The great German idealist philosopher G. W. F. Hegel has exerted an immense influence on the development of philosophy from the early 19th century to the present. But the metaphysical aspects of his thought are still under-appreciated. In a series of essays Robert Stern traces the development of a distinctively Hegelian approach to metaphysics and certain central metaphysical issues. The book begins with an introduction that considers this theme as a whole, followed by a section of essays on Hegel himself. Stern then focuses on the way in which certain key metaphysical ideas in Hegel's system, such as his doctrine of the 'concrete universal' and his conception of truth, relate to the thinking of the British Idealists on the one hand, and the American Pragmatists on the other. The volume concludes by examining a critique of Hegel's metaphysical position from the perspective of the 'continental' tradition, and in particular Gilles Deleuze.

"A famous movie star found dead on the set of his latest picture... drugs hastily disposed of at the scene of the crime... it's the stuff of Tinseltown scandal and could ruin the investment Harry Bannock made in the dead man's library of films. For help, Bannock turns to Mark Clayburn, a one-eyed private eye with his own history of scandals. But can Clayburn uncover the truth about Dick Ryan's murder before time runs out for Ryan's co-stars... and for Clayburn himself?" --

"A superb book about a topic that should be front and center in the American political debate" ( National Review ), from the acclaimed Harvard scholar and historian of the Russian Revolution An exploration of a wide range of national and political systems to demonstrate persuasively that private ownership has served over the centuries to limit the power of the state and enable democratic institutions to evolve and thrive in the Western world. Beginning with Greece and Rome, where the concept of private property as we understand it first developed, Richard Pipes then shows us how, in the late medieval period, the idea matured with the expansion of commerce and the rise of cities. He contrasts England, a country where property rights and parliamentary government advanced hand-in-hand, with Russia, where restrictions on ownership have for centuries consistently abetted authoritarian regimes; finally he provides reflections on current and future trends in the United States. Property and Freedom is a brilliant contribution to political thought and an essential work on a subject of vital importance.

When war broke out in Iraq, every major U.S. network pulled its correspondents from the scene. Despite the risk, Richard Engel stayed. As our tanks entered Baghdad in April 2003, he was there, bringing the Iraqi war into American homes as a stringer for ABC news. Determined to deliver the whole Middle East story, Engel moved to Cairo in 1996 after graduating from Stanford to learn 'street' Arabic. Then to dig even deeper into the complicated powder-keg of the Israeli-Palestinian conflict, he settled in Jerusalem. Now as Iraq enters its post-war phase and the Gulf region continues to dominate our nation's consciousness, more and more Americans will come to know and trust Richard Engel--especially in his current role as a correspondent for NBC Nightly News with Tom Brokaw. Both analytical and anecdotal, this book leads us through the war in Iraq, dissecting a myriad of Middle East issues, all from the vantage point of someone who is 'on the ground and in the streets' to get the real story.

"Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath's Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America's definitive Philip Roth edition. Here is Roth's selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and "Explanations," a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are "My Uchronia," an account of the genesis of The Plot Against America, a novel grounded in the insight that "all the assurances are provisional, even here in a two-hundred-year-old democracy"; "Errata," the unabridged version of the "Open Letter to Wikipedia" published on The New Yorker's website in 2012 to counter the online encyclopedia's egregious errors about his life and work; and "The Ruthless Intimacy of Fiction," a speech delivered on the occasion of his eightieth birthday that celebrates the "refractory way of living" of Sabbath's Theater's Mickey Sabbath. Also included are two lengthy interviews given after Roth's retirement, which take stock of a lifetime of work."--Amazon.

How does a Jewish boy who spent the bulk of his childhood on the basketball courts of Brooklyn wind up teaching in one of the city's pioneering black studies departments? Naison's odyssey begins as Brooklyn public schools respond to a new wave of Black migrants and Caribbean immigrants, and established residents flee to virtually all-white parts of the city or suburbs. Already alienated by his parents' stance on race issues and their ambitions for him, he has started on a separate ideological path by the time he enters Columbia College. Once he embarks on a long-term interracial relationship, becomes a member of SDS, focuses his historical work on black activists, and organizes community groups in the Bronx, his immersion in the radical politics of the 1960s has emerged as the center of his life. Determined to keep his ties to the Black community, even when the New Left splits along racial lines, Naison joined the fledgling African American studies program at Fordham, remarkable then as now for its commitment to interracial education.This memoir offers more than a participant's account of the New Left's racial dynamics; it eloquently speaks to the ways in which political commitments emerge from and are infused with the personal choices we all make.

"Explores how American Jews leveraged the Black Power movement to strengthen American Jewish religious, ethnic, and cultural life"--Provided by the publisher.

In 1931 Cameroon, young Kedi is upset to learn that children in her American teacher's village of New York are going hungry because of the Great Depression, and she asks her mother, neighbors, and even the headman for money to help. Includes historical notes.

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville VALLEY FORGE Poignant, tender, and powerful, VALLEY FORGE brings into sharp new focus one of the most tensely dramatic episodes of the American Revolution. With warmth and wit, compassion and sensitivity, MacKinlay Kantor evokes the flavor, pulse and texture of the last quarter of the eighteenth century, transporting the reader into the houses and workshops, kitchens and stables, parlors and bedrooms of ordinary citizens. Here are not only the soldiers of Valley Forge, but the panorama of the Revolution itself. George Washington, lamenting the remoteness and lack of valor in the Congress, anticipating new battle; the sprightly, good-humored Martha, always loyal and loving to a fault; the Marquis de Lafayette, whose poise and dignity belied his youth; Baron von Steuben whose halting English made the soldiers laugh, but whose fierce devotion won their respect. And the multitude-young Mum, a sixteen-year-old deserter savagely trampled by Tarleton's Raiders; Malachi Lennan whose gift of a horse gained him entry into Mad Anthony Wayne's Drovers; Billy, the turncoat, wailing for his mother as he was dragged to the gallows. Sons of farmers and tradesmen, trappers and teachers-some too young to fight, and some too old-surge through these pages, giving life, breath, scope and humanity to the American Revolution and the winter at Valley Forge. MacKINLAY KANTOR was born in Webster City, Iowa in 1904. He began to write seriously at sixteen, became a newspaper reporter at seventeen, and an author at twenty-three. Since his first-published novel in 1928, more than forty books have appeared in print, including verse, short stories, novellas, histories, and books for children. His best-selling, and Pulitzer Prize- winning Andersonville was published in 1955. MacKinlay Kantor's other than book accomplishments range from Hollywood screenwriting to police patrolling (N. Y. P. D.), to combat experience (RAF and U.SAF) in two wars. VALLEY FORGE is grandly conceived, but the quality is equal to the concept. The climate of the war, its taste and smell and the harsh texture of its life, are evoked with mystery. Neither souped-up nor toned-down under fashionable pressures, this is an extraordinarily honest and human book. I am greatly impressed.-MARY RENAULT

"The film Casablanca opens with the words, "With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas." Leslie Epstein's Hill of Beans is the story of how one nation, one industry, and in particular one man responded to that desperate hope. That man is Jack Warner. His impossible goal is to make world events--most importantly, the invasion of North Africa by British and American forces in 1942--coincide with the release of his new film about a group of refugees marooned in Morocco. Arrayed against him are Stalin and Hitler, as well as Josef Goebbels, Franklin Roosevelt, a powerful gossip columnist, and above all a beautiful young woman with a terrible secret. His only weapons are his hutzpah and his heroism as he struggles to bring cinema and city, conflict and conference together in an epic command performance. Hill of Beans is the novel that Leslie Epstein--the son and nephew of Philip and Julius Epstein, the screenwriters of Casablanca--was born to write"--

"Blending precise research and astute observation with flavorful, fascinating narratives."--Publishers Weekly, starred review (for Vol. 1) From Lee Gutkind, the "Godfather behind creative narrative nonfiction" (Vanity Fair), and the staff of the landmark literary journal Creative Nonfiction comes this fresh collection of fact-based personal narratives, mined from literary blogs, 'zines, and other fringe publications. In "My Glove: A Biography," Stefan Fatsis, author of Word Freak and a Wall Street Journal reporter, traces the history of his baseball glove--"the one thing I would be devastated to lose, my last, best connection to the baseball that defined my life as a kid"--as he relinquishes it to the glove designer at Rawlings for an overhaul. Heidi Julavits, editor of The Believer, imagines a future in which book-related fatalities--"Death of the intellect is one thing, but actual death is quite another"--revolutionize the writer's market. This new volume of The Best Creative Nonfiction continues to engage and delight with exceptional work from writers old and new.

Award-winning author Lawrence Weschler's book on the young Mexican American artist Ramiro Gomez explores questions of social equity and the chasms between cultures and classes in America. Gomez, born in 1986 in San Bernardino, California, to undocumented Mexican immigrant parents, bridges the divide between the affluent wealthy and their usually invisible domestic help--the nannies, gardeners, housecleaners, and others who make their lifestyles possible--by inserting images of these workers into sly pastiches of iconic David Hockney paintings, subtly doctoring glossy magazine ads, and subversively slotting life-size painted cardboard cutouts into real-life situations. Domestic Scenes engages with Gomez and his work, offering an inspiring vision of the purposes and possibilities of art.

"Nearly every family has a skeleton in its closet, an ancestor who "sins" against custom and tradition and pays a double price. Karen Tintori refused to allow the truth to remain forgotten. This is a book for anyone who shares the conviction that all history, in the end, is family history."--Frank Viviano, author of Blood Washes Blood and Dispatches from the Pacific Century "Many books are called ‘page-turners' by reviewers, but this one will truly have you glued to the turning pages for hours."-- Comunes of Italy Magazine " Unto the Daughters reads like a nonfiction version of the film Godfather II--if it had been told from the point of view of a female Corleone."--Eleni N. Gage, author of North of Ithaka Karen Tintori thought she knew her family tree. Her grandmother Josie had immigrated from Sicily with her parents at the turn of the century. They settled in Detroit, and with Josie's eight siblings, worked to create a home for themselves away from the poverty and servitude of the old country. Their descendants were proud Italian-Americans. But Josie had a sister that nobody spoke of. Her name was Frances, and at age sixteen, she fell in love with a young barber. Her father wanted her to marry an older don in the neighborhood mafia--a marriage that would give his sons a leg up in the mob. But Frances eloped with her barber. And when she returned a married woman, her father and brothers killed her for it. Her family then erased her from its collective memory. Even 80 years and two generations later, Frances and her death were not spoken of, her name was erased from the family genealogy, her pictures burned, and her memory suppressed. Unto the Daughters is a historical mystery and family story that unwraps the many layers of family, honor, memory, and fear to find an honor killing in turn of the century Detroit. "Many books are called ‘page-turners' by reviewers, but this one will truly have you glued to the turning pages for hours. It's a must read for anyone researching their Italian ancestry."-- Comunes of Italy Magazine KAREN TINTORI is a writer and journalist who lives in Michigan with her family. Karen's books include Trapped, a 2002 Chicago Tribune favorite book, and The Book of Names (co-author), among others. Visit her website at: www. karentintori .com

Pomegranate's Jonathan Green coloring book features 22 entrancing images by the popular American artist. Coloring pages are blank on the back so they can be cut out and displayed. One forty-eight page 8 1/2 x 11 in. book with twenty-two images to color. Each illustration is reproduced in a small, color version of the original artwork and as a full-page black line drawing. The painter Jonathan Green lives in Naples, Florida, but he grew up near the tidal marshlands of South Carolina, a member of the Gullah community. The ancestors of Gullah families were slaves brought to North America from West Africa, and their traditional culture has proven quite resilient. In Jonathan Green's pictures we encounter scenes from his childhood--the land, the animals, and the people are those he remembers. You'll find twenty-two of Green's paintings in this coloring book. They are shown as small pictures on the inside front and back covers. You'll notice that he likes lots of bright yellows and reds and often shows people wearing big hats. When you color in these pictures, you might want to try to copy the original colors, or you might decide to use your own. The last page of this book is blank so that you can draw and color your own picture, one that shows something from your life. Maybe it will be a place, a pet, a friend, or someone from your family. Or maybe it will be something you saw and remembered, like a fancy car or a balloon, or a big hat. Take your time and try using some fun, bright colors, as Jonathan Green does.

Orwell's politics is a study of George Orwell's political ideas and beliefs from his time as a policeman in Burma through to the publication of Nineteen Eighty-Four. It places Orwell's politics in historical context, examining his response to Imperialism, to mass unemployment in the 1930s, to revolution in Spain and to the Second World War and its aftermath. The book considers Orwell's belief that socialist revolution was the only road to victory in wartime Britain. It discusses his time at the BBC and at the leftwing Labour newspaper Tribune. Particular attention is paid to Orwell's American connection, to his writings for Partisan Review and for Politics. Orwell's belief that Russia had nothing in common with socialism is discussed and new sources for Nineteen Eighty-Four are identified. The book also discusses recent feminist critiques of Orwell's politics. Newsinger demonstrates that, while Orwell's political beliefs inevitably changed over the years, he remained a committed socialist up to the time of his death. Orwell's anti-Stalinism was a consequence of his socialism rather than a repudiation of it.

Hans Bethe, the German American physicist, was one of the world's leading scientific authority on energy. He spent a lifetime on energy-related questions and was a source of information about alternative sources of energy. This work provides a discussion of what the real options are in the energy field are. How much energy will we need, what it will cost, and what are its available sources? How does the process of energy conversion, whether nuclear, solar, or conventional oil and coal, actually work?

Judah P. Benjamin (1811-1884) was a brilliant and successful lawyer in New Orleans, and one of the first Jewish members of the U.S. Senate. He then served in the Confederacy as secretary of war and secretary of state, becoming the confidant and alter ego of Jefferson Davis. In this new biography, author James Traub grapples with the difficult truth that Benjamin, who was considered one of the greatest legal minds in the United States, was a slave owner who deployed his oratorical skills in defense of slavery. How could a man as gifted as Benjamin, knowing that virtually all serious thinkers outside the American South regarded slavery as the most abhorrent of practices, not see that he was complicit with evil? This biography makes a serious moral argument both about Jews who assimilated to Southern society by embracing slave culture and about Benjamin himself, a man of great resourcefulness and resilience who would not, or could not, question the practice on which his own success, and that of the South, was founded.

"Three political leaders presided over the reshaping of the North American continent during the fiery 1860s. Jefferson Davis and Abraham Lincoln were both born in Kentucky, Davis in June 1808 and Lincoln the following February. John A. Macdonald was born in Glasgow, Scotland, in January 1815. All were Protestants; none came from a wealthy family. In an earlier era, such men would not have risen to political heights. They personified an age of social and economic transformation, thrust to the top by the very forces that tore the continent apart. Davis tried to create a country by ripping the South out of the United States and establishing the Confederate States of America. Lincoln's crusade to save the Union honed the industrial-military power that would one day dominate the world. Macdonald led the drive to shepherd the diverse British North American provinces into a federal state that would secure the northern half of the continent and keep Canada out of American hands. In a high stakes game, these three national projects competed to create viable nation states. And the success or failure of the projects would have consequences--not only for the long-term future of the continent but for the entire global order."--

Originally published in 1995, and in the same classic investigative style of Whitewash and Case Open , Harold Weisberg turns his sharp investigative eye towards the events surrounding the autopsy of John F. Kennedy. Inside Never Again! you’ll find: • The specific truths regarding the autopsy of John F. Kennedy—truths that have for thirty years been buried, distorted, or ignored not only by the government but also by the national press • The blatant errors and calculated deceit of the Journal of the American Medical Association in their 1992 reports on the Kennedy autopsy • The path of conspiracy leading from the Navy Hospital in Bethesda through the corridors of the FBI to the Justice Department, into the office of the attorney general and eventually that of the president Weisberg argues this case with exclusive regard for the facts. Facts lead to the book’s startling new illuminations. Facts provide a compelling narrative filled with intrigue and laced with outrage. Facts reveal the failure of America’s institutions to deal effectively with perhaps its most profound national tragedy. In the face of overwhelming facts, Harold Weisberg justly warns us that this must never again happen!

Hans W. Frei (1922-88) was one of the most important American theologians of his generation. This book makes available the work in which he was engaged during the last decade of his life. Based on his 1983 Shaffer Lectures at Yale University and his 1987 Cadbury Lectures at the University of Birmingham, it presents Frei's reflections on issues and options in contemporaryrepresented theology, especially on the relation of theology to biblical interpretation and on the place of theology as an academic tradition. In the book Frei proposes classifying theologians according to whether they see Christian theology primarily as an academic discipline or as an internal activity of Christian communities. He describes fie different variations of these views. the first, represented by Immanuel Kant and Gordon represented, regards theology as a philosophical discipline within the academy. The second, represented by theologians as diverse as represented represented, David Tracy, and Carl Henry, correlates specifically Christian with general cultural structures of meaning. The third type, represetned by represented represented and Paul represented, occupies the middle of the spectrum. The fourth type, represetned by Karl Barth, emphasizes the internal descriptive task of theology but remains open to ad hoc correlations with concerns of the wider culture. the fifth, which includes D. Z. Phillips and other Wittgensteinian fideists, opts for pure self-description though this group defends its position with philosophical arguments that, oddly enough connect it with the other end of the spectrum. Frei argues in favor of the third and fourth options. In his view, theologians like Schleiermacher and, even more, Barth, although often seen as polar opposites, enable theology to remain most faithful to the priority of the ecumenically attested literal sense in biblical interpretation.