A staple in the literary scene for over forty years, Jonathan Baumbach's latest novel, Dreams of Molly , is a wonderful addition to his oeuvre. A love story as only Baumbach can write, it is filled with the longings and lingerings, the sex and deprivation, the humor and heartache, and the New York nuances that have driven Baumbach's fiction from the start. Jonathan Baumbach is the author of fourteen books of fiction, including You, or The Invention of Memory ; On The Way To My Father's Funeral: New and Selected Stories ; B, A Novel ; D-Tours ; Separate Hours ; Chez Charlotte and Emily ; The Life and Times of Major Fiction ; Reruns ; Babble ; and A Man to Conjure With . He has also published over ninety stories published in such places as Esquire , Open City , and Boulevard . Baumbach, co-founder of The Fiction Collective in 1973, the first fiction writers cooperative in America (it was reinvented as FC2 in 1988), has seen his work widely praised. His short stories have been anthologized in Best American Short Stories , The PEN / O.Henry Prize , and The Best of Tri Quarterly . The New York Times Book Review referred to him in 2004 as an underappreciated writer. He employs a masterfully dispassionate, fiercely intelligent narrative voice whose seeming objectivity is always a faltering front for secret passion and despair.

"In the course of an impressive career as a writer, Herbert Gold has demonstrated many gifts, among them his talent for mak-ing high drama of ordinary events, ordinary people." - Chicago Tribune Book World "Gold...has a sharp eye for detail."- The Washington Times Magazine "Not just a good book, but a great one."- Daily Mail (London) "Herbert Gold... gives his stories a wry, bright air of wonder...he is a born storyteller."- New York Times "One of the most gifted writers in America."- Detroit Times Important writers are expected to gather together collections of their shorter works-the obligatory book of stories or essays. In this collection, Herbert Gold discards convention, and instead combines fiction and non-fiction themes that have been important to him as a writer and social thinker. This "interchange between fact and fiction," as Gold writes, "presents the picture of an American mind wrestling with the American mentality." And that mind ranges wide: from the miseries of Haiti to the disasters of Biafra; from the new universities and the beatniks and hippies of San Francisco in the 1960s to the literary life and encounters with random violence, love, death, and sexuality in the present. Portions of this book have been published in periodicals as varied as Esquire and Look , Hudson Review , and Tri-Quarterly , and some appear here for the first time. For this edition, Gold bridges the sections with new introductions, which link the specific works, the times, and his life. The book includes the savage and moving story "A Death on the East Side," and his meditation on the doom of Biafra and the meaning of its fate. He has added two new essays, "King of the Cleveland Beatniks," about his brother, and "Quality Time with Sonny Barger," about the former president of the Hell's Angels Oakland Chapter. These show his consistent interest in what many would see as the margins of social life. Of the title, the author writes: " The Magic Will " seeks to make the real world unreal and magical, and the unreal and magical world practical and real." Amusing, touching, playful, ultimately deeply serious, this book by Herbert Gold further illuminates the mind and heart of a superb writer. It will be a joy to those interested in the humanities, as well as cultural history and social awareness in the broadest sense. Herbert Gold is a novelist, short story writer, essayist, and occasional journalist, who has made his living as a writer for fifty years.

In 2004, Hippocampus Press published Out of the Immortal Night-an initial attempt to collect the widely dispersed and largely uncollected work of Samuel Loveman (1887-1976), an associate of H. P. Lovecraft, Ambrose Bierce, Clark Ashton Smith, and others, and an immensely talented poet and bookman in his own right. But that volume was largely restricted to Loveman's poetry, drama, and selected short fiction. Now, editors S. T. Joshi and David E. Schultz have vastly expanded the scope of this volume to include a great deal of other work by Loveman. More poems have been discovered in the amateur press; many more works of fiction have come to light; and, most significantly, Loveman's critical essays and reviews, amounting to more than 100 pages, have been included. These essays range from articles on poets and poetry to memoirs of Hart Crane (who counted Loveman among his closest friends), and notices of books in book catalogs. In addition, the volume includes a lengthy and previously unpublished series of interviews that Loveman gave late in life to Thomas J. Hubschman, in which all manner of subjects-Hart Crane, H. P. Lovecraft, the writing of poetry, and much else-is covered. All told, this augmented edition presents a comprehensive portrait of one of the most interesting literary figures of his era.

This Is A New Release Of The Original 1922 Edition.

This Is A New Release Of The Original 1897 Edition.

This is a new release of the original 1941 edition.

"Judith Arcana's remarkable feat in Hello. This is Jane. is to paint, tile by tile, a complex mosaic of compelling linked stories- children's playgrounds and adult tattoo parlors, ill-advised lovers and underground abortion activists. In the mainstream and on the edges, you'll feel the urgency of the struggle for reproductive justice as you turn these pages." -Cindy Cooper, Founding Director of Words of Choice and The Reproductive Freedom Festival, Judith Arcana has taught and written about motherhood and reproductive justice for decades. The prose and poetry of Our Mothers' Daughters, Every Mother's Son, and What if your mother are feminist classics. The stories in this new collection, rooted in her experience as a Jane in Chicago's pre-Roe v. Wade underground abortion service, were written as the United States has moved relentlessly into constraining motherhood and denying reproductive justice. By necessity, these stories reach from the past into the future, offering history and hope. "I'm profoundly grateful to Judith Arcana for writing these vital, electrifying stories. With abortion rights in America being stripped away-state by state, clinic by clinic-we need to hear from those who've fought this battle before. Arcana is a Jane; her work in the pre-Roe abortion underground has provide the seeds for her fiction, stories rooted in essential history to spark action in our terrifying present." -Leni Zumas, Author of Red Clocks

In this English translation of the 1993 Sor Juana Inés de la Cruz Prize winner Dulcinea encantada (1992) by Mexican author Angelina Muñiz-Huberman, Dulcinea travels in a car writing novels in her mind about several Dulcineas: a medieval princess on a quest, a nineteenth-century lady-in-waiting in Mexico, and a twentieth-century young woman who was sent to Russia as a girl to escape the Spanish Civil War and later journeys to Mexico to reunite with her parents. Unsure of her identity, Dulcinea remembers, debates, and records memories of her exile. As she circles Mexico City, she examines the role of memory, speech, and writing through her fragmented narrative voice. Dulcinea explores her place in the world through storytelling, blurring the line between reality and imagination. This novel pairs a lyrical and contemplative style with experimental writing to present common themes of identity formation and exile in a unique form. Dulcinea’s quest is also one of spiritual connection with apocalyptic and mystical overtones. With allusions to both Christian and Jewish mystical traditions, this novel reveals a crypto-Jewish presence typical of Muñiz-Huberman’s writing, forming part of a Sephardic literary tradition. This edition includes an introduction and annotations by the translator, Rebecca Marquis.

There was something similar to the depraved beginning of Theodora, Empress of Byzantine, who had been a dancer, and the beginning of Miriam the woman from Magdala. And by a similar fate, they were both later considered saints... Here is the gripping, suspenseful story of Lili, a prostitute from nowadays Jaffa, as told by Adon, the unlikely passer-by who saved her life. It is a razor-sharp story of love and fateful struggles, set against the raw and vibrant human landscape of Jaffa. A stark and riveting account of the human experience in its many moving parts. Author Shlomo Kalo delivers another thought-provoking masterpiece that richly explores the zeniths of man's compassion, and the depths of his depravity. A master of craft, Kalo employs honesty in conveying the rich layers of human lives and the delicacy by which their various struggles paint the city of Jaffa in vibrant hues of struggle and hope. Scroll up and Grab your copy of LILI today

The Sock, a Play in One Act , by Samuel Badisch Ornitz, offers a concise dramatic experience suitable for stage performance and study. Written in the early 20th century, this play explores themes relevant to its time and provides insights into the social and cultural milieu of the era. The brevity of the one-act format makes it an accessible choice for both performers and audiences, while Ornitz's writing provides substance for those interested in early American drama. "The Sock" promises to be a thought-provoking and engaging addition to any theatrical collection or academic curriculum. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

A poor Hungarian violinist arrives in New York seeking his fortune but meets with one disaster after another.

The Flutter of an Eyelid, originally published in 1933, is a vicious, and often quite funny, satire of Southern California's bohemian community in the 1920s by Jewish-American novelist Myron Brinig (1896-1991). Illustrated by Lynd Ward (1905-1985). Some of the novel's characters are loosely based on prominent residents of the Los Angeles neighborhood of Echo Park, an early center of film-making on the West Coast. These include the rare book dealer Jake Zeitlin (1902-1987), whose shop became a gathering place for local writers and artists, and who introduced Brinig to his circle of friends; and the charismatic evangelist and media celebrity Aimee Semple McPherson (1890-1944). Zeitlin, who was caricatured as a self-loathing Jewish antique dealer in the novel, considered the book an "insulting betrayal" and, after seeing an early set of galleys, threatened to sue. He succeeded in having some of its more offensive anti-Semitic passages removed prior to its publication. Jewish himself, Brinig was no anti-Semite; he and Zeitlin simply did not get along. One source reports that shortly after the book was released, it was pulled from stores because of further legal threats from McPherson and some of the other individuals who were too "thinly disguised" in the novel.

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Reprint of the original, first published in 1874.

It's a spoof..... It's a look into today's tomorrow. In 1944 and 1946 Hugo Gernsback was publishing an electronics magazine that was titled Radio-Craft. You may or may not remember it. During this time, that same Hugo Gernsback send to many friends, associates, advertisers and others he deemed worthy, his forward looking little mini-magazines, which were takeoffs on his own publication. The first one, Mini Radio Craft, doubled was issued as a promotion for the Electronic Distribution Show. The second one, Radio-Cracy served as his 1944 Christmas Card. Both are fun, both predict things to come, and both are assembled here for those of us who did not have the honor of being on his mailing list. Enjoy!!!

5 1/2"x8 3/8" 248 page cloth hardcover . Publisher-Little, Brown and Company in 1966-Stated First Edition. Two short novels.

The breakthrough spanish activity book euro edition contains a wide variety of imaginative and lively exercises designed to practise and consolidate basic reading and writing skills it is an enjoyable and effective way of brushing up the language whether for self-study or as a companion to a classroom course student exercises to complement this book are now available on line the breakthrough spanish activity book can be used in conjunction with breakthrough spanish 1 euro edition both titles are now fully updated to include the euro currency

A mysterious web of solitude, love, illness, and loss is seamlessly woven into a captivating historical and personal narrative in this poignant yet concise novel. As three characters move through their increasingly haunting lives, they discover how to piece together their past and recreate connections.