In this book, Nobel Laureate Merton Miller presents a sustained attack on the popular view that modern financial innovations have created excessive market volatility to the detriment of individual savers and business investors, and that regulation is essential in such forms as higher margin requirements, taxes on trading, and perhaps even closing down the future market.

In 1946, the World Health Organization defined health as: "a state of complete physical, mental, and social well-being, and not merely the absence of disease or infirmity." Until now, no one has defined this third dimension to health, or described strategies to deliver it. This ground-breaking book is the first to do so. Twenty-five years after the arrival of the Internet, we are drowning in data and deadlines; we can never have imagined that our daily intake of information and achieving a healthy balance in our personal and professional lives could feel so complex and so unhealthy. In recent years, organizations have come a long way towards promoting health literacy (on obesity, smoking, diet, and exercise) and some way in acknowledging mental health issues. But acknowledging the challenges of the Internet and social media on employee and workplace health is the social element, and most have not yet begun to offer solutions around either better information and knowledge management, or developing better and more sustaining relationships. The challenges, threats, and opportunities of a "perma-connected" global economy and society could not be greater-and they will only increase. This is the first book to define what social health means in both society and the modern workplace. Here, Julia Hobsbawm argues that developing social health will help employees become more efficiently engaged with each other and their work, and help employers to create workplaces that support social health and thus greater productivity.

This timely and engaging book argues that technoscientific advances are radically transforming the woman-machine relationship. However, it is feminist politics rather than the technologies themselves that make the difference. TechnoFeminism fuses the visionary insights of cyberfeminism with a materialist analysis of the sexual politics of technology.

In this provocative book, influential scholar E.D. Hirsch, Jr., addresses critical issues in contemporary education reform - over-testing, teacher blaming, preschool fadeout, and the persistence of achievement gaps over time. In each case, he shows how cherished truisms about education and child development have led to unintended and negative consequences. Drawing on recent findings in neuroscience and new data from France, he provides new evidence for the argument that a coherent, knowledge-based elementary curriculum is essential to providing the foundations for children's life success and ensuring equal opportunity for students of all backgrounds.

The United States enjoys an established and essentially unchallenged role in the field of surgery. In this sweeping history of American surgical practice, renowned surgeon Seymour I. Schwartz, MD, describes how surgery in this country advanced from the comparatively crude practices of pioneering physicians in the pre-Columbian and colonial eras to its current level of preeminence in scientific surgery today.Of interest to the layperson and professional alike, Dr. Schwartz's engrossing narrative brings to life the personalities and sometimes dramatic conflicts that led to breakthrough contributions. In the nineteenth century, for example, the many colorful characters and surgical innovations included: a surgeon in a small Kentucky community who successfully removed a huge tumor from a woman's abdomen without anesthesia; the three individuals who each laid claim to the development of ether anesthesia; and the first successful gallbladder operation. Turning to the twentieth century, Dr. Schwartz highlights the evolution of vascular surgery, cardiothoracic surgery, and organ transplantation. Many great innovators made crucial contributions, including the Nobel Prize winners Alexis Carrel, who developed a method to sew vessels together, and Joseph Murray, who worked on kidney transplantation in Boston.Complete with an array of intriguing illustrations, this definitive work will captivate general readers with its engaging narrative and will inform medical professionals through its solid historical research and medical expertise.

Richard Réti (1889-1929) was both a master player and a superb endgame composer. He was also a prominent member of the hyper-modern school and author of two of the greatest chess books ever written, Masters of the Chessboard and Modern Ideas in Chess. His games, which greatly influenced chess strat-egy, are known for their many innovations, beautifully developed combinations, and important advances in opening play and strategy. There are 70 games in this book, selected from all stages of Réti's career. Early games show the budding of Réti's almost phenomenal positional skills and his rise to status of great master with first prize wins at Kaschau and the international tournament of Gothenburg, 1920. There are many games from the tournaments of 1922, during the development of the Réti and the English openings including Réti-Rubinstein 1923, Réti-Becker 1923, Réti - Bogolyubov 1924, and his stunning defeat of Capablanca in 1924. The games from 1925 to his premature death in 1929 show his further development and number among them many which made the chess world sit up and take notice. Fifteen of Réti's most interesting composed endgames are also included. There is a short memoir and expert annotation by Harry Golombek. For this edition Raymond Keene has written a new Introduction.

Peter Gay's inquiry into the ideas and sensibilities which dominated nineteenth-century culture is one of the great achievements in modern historical writing. This is the fifth volume. Peter Gay's The Bourgeois Experience: Victoria to Freud has revolutionized our thinking about the nineteenth century as a whole and particularly about its dynamo - the middle classes. Gay's achievement is to summarize the interior life, the mentality of the nineteenth century. In uncovering the roots of modernism, he shows us a hidden side of the Victorian era. The Victorians we meet in this volume are not the stodgy, complacent characters of drawing room comedy. They are instead a varied crowd, from the capitalists in the top tier of the bourgeoisie eager to be recognized as gentlemen or, better yet, dubbed as nobility, to those at the bottom of the pile, the clerks and craftsmen mortally afraid of sinking into the mass of the proletariat. What they share is an anxiety, driven by their concern to advance up the social pyramid or at least to maintain the status they have achieved. Some of the individuals in this richly peopled narrative turn on their own class, none more bitterly than Gustave Flaubert; others celebrate their success, whether in Manchester or Munich, by sponsoring symphony orchestras or establishing museums; still others become cultural hunters and gatherers, turning their newly acquired fortunes to the private accumulation of art, ranging from the "safe" works of the old masters to the daring innovations of the Impressionists. The stage is thus set for the explosion of modernism accompanied by an inevitable reaction against the subversive avant-garde of artists, composers, and writers as varied as Cezanne, Picasso, Stravinsky, Shaw, Ibsen, and Zola. No one reading this concluding volume of Peter Gay's magnificent reevaluation of the nineteenth century will ever again use the term Victorian as a synonym for dull.

By general consensus, Pablo Picasso is the most brilliant and influential artist of this century. Despite this supreme position in the history of art, he has nonetheless eluded and frustrated critics. Getting an intimate sense of the character of Picasso appears almost impossible; his macho posture and his incomparable range of styles seem designed to keep everyone who is interested in him at a distance. Who better than another legendary artist, Norman Mailer, to enter inside so enigmatic and protean a mind? In Portrait of Picasso as a Young Man, Mailer sets out to capture the meaning of Picasso's life and art and explores in bold fashion the originality of his ambition. Commenting upon much of the critical work on Picasso that has appeared over the years, Mailer's biography brings us closer to the young artist than we have ever been before. Much at the heart of Mailer's interpretation in Picasso's first great love, Fernande Olivier, with whom the artist lived for seven years--a period that included Picasso's most revolutionary works, from the explosive innovations of Les Demoiselles d'Avignon to the mysteries of Cubism itself. To understand Picasso in these years, Mailer argues, it is necessary to follow his relationship with the extraordinary Fernande, who is here given her own voice by way of excerpts from her candid memoirs, hitherto unpublished in English. Since this period also includes Picasso's friendships with Apollinaire and Gertrude Stein, the book evokes the charm and special character of bohemian life in Paris in the early 1900s.

The influence of Antonin Artaud on the contemporary theatre has only become evident since the early Sixties, although writers and directors have been directly or indirectly influenced by his thinking and innovations for many years. Today his pre-eminence as a founder of modern theatrical style is rivalled only by Brecht, with whom he has much in common. The man and his work, as Martin Esslin persuasively argues in this perceptive study, are inseparable and must be considered together. Genius or madman, everything about Artaud is fascinating – his extraordinary life, his passions, his wide-ranging interests, the brilliance and originality that he brought to his plays, his productions and his other writings. Artaud died in 1948 at the age of fifty-two, but accomplished a revolution in his short life that is still bearing fruit today. This compact, carefully researched study is an invaluable guide, combining readability with a sympathetic and authoritative study of its subject.

In the 150 years since Darwin, the field of evolutionary biology has left a glaring gap in understanding how animals developed their astounding variety and complexity. The standard answer has been that small genetic mutations accumulate over time to produce wondrous innovations such as eyes and wings. Drawing on cutting-edge research across the spectrum of modern biology, Marc Kirschner and John Gerhart demonstrate how this stock answer is woefully inadequate. Rather they offer an original solution to the longstanding puzzle of how small random genetic change can be converted into complex, useful innovations. In a new theory they call "facilitated variation,” Kirschner and Gerhart elevate the individual organism from a passive target of natural selection to a central player in the 3-billion-year history of evolution. In clear, accessible language, the authors invite every reader to contemplate daring new ideas about evolution. By closing the major gap in Darwin’s theory Kirschner and Gerhart also provide a timely scientific rebuttal to modern critics of evolution who champion "intelligent design.”

"Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view. For most of the twentieth century, gay characters and gay themes were both underrepresented and misrepresented in mainstream cinema. Since the 1970s, however, a new generation of openly gay directors has turned the closet inside out, bringing a poignant immediacy to modern cinema and popular culture. Combining his experienced critique with in-depth interviews, Emanuel Levy draws a clear timeline of gay filmmaking over the past four decades and its particular influences and innovations. While recognizing the 'queering' of American culture that resulted from these films, Levy also takes stock of the ensuing conservative backlash and its impact on cinematic art, a trend that continues alongside a growing acceptance of homosexuality. He compares the similarities and differences between the 'North American' attitudes of Todd Haynes, Gus Van Sant, and John Waters and the 'European' perspectives of Pedro Almodovar and Terence Davies, developing a truly expansive approach to gay filmmaking and auteur cinema."--Jacket

Father of the birth control pill, developer of antihistamines, founder of biomedical companies, teacher of world-class chemists, best-selling novelist.... As The Scientist notes, "Few can match Carl Djerassi's juggling act for success and longevity". Here is Djerassi's remarkable autobiography. Blending vivid descriptions of the lucrative world of drug development with controversial chapters on the politics of contraception and poignant disclosures about his personal life, this book tells the story of one of the most productive and socially conscious chemists working today. The Pill, Pygmy Chimps, and Degas' Horse tells how Djerassi, while still in his twenties and leading a small team in an obscure laboratory in Mexico City, used a locally grown yam first to synthesize cortisone and then, within twelve months, to create the first steroid effective as a birth control pill. Dubbed for this latter work "the father of the pill", a title he often shares with Gregory Pincus and John Rock, who performed the biological and clinical studies to confirm the pill's efficacy in humans, Djerassi has spent a lifetime thinking and rethinking, discussing and debating, the social, economic, and biological consequences of the changed attitudes toward contraception engendered by the pill. In two riveting chapters entitled "The Pill at Twenty" and "The Pill at Forty: What Now?" Djerassi recounts the fascinating history of the pill's journey from its first days in the laboratory to widespread public use--from being hailed as an agent of the sexual revolution to condemnation as an agent of the new promiscuity, to being accused of being an expression of the scientific community's sexism (Why was there no malebirth control pill?). And then, in a powerful consideration of where the politics of contraception have taken us, he discusses why so few innovations in contraception are being investigated today, and why even fewer are making their way to the public. The Pill, Pygmy Chimps, and Degas' Horse chronicles Djerassi's many successful careers in science, business, the academy, and the arts (he is a published poet and novelist, as well as the founder of an artists' colony). His growing appreciation for the soft side of science--its human and humane aspects--have long been reflected in the courses he teaches at Stanford, in the plot of his novel, Cantor's Dilemma, and in his decision to found one of the first environmentally aware pesticide companies. In this intellectually challenging book, the reader is let into the fertile mind and psyche of one of the few Renaissance men of twentieth-century science.

"What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, What Art Is challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: interpretation. Danto crafts his argument in an accessible manner that engages with both philosophy and art across genres and eras, beginning with Plato's definition of art in The Republic, and continuing through the progress of art as a series of discoveries, including such innovations as perspective, chiaroscuro, and physiognomy. Danto concludes with a fascinating discussion of Andy Warhol's famous shipping cartons, which are visually indistinguishable from the everyday objects they represent. Throughout, Danto considers the contributions of philosophers including Descartes, Kant, and Hegel, and artists from Michelangelo and Poussin to Duchamp and Warhol, in this far-reaching examination of the interconnectivity and universality of aesthetic production."--Publisher's website

" Private sector activity is crucial for development. It shapes the investment climate, mobilizes innovation and financing in areas such as global health, and can either cause or mitigate social and environmental harm. Yet so far, the international development debate has not focused on the role of the private sector. This volume—written by members of the private sector, philanthropic organizations, and academia—investigates ways to galvanize the private sector in the fight against global poverty. Using a bottom-up approach, they describe how the private sector affects growth and poverty alleviation. They also review the impediments to private capital investment, and discuss various approaches to risk mitigation, including public sector enhancements, and identify some specific new plans for financing development in neglected markets, including an equity-based model for financing small-to-medium-sized enterprises. From the top-down, the authors look at the social and environmental impact of private sector activities, investigate public-private partnerships, explore new perspectives on the role of multinationals, and discuss an in-depth case study of these issues as they relate to global public health. In addition to providing a broad overview of the current issues, this forward-looking volume assesses the action-oriented initiatives that already exist, and provides templates and suggestions for new initiatives and partnerships. Contributors include David DeFerranti (Brookings Institution), Timothy Freundlich (Calvert Social Investment Foundation), Ross Levine (World Bank), Sylvia Mathews (Gates Foundation), Jane Nelson (Harvard University's Kennedy School of Government), Alan Patricof (APAX Partners), Warrick Smith (World Bank), and Julie Sunderland (APAX Partners). "

Leaders in War present unique first-person perspectives across the spectrum of American combat operations during the 1991 Persian Gulf War. From division commanders to platoon leaders, the authors deliver an insider's view of tough leadership challenges, tragic failures, and triumphant victories. Leaders in War captures the essence of the post-Cold War US Army: how an all-volunteer army, equipped with new weapons systems and adjusting to new battle doctrine, mounted one of history's most successful military campaigns. Described here are the details of the tremendous logistical challenges, innovations in intelligence, ground combat operations from platoon to division, and a wide range of combat support operations. Leaders in War focuses not just on the successes, but on the failures as well, in operations ranging from violent tank battles against the vaunted Iraqi Republican Guard to train-and-fill operations thousands of miles away. Leaders in War illustrates how US Army leaders adapted to the psychological strains of combat, the fog of war, unforeseeable challenges, and the fury of tank warfare during the Persian Gulf War.

In her book The Regenerate Lyric, Elisa New presents a major revision of the accepted historical account of Emerson as the source of the American poetic tradition. New challenges the majority opinion that Emerson not only overthrew New England religious orthodoxy but founded a poetic tradition that fundamentally renounced that orthodoxy in favor of a secular, Romantic approach. She contends that Emerson's reinvention of the religion as a species of poetry is tested and found wanting by the very poetic innovators whom Emerson addressed and that a counter-tradition is evident in his major heirs--Whitman, Dickinson, Crane, Stevens, Frost, and Lowell. Indeed, Emerson's own poetry failed in many ways to live up to his views and instead revealed an inherent paradox: that coopting of religion by a poetic theory alienates religion from its life principle--theology--and disables the poem as well.

"Legendary economist Hyman Minsky identified author William H. Janeway as a 'theorist-practitioner' of financial economics; this book is an expression of that double life. Interweaving his unique professional perspective with political and financial history, Janeway narrates the dynamics of the innovation economy from the standpoint of a seasoned practitioner of venture capital, operating on the frontier where financial speculation intersects with novel technology. In this fully revised and updated edition, Janeway develops his theory that asset bubbles play a central role in financing technological innovation and that state investment in national goals enable the innovation process. Now, the Digital Revolution, sponsored by the state and funded by speculation, has matured to attack the authority, and even the legitimacy, of governments. The populist response in the West, especially in the United States, opens the door for China to seize leadership of the innovation economy from America"--

Reveals the author's tricks and tips to achieve a unique look at home from aranging pillowscapes and consoles to adding eccentric objects and artwork.

First published in 1975, this book traces the origins of our modern economy, showing the routes by which nations have either achieved wealth or have been impoverished. W. W. Rostow brings together issues of public policy, international trade and the world of science and technology, arguing that conventional economic thought has failed to relate scientific innovation to the economic process. Chapters consider the politics of modernization, the Commercial Revolution and the development of the world economy between 1783 and 1820.

"America is poised to lead the 21st Century, as it led the 20th. That will happen because the country is at a tipping point in the battle for its own renewal, a renewal that will allow America to be exceptional again. Our economy is on the move, fueled by revolutions in energy, immigration, innovation, big data and advanced manufacturing. America's energy independence has set off shockwaves. Just as important are the social transformations that are making the country ever more racially and culturally diverse, younger, a home to immigrants, and the metropolitan centers that foster a rising economic and cultural dynamism. While most other countries struggle profoundly with immigration and religious and racial differences, America's on a path to multicultural identity. Those revolutions in the economy, society and culture and are also producing a new American majority that embraces new values and new politics. Republicans are waging a counter-revolution and that is why America looks gridlocked and why the country is turning to Democrats to take on the country's growing challenges. The economic and social transformations leave people struggling to earn enough and reach the middle class. Families are under stress. Government is corrupted by big money. The American public is demanding the country address the dark side of our progress - and reforms are starting to happen. That is why Democrats will get to lead an era of reform and renewal comparable to the progressive era that mitigated the excesses of the Industrial Revolution. In this incisive book, expert strategist Greenberg draws on years of research and polling to illuminate how America is far from being gridlocked and he articulates a powerful vision of how American politics and America can be renewed"--