"Alcatraz. The prison fortress off the coast of San Francisco. No man had gotten out alive before his time was up, until a 20-year-old petty thief named Willie Moore broke out. Recaptured, then thrown into a pitch-black hellhole for three agonizing years, Willie is driven to near-madness by a sadistic warden, and finally, to a brutal killing. Now, up on first-degree murder charges, he must wrestle with his nightmares and forge an alliance with Henry Davidson, the embattled lawyer who will risk losing his career and the woman he loves in a desperate bid to save Willie from the gas chamber. Together, Willie and Henry will dare the most impossible act of all: get Willie off on a savage crime that the system drove him to commit--and put Alcatraz itself on trial."--Page 4 of cover.

Asher Baum is quietly losing his mind. Can you blame him? A middle-aged Jewish journalist turned novelist and playwright, consumed with anxiety about everything under the sun, Baum's turgid philosophical books receive tepid reviews and his prestigious New York publisher has dropped him. His third marriage is on the rocks and he suspects his handsome and successful younger brother may have seduced his Harvard-educated wife. He is uneasy with her close relationship with her son, a more successful author than he, and suspicious of her closeness with their neighbour in Connecticut. And in a moment of irrationality, he has impulsively tried to kiss a pretty young journalist during an interview that she is about to go public with. Is it any wonder Baum has started talking to himself?

William Goldman is famous for his Academy Award-winning screenplays, infamous for the thriller that did for dentists what Psycho did for showers, beloved for his hilarious "hot fairy-tale," and notorious for his candid behind-the-scenes Hollywood chronicles. But long before Butch and Sundance, Buttercup, and the Tinsel-Town tell-alls, he made his mark as one of the great popular novelists of the twentieth century. Now his sweeping, classic tale of a generation's tumultuous coming-of-age is at last back in print. BOYS & GIRLS TOGETHER Aaron, Walt, Jenny, Branch, and Rudy. They are children of America's post-war generation, as different from one another as anyone can be. Yet they are bound together by the traumas of their pasts, the desperate desire to capture their dreams and satisfy their passions, the stirring pleasures of sexual awakening--and the twists of fate that will inextricably link their lives in the turbulent world of 1960s New York City.

Pillars of American literature, these two newly repackaged titles have been loved and admired by readers for decades. Set during the Depression, Yonnondio : From The Thirties is the timeless and hauntingly timely story of the Holbrook family, struggling for a more tolerable existence. Written by the author in the 1930s and rediscovered by her in the 1970s, Yonnondio will always be an unfinished work that makes us long for more of that young author's brilliance. This reissue presents newly discovered fragments and scenes that satisfy some of that longing and give a more complete picture of the fate of the mother, Anna, one of literature's most believable and enduring woman. Tell Me A Riddle is a collection of four stories: "I Stand Here Ironing," "Hey Sailor, What Ship?," "O Yes," and the title novella, which won the O. Henry Award in 1961. Anthologized over a hundred times, the stories live on in the hearts of readers everywhere. John Leonard provides a new introduction that is a personal reminiscence as well as reaffirmation of Olsen's place in American literature's pantheon of great writers.

In 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the Caribbean, titled Birds of the West Indies. Ian Fleming, an active bird watcher living in Jamaica, subsequently appropriated the name for his novel's lead character. This co-opting of names was the first in a series of substitutions that would become central to the construction of the James Bond narrative. In a meticulous and comprehensive dissection of the Bond films, artist Taryn Simon inventoried women, weapons and vehicles, constant elements in the films between 1962 and 2012. The contents of these categories function as essential accessories to the narrative's myth of the seductive, powerful and invincible western male.

"When Penguin released a new, unexpurgated edition of D.H. Lawrence's Lady Chatterley's Lover in 1960 they were charged with the crime of publishing obscene material. Penguin was forced to defend the book's literary merit in a court of law -- thus beginning one of the most famous trials of the 20th century. There to take it all in, armed with her pencil and paper, was Sybille Bedford -- who wastes no time complaining about the claustrophobia of Courtroom 1 at the Old Bailey. With her trademark wit and flair, Bedford presents us with a play-by-play of the trial: from the prosecution's questioning of the novel's thirteen sexual encounters and their listing of all 66 instances of swear words, to the dozens of witnesses who testified -- including the Bishop of Woolwich and E. M. Forster. Bedford gives us a timeless and dramatic account that captures one of the most fascinating and absurd moments in both legal and publishing history, when attitudes and morals shifted forever."--Inside cover

A collection of short fiction from the groundbreaking essayist, novelist, and political activist includes allegories and parables as she wrestles with topics that made up her private sorrows and fears.

An Academy Award-nominated screenwriter and a mystery novelist, Roger L. Simon is the only American writer to pull off the amazing trick of being profiled positively in both Mother Jones and National Review in one lifetime. The stunning story of his political odyssey is told in this memoir, where Simon recounts his migration from financier of the Black Panther Breakfast Program to pioneer blogosphere mogul beloved by the right as a 9/11 Democrat. But Simon is beholden to neither right nor left in this tale of Hollywood chic run amuck, as he talks out of school about his adventures with, among many others, Richard Pryor, Warren Beatty, Timothy Leary, Richard Dreyfuss, Woody Allen, and Julian Semyonov, the Soviet Union's version of Robert Ludlum and also a KGB colonel who tempted Simon to join the KGB himself. Among the topics covered along the way: Is there a new blacklist in Hollywood, this one targeting conservatives? Simon's red-carpet tours of the People's Republic of China, Cuba, and the Soviet Union with Hollywood screenwriters and famous mystery novelists. Why Al Gore's documentary on global warming didn't deserve the Oscar on artistic grounds alone; and why the Academy's voting system is so corrupt. And, as they say, there is much, much more besides.

Science fiction legend Robert Silverberg reflects on some of his earliest, least-reprinted tales in this new Planet Stories collection! Between 1956 and 1958, Silverberg contributed dozens of short stories and novellas to the digest pulps, each written in the bombastic, high-adventure style of the original Planet Stories magazine. Since then, those tales have re-appeared only rarely (and sometimes never again) in long out-of-print paperback anthologies. This volume, the first of three to come this year, features seven hard-to-find classic Silverberg novellas: Slaves of the Star Giants, Spawn of the Deadly Sea , The Flame and the Hammer , Valley Beyond Time , Hunt the Space-Witch! , The Silent Invaders , and Spacerogue.

A riveting thriller about crime and punishment in Soviet-era Moscow. Like the Arkady Renko novels of Martin Cruz Smith, Robert Littell's masterful Mother Russia transports readers back in time and behind the Iron Curtain to experience the extremes of Soviet society. Robespierre Pravdin is a black marketeer who prowls Moscow's streets and alleys hustling wristwatches. Wishing only to survive in a city suffocated by paranoia and schizophrenia, Robespierre manages to make a tidy profit and stay under the state's radar-until, one day, he meets the woman called "Mother Russia" and becomes ensnared in the Byzantine and profoundly dangerous game of politics. This is another darkly engrossing pageturner from the bestselling author of The Sisters and The Defection of A. J. Lewinter.

""We?re either going to get a dog or have a child. We can?t decide whether we want to ruin our carpet or ruin our lives." Comedy legend Rita Rudner, known for her epigrammatic one-liners, has enjoyed a fifty-plus year career that has included dancing, singing, acting, creating award-winning TV specials, novels, essay collections, screenplays, theater plays, a musical and a syndicated TV series. In the middle of all that, she has somehow enjoyed a successful marriage and raised a daughter. Rita started as a dancer on Broadway in such shows as Follies, Mack & Mabel and Annie. In the early 1980s she decided to switch from chorus lines to punch lines and was soon a regular guest on both Late Night with David Letterman and The Tonight Show. Eponymous cable TV specials followed, as she performed in theaters all over the world ? from the Palladium in London to Carnegie Hall in New York. If you haven?t seen Rita live in a theater, reading this book is the next best thing. And if you have seen her live, no doubt you?ll want to know more about what makes this fascinating woman tick." - amazon.com,

What fictional detective survived an attempted murder by his creator? (Sherlock Holmes) Who was the single mother, living on state benefits, whose wizardly series of novels has made her the richest writer in England? (J. K. Rowling) Which American poet composed and read a poem at John F. Kennedy's inauguration? (Robert Frost)

The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate.Illuminating these lives in transition and guiding us through the book's evocative landscapes, familiar and foreign, is the miind of the novelist Nathan Zuckerman. His is the skeptical, enveloping intelligence that calculates the price that's paid in the struggle to change personal fortune and reshape history, whether in a dentist's office in suburban New Jersey, or in a tradition-bound English Village in Gloucestershire, or in a church in London's West End, or in a tiny desert settlement in Israel's occupied West Bank.

"Acclaimed cartoonist Peter Kuper delivers a powerful interpretation of this controversial classic. Heart of Darkness has unsettled generations of readers with its haunting portrait of colonialism and brutal exploitation in Africa. Now award-winning illustrator Peter Kuper reimagines Conrad's masterpiece for a new generation, transforming this dramatic tale of madness, greed, and evil into something visually immersive and profoundly complex. Drawn in pen, black pencil, and ink wash reminiscent of the etchings and lithography of Francisco Goya and Honoré Daumier, Kuper's Heart of Darkness captures the ominous atmosphere and tempo of Charles Marlow's journey up the River Congo. Kuper's images and concise text confront Conrad's colonial attitudes and systemic racism yet leave room for readers to engage with these issues on their own terms. Longtime admirers of the novella will appreciate Kuper's innovative interpretations and see Conrad's opus with fresh eyes, while new readers will discover a brilliant introduction to a canonical work of twentieth- century literature"--

It is time to elect a new abbess at the Convent of Crewe. There are two contenders: nuns Alexandra and Felicity. Alexandra is busy bugging the convent while Felicity calls the police when her love letters (to a young Jesuit priest) are stolen. A brilliant laugh-out-loud satire on the Watergate scandal.This is one of the 22 novels written by Muriel Spark in her lifetime. All are being published by Polygon in hardback Centenary Editions between November 2017 and September 2018.

Finalist, 2008 Pulitzer Prize Lincoln Kirstein was a tireless champion of the arts in America. Working behind the scenes to provide artists with money, space, audiences, and, at times, emotional support, he helped found such landmark cultural institutions as the New York City Ballet, the School of American Ballet, New York’s Lincoln Center and Stratford's American Shakespeare Festival. Duberman's biography sheds light on this lamentably neglected cultural figure. Though best known as a benefactor of the arts, Kirstein was also an adept critic, poet and novelist who published some fifteen books in his lifetime. From his undergraduate years at Harvard, where he established the influential literary magazine Hound and Horn , as well as the Harvard Society for Contemporary Art (precursor to the Modern Museum of Art), to his complex and historically significant relationship with George Balanchine, Kirstein's contributions were indespensible to the development of the arts in America. Authoritative and elegant, Duberman's biography utilizes previously unavailable documents, including Kirstein's diaries, to reveal the keen eye, incessant self-doubt, and enormous ambition that drove Kirstein's relentless advocacy. The Worlds of Lincoln Kirstein brings attention to an important, but until-now unappreciated figure whose individual contribution to the arts was one of the greatest of the twentieth century.

""Vampires. Why do we care? In these pages you will find what is very simply, the most literate, imaginative, and just plain fascinating answer to that question ever written." Whitley StrieberIn a culture that does not do death particularly well, we are obsessed with mortality. Margot Adler writes, "Vampires let us play with death and the issue of mortality. They let us ponder what it would mean to be truly long lived. Would the long view allow us to see the world differently, imagine social structures differently? Would it increase or decrease our reverence for the planet? Vampires allow us to ask questions we usually bury."As Adler, a longtime NPR correspondent and question asker, sat vigil at her dying husband's bedside, she found herself newly drawn to vampire novels and their explorations of mortality. Over the next four years--by now she has read more than 270 vampire novels, from teen to adult, from gothic to modern, from detective to comic--she began to see just how each era creates the vampires it needs. Dracula, an Eastern European monster, was the perfect vehicle for 19th-century England's fear of outsiders and of disease seeping in through its large ports. In 1960s America, Dark Shadows gave us the morally conflicted vampire struggling against his own predatory nature, who still enthralls us today. Think Spike and Angel, Stefan and Damon, Bill and Eric, the Cullens. Vampires Are Us explores the issues of power, politics, morality, identity, and even the fate of the planet that show up in vampire novels today. Perhaps, Adler suggests, our blood is oil, perhaps our prey is the planet. Perhaps vampires are us"--

"In this literary diary, Krasznahorkai chronicles his attempts to fathom the life of Herman Melville, which is also the source of inspiration for his forthcoming novella Spadework for a Palace. Retracing Melville's steps, Krasznahorkai becomes engrossed in a web of chance encounters and coincidences that stretch from Manhattan to Nantucket, to London and to Berlin. Over the course of his wanderings, Krasznahorkai finds himself increasingly alienated from his present-day surroundings, drawn instead to the company of ghosts: the novelist Malcolm Lowry when he was down-and-out, the visionary architect Lebbeus Woods and of course - Melville himself. Ornan Rotem's photographic essay follows Krasznahorkai on his forays, both in space and time, creating a subtle portrait of a creative mind at work and the places he encounters."--Publisher.

"Destruction and Sorrow beneath the Heavens is both a travel memoir and the chronicle of a distinct intellectual shift as one of the most captivating contemporary writers and thinkers begins to engage with the cultures of Asia and the legacies of its interactions with Europe in a newly globalized society. Rendered in English by award-winning translator Ottilie Mulzet, Destruction and Sorrow beneath the Heavens is an important work, marking the emergence of Krasznahorkai as a truly global novelist"-- Amazon.com

Strange Devices of the Sun and Moon is set in an imaginative recreation of Elizabethan London, a rich, intense city overflowing with life and action, a city of spies and booksellers, alchemists and playwrights, poets, witches, plague and salvation. A series of strange events links the lives of an ordinary woman, a bookseller in St. Paul's, and the great writer Christopher Marlowe, as the Faerie Queen and her court invade London in search of the Queen's son, the reborn King Arthur. Marlowe must become in effect a detective, and Alice, strangely favored by the fairies, must become a heroine in a struggle against evil forces. The culmination of this extraordinary fantasy, a battle between the opposing dragons of good and evil, is certainly one of the most weird and enchanting events in all contemporary fantasy. Strange Devices of the Sun and Moon is a big, delicious fantasy adventure filled with strange creatures and ordinary people, famous characters, and mysterious historical doings. It is a triumph of entertainment and one of the finest fantasy novels of the decade.