The nine essays gathered here pursue the provocative implications of Toni Morrison's claim that no early American writer was more important than Poe in shaping a concept of "American Africanism," an image of racialized blackness destined to haunt the Euro-American imagination. As contributors to this volume reveal, Poe's response to the "shadow" of blackness--like his participation in the cultural construction of whiteness--was both problematic and revealing. Born in Boston but raised mostly in Richmond, surrounded by the practices of slaveholding culture, Poe seems to have shared notions of racial hierarchy and Anglo-Saxon supremacy pervasive on both sides of the Mason-Dixon line. That he promulgated racist stereotypes in depicting black servants--his Jupiters and Pompeys--cannot be denied; that he complicated these stereotypes with veiled, subversive implications, however, gives his fiction peculiar relevance to the task of historicizing racial attitudes in antebellum culture. Was Poe an unabashed proslavery apologist, a careerist who avoided racial politics, a "gradualist" who hoped slavery would just disappear, or an ideological chameleon? Were Poe's views on race extreme or unusual? Overtly, in tales such as "The Gold-Bug," "The Journal of Julius Rodman," and The Narrative of Arthur Gordon Pym, and covertly in such works as "The Black Cat" and "Hop-Frog," Poe alternately caricatured and demonized the racial Other, yet he often endowed such figures with shrewdness and resourcefulness, at times portraying their defiance as inevitable and even understandable. In Romancing the Shadow, leading interpreters of nineteenth-century American literature and culture debate Poe's role in inventing the African of the white imagination. Their readings represent an array of positions, and while they reflect some consensus about Poe's investment in racialized types and tropes, they also testify to the surprising ways that race embedded itself in his work--and the diverse conclusions that can be drawn therefrom.

"Americans have long regarded the freedom of travel a central tenet of citizenship. Yet, in the United States, freedom of movement has historically been a right reserved for whites. In this book, Elizabeth Stordeur Pryor shows that African Americans fought obstructions to their mobility over 100 years before Rosa Parks refused to give up her seat on a Montgomery bus. These were "colored travelers," activists who relied on steamships, stagecoaches, and railroads to expand their networks and to fight slavery and racism. This book tells the story of how the basic act of traveling emerged as a front line in the battle for African American equal rights before the Civil War"--

For nearly four millennia Judaism was essentially a unified religious system based on shared traditions. Despite the emergence of various sub-groups through the centuries such as the Sadducees, Pharisees, Essenes, Karaites, Shabbateans and Hasadim, Jewry was united in the belief in a providential God who had chosen the Jews as his special people and given them a code of law. In the modern period, however, the Jewish religion has fragmented into a series of separate denominations with competing ideologies and theological views. Despite the creation of the State of Israel, the Jewish people are deeply divided concerning the most fundamental issues of belief and practice. Judaism Today gives an account of the nature of traditional Judaism, provides an introduction to the various divisions that currently exist in the Jewish world and identifies and discusses contemporary issues with which the Jewish faith engages in the twenty-first century. This refreshing new approach focuses on how Judaism is actually perceived and practised by Jews themselves and the problems currently facing Jews worldwide.

The death of sadistic desperado Whittlin Walt has created an opening for 'Chief of the Comstock Desperados'. Several young gunfighters are battling it out in the saloons and streets of Virginia City, and against this backdrop of gunmen, gamblers and cowboys, P.K. Pinkerton, Private Eye, is having trouble drumming up business. Nobody seems to take a 12-year-old detective seriously! Then a servant girl named Martha begs P.K. for help. She witnessed the murder of her mistress - a hurdy girl - and the killer knows it. Now he is after her. Martha gives P.K. a description of the killer and a cryptic clue, but then she disappears. Can P.K. solve the case and find Martha before the killer does?

The final whip-cracking adventure in the P.K. Pinkerton series from bestselling Roman Mysteries author Caroline Lawrence. When P.K's father, Robert Pinkerton, suddenly appears in Virginia City, P.K.'s life turns upside down. Suddenly she's having to learn how to be a 'girly-girl' in a cunning plot to outwit silver thieves. But it seems the thieves are one step ahead! Has P.K. finally met her match or can she use her detective skills to turn the situation on its head and impress her private-eye Pa? A gripping rollercoaster ride of a tale packed with Wild West authenticity and atmosphere from this million-selling author.

In this book, the distinguished historian Carl Schorske--author of the Pulitzer Prize-winning Fin-de-Siécle Vienna --draws together a series of essays that reveal the changing place of history in nineteenth-and twentieth-century cultures. In most intellectual and artistic fields, Schorske argues, twentieth-century Europeans and Americans have come to do their thinking without history. Modern art, modern architecture, modern music, modern science--all have defined themselves not as emerging from or even reacting against the past, but as detached from it in a new, autonomous cultural space. This is in stark contrast to the historicism of the nineteenth century, he argues, when ideas about the past pervaded most fields of thought from philosophy and politics to art, music, and literature. However, Schorske also shows that the nineteenth century's attachment to thinking with history and the modernist way of thinking without history are more than just antitheses. They are different ways of trying to address the problems of modernity, to give shape and meaning to European civilization in the era of industrial capitalism and mass politics. Schorske begins by reflecting on his own vocation as it was shaped by the historical changes he has seen sweep across political and academic culture. Then he offers a European sampler of ways in which nineteenth-century European intellectuals used conceptions of the past to address the problems of their day: the city as community and artifact; the function of art; social dislocation. Narrowing his focus to Fin-de-Siécle Vienna in a second group of essays, he analyzes the emergence of ahistorical modernism in that city. Against the background of Austria's persistent, conflicting Baroque and Enlightenment traditions, Schorske examines three Viennese pioneers of modernism--Adolf Loos, Gustav Mahler, and Sigmund Freud--as they sought new orientation in their fields. In a concluding essay, Schorske turns his attention to thinking about history. In the context of a postmodern culture, when other disciplines that had once abandoned history are discovering new uses for it, he reflects on the nature and limits of history for the study of culture. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. -- "Kirkus Reviews"

"Emma Lazarus's most famous poem gave a voice to the Statue of Liberty, but her remarkable life has remained a mystery until now. She was a woman so far ahead of her time that we are still scrambling to catch up with her-a feminist, a Zionist, and an internationally famous Jewish American writer before thse categories even existed. Drawing upon a cache of personal letters undiscovered until the 1980, Esther Schor brings this vital woman to life in all her complexity. Born into a wealthy Sephardic family in 1849, Lazarus published her first volume of verse at seventeen and gained entree into New York's elite literary circles. Although she once referred to her family as "outlaw" Jews, she felt a deep attachment to Jewish history and peoplehood. Her compassion for the downtrodden Jews of Eastern Europe-refugees whose lives had little in common with her own-helped redefine the meaning of America itself. In this groundbreaking biography, Schor argues persuasively for Lazarus's place in history as a poet, an activist, and a prophet of the world we all inhabit today-a world that she helped to invent."--Publisher's website. A portrait of the iconoclastic poet and activist whose words are are set on the Statue of Liberty follows the complex life and times of Emma Lazarus, from her early literary success, to her roles as a feminist, Zionist, and renowned Jewish-American writer.

"To confront American culture is to feel oneself encircled by a thin but strong presence. I call it Emersonian, an imprecise term but one that directs us to a dominant spirit in the national experience." Thus Irving Howe, America's distinguished social critic and a longtime reader of the Sage of Concord, begins this illuminating discussion of Emerson and his disciples and doubters. What is the Emersonian spirit? What inspired it, what propelled it? And what does it mean to us today? History gave Emerson his opportunity and then took it away. Coming to manhood during the 1830s and 1840s, the time of "the newness" when Americans beheld the world with unbounded expectations, Emerson became the spokesman for the self-reliant new man he believed had arisen, ready to thrust aside mossy traditions and launch a new revolution of freewheeling thought. But the rapid pace of the American experience overtook the Emersonian vision; in the 1850s, the rising problems of slavery, a boom-and-bust economy, the vulgarity of mass culture overwhelmed the idealist. His satellite spirits wavered and shrouded the Emersonian optimism: Hawthorne, with his stories of moral breakdown; Thoreau, rooted in nature yet inclined to the cranky and fanatical; Melville, his fathomless blackness waiting beneath archetypal fables of innocence and evil also Walt Whitman, Orestes Brownson, Twain--all were influenced by, yet reacted against, the Emersonian "newness." Howe identifies three kinds of response: the literature of work (Melville and Mark Twain), the literature of Edenic fraternity (James Fenimore Cooper, Whitman, Twain again), and the literature of loss (all the post-Civil War writers). He lays before us the intellectual and personal tragedy of the first great American man of letters, yet also shows that Emerson's belief in the untapped power of free men pervades not only the lives and works of his contemporaries but is also a permanent part of the American psyche.

"Between 1894 and 1924, three waves of violence swept across Anatolia, targeting the region's Christian minorities, who had previously accounted for 20 percent of the population. By 1924, the Armenians, Assyrians, and Greeks had been reduced to 2 percent. Most historians have treated these waves as distinct, isolated events, and successive Turkish governments presented them as an unfortunate sequence of accidents. The Thirty-Year Genocide is the first account to show that the three were actually part of a single, continuing, and intentional effort to wipe out Anatolia's Christian population. The years in question, the most violent in the recent history of the region, began during the reign of the Ottoman sultan Abdulhamid II, continued under the Young Turks, and ended during the first years of the Turkish Republic founded by Ataturk. Yet despite the dramatic swing from the Islamizing autocracy of the sultan to the secularizing republicanism of the post-World War I period, the nation's annihilationist policies were remarkably constant, with continual recourse to premeditated mass killing, homicidal deportation, forced conversion, mass rape, and brutal abduction. And one thing more was a constant: the rallying cry of jihad. While not justified under the teachings of Islam, the killing of two million Christians was effected through the calculated exhortation of the Turks to create a pure Muslim nation"--

A new understanding of the three waves of ethno-religious violence that swept Turkey from the last days of the Ottoman Empire to the early years of the Turkish Republic, arguing that all three were part of one purposeful genocidal program.--

Product Description Slavery in the American South could not have existed without the authority of law defining slaves as the property of their masters. But the fact that slaves were also human beings placed limits on this harsh reality. When the rigor of the law and the complex bonds of sentiment linking master and slave came into conflict, masters looked to the courts. In one such case, State v. Mann, North Carolina Supreme Court justice Thomas Ruffin ruled that masters could not be prosecuted for assaulting their slaves. In articulating the legal basis for his decision, Justice Ruffin also revealed his own view of the "logic of slavery," in which he sanctioned the owner's rights even as he expressed his own horror at the mistreatment of the slave. Mark Tushnet, one of the foremost living authorities on antebellum slave law, now shows how studying such a simple case can illuminate an entire society. For those who detested slavery, the case represented all that was intolerable about that institution; for those who defended it, it raised vexing and persistent issues that could not be wished away. As further testament to the importance of State v. Mann, Harriet Beecher Stowe even made it central to her second antislavery novel, Dred. Tushnet discusses the opinion's place in the novel-in which she quoted liberally from Ruffin's decision-and evaluates other historians' interpretations of both the opinion and Stowe's provocative novel. Tushnet provides a finely detailed analysis of Ruffin's opinion, portraying the judge as a man compelled by law to uphold the slaveowner's right while moved as a Christian by the slave's maltreatment and ever hopeful that communal morality and a deep-seated sense of honor would moderate the excesses of slave owners. As Tushnet shows, however, slave law was a means for maintaining the ideological hegemony of the Southern master class. Slave Law in the American South paints a broad picture of a landmark case, tying together legal, historical, social, political, and even literary strands to show how the law itself was implicated in the persistence of slavery. It sheds new light on slavery and Southern history, as it probes the conscience of a troubled jurist incapable of fully transcending his times. This book is part of the Landmark Law Cases and American Society series. From the Back Cover "While losing neither objectivity nor moral compass, Mark Tushnet skillfully navigates the murky waters of Southern judicial and legal logic. His inspired study highly deserves close and serious attention."--Bertram Wyatt-Brown, author of The Shaping of Southern Culture: Honor, Grace, and War, 1760-1880s"More than two decades ago, Tushnet ignited the field of slave law studies with his provocative and thoughtful overview of the subject, The American Law of Slavery, 1810-1860. Now he has given us the first book-length study of a classic American slave case. Comprehensive and insightful, it merits the attention of legal scholars, historians, and non-specialists alike."--Timothy S. Huebner, author of The Southern Judicial Tradition: State Judges and Section Distinctness, 1790-1890 About the Author Mark V. Tushnet is Carmack Waterhouse Professor of Constitutional Law at Georgetown University Law Center. A former law clerk to Justice Thurgood Marshall, he is the author of numerous books including Taking the Constitution Away from the Courts and Red, White, and Blue: A Critical Analysis of Constitutional Law.

David Myers' book explores a fascinating and untold chapter in modern Jewish intellectual history: the role of the first generation of Jewish scholars at the Hebrew University in Jerusalem in establishing Jewish studies within framework of a jewish national university. committed to rewriting jewsh history according to zionst standarts, these "jerusalem scholars" richly reflect the tensions that attended their dual allegiances, to both zionism and the discipline of history

"The Jews of Poland between the World Wars come alive in this photographic essay in all their diversities....One imagines that Polish Jewry would have wanted to be remembered thus -- looking out to the camera and the world beyond." -- Ruth R. Wisse "Reveals a vibrantly rich kaleidoscope of life using many great photographs, some known, others never seen before. A volume to read, to study, to treasure." -- Cornell Capa "Beautifully balanced to serve the fascinating truth of a civilization that vanished into the darkest folds of history....All this seems so distant and yet so familiar, for although they are gone, they are family, and it was just yesterday." -- Mark Helprin "A poignant and visually beautiful reconstitution of the varied, culturally rich, and endlessly fascinating lost world of Polish Jews. Reading it makes one glow with pride." -- Louis Begley "If you're Jewish and looking for your roots and the world of your grandfathers, this is the book for you. If you're not Jewish, but just curious, this book is for you....It can take you on a voyage into a world that vanished in the gas and smoke of the Holocaust." -- Lucy S. Dawidowicz "One of the most extraordinary photographic histories ever assembled....An entire people and culture, now gone from the face of the earth, comes forth from its pages with an animation and vitality so powerful that the tragedy of the end of Polish Jewry seems for a moment, miraculously suspended." -- Simon Schama

Nineteenth-century French Jewry was a community struggling to meet the challenges of emancipation and modernity. This struggle, with its origins in the founding of the French nation, constitutes the core of modern Jewish identity. With the Revolution of 1789 came the collapse of the social, political, and philosophical foundations of exclusiveness, forcing French society and the Jews to come to terms with the meaning of emancipation. Over time, the enormous challenge that emancipation posed for traditional Jewish beliefs became evident. In the 1830s, a more comprehensive ideology of regeneration emerged through the efforts of younger Jewish scholars and intellectuals. A response to the social and religious implications of emancipation, it was characterized by the demand for the elimination of rituals that violated the French conceptions of civilization and social integration; a drive for greater administrative centralization; and the quest for inter-communal and ethnic unity. In its various elements, regeneration formed a distinct ideology of emancipation that was designed to mediate Jewish interaction with French society and culture. Jay Berkovitz reveals the complexities inherent in the processes of emancipation and modernization, focusing on the efforts of French Jewish leaders to come to terms with the social and religious implications of modernity. All in all, his emphasis on the intellectual history of French Jewry provides a new perspective on a significant chapter of Jewish history.

Long considered a noteworthy title on the Jewish role in early American history this book focuses on the Jewish community as a whole during the tumultuous years of the war, and on its effort to raise the concept of human rights and equality above restrictions based on race or religion.

Élisabeth Roudinesco offers a bold and modern reinterpretation of the iconic founder of psychoanalysis. Based on new archival sources, this is Freud's biography for the twenty-first century--a critical appraisal, at once sympathetic and impartial, of a genius greatly admired and yet greatly misunderstood in his own time and in ours. Roudinesco traces Freuds life from his upbringing as the eldest of eight siblings in a prosperous Jewish-Austrian household to his final days in London, a refugee of the Nazis' annexation of his homeland. She recreates the milieu of fin de siecle Vienna in the waning days of the Habsburg Empire--an era of extraordinary artistic innovation, given luster by such luminaries as Gustav Klimt, Stefan Zweig, and Gustav Mahler. In the midst of it all, at the modest residence of Berggasse 19, Freud pursued his clinical investigation of nervous disorders, blazing a path into the unplumbed recesses of human consciousness and desire. Yet this revolutionary who was overthrowing cherished notions of human rationality and sexuality was, in his politics and personal habits, in many ways conservative, Roudinesco shows. In his chauvinistic attitudes toward women, and in his stubborn refusal to acknowledge the growing threat of Hitler until it was nearly too late, even the analytically-minded Freud had his blind spots. Alert to his intellectual complexity--the numerous tensions in his character and thought that remained unresolved--Roudinesco ultimately views Freud less as a scientific thinker than as the master interpreter of civilization and culture.

The Austro-Hungarian Empire was rife with ethnic tensions that undermined the possibilities for Jewish assimilation in Central Europe. The Jews were trapped between rising German nationalism and other nationalisms. Discusses various Jewish and non-Jewish attitudes toward the "Jewish problem", whereby Jews were often stereotyped (e.g. by Rosa Luxemburg) or were considered to need a solution separate from that of European majority peoples (e.g. Nathan Birnbaum and Max Nordau). Views Nietzsche as belonging more to the philosemites than the antisemites, for whom he had great scorn; however, his complexity and obscurity provided ammunition for antisemites, including the Nazis. Herzl believed that a Jewish state was needed to provide a home for Jews suffering from antisemitism. Freud's experience of antisemitism, combined with his negative view of human nature, left no room for illusions about Austrian and German acceptance of Jews. Karl Kraus exhibited elements of Jewish self-hatred when he identified the worst elements of contemporary journalism and capitalism with Jews. Karl Lueger used political antisemitism to become mayor of Vienna. He provided a model for Hitler, who imbibed antisemitic attitudes and stereotypes from the cauldron of nationalisms that was Austria-Hungary.

An anthology comprising 150-plus selections, making accessible the orations of both well-known and lesser-known African Americans. Each speech is presented with an introduction that sets the context. Many are previously unpublished, uncollected, or long out of print. The volume is based on Philip Foner's 1972 Voice of Black America. Annotation copyrighted by Book News, Inc., Portland, OR