"An all-access ticket to the celebrated and wholly original mind of Mark Leyner, "one of the smartest and funniest humans since Aristophanes" (Jay McInerney). Praised as "chaotic and vibrant" (Charles Yu), "visionary" (Sam Lipsyte), and "supremely original" (John Cusack), the work of Mark Leyner has inspired a generation of contemporary novelists and has long deserved its place of recognition among the literary superstars of the seismic postmodernism-influenced movement of the early 21st century. A Shimmering, Serrated Monster!: The Mark Leyner Reader samples the staggering highlights from Leyner's extraordinary career in all of its bizarre and infatuating glory, with excerpts spanning from his groundbreaking early novels My Cousin, My Gastroenterologist (1990) and Et Tu, Babe (1992) to his modern masterpieces The Sugar-Frosted Nutsack (2012) and The Last Orgy of the Divine Hermit (2021). Appreciations from modern masters introduce each novel and the book includes original pieces in Leyner's irrepressible voice, including a timeline ("The Story So Far") and a new Afterword ("The Highlighted Passages"). This comprehensive volume is the perfect entry point for readers attracted to mind-expanding prose, and a bouquet of delights for those who have loved any of his past works"--

"A survey of modernist poetry" by renowned authors Robert Graves and Laura Riding stands as a seminal work in literary criticism, offering an indispensable examination of 20th-century poetic innovation. This landmark text provides a comprehensive and critical look at the rise of modernism in literature, delving into the foundational principles and varied expressions that shaped the movement. Graves and Riding meticulously analyze the historical trajectory of modernist poetry, tracing its evolution, identifying key figures, and exploring the profound shifts in form and content. This authoritative survey is essential for anyone interested in the history of poetry, the development of free verse, and the broader impact of modernism. It dissects the stylistic shifts and theoretical underpinnings that defined one of the most transformative periods in literary history, offering deep insights into the craft and intellectual currents of the era. "A survey of modernist poetry" remains a vital resource, offering profound understanding of the complex landscape of 20th-century poetry and the enduring legacy of modernism. As a carefully prepared print republication, it continues to serve as a cornerstone for students, scholars, and enthusiasts seeking clarity on a pivotal era of literary change. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The People from Heaven , John Sanford's most ambitious and searing novel, completes his Warrensburg Trilogy, digging beneath the bucolic surface of a small-town to expose the hatred at its core. "A sacred book, majestic in its rebukes of those who violate the breath and origin of humanity while professing faith and going through the motions of holiness." Carl Sandburg The people of Warrensburg are divided by the arrival of a nameless Black woman. Her few allies call her America Smith, while the town's most prominent citizens try to drive her out. This clash results in rape and murder. Sanford punctuates this spare plot with poetic episodes from the nation's past, rooting the characters' actions in the violence of the nation's founding. He tells the story with an artistry of language that led the Cambridge Companion to Jewish American Literature to describe him as America's "most outstanding neglected novelist." This new edition of Sanford's literary masterpiece features an introduction by Jack Mearns, author of John Sanford: An Annotated Bibliography. The other books in the trilogy are Make My Bed in Hell and The Old Man's Place. John Sanford (1904-2003) was a screenwriter and author who wrote 24 books. A one-time member of the Communist Party, he and his wife, the ground-breaking screenwriter Marguerite Roberts, refused to testify to the House Un-American Activities Committee, and were blacklisted in Hollywood for nearly a decade. "Only a warm-hearted and perceptive author who believes in the potential worth of humanity could have conceived the powerful conflicts, the trenchant syllables here. The fact that it succeeds in provoking an examination of national conscience as well as of person attitude also suggests its worth." New York Herald Tribune "Sanford's technique is arresting and every page has a savor and quality of its own." The New Republic

Explore the rich tapestry of early 20th-century literature with “Works of Israel Zangwill, Volume 8.†This collection showcases the insightful and often poignant writings of Israel Zangwill, a prominent voice in Jewish literature and a keen observer of European society. Zangwillâ€(TM)s works delve into themes of identity, assimilation, and the immigrant experience, offering a compelling glimpse into a rapidly changing world. This volume promises to be a valuable addition to any literary collection, providing both historical context and timeless narratives that resonate with contemporary readers. Discover the enduring appeal of Zangwillâ€(TM)s storytelling and his contribution to the literary landscape. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Most readers north of the Rio Grande are not aware that waves of immigrants have created an ethnically diverse culture in Latin America, a mosaic of particular visions and voices that includes a cohesive Jewish community with roots in Eastern Europe and as far back as pre-Columbian Spain. In this unique anthology, Ilan Stavans - who is at home both in Jewish and Latino cultures - introduces us to engaging writers, the histories of the different communities in which they emerged, their literary tradition and cultural predicament.

Professor Levy explores the ritual origins of Japanese verse, the impact of Chinese and Korean literary influence on the seventh-century Court, and the rhetorical deification of the imperial family as the condition under which Hitomaro would begin his career as a Court poet. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A recreation of a village in Palestine and its characters, each gently and carefully called back from the past to tell their stories in a literary narrative. In 1917, the members of a spy ring who sought to assist the British in driving the Turks from Palestine were betrayed. It was said that four women of the town were seen laughing at the arrests of their neighbors. Each met a strange fate: one died prematurely, the second went mad, the third was an invalid and the fourth lived out her life in disrepute. When Halkin read this story of the village that he lived in, it inspired him to begin a journey into the past. His friends and neighbors each offered a different version of the events, and Halkin discovered that each of them was in some way affected by the legendary fate of the spy ring

First edition hard cover in very good condition, with unclipped dust jacket in good condition. From the collection of W.L. Webb, the Guardian's literary editor for many years. DJ is notably tanned, with light creasing to cover edges, corners and folds. Boards are very clean, pages tightly bound, and content is unmarked. CN

Evokes old loves, intense friendships, literary ghosts, and a lifetime in the landscape of the 20th century. The poems in this collection try to draw a coherent shape out of inner uncertainties. Carcarnet also publish Elaine Feinstein's "Selected Poems".

The twelve contemporary fiction writers interviewed in Passion and Craft go beyond the merely autobiographical, revealing that, despite their differences, they share passionate devotion and discipline for their craft. Included are Richard Ford, winner in 1995 of both the Pulitzer Prize and the PEN/Faulkner Award; Gina Berriault, 1997 winner of the National Book Critics Circle Award; Bobbie Ann Mason; T. Coraghessan Boyle; Rick Bass; Leonard Michaels; Christopher Tilghman; Thom Jones; Julia Alvarez; Andre Dubus; Jayne Anne Phillips; and Tobias Wolff. Their comments will interest readers devoted to their novels and stories, other writers, and aspiring writers.

The new collection from Lambda Literary Award-winning author and editor of Transcendent 2 offers plenty of thrills for readers of LGBTQ-focused speculative literature. The stories range from magical space opera to cheerful body horror and historical fantasy, always with a sense of hope amid adversity.

It’s the mid-1970s, a time of political and social turmoil. Watergate is on everybody’s mind, and the women’s movement is the subject of much contention. Lish Lasker, a young novelist, unexpectedly meets her heroine, Charlotte Burns, an older writer and the author of the groundbreaking feminist work Vanity Fare, at a New York cocktail party. Lish is married to a Barnard College professor and feels stuck in her lowly and unsung roles of faculty wife and housewife on Manhattan’s upper west side. To her surprise, immediately after their meeting, glamorous Charlotte befriends her. Lish is fascinated by Charlotte’s luxurious existence in the Hamptons and Park Avenue and her connections with literary high life. But then a series of dramatic revelations upset their lives.

Review Andrei Codrescu transforms the common place into the miraculous. His work is cause for celebration. -- Kay Boyle His command of language is superb, his writing beautifully original, and his insights piercing. -- Harper's Magazine One of our most prodigiously talented and magical writers. -- New York Times Book Review Product description An aspiring writer, a professor's wife, a secreretary, gold anklets, Maoists, Rom .harlots and more swirl through this spicy tale of a harried quest for a mythic artifact. Repentance of Lorraine is a lusty yam inspired | by the heady and hot days of the Sixties. This special edition includes a new introduction by the author on the illicit birth pangs of his career and The Repentance of Lorraine. A longtime favorite of National Public Radio audiences, Andrei Codrescu has cemented his literary reputation with a number of poetry and nonfiction volumes, including the critically acclaimed The Hole in the Flag. Early in his career, Codrescu cut his publishing teeth with less lofty work including the delicious Lorraine. Out of print for years, this early Codrescu tale originally published under the pseudonym Ames Claire is again available. From the Publisher An aspiring writer, a professor's wife, a secretary, gold anklets, Maoists, Roman harlots and more swirl through this spicy tale of a harried quest for a mythic artifact.

Product Description A vivid account of the maturing of a young Jewish girl in a prairie community of the 1920s that ultimately claims her as her own. Review ... a stunning vivid novel -- The Jewish Post and News About the Author Linda Ghan grew up in southern Saskatchewan and was educated at the Universities of Saskatchewan and Regina. After receiving her MA she pursed a career of teaching and writing in Jamaica. She moved to Montreal where she produced, hosted and wrote for radio and taught creative writing at Concordia University. She served in a number of posts in the literary community and is now in Japon as head of Canadian Studies at Ibaraki University, Mito, Japon.

"Good readers will find something that can be found only in great literature, the kind written by real poets, a literature that dares to venture into the dark with open eyes and that keeps its eyes open no matter what . . . . The literature of the twenty-first century will belong to Neuman and a few of his blood brothers."--Roberto Bolaño Playful, philosophizing, and gloriously unpredictable, Andrés Neuman's short stories consider love, lechery, history, mortality, family secrets, therapy, Borges, mysterious underwear, translators, and storytelling itself. Here a relationship turns on a line drawn in the sand; an analyst treats a patient who believes he's the real analyst; a discovery in a secondhand shop takes on a cruel significance; a man decides to go to work naked one day. In these small scenes and brief moments Neuman confounds our expectations with dazzling sleight of hand. With a variety of forms and styles, Neuman opens up the possibilities for fiction, calling to mind other greats of Latin American letters, such as Cortázar, Bolaño, and Bioy Casares. Intellectually stimulating and told with a voice that is wry, questioning, sometimes mordantly funny, yet always generously humane, The Things We Don't Do confirms Neuman's place as one of the most dynamic authors writing today. Andrés Neuman was born in Buenos Aires, and grew up and lives in Spain. He was included in Granta 's "Young Spanish-language Novelists" issue and is the author of almost twenty works, two of which-- Traveler of the Century and Talking to Ourselves -- have been translated into English. Traveler of the Century won the Alfaguara Prize and the National Critics Prize, and was longlisted for the 2013 Best Translated book award, and shortlisted for the 2013 Independent Foreign Fiction Prize and the 2014 International IMPAC Dublin Literary Award. Nick Caistor is a prolific British translator and journalist, best known for his translations of Spanish and Portuguese literature. He is a past winner of the Valle-Inclán Prize for translation and is a regular contributor to BBC Radio 4, Times Literary Supplement , and the Guardian. Lorenza Garcia has lived for extended periods in Spain, France, and Iceland. Since 2007, she has translated over a dozen novels and works of non-fiction from French and Spanish.

"Alexander Herzog, a young writer, goes to Vienna to escape his debts and a failed love affair. There he is pursued by book-loving Ganna: giddy, girlish, clumsy, eccentric, and wild. Dazzled and unnerved by her devotion to him, and attracted to the large dowry offered by her wealthy father, he thinks he can mold Ganna into what he wants. But no one can control her troubling passions. As their marriage starts to self-destruct, Herzog will discover that he can never escape her. Posthumously published in 1934 and based on Wassermann's own ruinous marriage, My Marriage is a tragic masterpiece that unfolds in shocking detail. This story of rare intensity and drama is now brought to English readers in a powerful translation by Michael Hofmann."--

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Les Discours Du Docteur O'Grady André Maurois B. Grasset, 1922 History; Military; World War I; Fiction / Literary; History / Military / World War I; Literary Criticism / European / French

Carole Balin introduces us to dozens of Jewish women writers from late nineteenth- and early twentieth- century Tsarist Russia, focusing on five who were among the most prolific. Their extant literary remains include not only fiction, poetry, drama, translations, and essays, but also memoirs, autobiographies, diaries, and letters. Balin contextualizes the works of each within the culture in which she lived and wrote. Miriam Markel-Mosessohn (1839-1920) toiled to advance the goals of the Russian Haskalah (Enlightenment), translated German works into Hebrew, tried her hand at poetry, and became a foreign correspondent for a Hebrew newspaper at the age of 48. Hava Shapiro (1879-1943) published short stories and newspaper articles in Hebrew, earned a doctorate at the University of Berne, and was an active participant in the writing circle convened at the Warsaw home of Y. L. Peretz. Rashel Mironovna Khin (1861-1928) wrote numerous short stories and plays in Russian, two of which were staged at Moscow's Malyi Theater. Feiga Israilevna Kogan (1891-1974) composed books of Symbolist poetry in Russian while harboring a love of Hebrew, which she nurtured at the Society for Lovers of the Hebrew Language. Sofia Dubnova-Erlikh (1885-1986) was the daughter of historian Simon Dubnov, the wife of socialist Genrikh Erlikh, and an accomplished poet, essayist, biographer, and political activist in her own right. The life-like and touching portraits that emerge of these talented writers allow us a penetrating view of Jewish women within their Russian-Jewish milieu that is far more nuanced than the images of housewife and revolutionary currently held in collective Jewish memory. The lives and works of these women help to tell a larger story of Jewish cultural history in the Russian Empire.

The fourteen stories that make up Jonathan Baumbach's eighth book of fiction deals with parents, children, love, basketball, billiards, reading, marriage, divorce--the essentials of everyday life which, through the author's unique strategy of narrative, come to the reader in unexpected ways. Combining comedy and nightmare, these stories distinguish themselves by the charge of their imaginative life, their concern with language, and the play and replay of their form. "Familiar Games" describes a one-on-one basketball game between a 12-year-old boy and his mother, a match that evokes a childhood memory of sexual mystery; "Passion?" concerns the disrepair of a marriage that has presented itself to friends and the world as ideal; "Children of Divorced Parents" centers on the problematic career of a filmmaker who, after several failed marriages, continues to pursue the illusion of first love; and the title story, "The Life and Times of Major Fiction," investigates the mysterious career of a literary confidence man, an impassioned lover of good books, whose life is itself a pastiche of the plots of major fictions.

Sigmund Freud and Josef Breuer on hysteria, J.A. Symonds and Havelock Ellis on sexuality, a novel by Ford Madox Ford and Joseph Conrad, The Waste Land of T.S. Eliot (and Ezra Pound), even the Lyrical Ballads of Wordsworth and Coleridge: men making books together. Wayne Koestenbaum's startling interpretation of literary collaboration focuses on homosexual desire: men write together, he argues, in order either to express or to evade homosexual feelings. Their writing becomes a textual intercourse, the book at once a female body they can share and the child of their partnership. These man-made texts steal a generative power that women's bodies seem to represent. Seen as the site of a struggle between homosexual and homophobic energies, the texts Koestenbaum explores - works of psychoanalysis, sexology, fiction, and poetry - emerge as more complex, more revealing. They crystallize and refract the anxiety of male sexuality at the end of the last century, and open up a deeper understanding of connections today between the erotic and the literary. Drawing upon the work of feminist critics, Koestenbaum connects male collaboration and the exchange of women within patriarchy: he peers into both medical texts and imaginative literature, disturbing our ready acceptance of the co-authored work. This strong and unsettling book transforms our understanding of the creative process, providing a new sense of what both collaborative and solitary artistry mean.