationships, including his marriage and family life. Throughout the book, Jonas reflects on the challenges he faced and the lessons he learned, offering readers a unique perspective on his life and the world around him. The book is a compelling read for anyone interested in personal memoirs and the journey of self-discovery.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Superb sex and stunning success...wealth and world-wide fame...alluring women and adventurous men. They're the stuff of the sizzling, internationally bestselling novels that turned Judith Krantz into a literary mega-star--and the very same stuff of Krantz's own life... In this candid autobiography, Judith Krantz becomes the heroine of her own memorable true story. Here is the virginal young Wellesley student who grew up in a complicated tangle of privilege and family drama. Here, too, is the stylish sophisticate who dined with Lawrence Olivier and Marlene Dietrich. And here is the overnight phenomenon who tantalized millions of readers with uninhibited tales of women who had it all. From Fifth Avenue to Rodeo Drive, from Chanel to Van Cleef and Arpels, from a chateau in France to back lots of Hollywood, this is Judith Krantz's revealing confessional of a nice Jewish girl who parleyed talent and determination into a dazzling life at the top.

Want to know how to become an overnight success? ...in only 38 years? "A Gift of Laughter", the autobiography of comedian Allan Sherman, tells in his own words how he became an overnight success in only 38 years. First he struggled as a free-lance writer. Later he produced television shows like the long-running hit "I've Got a Secret" (which he co-created). Then, on one fateful night, after picking up his unemployment check, he recorded an album of parodies called "My Son, the Folk Singer", which sold over one million copies, and became the fastest-selling album of all time. His next two albums also became smash hits, making him the only artist ever to have three consecutive Billboard #1 albums. His third album, "My Son, the Nut" contained the hit single "Hello, Muddah! Hello, Fadduh! - A Letter from Camp Granada" -- a summer camp anthem which is still being sung 50+ years later. Sherman sang at Carnegie Hall - twice! And the Hollywood Bowl - twice! He guest-hosted The Tonight Show, performed with and conducted The Boston Pops (notable because he can't read music ), entertained Presidents and Supreme Court Justices and millions of regular folk.

Chaim Weizmann’s autobiography is a highly personal account of his life in the Zionist movement. Book One, completed in 1941, covers the years 1874-1917 and Book Two covers the years 1918-1948.Weizmann describes the Russian shtetl where he was born in 1874, his schooling in Pinsk and his university studies in Berlin, Geneva and Freiburg (Switzerland) where he received his PhD in chemistry in 1899 before moving to Manchester in 1904. He portrays many leading Zionists such as Theodor Herzl, Achad Ha-am, Max Nordau, Shmarya Levin, Ussishkin, Jabotinsky, Ruppin. He describes the opposition by assimilationist Jews (like Edwin Montagu) to Zionism, and internal debates within the Zionist movement, such as the defeat of Herzl’s Uganda plan — bitterly opposed by Weizmann — at the 6th Zionist Congress (1903) and his frictions with the American Zionists led by Brandeis. Weizmann describes how, during World War I, his work on acetone brought him into contact with British political leaders such as Lloyd George, Arthur Balfour and Winston Churchill and facilitated the Balfour Declaration which, in 1917, paved the way for “the establishment in Palestine of a national home for the Jewish people”.Weizmann recounts his role in the creation of what would become Israel’s leading scientific institutions, the Hebrew University, the Weizmann Institute of Science and the Technion, including his fundraising efforts in Europe and in the United States on their behalf and for other Zionist initiatives. He became the first President of Israel, and died in office in 1952.“... one of the important historical documents of our time.” — Orville Prescott, The New York Times (January 19, 1949)“[Trial and Error] is likely to be read for many years to come as an authoritative exposition of the Zionist movement ... records eye-witness accounts of so many crucial events and reflects so many deep insights that it is certain to become of permanent value to the scholar and a delight to the general reader.” — Salo Baron, The New York Times (January 23, 1949)“There are four angles from which one can approach this book. One can take it as a history of Zionism during the last seventy years... a record of personal endeavour triumphant over obstacles and dissension... a sad commentary upon human achievement, when eventual triumph comes at a date, and in circumstances, which rob it of its full savour... the self-portrait of a most remarkable man.” — Harold Nicolson, The Observer (March 27, 1949)“Notable in this intellectually candid record is the fact that [Weizmann] embraced and propagated Jewish nationalism because he regarded it as a positive good, not merely a negative escape from gentile persecution. This intensely human book, which in a sense is the story of modern Zionism, constitutes one of the indispensable sources for the history of our times.” — Robert Gale Woolbert, Foreign Affairs (July 1949)“[Weizmann’s] autobiography ... is an astonishingly objective and life-like narrative, without a trace of dramatization, exaggeration, vanity, self-pity, self-justification; it conveys his authentic, richly and evenly developed, autonomous, proud, firmly built, somewhat ironical nature, free from inner conflict, in deep, instinctive harmony with the forces of nature and society, and therefore possessed of natural wisdom, dignity and authority.” — Sir Isaiah Berlin, Chichele Professor of Social and Political Theory, Oxford University (November 19, 1957)“Ranks between Churchill’s war memoirs and those of Nehru, Masaryk and Trotzky, among the founders’ own stories ...

Born in Berlin at the end of the nineteenth century, Walter Mehring inherited both his father's respect for the civilizing power of literature and his formidable library of thousands of books. Like his father, believed that books and reading were essential to progress, mutual understanding, and contentment. After having served in World War I, Mehring spent the years between the world wars as part of the exhilarating avant-garde coffeehouse culture of Europe's capitals; he himself was a poet, cabaret lyricist, and founder of the Dadaist movement in Berlin. But with the rise of fascism, Europe became a dangerous place for free-thinking artists. Mehring never envisioned that the culture of books celebrated in his father's library would be rejected by the sudden rise to prominence of the Nationalist Socialist Party. Soon, even his own books were burned by the Brownshirts and Mehring was forced to roam Europe as a literary fugitive. From a precarious exile in Vienna, he arranged for his father's books to be smuggled out of Germany, but their fate would be worse than his--while Mehring managed to slip out of Austria and avoid capture, his library was confiscated and destroyed by the Nazis in 1938. In The Lost Library: The Autobiography of a Culture , translated by Richard and Clara Winston and presented in paperback for the first time, Mehring takes the reader with him as he unpacks the crates of books in his mind, and in the process recalls what each book meant to him and his father. Writing with wit and insight, Mehring successfully compares the humanism of his father's era with the chaos of Europe at war, using his father's library as a metaphor for how the optimism of nineteenth-century progress gave way to the disorder and book-burning of the twentieth. "It is with love and not a little bitterness that the author touches on the various tomes of his father's library [and through them] on the history of man's ideas, on the magnificence of our cultural progress, . . . and on the eventual destruction of the beauty and ideals that man had been able to create. . . . Beautifully conceived and beautifully executed."-- The Atlantic "Whoever cares for books will love this book about books."-- New York Times " The Lost Library cannot be read without profit."-- Times Literary Supplement

Like all classical composers, the young Rozsa faced the problem of how to make a living writing serious music. At the suggestion of famed French composer Arthur Honegger, he turned to film music, and thus began a "double life." Well-known for his movie scores, including Spellbound , The Lost Weekend , The Thief of Baghdad and Ben-Hur , Rozsa has also written numerous classical works that have been performed by major orchestras the world over. In this serviceable, straightforward autobiography he chronicles his rise to success, from his childhood in a small Hungarian town to the film studios of Hollywood. He tells an uncomplicated tale of a life of accomplishment, filled with reminiscences of his friendships with the rich and famous. Now in his 80s, Rozsa looks back with justifiable satisfaction on a career in which he has composed in two styles without compromising either