For over 40 years, Jack M. Sasson has been studying and commenting on the cuneiform archives from Mari on the Euphrates River, especially those from the age of Hammurabi of Babylon. Among Mari's wealth of documents, some of the most interesting are letters from and to kings, their advisers and functionaries, their wives and daughters, their scribes and messengers, and a variety of military personnel. The letters are revealing and often poignant. Sasson selects more than 700 letters as well as several excerpts from administrative documents, translating them and providing them with illuminating comments. In distilling a lifetime of study and interpretation, Sasson hopes to welcome readers into a fuller appreciation of a remarkable period in Mesopotamian civilization. Sasson's presentation is organized around major institutions in an ancient culture: (1) Kingship, treating accumulation of wealth, control of vassals, dynastic marriages, treaty-obligations, as well as illustrating the hazards and vexation of ruling a large territory; (2) Administration, from palaces that teem with bureaucrats, musicians, and cooks, to the management of provinces and vassal kingdoms; (3) Warfare, military establishment and martial practices; (4) Society, including organs of justice (and shortcuts to it), crime, punishment, and civil transactions; (5) Religion, including notices on diverse pantheons, rituals, priesthood, cultic paraphernalia, vows, ordeals, and channels to the gods (divination, dreams, and prophecy); and (6) Culture, including ethnic distinctions, class structure, and moments in the life cycle (birth, childhood, family life, health matters, death, and commemoration). Sasson's presentation of the material brings to life a world entombed for four millennia, concretizes the realities of ancient life, and gives it a human perspective that is at once instructive and entertaining. The book is accompanied by extensive concordances and indexes (including to biblical passages) that will be useful to those who wish to study the letters more intensively.

"Prevalent among classicists today is the notion that Greeks, Romans, and Jews enhanced their own self-perception by contrasting themselves with the so-called Other--Egyptians, Phoenicians, Ethiopians, Gauls, and other foreigners--frequently through hostile stereotypes, distortions, and caricature. Erich Gruen demonstrates how the ancients found connections rather than contrasts, how they expressed admiration for the achievements and principles of other societies, and how they discerned--and even invented--kinship relations and shared roots with diverse peoples." -- from publisher description.

In The Unveiling of the National Icons, Albert Boime analyses the creation and reception of several American national monuments as a means of understanding the politics of memory and national icons. In engaging, 'behind the scenes' accounts of several highly visible symbols, such as the American flag, the Statue of Liberty, and Mount Rushmore, among others, he demonstrates how these icons have been manipulated for patriotic purposes. Boime also shows how these monuments express individual and collective needs and how they are subject to contested readings, despite their origins in the creative imaginations of conservatives and privileged members of America. Examining these symbols as a group for the first time, this book is also the first serious investigation of visual artifacts that are too often taken for granted.

The Australian writer, critic and teacher A.A. Phillips coined the term 'the cultural cringe' in 1950 to describe an Australian tendency to identify our literature and art as inferior to work produced overseas, particularly in Britain and the United States. The term has resonated in debates about Australian culture, society and identity ever since. Although Phillips' famous essay on the cringe was first published more than fifty years ago, it remains a powerful reference point in discussions of the national culture. It is reprinted here with two of his other essays on Australian culture, and with additional biographical and critical material, including an essay by Ivor Indyk.

Siegfried Kracauer’s Jacques Offenbach and the Paris of His Time brilliantly reconfigures the biography form into a remarkable work of social and cultural history. In a book that has frequently been compared with Walter Benjamin’s Arcades Project, Kracauer uses the life and work of Offenbach to assemble a penetrating portrayal of Second Empire Paris. By examining the superficiality and mystification of collective experience, Kracauer provides the reader with a revelatory “physiognomy” of social reality itself. Offenbach’s immensely popular operettas have long been seen as part of the larger historical amnesia and escapism in the aftermath of 1848. But Kracauer insists that Offenbach’s productions have to be understood as more than simply glittering distractions. The fantasy realms of his operettas, occurring amid the urban renewal of Baron Haussmann and the fanfare of Universal Expositions, were on the one hand fully continuous with the unreality of Napoleon III’s imperial masquerade, but on the other made a mockery of the pomp and pretenses surrounding the apparatuses of power. His music “originated in an epoch in which social reality had been banished by the Emperor’s orders, and for many years it flourished in the gap that was left.” Offenbach’s dreamworlds were embedded with a layer of utopian content that can be seen as an indictment of the fraudulence and corruption of the times. This book will be essential reading for anyone interested in modern critical and cultural studies. This edition includes Kracauer’s preface to the original German edition, translated into English for the first time, and a critical foreword by Gertrud Koch.

Thirteen essays, written by prominent cultural and intellectual historians, illustrate some of the directions of cultural and intellectual history as it is practiced in the United States. The essays are organized chronologically with many interconnecting themes. These themes include the rise of commercial culture, the rise of city and urban life, the formation of the middle class, and the ways in which social myths (the myth of Santa Claus, for example) function to interpret the meanings of modern life.

In 1956, everything changed. Britain and France occupied Suez, and the Soviet Union invaded Hungary. Nikita Khrushchev's 'secret speech' exposed the crimes of Stalin. Suddenly the left found itself homeless, as the Communist Party became uninhabitable. The Royal Court Theatre unveiled John Osborne's Look Back in Anger , exploding the upper-middle-class complacency in which British theatre had cloaked itself. Tommy Steele and Lonnie Donegan leapt to fame, rock 'n' roll music replacing the gentle pop songs Mum and Dad also liked. Jim Laker made history by taking nineteen Australian wickets at Old Trafford, and Britain deported Archbishop Makarios from Cyprus and suppressed the Mau Mau in Kenya. It was the first full year of independent television, and the year the Treaty of Rome was negotiated. All the comfortable post-war assumptions were shattered. In the immediate post-war years, many people thought that, having conquered the Nazis, there was little else left to conquer. In 1956, they learned that they were wrong. 1956 was the end of the Second World War and the start of the '60s. It was the year Attlee's Britain started to crumble and Thatcher's Britain stirred in the womb. This extraordinary book takes us through this most momentous of years, week by week and sometimes hour by hour.

What has given the Jewish people their resilience, their power of survival, and their ability to adapt to radically new conditions without losing their identity? What combination of religious faith, social organization, intellectual toughness, and poetic imagination constitutes Jewishness? Eighteen eminent scholars address these questions in this richly illustrated survey of Jewish history from its earliest days to the foundation of Israel. Equal weight is given to Judaica and to the ways in which Judaism has coped with the challenges of modernity. This unparalleled work of scholarship is enhanced throughout by a plethora of superbly reproduced illustrations, from manuscript illuminations and liturgical objects to medieval prints and popular art. 436 illustrations, 135 in color. Edited by Elie Kedourie, a distinguished historian and political philosopher, the book includes essays by Haim Beinart, T. Carmi, Amnon Cohen, S. Ettinger, Shelomo Dov Goitein, A. Grossman, Oscar Handlin, Arthur Hertzberg, Arthur Hyman, Lionel Kochan, Hyam Maccoby, Jacob Neusner, H. W. F. Saggs, Amnon Shiloah, Ezra Spicehandler, David Vital, R. J. Zwi Werblowsky, and Zvi Yavetz.

Focusing on the cultural invention of Zionism, Michael Berkowitz explores how and why the Jewish nationalist movement was embraced by assimilated Jews of Western Europe before World War I. He pays special attention to the symbolism, artistic representations, and mythology that attracted European Jews to Zionism, which coexisted equally with the nationalisms of their home countries. The book was originally published in 1993.

The purpose of this study is to find out how and why the "poetics of fiction" arose, its sources, and the materials from which it was created. A series of cultural choices made in archaic and classical Greece produced a clash between the traditional "poetics of truth", which derived poetry from divine inspiration and in the last analysis did not construe the poem as a work of art at all, and the new "poetics of fiction", which derived poetry from art. The eventual succession of the latter, culminating with the Poetics of Aristotle, amounted to an aesthetic revolution because, as a result of it, literary fiction, which since then has become a necessary framework for both the theory and practice of literature in Western tradition, was for the first time separated from non-fiction and given a status of its own.

"The theme of this book involves the Holocaust [...]. Itzkoff's main concern is to understand and explain this event in the context of Jewish history and the unfolding meaning of Western civilizational experience"--Front flap.

In a world of relentless and often violent change, what does it take for a culture to survive? Steven Weitzman addresses this question by exploring the "arts of cultural persistence"--the tactics that cultures employ to sustain themselves in the face of intractable realities. Surviving Sacrilege focuses on a famously resilient culture caught between two disruptive acts of sacrilege: ancient Judaism between the destruction of the First Temple (by the Babylonians) in 586 B.C. and the destruction of the Second Temple (by the Romans) in 70 C.E. Throughout this period Jews faced the challenge of preserving their religious traditions in a world largely out of their control--a world ruled first by the Persians, then by the Hellenistic Seleucid Kingdom, and finally by the Roman Empire. Their struggle to answer this challenge yields insight into the ingenuity, resourcefulness, and creativity of a distinctive period in Jewish history, but one with broad implications for the study of religious and cultural survival. Detecting something tenaciously self-preserving at the core of the imagination, Weitzman argues that its expression in storytelling, fantasy, imitation, metaphor, and magic allows a culture's survival instinct to maneuver within, beyond, and even against the limits of reality.

Scholars have struggled for decades to explain why Jews have succeeded extravagantly in modern science. A variety of controversial theories from such intellects as C. P. Snow, Norbert Wiener, and Nathaniel Weyl have been promoted. Snow hypothesized an evolved genetic predisposition to scientific success. Wiener suggested that the breeding habits of Jews sustained hereditary qualities conducive for learning. Economist and eugenicist Weyl attributed Jewish intellectual eminence to "seventeen centuries of breeding for scholars." Rejecting the idea that Jews have done well in science because of uniquely Jewish traits, Jewish brains, and Jewish habits of mind, historian of science Noah J. Efron approaches the Jewish affinity for science through the geographic and cultural circumstances of Jews who were compelled to settle in new worlds in the early twentieth century. Seeking relief from religious persecution, millions of Jews resettled in the United States, Palestine, and the Soviet Union, with large concentrations of settlers in New York, Tel Aviv, and Moscow. Science played a large role in the lives and livelihoods of these immigrants: it was a universal force that transcended the arbitrary Old World orders that had long ensured the exclusion of all but a few Jews from the seats of power, wealth, and public esteem. Although the three destinations were far apart geographically, the links among the communities were enduring and spirited. This shared experience of facing the future in new worlds, both physical and conceptual provided a generation of Jews with opportunities unlike any their parents and grandparents had known. The tumultuous recent century of Jewish history, which saw both a methodical campaign to blot out Europe's Jews and the inexorable absorption of Western Jews into the societies in which they now live, is illuminated by the place of honor science held in Jewish imaginations. Science was central to their dreams of creating new worlds - welcoming worlds - for a persecuted people. This provocative work will appeal to historians of science as well as scholars of religion, Jewish studies, and Zionism

Using pagan prose fiction produced in Greek and Latin during the early Christian era, Bowersock investigates the complex relationship among perceived and presented 'historical' and 'fictional' truths. Bowersock's superb lecturing style is successfully transferred into writing with force and eloquence, as he weaves accounts from a wide range of sources into his text, illuminating social attitudes of the period and persuasively arguing that fiction of the period was influenced by the emerging Christian Gospel narratives. In the second half of the first century emerges a new kind of fiction including outlandish tales of travel, romance and comic novels. Bowersock concentrates on secular literature, illuminating not only its literary motifs, but also reconstructing the societal context as one engrossed in fabrications and all kinds of revisions or rewriting. Using these less familiar materials as his points of reference, he reads into familiar Christian material, making linkages and casting new light on familiar subjects, as well as providing some provocative interpretations of familiar Christian texts. Bowersock uses close historical and literary analyses of specific passages of works, and pays attention to larger and more general issues and questions around the relationship between fiction and history and how we read them. This book will be of basic intellectual concern to all raised in the environment of Christian belief.

In this comprehensive study Paul Wexler demonstrates that Yiddish is a Slavic language largely relexified to genuine and artificial German and Hebrew, as a cryptic language of trade in the Khazar Empire in the 9-10th centuries for the use of multilingual Jewish merchants, who enjoyed special privileges on the Afro-Eurasian Silk Roads until the 13th century. Other Judaized trade languages (Turkic, Chinese, Arabic) were also coined at this time in the Khazar and Iranian Empires. In both empires, Yiddish absorbed over 5,000 overt influ-ences mainly from Judaized Persian, and secondarily from Judaized Turkic and Chinese. Yiddish mainly has Hebraisms wherever Persian employs Arabisms (but has almost no overt Arabisms) and preserves Asianisms with greater accuracy and volume than most Iranianized non-Jewish target languages. Until c. 1000, almost all Jews in the world resided in the Iranian Empire and were mainly of Iranian and only partly of Palestinian Judaean descent. Conversion to Judaism was common among Iranians, Turks, Slavs and Berbers (because of a desire to participate in the lucrative Silk Road trade dominated by Jews, and to escape the status of slavery often imposed on them); conversion led to the rise of new diverse Jewish "ethnicities" and forms of Judaism. The book also examines the Iranianization of other cryptic Jewish trade languages, of Slavic and German, and the common Hebrew-like lexicon used by all Jewish merchants to overcome varied language backgrounds. Yiddish can help to reconstruct the Iranian speech of mixed Irano-Slavic confederations (such as the Galician White Croats).

Sex is beyond reason, and yet we constantly reason about it. So, too, did the peoples of ancient Greece and Rome. But until recently there has been little discussion of their views on erotic experience and sexual ethics. The Sleep of Reason brings together an international group of philosophers, philologists, literary critics, and historians to consider two questions normally kept separate: how is erotic experience understood in classical texts of various kinds, and what ethical judgments and philosophical arguments are made about sex? From same-sex desire to conjugal love, and from Plato and Aristotle to the Roman Stoic Musonius Rufus, the contributors demonstrate the complexity and diversity of classical sexuality. They also show that the ethics of eros, in both Greece and Rome, shared a number of commonalities: a focus not only on self-mastery, but also on reciprocity; a concern among men not just for penetration and display of their power, but also for being gentle and kind, and for being loved for themselves; and that women and even younger men felt not only gratitude and acceptance, but also joy and sexual desire. Contributors: * Eva Cantarella * Kenneth Dover * Chris Faraone * Simon Goldhill * Stephen Halliwell * David M. Halperin * J. Samuel Houser * Maarit Kaimio * David Konstan * David Leitao * Martha C. Nussbaum * A. W. Price * Juha Sihvola

Art in History/History in Art: Studies in Seventeenth-Century Dutch Culture considers the potential for a reciprocally illuminating relationship between art history and history in light of recent methodological developments in both fields. The volume opens with contributions from a historian and an art historian; they examine the weaknesses of an art history without a social or economic history and lay the groundwork for the ensuing discussions of how the procedures and methods of each discipline may serve the aims of the other. A wide critique of approaches to the interpretation of realism in Dutch pictures forms the second section of the book. Included are critical views of recent iconographic developments, as well as contributions by a plant taxonomist and a marine historian. In the volume's third section new statistical and numerical models for the study of Dutch art in Dutch society are presented by three economic historians. The concluding essay provides a constructive critique of existing methodologies within each field. Art in History/History in Art: Studies in Seventeenth-Century Dutch Culture offers the most secure basis to date for future work on the interaction between the two disciplines and between the content of pictures and the cultures that produce them.

Ammiel Alcalay's groundbreaking work, After Jews and Arabs, published in 1993, redrew the geographic, political, cultural, and emotional map of relations between Jews and Arabs in the Levantine/Mediterranean world over a thousand-year period. Based on over a decade of research and fieldwork in many disciplines-including history and historiography; anthropology, ethnography, and ethnomusicology; political economy and geography; linguistics; philosophy; and the history of science and technology-the book presented a radically different perspective than that presented by received opinion. Given the radical and iconoclastic nature of Alcalay's perspective, After Jews and Arabs met great resistance in attempts to publish it. Though completed and already circulating in 1989, it didn't appear until 1993. In addition, when the book was published, there wasn't enough space to include its original bibliography, a foundational part of the project. A Bibliography for After Jews and Arabs presents the original bibliography, as completed in 1992, without changes, as a glimpse into the historical record of a unique scholarly, political, poetic, and cultural journey. The bibliography itself had roots in research begun in the late 1970s and demonstrates a very wide arc. In addition to the bibliography, we include three accompanying texts here. In "Behind the Scenes: Before After Jews and Arabs, " Alcalay takes us behind the closed doors of the academic process, reprinting the original reader reports and his detailed rebuttals, and in "A Bibliography for After Jews and Arabs A Brief Introduction," Alcalay contextualizes his own path to the work he undertook, in methodological, historical, and political terms. Also included is "A Poetics of Bibliography." Poet, novelist, translator, critic, and scholar Ammiel Alcalay teaches at Queens College and The Graduate Center, CUNY. His books include After Jews and Arabs, Keys to the Garden, Memories of Our Future, Islanders, and neither wit nor gold: from then. A 10th-anniversary edition of from the warring factions, a book-length poem dedicated to Srebrenica, and a book of essays, a little history, came out in 2013. a little history also came out in a Portuguese translation with Editor Lumme, São Paolo in 2019. During the wars in ex-Yugoslavia, he was the primary translator of texts from Bosnia, and translations include Sarajevo Blues and Nine Alexandrias by poet Semezdin Mehmedinovic, as well as works by journalist Zlatko Dizdarevic, and many others. Alcalay is the General Editor of Lost & Found: The CUNY Poetics Document Initiative, a series of student and guest-edited archival texts emerging from New American Poetry, and he was the recipient of a 2017 Before Columbus Foundation American Book Award for this work.