"Historian, activist, and bestselling author Howard Zinn has been interviewed by David Barsamian for public radio numerous times over the past decade. Original Zinn is a collection of their conversations, showcasing the acclaimed author at his most engaging and provocative." "Touching on such diverse topics as the American war machine, civil disobedience, the importance of memory and remembering history, and the role of artists - from Langston Hughes to Dalton Trumbo to Bob Dylan - in relation to social change, Original Zinn is Zinn at his irrepressible best, the acute perception of a scholar whose knowledge and intellect make history immediate and relevant for us all."--

Allen Ginsberg, Lionel and Diana Trilling, Lillian Hellman, Hannah Arendt, and Norman Mailer -- all are ex-friends of Norman Podhoretz, the renowned editor and critic and leading member of the group of New York intellectuals who came to be known as "the Family." As only a family member could, Podhoretz tells the story of these friendships, once central to his life, and shows how the political and cultural struggles of the past fifty years made them impossible to sustain. With wit, piercing insight, and startling honesty, we are introduced as never before to a type of person for whom ideas were often matters of life and death, and whose passing from the scene has left so large a gap in American culture. Podhoretz was the trailblazer of the now-famous journey of a number of his fellow intellectuals from radicalism to conservatism -- a journey through which they came to exercise both cultural and political influence far beyond their number. With this fascinating account of his once happy and finally troubled relations with these cultural icons, Podhoretz helps us understand why that journey was undertaken and just how consequential it became. In the process we get a brilliantly illuminating picture of the writers and intellectuals who have done so much to shape our world. Combining a personal memoir with literary, social, and political history, this unique gallery of stern and affectionate portraits is as entertaining as a novel and at the same time more instructive about postwar American culture than a formal scholarly study. Interwoven with these tales of some of the most quixotic and scintillating of contemporary American thinkers are themes that are introduced, developed, and redeveloped in a variety of contexts, with each appearance enriching the others, like a fugue in music. It is all here: the perversity of brilliance; the misuse of the mind; the benightedness of people usually considered especially enlightened; their human foibles and olympian detachment; the rigors to be endured and the prizes to be won and the prices to be paid for the reflective life. Most people live their lives in a very different way, and at one point, in a defiantly provocative defense of the indifference shown to the things by which intellectuals are obsessed, Norman Podhoretz says that Socrates' assertion that the unexamined life was not worth living was one of the biggest lies ever propagated by a philosopher. And yet, one comes away from Ex-Friends feeling wistful for a day when ideas really mattered and when there were people around who cared more deeply about them than about anything else. Reading of a time when the finest minds of a generation regularly gathered in New York living rooms to debate one another with an articulateness, a passion, and a level of erudition almost extinct, we come to realize how enviable it can be to live a life as poignantly and purposefully examined as Norman Podhoretz's is in Ex-Friends.

A fascinating and timely biography of J. Edgar Hoover from a Sibert Medalist. "King, there is only one thing left for you to do. You know what it is. . . . You better take it before your filthy, abnormal, fraudulent self is bared to the nation.” Dr. Martin Luther King received this demand in an anonymous letter in 1964. He believed that the letter was telling him to commit suicide. Who wrote this anonymous letter? The FBI. And the man behind it all was J. Edgar Hoover, the FBI's first director. In this unsparing exploration of one of the most powerful Americans of the twentieth century, accomplished historian Marc Aronson unmasks the man behind the Bureau- his tangled family history and personal relationships; his own need for secrecy, deceit, and control; and the broad trends in American society that shaped his world. Hoover may have given America the security it wanted, but the secrets he knew gave him — and the Bureau — all the power he wanted. Using photographs, cartoons, movie posters, and FBI transcripts, Master of Deceit gives readers the necessary evidence to make their own conclusions. Here is a book about the twentieth century that blazes with questions and insights about our choices in the twenty-first. Back matter includes an epilogue, an author’s note, source notes, a bibliography, and an index.

In this volume Yehuda Bauer describes the efforts made to aid European victims of World War II by the New York-based American Jewish Joint Distribution Committee. In this volume Yehudi Bauer describes the efforts made to aid European victims of World War II by the New York-based American Jewish Joint Distribution Committee, American Jewry's chief representative abroad. Drawing on the mass of unpublished material in the JDC archives and other repositories, as well as on his thorough knowledge of recent and continuing research into the Holocaust, he focuses alternately on the personalities and institutional decisions in New York and their effects on the JDC workers and their rescue efforts in Europe. He balances personal stories with a country-by-country account of the fate of Jews through ought the war years: the grim statistics of millions deported and killed are set in the context of the hopes and frustrations of the heroic individuals and small groups who actively worked to prevent the Nazis' Final Solution. This study is essential reading for anyone who seeks to understand the American Jewish response to European events from 1939 to 1945. Bauer confronts the tremendous moral and historical questions arising from JDC's activities. How great was the danger? Who should be saved first? Was it justified to use illegal or extralegal means? What country would accept Jewish refugees? His analysis also raises an issue which perhaps can never be answered: could American Jews have done more if they had grasped the reality of the Holocaust?

The members of the literary circle known as the Violet Quill -- Christopher Cox, Robert Ferro, Michael Grumley, Andrew Holleran, Felice Picano, Edmund White, and George Whitmore -- collectively represent the aspirations and the achievement of gay writing during and after the gay liberation movement. This social history shows how the works of these authors both reflected and criticized the values, principles, and prejudices of the culture of gay liberation. In spinning many of the most important stories gay men told of themselves in the short period between the 1969 Stonewall Riots and the devastation of the AIDS epidemic during the 1980s, the Violet Quill exerted an enormous influence on gay culture.

Tired of the same old fantasy? Here are nineteen much-needed antidotes to clichéd tales of swords and sorcery. Fantasy is back, and it's better than ever!

This first-ever anthology of the war reporting and commentary of Pulitzer Prize-winning journalist Sydney Schanberg is drawn from more than four decades of reporting at home and abroad for the New York Times, Newsday , the Village Voice , and various magazines. The centerpiece of the collection is his signature work, "The Death and Life of Dith Pran," which appeared in the New York Times Magazine . This became the foundation of Roland Joffé's acclaimed film The Killing Fields (1984), which explored the Khmer Rouge genocide in Cambodia during the late 1970s. Although Schanberg may be best known for his work on Cambodia, he also reported on the India-Pakistan war that ended Pakistan's brutal attempt to crush the Bangladesh freedom movement in the 1970s. His striking coverage of the Vietnam conflict recounts Hanoi's fierce offensive in 1972 that almost succeeded. Years later, citing official documents and other hard evidence that a large number of American POWs were never returned by Hanoi, Schanberg criticized the national press for ignoring these facts and called for Washington to release documents that had been covered up since 1973. As the media critic for the Village Voice , Schanberg offered a unique and searing viewpoint on Iraq, which he called America's "strangest war." His criticism of the Bush administration's secrecy brings his war reportage into the present and presents a vigorous critique of what he considers a devious and destructive presidency. Beyond the Killing Fields is an important work by one of America's foremost journalists.

"Baseball Rebels tells stories of reformers and radicals who were influenced by, and in turn influenced, America's broader political and social protest movements, including battles against racism, corporate control, worker exploitation, sexism and homophobia, and American militarism"--

Not since Pearl Harbor has an American president gone to Congress to request a declaration of war. Nevertheless, since then, one president after another, from Truman to Obama, has ordered American troops into wars all over the world. From Korea to Vietnam, Panama to Grenada, Lebanon to Bosnia, Afghanistan to Iraq —why have presidents sidestepped declarations of war? Marvin Kalb, former chief diplomatic correspondent for CBS and NBC News, explores this key question in his thirteenth book about the presidency and U.S. foreign policy. Instead of a declaration of war, presidents have justified their war-making powers by citing "commitments," private and public, made by former presidents. Many of these commitments have been honored, but some betrayed. Surprisingly, given the tight U.S.-Israeli relationship, Israeli leaders feel that at times they have been betrayed by American presidents. Is it time for a negotiated defense treaty between the United States and Israel as a way of substituting for a string of secret presidential commitments? From Israel to Vietnam, presidential commitments have proven to be tricky and dangerous. For example, one president after another committed the United States to the defense of South Vietnam, often without explanation. Over the years, these commitments mushroomed into national policy, leading to a war costing 58,000 American lives. Few in Congress or the media chose to question the war's provenance or legitimacy, until it was too late. No president saw the need for a declaration of war, considering one to be old-fashioned. The word of a president can morph into a national commitment. It can become the functional equivalent of a declaration of war. Therefore, whenever a president "commits"the United States to a policy or course of action with, or increasingly without, congressional approval, watch out —the White House may be setting the nation on a road toward war.

"Captures the resilience of human dignity and optimism. . . . A powerful must-read." -- Booklist (starred review) During World War II, Tama is sent to live in an incarceration camp in the desert. All Japanese Americans from the West Coast--elderly people, children, babies--now live in camps like Minidoka. To be who she is has become a crime, and Tama doesn't know when or if she will ever leave. Trying not to think of the life she once had, she works in the incarceration camp's tiny library, taking solace in pages bursting with color and light, love and fairness. And she isn't the only one. George waits each morning by the door, his arms piled with books checked out the day before. As their friendship grows, Tama wonders: Can anyone possibly read so much? Is she the reason George comes to the library every day? Maggie Tokuda-Hall and Yas Imamura's beautifully illustrated, elegant love story features a photo of the real Tama and George--the author's grandparents--and an unflinching and necessary afterword that helps readers to learn more about a time in our history that continues to resonate.

The Boy Who Lost His Birthday is the uplifting story of one man's journey from boyhood in rural Hungary to triumph over oppression during the Holocaust and finally to a role as a spiritual leader in America. Rabbi Laszlo Berkowits' compelling memoir recounts his happy childhood memories in Derecske, Hungary where he was a member of a thriving Jewish community and aspired to become a cantor. Stricken with wartime poverty, Berkowits and his father left their home and family behind to seek work in Budapest. It was there that they were rounded up with other Budapest Jews and shipped by sealed train to Auschwitz in the summer of 1944. Berkowits vividly narrates his treacherous experience as a sixteen year-old boy surviving in the notorious Nazi concentration camp until its liberation by American troops. After recovery in Sweden, Berkowits immigrated to America were he completed his education, joined the United States Army, and became a chaplain's assistant. After leaving the Army, he undertook graduate study at Hebrew Union College, married, and became the founding rabbi of the largest Jewish congregation in Virginia, Temple Rodef Shalom. Berkowits' story shows that he emerged victorious over deprivation, cruelty, and tragedy to become an exemplar of American success.

Biography of the inventor of the birth control pill.

(Applause Books). Here is the original story of a true original, the celebrated and internationally renowned director, playwright and screenwriter Arthur Laurents, whose creative genius continues to energize American stage and screen today. Say his name, and images of West Side Story , Gypsy, Anastasia, The Turning Point , and The Way We Were appear. Laurents' highly praised memoir is a dazzling portrait of his life as he recounts the great moments, the trials and the joys of his incredible career. He takes us into his world, peopled with the creative artists, directors, actors and personalities who came of age in the theatre and in Hollywood after WWII. Later, back in New York, he writes about jump-starting Barbra Streisand's career by casting her in I Can Get It for You Wholesale . He writes about the creation of Gypsy with Jule Styne and Stephen Sondheim. And he writes about coming together in a complex, fraught collaboration with his three old pals, Jerome Robbins, Leonard Bernstein and Sondheim for West Side Story . Throughout, Laurents is funny, fierce, and frank a life recounted as richly as it was lived. "This is a historic work. A 'must' for show biz mavens." LIZ SMITH, Newsday & Syndicated

An elegant, masterful portrait of Andy Warhol's life, character, and lasting influence by an eminent art critic. "Danto . . . sums up the Pop master's evolution as both artist and persona. . . . It is, in essence, everything you need to dive deeper into Brillo boxes and Empire ."--Rachel Wolff, The Daily Beast (Best Art and Photography Books of 2009) In a work of great wisdom and insight, art critic and philosopher Arthur Danto delivers a compact, masterful tour of Andy Warhol's personal, artistic, and philosophical transformations. Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons. Danto brings to bear encyclopedic knowledge of Warhol's time and shows us Warhol as an endlessly multidimensional figure--artist, political activist, filmmaker, writer, philosopher--who retains permanent residence in our national imagination. Danto suggests that "what makes him an American icon is that his subject matter is always something that the ordinary American understands: everything, or nearly everything he made art out of came straight out of the daily lives of very ordinary Americans. . . . The tastes and values of ordinary persons all at once were inseparable from advanced art."

In a work of great wisdom and insight, art critic and philosopher Arthur Danto delivers a compact, masterful tour of Andy Warhol’s personal, artistic, and philosophical transformations. Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon. He offers close readings of individual Warhol works, including their social context and philosophical dimensions, key differences with predecessors such as Marcel Duchamp, and parallels with successors like Jeff Koons. Danto brings to bear encyclopedic knowledge of Warhol’s time and shows us Warhol as an endlessly multidimensional figure—artist, political activist, filmmaker, writer, philosopher—who retains permanent residence in our national imagination. Danto suggests that "what makes him an American icon is that his subject matter is always something that the ordinary American understands: everything, or nearly everything he made art out of came straight out of the daily lives of very ordinary Americans. . . . The tastes and values of ordinary persons all at once were inseparable from advanced art."

"A collection of interviews with one of America's most influential authors, music journalists, and cultural critics. In this book, the author has explored the connections among figures, sounds, and events in culture, relating unrelated points of departure, mapping alternate histories and surprising correspondences." -- Blackwells

"How do social movements arise, wield power, and decline? Renowned scholar Linda Gordon investigates these questions in a groundbreaking work, narrating the stories of many of America's most influential twentieth-century social movements. Beginning with the turn-of-the-century settlement house movement, Gordon then scrutinizes the 1920s Ku Klux Klan and its successors, the violent American fascist groups of the 1930s. Profiles of two Depression-era movements follow--the Townsend campaign that brought us Social Security and the creation of unemployment aid. Proceeding then to the 1955 Montgomery bus boycott, which inspired the civil rights movement and launched Martin Luther King Jr.'s career, the narrative barrels into the 1960s-70s with Cesar Chavez's farmworkers' union. The concluding chapter illumines the 1970s women's liberation movement through the dramatic story of the Boston-area organizations Bread and Roses and the Combahee River Collective. Separately and together, these seven chapters animate American history, reminding us of the power of collective activism."-- Publisher description

While today the Nazi genocide of Jews is seen as a massacre unique in its savagery and a central feature of World War II, in 1933-45 it was accepted in the USA, and in the Western world in general, as one of the many wartime brutalities, almost understandable and predictable. Political leaders, public opinion, and later the Allied military greeted the first news concerning the Nazi persecution and murder of Jews with disbelief; later, when the facts of the Nazi mass murder of Jews became apparent, they tended to conflate the Nazi victimization of Jews with that of other ethnic groups. There was a tendency to diminish the scope of the genocide and even to see it as, at least partly, deserved by the victims. These views found expression in a commonly shared reluctance to receive Jewish refugees from Nazism. Opinion polls of the late 1930s-early 1940s show that the American public was consistently against any relaxation of immigration restrictions. In Western Europe and the rest of the Americas, sentiments were similar: some countries were ready to admit Poles, Czechs, and other refugees, but not Jews. These sentiments can only partly be ascribed to the economic hardships of the 1930s; their main cause was antisemitism, ethnic opposition to the Jewish alien. In the postwar years, the tendency to silence and trivialize the Holocaust persevered; it was only in the 1960s that public opinion recognized the Holocaust as unique. Argues against Peter Novick's view, according to which Holocaust memory initially fell victim to the Cold War. Contends that, in the 1960s, most people thought that the "Jewish question" was finally solved - by emancipation, assimilation and, last but not least, by the Nazi mass murder.

As Times Square turns 100, New York Times Magazine contributing writer James Traub tells the story of how this mercurial district became one of the most famous and exciting places in the world. The Devil’s Playground is classic and colorful American history, from the first years of the twentieth century through the Runyonesque heyday of nightclubs and theaters in the 1920s and ’30s, to the district’s decline in the 1960s and its glittering corporate revival in the 1990s. First, Traub gives us the great impresarios, wits, tunesmiths, newspaper columnists, and nocturnal creatures who shaped Times Square over the century since the place first got its name: Oscar Hammerstein, Florenz Ziegfeld, George S. Kaufman, Damon Runyon, Walter Winchell, and “the Queen of the Nightclubs,” Texas Guinan; bards like A. J. Liebling, Joe Mitchell, and the Beats, who celebrated the drug dealers and pimps of 42nd Street. He describes Times Square’s notorious collapse into pathology and the fierce debates over how best to restore it to life. Traub then goes on to scrutinize today’s Times Square as no author has yet done. He writes about the new 42nd Street, the giant Toys “R” Us store with its flashing Ferris wheel, the new world of corporate theater, and the sex shops trying to leave their history behind. More than sixty years ago, Liebling called Times Square “the heart of the world”—not just the center of the world, though this crossroads in Midtown Manhattan was indeed that, but its heart. From the dawn of the twentieth century through the 1950s, Times Square was the whirling dynamo of American popular culture and, increasingly, an urban sanctuary for the eccentric and the untamed. The name itself became emblematic of the tremendous life force of cities everywhere. Today, Times Square is once again an awe-inspiring place, but the dark and strange corners have been filled with blazing light. The most famous street character on Broadway, “the Naked Cowboy,” has his own website, and Toys “R” Us calls its flagship store in Times Square “the toy center of the universe.” For the giant entertainment corporations that have moved to this safe, clean, and self-consciously gaudy spot, Times Square is still very much the center of the world. But is it still the heart?