THE OLD BROWN SUITCASE is about three very timely topics:- new immigrants to our country- growing up in multicultural Canada- interest in Holocaust events and victims.

A fascinating account of life as a member of the Communist Party of Great Britain The Lost World of British Communism is a vivid account of the Communist Party of Great Britain. Raphael Samuel, one of post-war Britain’s most notable historians, draws on novels of the period and childhood recollections of London’s East End, as well as memoirs and Party archives, to evoke the world of British Communism in the 1940s. Samuel conjures up the era when the movement was at the height of its political and theoretical power, brilliantly bringing to life an age in which the Communist Party enjoyed huge prestige as a bulwark for the struggles against fascism and colonialism.

As a global phenomenon, the scale and character of communism is only now coming into focus. The opening of formerly inaccessible archives and landmark books such as The Black Book of Communism have helped to establish empirically the extent and brutality of Communist totalitarianism. But what about Communist terror as it was personally experienced by the dissidents, the so-called obstructionists who stood in the way of the Communists' efforts to create the new man of the socialist utopia? From the Gulag to the Killing Fields is another landmark volume--and the only one of its kind. Edited by renowned scholar of communism Paul Hollander, it gathers together more than forty dramatic personal memoirs of Communist violence and repression from political prisoners across the globe. From these compelling accounts several distinctive features of Communist political violence can be discerned. The most important, argues Hollander, is that communism was "violence with a higher purpose"--that is, it was devised and undertaken to create a historically superior social system that would not only abolish scarcity, exploitation, and inequality, but would also create a new and unique sense of community, social solidarity, and personal fulfillment. Nothing, of course, was allowed to stand in the way of this effort to radically and totally transform the human condition--least of all human beings. But, as Anne Applebaum notes in her foreword, human nature persisted: "Every person who entered the camps discovered qualities in themselves, both good and evil, that they hadn't previously known they had. Ultimately, that selfdiscovery is the true subject of most camp memoirs, and the true subject of this book."--

Examines what life was like for children - German, Polish, and Jewish - under Nazi rule, based mainly on the diaries and memoirs of 14 persons, five of them Jews: Yehuda Bacon, Janina Dawidowicz (Janina David), Thomas Geve, Dawid Sierakowiak, Miriam Wattenberg (Mary Berg). Pt. 2 (pp. 103-227), "The Race War", focuses on the experiences of the Jewish children, especially in the ghettos of Łódź and Warsaw, and includes the experiences of Bacon in Theresienstadt and Auschwitz. Provides examples of how the games of all these children reflected life and death around them.

Like his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These writings range from personal memoirs and critical reviews to closely reasoned metatheoretical speculations and technical exegesis. In the history of music theory, there has been only a small handful of figures who have produced work of comparable stature. Taken as a whole, Babbitt's writings are not only an invaluable testimony to his thinking--a priceless primary source for the intellectual and cultural history of the second half of the twentieth century--but also a remarkable achievement in their own right. Prior to this collection, Babbitt's writings were scattered through a wide variety of journals, books, and magazines--many hard to find and some unavailable--and often contained typographical errors and editorial corruptions of various kinds. This volume of almost fifty pieces gathers, corrects, and annotates virtually everything of significance that Babbitt has written. The result is complete, authoritative, and fully accessible--the definitive source of Babbitt's influential ideas.

Jewish Girls Coming of Age in America, 1860—1920 draws on a wealth of archival material, much of which has never been published—or even read—to illuminate the ways in which Jewish girls’ adolescent experiences reflected larger issues relating to gender, ethnicity, religion, and education. Klapper explores the dual roles girls played as agents of acculturation and guardians of tradition. Their search for an identity as American girls that would not require the abandonment of Jewish tradition and culture mirrored the struggle of their families and communities for integration into American society. While focusing on their lives as girls, not the adults they would later become, Klapper draws on the papers of such figures as Henrietta Szold, founder of Hadassah; Edna Ferber, Pulitzer Prize-winning author of Showboat ; and Marie Syrkin, literary critic and Zionist. Klapper also analyzes the diaries, memoirs, and letters of hundreds of other girls whose later lives and experiences have been lost to history. Told in an engaging style and filled with colorful quotes, the book brings to life a neglected group of fascinating historical figures during a pivotal moment in the development of gender roles, adolescence, and the modern American Jewish community.

"The United States and the Nazi Holocaust is an invaluable synthesis of United States policies and attitudes towards the Nazi persecution of European Jewry from 1933 right up to the modern day. The book, which includes 20 illustrations, weaves together a vast body of scholarly literature to bring students of the Holocaust a balanced, readable overview of this complex and often controversial topic. It demonstrates that the United States' response to the rise of Nazism, the refugee crisis it provoked, the Holocaust itself, and its aftermath were--and remain to this day--intricately linked to the ever-shifting racial, economic, and social status of American Jewry. Using a broad chronological framework, Barry Trachtenberg navigates us through the major themes and events of this period. He discusses the complicated history of the Roosevelt administration's response to the worsening situation of European Jewry in the context of the ambiguous racial status of Jews in Depression and World War II-era America. He examines the post-war decades in America, and discusses, over a series of chapters, how the Holocaust, like American Jewry itself, came to move from the margins to the very center of American awareness. The United States and the Nazi Holocaust considers the reception of Holocaust survivors, post-war trials, film, memoirs, memorials, and the growing field of Holocaust Studies. The reactions of the United States government, the general public, and the Jewish communities of America are all accounted for in this integrated, detailed survey"--

Streaming Video on Love In Black & White now available at Expandedbooks.com Most Americans regard the World War II period as belonging to the "greatest generation," but it was also a time when religious intolerance and racial violence flourished. Shamefully, it was commonplace to see signs that read "Whites Only" or "Jews Not Allowed." It is within this world that this compelling memoir is set. William Cohen, born in Bangor, Maine, was the eldest son of a Jewish father and a Protestant Irish mother. Janet Langhart, an African-American, was raised in Indianapolis, Indiana by her single parent mother, a Southern Baptist. The book draws fascinating parallels between the histories of two people from different regions, races, and religions, as both are witnesses to and targets of the social tensions of the day. Throughout Love in Black and White, readers accompany Bill and Janet in their struggle to overcome to the barriers of ethnic and racial bigotry and hatred. The stories are rich and profound. At times they are amusing. Other times, harrowing. Against impossible odds, Bill would be elected to serve his country as a U.S. Congressman and Senator, and Janet would become a prominent television personality, activist, and highly respected businesswoman and author. Opposites in so many ways―in color, faith and culture―seemingly a bundle of contradictions, they meet in 1974, become friends, and eventually fall in love. They decide to marry on Valentine's Day 1996 in the very place that once harbored some of the nation's most prominent racists-the U.S. Capitol. They receive the surprise of a lifetime when Bill is asked by President Bill Clinton to serve as the nation's 20th Secretary of Defense. It is a calling that proves to be life transforming for both him and Janet, as they lead, inspire and bring comfort to the men and women who defend our nation. It is at the Pentagon where they witness just how powerful our nation ca

For centuries writers have used participatory experience as a lens through which to better see the world at large and as a means of exploring the self. Considering various types of participatory writing as different strains of one style--immersion writing--Robin Hemley offers new perspectives and practical advice for writers of this nonfiction genre. Immersion writing can be broken down into the broad categories of travel writing, immersion memoir, and immersion journalism. Using the work of such authors as Barbara Ehrenreich, Hunter S. Thompson, Ted Conover, A. J. Jacobs, Nellie Bly, Julio Cortazar, and James Agee, Hemley examines these three major types of immersion writing and further identifies the subcategories of the quest, the experiment, the investigation, the infiltration, and the reenactment. Included in the book are helpful exercises, models for immersion writing, and a chapter on one of the most fraught subjects for nonfiction writers--the ethics and legalities of writing about other people. A Field Guide for Immersion Writing recalibrates and redefines the way writers approach their relationship to their subjects. Suitable for beginners and advanced writers, the book provides an enlightening, provocative, and often amusing look at the ways in which nonfiction writers engage with the world around them. A Friends Fund Publication.

"So Morey was the family megastar. I was the also-ran, even something of a clan pariah... I was convinced that at root I was worthless, and maybe crazy.""The Sheik and the Shadow: A Memoir of Brotherly Bond, Celebrity, and Madness" imparts the intertwined accounts of Bob's intense relationship with his older brother, Morey; his experience as a certified-insane patient in a then-world-renowned mental hospital (Chestnut Lodge, the setting of the book, movie, and play "I Never Promised You a Rose Garden"); and his brother's descent from extreme literary success and fame to a bizarre, reclusive end.In his mid-thirties, Morey capped his multi-millionaire business career with "The Search for Bridey Murphy," a book that sold over 6 million copies in 30 languages across 34 countries and became a movie starring an Academy Award winner. Meanwhile, Bob was labeled schizophrenic, and locked-up with a group of creatures from his most nightmarish snake-pit fantasies. Early readers have been alternately amazed, appalled, and beguiled by the account of his confinement in this macabre setting.

This memoir moves through Cohen's life in the counterculture, discussing book collecting, the pleasures of browsing and the need for bookshops.

"The revealing memoir of one of Israeli's most respected statesmen. Moshe Arens is one of the last surviving members of the founding generation of Israelis. He is a political insider who has worked with every Israeli prime minister from Menachem Begin to Benjamin Netanyahu, serving in a variety of important positions, including foreign minister and defense minister. He has also enjoyed an exceptionally close life-long relationship with the United States: he attended high school in New York and colleges in Massachusetts and California, married an American, and served as Israel's ambassador to the United States. In this memoir, Arens recounts his early role in the birth of Israel and developing Israel's aerospace industry, followed by a long and distinguished political career that included service at the very top of Israel's government for the better part of three decades. Arens advocated relentlessly throughout his political career for his vision of an Israel strong enough to withstand all challenges in its volatile neighborhood. In Defense of Israel vividly recounts the many battles Arens fought in the political arena, sometimes successfully, sometimes not. The latter included his strong opposition to Prime Minister Ariel Sharon's withdrawal from Gaza and parts of the West Bank--an action that led to the takeover of Gaza by Hamas. Anyone interested in Israel's place within the contemporary Middle East, including Israel's relationship with the United States, will find this memoir informative, even eye-opening, and often provocative."--

The Vienna Paradox is Marjorie Perloff's memoir of growing up in pre-World War II Vienna, her escape to America in 1938 with her upper-middle-class, highly cultured, and largely assimilated Jewish family, and her self-transformation from the German-speaking Gabriele Mintz to the English-speaking Marjorie--who also happened to be the granddaughter of Richard Schüller, the Austrian foreign minister under Chancellor Dollfuss and a special delegate to the League of Nations. Compelling as the story is, this is hardly a conventional memoir. Rather, it interweaves biographical anecdote and family history with speculations on the historical development of early 20th-century Vienna as it was experienced by her parents' generation, and how the loss of their "high" culture affected the lives of these cultivated refugees in a democratic United States that was, and remains, deeply suspicious of perceived "elitism." This is, in other words, an intellectual memoir, both elegant and heartfelt, by one of America's leading critics, a narrative in which literary and philosophical reference is as central as the personal.

In this volume, Jules Chametzky has gathered his very personable stories and reminiscences of some of the many writers he has met or known as he writes, some fleetingly, a few more intensely over the course of his more than half a century in the business of reading, writing, and talking about literature, of teaching and editing. Not only do those writers emerge as the complicated and fascinating human beings they are, but we also come to know Jules himself, a warm and gracious storyteller. Praise for Out of Brownsville: NO STUDENT of American Jewish writing needs to be reminded that Jules Chametzky is one of its pioneers. A founding editor of the influential Massachusetts Review, he is perhaps especially noted for his study of the fiction of Abraham Cahan. He now caps a distinguished career as critic, editor, and teacher with this delightful volume of memoirs. It is astonishing to know how many of the shapers of literature in America Chametzky knew not merely as subjects met in passing but understood as artists. Readers and scholars will, of course, find their own favorites among the individual memoirs, but beyond the perceptiveness of the recollections and the shrewd assessments in them, there emerges Jules himself, warm, gracious, accepting, modest about his own achievements, which he scarcely mentions. One closes the book with a sense of regret that it has ended and with a feeling how good it was for those who met Jules and enjoyed, however briefly, his friendship. Joseph C. Landis, Editor, Yiddish-Modern Jewish Studies, Professor Emeritus of English, Queens College, CUNY WOVEN INTO these lively portraits and reminiscences of others are not only sudden illuminations of the characters portrayed and of the fleeting moments captured here, but also insights into the fragility of life, the power to create, and the strange magic of human encounters that make Jules Chametzky s memoir so touchingly social and pleasurable to read. Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies, Harvard University LEGENDARY EDITOR Jules Chametzky s book is autobiography at its cleanest: one s life through the eyes of others. His astute, personable dispatches are a map of Jewish intellectual trends in the United States in the second half of the twentieth century. Ilan Stavans, Lewis-Sebring Professor in Latin American and Latino Culture (Spanish), Amherst College ACCORDING TO the Jewish Midrash, the Book and the Sword came wrapped together, with a message: Regard what is written in the book, or be delivered to the sword. Jules Chametzky s love of books and their very human creators is expressed in this cultural memoir with affection and marvelous charm, yet there is also a tone of urgency, from a man who has dedicated his life to keeping the book open and the sword sheathed. Lawrence Bush, Editor, Jewish Currents About the Author: Jules Chametzky is Professor of English, emeritus, at the University of Massachusetts Amherst, where he taught from 1958 until 2004. He was a founder of The Massachusetts Review, of which he is Editor, emeritus, after 27 years as senior co-Editor. Chametzky has published numerous articles and reviews on Jewish American and American literature in popular and academic journals. His major publications include From the Ghetto: The Fiction of Abraham Cahan; Our Decentralized Literature: Cultural Mediations in Selected Jewish and Southern Writers; the Penguin edition of Abraham Cahan s The Rise of David Levinsky. He co-edited Black and White in American Culture: Ten Years of The Massachusetts Review; and Jewish American Literature: A Norton Anthology. Chametzky is the father of three sons and was married for 52 years to the late poet Anne Halley.

A memoir by Judy Rebick, one of Canada's best-known feminists, including her time as a high-profile spokesperson for the pro-choice movement and as president of the National Action Committee on the Status of Women, as well as her struggle with depression and multiple personality disorder.

Just two weeks before his death in January 1999, George L. Mosse, one of the great American historians, finished writing his memoir, a fascinating and fluent account of a remarkable life that spanned three continents and many of the major events of the twentieth century. Confronting History describes Mosse's opulent childhood in Weimar Berlin; his exile in Paris and England, including boarding school and study at Cambridge University; his second exile in the U.S. at Haverford, Harvard, Iowa, and Wisconsin; and his extended stays in London and Jerusalem. Mosse discusses being a Jew and his attachment to Israel and Zionism, and he addresses his gayness, his coming out, and his growing scholarly interest in issues of sexuality. This touching memoir—told with the clarity, passion, and verve that entranced thousands of Mosse's students—is guided in part by his belief that "what man is, only history tells" and, most of all, by the importance of finding one's self through the pursuit of truth and through an honest and unflinching analysis of one's place in the context of the times.

This volume, including the journal Connolly kept from 1927 to 1938--part writer's notebook, part private reflection, and part gossip--gives an illuminating memoir of Connolly

For ten weeks David Brudnoy, Boston's most popular and erudite conservativeradio-talk-show host, had been off the air. When he signed back on, hisfaithful following was prepared for the usual dose of wry humor, Clintonbashing, and brilliant banter. What they got instead was an electrifyinghourlong monologue, unprecedented in the freewheeling world of talk radio, during which Brudnoy confessed, I am a fifty-four-year-old homosexual...I wassuffering the first attack of HIV--the AIDS virus. What followed was an outpouring of support and devotion from an audience notknown for its tolerance of gay issues. With his story, Brudnoy has crossed thatgreat abyss where the personal and political meet. From his near-halcyon youthas an only child growing up in a small Minnesota town to his heady days as astudent at Yale, he recounts with equal doses of humor and candor a coming ofage that, in fits and starts, eventually recognized a sexual preference for menand a political tendency toward the right. Ruminating on matters that rangefrom his own mortality to TV, radio, friends, family, romance, and politics, Life Is Not a Rehearsal offers up the kind of trenchant and intelligentinsights that are Brudnoy's hallmark.A graduate of Yale with a major in Japanese, David Brudnoy went to graduateschool at Harvard (East Asian studies) before getting his Ph.D. in Americanintellectual history at Brandeis. In 1976 he won a full-time talk radio slot atBoston's WHDH, then moved to WRKO in 1981, finally going on to the region'spowerhouse, WBZ, in 1986. In addition to his hugely successful radio show onWBZ, he is a TV commentator, film critic, newspaper essayist on politics andtravel, and teacher ofjournalism at Boston University. Life Is Not a Rehearsal shows that conservatism is not conformity--or aprejudice or a mere establishmentarian life. Conservatism is about fighting forliberty and embracing responsibility, about war and love if you will. DavidBrudnoy is certainly a veteran of both. --P. J. O'Rourke, author of Give War a Chance David Brudnoy tells the personal story behind the public story of hisremarkable life and extraordinary career. He gives us a memoir that willbenefit many others across the country learning to live with AIDS. --Senator Edward M. KennedyThis is a book about love, loyalty, and the nurturing bonds of family andfriendship. And, it is also a book about the coming of age of a brave andhonorable man who has faced the looming spectre of death with the samecourageous honesty that so many of us have long admired in him. --Sherwin B. Nuland, M.D., author of How We Die In this no-holds-barred memoir, Boston's outspoken, conservative, libertarian, gay, agnostically Jewish, living-with-AIDS, college professor and media iconproves once and for all the inadequacy of labels when it comes to defining alife. Life Is Not a Rehearsal is the story of David Brudnoy as only hecould tell it, with characteristic candor, humor, and the self-awareness of onewho has teetered on the edge, gone over the cliff, and lived to tell. And tellhe does --William F. Weld

"In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David Adjmi explores how human beings create themselves, and how artists make their lives into art.."--Publisher's description.