He lived beside a river that emptied into a great ocean. The narrow strip of land that lay between him and the estuary was covered at high tide by a shining film of water at low tide with the cast-up offerings of sea and shore. (Excerpt)

One of Sherlock Holmes's greatest rivals, a female detective who solves cases using her abilities in lip-reading and ju-jitsu, returns to print in this first-ever annotated, illustrated edition The incredible popularity of Sir Arthur Conan Doyle's Sherlock Holmes stories led to an explosion in tales featuring fictional detectives, but few of them were as original or interesting as Richard Marsh's Judith Lee, whose stories appeared alongside Doyle's in Strand Magazine from 1911-1916. "My name is Judith Lee. I am a teacher of the deaf and dumb. I teach them by what is called the oral system​ - that is, the lip--reading system. I suppose I must have a special sort of knack in that direction, because I do not remember a time when, by merely watching people speaking at a distance, I did not know what they were saying. This knack of mine, in a way, is almost equivalent to another sense. It has led me into the most singular situations, and it has been the cause of many really extraordinary adventures." Thus opens the first of Marsh's charming stories featuring Judith Lee, who thwarts murderers, robbers, burglars, con-men, and spies using her remarkable ability to read lips in multiple languages, along with her quick wits, innate intelligence, and skills in disguise and martial arts. Best known today for his horror fiction, including The Beetle (1897), a Gothic thriller that initially outsold Bram Stoker's Dracula , Richard Marsh (1857-1915) is receiving increased attention in recent years for his other works, including the twenty-two Judith Lee stories, reprinted in full in this volume, along with the original illustrations from Strand Magazine and a new scholarly introduction and annotations by Minna Vuohelainen.

Dead Man's Planet Runaway Divinity The Hunters

"Home Influence" from Grace Aguilar. Novelist and writer on Jewish history and religion (1816-1847).

By that same architectural gesture of grief which caused Jehan at Agra to erect the Taj Mahal in memory of a dead wife and a cold hearthstone, so the Bon Ton hotel, even to the pillars with red-freckled monoliths and peacock-backed lobby chairs, making the analogy rather absurdly complete, reared its fourteen stories of "elegantly furnished suites, all the comforts and none of the discomforts of home."

"5th Edition " In London in the 1950s, aspiring young writer John Wilmot meets successful painter Oliver Cambourne and agrees to model for him. Oliver is older, sophisticated, elegant, and wealthy, and he introduces John to another world. For the first time in his life, John has love and money more than he ever imagined. While the relationship opens many doors for John, it is also dangerous and must be kept a secret. Oliver s commitment to John is absolute and deeper than John initially realizes, but John is confused by his own feelings. He worries about the changes his affair with Oliver are causing in him and about his future security. One night, he makes a fateful decision that will have repercussions not just for him, but on the lives of everyone around him. His choice and its consequences affect not merely the future but send him looking into himself for answers. Only through time and careful introspection can he grow and move past the pain of the choice that has changed everything. A Bittersweet Dreams title: It's an unfortunate truth: love doesn't always conquer all. Regardless of its strength, sometimes fate intervenes, tragedy strikes, or forces conspire against it. These stories of romance do not offer a traditional happy ending, but the strong and enduring love will still touch your heart and maybe move you to tears. "1st Edition published by Branch Line, 1980." "2nd Edition published by Methuen Publishing, 1985." "3rd Edition published by Welbeck Press, 2009." "4th Edition published by Capuchin Classics, 2012."

Police Inspector Buck Safiotte is corrupt and cruel, ruthless and remorseless, ambitious and outrageous, ruling the streets of New York City like a monarch of the gutter. One early reader of Bodies Are Dust fretted that the book was too vicious for the library, but this almost-forgotten, impossible-to-find novel has become a classic, and noir fans consider their copies precious. Now, after more than 60 years out of print, Bodies Are Dust is available again, the first title from Staccato Crime, a new imprint of Stark House Press, which will resurrect noir classics, both novels and true crime, originally published 1899-1939.

Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten

Collected here are twelve of Harrison's best, including "Space Rats of the CCC, " probably the greatest space opera ever written, slightly tongue-in-cheek; "At Last, the True Story of Frankenstein, " in which our favorite monster gets new life - but whose life is it?; "Bill, The Galactic Hero's Happy Holiday, " in which our favorite drunkard enlistee is kidnapped by the evil Chingers and hypnotized into believing he's a general; and nine more classics ranging across time and space!

The Madigans In the Bishop's Carriage

"[...] He saw suddenly-with terrible clarity-that to be a Winner was to be absolutely nothing. Like being the best flea, among all the fleas on a single dog. What was Anvhar after all? An ice-locked planet, inhabited by a few million human fleas, unknown and unconsidered by the rest of the galaxy. There was nothing here worth fighting for, the wars after the Breakdown had left them untouched. The Anvharian had always taken pride in this-as if being so unimportant that no one else even wanted to come near you, could possibly be a source of pride. All the worlds of man grew, fought, won, [...]."

"Gillian Freeman is among the finest contemporary novelists." - Brigid Brophy, New Statesman "It is altogether an astonishing novel for a young woman to have written. The story describes, convincingly and touchingly, the brief, sensual affair ... between a sailor on leave and a young schoolteacher ... their frank sexual attraction for each other is given a warm and compelling context ... a novel that has the ring of truth." - Times Literary Supplement "This novel is successful in an honest and unpretentious way." - The Guardian When Freda Mackenzie, an eminently respectable young schoolteacher with a stockbroker father and a background of tennis, riding and university, meets Derek Smith, a big blond sailor from the East End of London, she tells herself that she sees him only as a challenge, that she simply enjoys watching his reactions as she introduces him to good food, good films, good music. But their friendship develops into something more: Derek awakens in Freda a latent sensuality, a passionate joy in the act of love she has never before experienced or even imagined. As their affair becomes more intense, Freda and Derek find themselves torn between their feelings for each other and their very different social backgrounds-and they have only three short weeks in which to make their choice . . . Critically acclaimed on its initial publication and later recognized by critic Mary Cadogan as "considerably in advance of its time", Gillian Freeman's first novel, The Liberty Man (1955), returns to print for the first time in almost 40 years. This edition features a new introduction by Edward Thorpe and a reproduction of the original jacket art.

First published in 1933, Matisse Picasso and Gertrude Stein contains three prose pieces written in the stream-of-consciousness style that Stein was famous for. A modernist classic not to be missed by fans and collectors of Stein's seminal work. Gertrude Stein (1874-1946) was an American poet, novelist, art collector, and playwright who famously hosted a Paris salon frequented by the likes of F. Scott Fitzgerald, Pablo Picasso, and Ernest Hemingway. Before she was a patron to "The Lost Generation" artists, Stein was an esteemed author who influenced many 20th-century writers with her innovative and experimental prose. Other notable works by this author include: Three Lives (1909), White Wines (1913), and An Exercise in Analysis (1917). Featuring an introduction by Sherwood Anderson, this volume is an essential read for fans of Gertrude Stein's work and those with an interest in Jazz Age literature.

'Feinstein's triumph is to write so well that she makes Lena's predicament not only moving, in a perfunctory dismissive way, but also painful ... [she has] an accurate and acute feeling for language, and pauses, and silence.' Guardian Lena's seemingly contented family life is coming apart at the seams. Her husband Ben has been having an affair with the au pair, and as their relationship slides he retreats more and more into his work in a science lab. Sons Alan and Michael may appear happy enough, but this is far from the case - both are responding to a physical world which they alone inhabit. And Lena - desperately lost and seeking an identity of her own, both inside and outside of her family unit - increasingly finds solace at the bottom of a bottle. An exploration of just how lonely - and how magic - a marriage can be, The Circle is a poignant, poetic and incredibly assured debut novel.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Em OS FRUTOS DE OURO o herói é um romance, de nome OS FRUTOS DE OURO, e o assunto é a reação que ele provoca em seus leitores.Numa sequência de cenas justapostas em torna desta única idéia central, para a qual as passagens servem de ilustração, OS FRUTOS DE OURO é o romance que melhor da voz e forma poética à pesquisa sobre arte de construção do romance desenvolvida por Nathalie Sarraute, escritora pioneira do NOUVEAU ROMAN francês. Este livro mereceu o Grande Prêmio Internacional de Literatura, uma instituição que, apesar de sua existência efêmera (de 1961 a 1965), contribuiu para impor nomes como os de Beckett, Borges e Saul Bellow.

The Great American Novel (1923) is an experimental novel by William Carlos Williams. Although he is predominately known as a poet, Williams frequently pushed the limits of prose style throughout his career. In the defining decade of Modernism, Williams sought to try his hand at the so-called "Great American Novel," a concept fueling impassioned debate in academic and artistic circles nationwide. Far from conventional, Williams' novel is a metafictional foray into matters more postmodern than modern, a commentary masquerading as narrative and a satire of the all-American overreliance on cliché in form and content. "If there is progress then there is a novel. Without progress there is nothing. Everything exists from the beginning. I existed in the beginning. I was a slobbering infant. Today I saw nameless grasses--I tapped the earth with my knuckle. It sounded hollow. It was dry as rubber. Eons of drought. No rain for fifteen days. No rain. It has never rained. It will never rain." Williams' novel begins with the word and a birth. Language describes the experience of awakening to experience, of coming into consciousness as a living being in a living world. Using words from everyday speech, he builds a novel out of observations, a book that remains conscious of itself throughout. Like the child whose first experience with the written word often comes from names and slogans stretched over trucks and billboards, the reader eventually comes to accept their new reality, a world where people love and succeed and fail, where history and art intercede to make meaning where they can. The Great American Novel showcases Williams' experimental form, stretching the meaning of "novel" to its outermost limit. This edition of William Carlos Williams' The Great American Novel is a classic of American literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

"Hell on Earth is the second book written by Avigdor Hameiri (born Feuerstein; 1890-1970) about his experiences as a Russian prisoner of war during the second half of World War I. Translator Peter C. Appelbaum first became interested in Hameiri's story after learning that one quarter of the Austro-Hungarian army was captured and imprisoned, and that the horrific events that took place at this time throughout Russia and central Asia are rarely discussed in scholarly texts. Available for the first time to an English-speaking audience, this reality-driven novel is comparable to classics like All Quiet on the Western Front and The Gulag Archipelago."--

The discovery of piles of bones seeming to belong to a previously unknown species of monster will help to unfold a macabre and grisly tale. - A lady is found dead in her bed, the apparent victim of a murder the coroner proves could not possibly have occurred. - A merman found by fishermen off the coast of Brighton in 1745 will reveal the truth behind one of the most terrible events of the 20th century. - A desperate man makes a bad bargain with a man in black; an extraordinarily horrible dummy exercises a frightful control over his terrified ventriloquist; a condemned murderer lives again through the eyes of an innocent child . . . These are the plots of just a few of the brilliant tales you will find in this volume as you enter the bizarre world of master storyteller Gerald Kersh. With a focus on Kersh's science fiction, fantasy, and horror stories, On an Odd Note (1958) contains thirteen of his best. This first-ever reprint features a new introduction by Nick Mamatas. Contains: Seed of Destruction, Frozen Beauty, Reflections in a Tablespoon, The Crewel Needle, The Sympathetic Souse, The Queen of Pig Island, Prophet Without Honor, The Beggars' Stone, The Extraordinarily Horrible Dummy, The Brighton Monster, Fantasy of a Hunted Man, The Gentleman All in Black, and The Eye. "Gerald Kersh had a wild imagination matched by a vivid, near-hallucinatory style. Many of his concepts are so original that they blur the distinction between fantasy, science fiction, mystery, and horror, but the cumulative impact of his short stories is horrific in the extreme." - Penguin Encyclopedia of Horror and the Supernatural "Kersh tells a story, as such, rather better than anybody else." - Pamela Hansford Johnson, Daily Telegraph "Gerald Kersh has a strange, perverted sort of genius. And how he can write!" - Virginia Kirkus