Gotz and Meyer, two noncommissioned SS officers, are entrusted with an assignment, "not a big one," but one that "requires efficiency." Their task is to transport five thousand women, children and elderly, one hundred at a time, from a concentration camp near Belgrade in a hermetically sealed truck, in which they are gassed. As Albahari's anonymous narrator, a teacher, obsessively pursues the truth of this systematic annihilation, he shares his findings with his students. Their school bus becomes that truck, and as the memory of Belgrade's lost Jewish souls is evoked, the students are bewildered. Their teacher, worn down as much by the task of making history come alive as by the toll his research has taken on him, is overwhelmed by the horror of his own imaginings. A harrowing, masterfully written story, full of compassion, irony, and lyricism.

Poetry. Latino/Latina Studies. Jewish Studies. Translated from the Spanish by Antena. The narrator of TELA DE SEVOYA / ONIONCLOTH travels to Bulgaria, searching for traces of her Sephardic heritage. Her journey becomes an autobiographical and imagined exploration of childhood, diaspora, and the possibilities of her family language: Ladino or Judeo- Spanish, the living tongue spoken by descendants of the Jews expelled from Spain in 1492. Memoir, poetry, storytelling, songs, and dreams are interwoven in this visionary text--this tela or cloth that brings the past to life, if only for a moment, and that looks at the present though the lens of history. In 2012, TELA DE SEVOYA / ONIONCLOTH was awarded one of Mexico's most prestigious literary prizes, the Premio Xavier Villaurrutia, whose previous winners include Octavio Paz, Carlos Fuentes, and Mario Bellatin. "TELA DE SEVOYA / ONIONCLOTH is an absolutely extraordinary text... it successfully joins past and present, life and death, memory and imagination."--Juan Gelman "Readers will find, through this tale of the relationship between a girl and her embittered grandmother, an entirely singular world narrated from the point of view of an 'I' whose range exceeds the territory of any private life."--Mario Bellatin

Growing up, Daniel seemed like a model son: a student activist blessed with easy charm and a fluid intelligence, who believed that he was heir to a better and brighter future. When that dream faded, he drifted from his family and into a rootless life, marked by wasted possibility.Bearing the Body begins when Daniel’s younger brother, Nathan, a medical resident in Boston, learns that Daniel has died in San Francisco. The circumstances are unclear, and the police are involved. Nathan, who suffers from chronic anger and uncontrollable compulsions, travels to New York to inform their father, Sol, of Daniel’s death. Sol is an Auschwitz survivor who has spent most of his adult energy compiling an archive of the fates of Hitler’s victims. Due in part to this obsessive research, he has lost touch with his sons. He nevertheless decides to join Nathan on a trip to the West Coast, where both men hope to learn more about Daniel’s untimely death. In San Francisco they meet Abby and her son, Ben, who were Daniel’s companions in a life that his family never knew about or shared.A moving study of isolation and its costs, Bearing the Body is a book about history and memory, about family and loss. Most of all, it is a book about the past, which, far from receding quietly, weighs ever more heavily on those who hope to leave it behind

It is 1947, and in the British Mandate of Palestine the political pressure is rising. Jewish immigrants are arriving from Europe in their thousands, smuggled ashore past the armed patrols. The Wertman family, like the Jewish community, is divided: Avram is a member of the Irgun, a terrorist group fighting to end occuption; his daughter Hannah works for the Haganah, peacefully campaigning for a Jewish state. David Millar and Will Griffiths are two English sergeants, reluctant conscripts, who transfer to Intelligence. Half-Catholic, half-Jewish, David has mixed feelings about his work, more so when he becomes close to Hannah. Will, meanwhile, is finding trouble at the Jerusalem jazz bar where he plays his saxophone...

A new translation of a forgotten masterpiece of German World War I literature, based on the author's own first-hand experiences of combat The war, an operation instigated by men, still felt to him like a storm decreed by fate, an unleashing of powerful elements, unaccountable and beyond criticism. Arnold Zweig's novel was first published in 1933 and is based on his own experiences in the German army during World War I. Following the unlawful killing of his younger brother by his own superiors, Lieutenant Kroysing swears revenge, using his influence to arrange for his brother's unit, normally safely behind the lines, to be reassigned to the fortress at Douaument, in the very heart of the battle for France. Bertin, a lowly but educated Jewish sapper through whose eyes the story unfolds, is the innocent man caught in the cross-fire. The book not only explores the heart-breaking tragedy of one individual trapped in a nightmare of industrialized warfare but also reveals the iniquities of German society in microcosm, with all its injustice, brutality, anti-Semitism, and incompetence. A brilliant translation captures all the subtleties, cadences, and detachment of Zweig's masterful prose.

A witty and erudite love letter to a bygone age, from one of Europe's last great humanists. "A sparkling slice of eighteenth-century life" Paul Bailey, Independent In August 1785 Paris buzzed with scandal. It involved an eminent churchman, a notorious charlatan, a female fraudster, a part-time prostitute and the hated Queen herself. At its heart was the most expensive diamond necklace ever assembled and the web of fraud, folly and self-delusion it had inspired. In Szerb's last major work, a witty and often surprising account of events, the story is used as a standpoint from which to survey the entire age. Written in war-torn Hungary in the early 1940s,it constitutes a remarkable gesture of defiance against the brutal world in which the writer lived and died. Antal Szerb (1901-1945) was born in Budapest. Though of Jewish descent, he was baptised at an early age and remained a lifelong Catholic. He rapidly established himself as a formidable scholar, through studies of Ibsen and Blake and histories of English, Hungarian and world literature. He was a prolific essayist and reviewer, ranging across all the major European languages. Debarred by successive Jewish laws from working in a university, he was subjected to increasing persecution, and finally murderedin a forced labour camp in 1945. Pushkin Press publishes his novels The Pendragon Legend , Oliver VII and his masterpiece Journey by Moonlight , as well as the historical study The Queen's Necklace and Love in a Bottle and Other Stories .

Rafael, a young Jewish boy living in Spain during the Inquisition, wants to have a Bar Mitzvah and when his father opposes it, Rafael leaves, meets and falls in love with Miriam, and journeys with her toward Safed, Israel, the spiritual home of mystical Jews.

A humorous collection of love stories from an award-winning author who has been called "a compassionate and witty satirist" ( Kirkus Reviews ). From Holocaust survivors to Yiddish artists, a petty thief and a Polish shiksa with a passion for Jewish history, what unites the delectable characters in Curt Leviant's witty collection of romantic tales is the universal desire for love and admiration. With settings as various as the Deep South, Boston, New York, Italy, Israel, each story is a wry look at romantic pursuit, each relationship as unique as the lovers themselves. Whether or not love succeeds for Leviant's all-too-human characters, the journey is always filled with humor and heart.

Esther, seventeen years old, wild and rebellious, is sent from Israel to Cameroon to stay with her hardheaded uncle Sicourelle, who is charged with straightening her out. But Esther resists her uncle's plans for her future-which include marriage to a cousin-and in the privileged indolence of postcolonial Africa, she looks to the past instead. Using sepia portraits and scraps of letters, Esther pieces together the history of her family, a once-grand Egyptian-Jewish clan, and its displacement from Cairo in the 1950s to Israel, West Africa, and New York. As the worn photographs yield their secrets, Esther uncovers a rich tale of wives and ex-wives; revolving mistresses and crushing marriages; intrigues and disappointments; poignant contrats between the living past and the dead present. In sensuous, inventive prose, Matalon penetrates the mysteries of cultural exile and family life to produce a first novel that is mature, authentic, and deeply moving.

"[...] Happy, however, as the people appeared to be in again beholding the house of God reared and dedicated to his holy worship, they still felt and saw the deficiency in the one, when compared with the other; for it must be observed, that in the second temple but few of the glories remained which had adorned the first temple, so renowned in history for its beauty, magnificence, and architectural delicacy and elegance. The temple erected by king Solomon at Jerusalem, was built after the model of the tabernacle erected in the wilderness. This superb edifice was completed in about seven years. Its grandeur and magnificence excited the envy and the curiosity of all the surrounding nations.[...]".

"[...]ecclesiastical council. It numbered 70 like the Council of Elders appointed by Moses (Exodus xxiv, 1). Thus it happened when all political power was taken, from the Jews, the presentation of religion through the forms of law very naturally survived. There is yet another reason for Judaism being interpreted as Law, which touches the genius of Judaism. Judaism has always been less a faith to be confessed than a life to be lived. The emphasis was laid on deed rather than on dogma, on law rather than creed. We shall later see (p. 133) that it was on this very distinction that Christianity broke away from the parent religion to become a separate Faith. The reduction of religion to law had its abuses as well as its excellences. It led to the multiplication of ceremonials. The laws of ritual cleanliness, especially[...]".

Cowan, Paul

In Light of My Eye, Paula Jacques, born in Egypt, recreates the vanished world of cosmopolitan Cairo with remembered affection and amusing dialogue. Her novel depicts the turbulent waning days of its once thriving Jewish community, during the strange and ominous time between the collapse of the Egyptian monarchy and Nasser's rise to power. At its center are the pre-adolescent Mona Castro and her family, whose lives and destinies the author evokes in a series of scenes that veer between poignancy and wit. Mona's coming of age is marked by her youthful rebellion against her domineering mother, Becky; the illness of the beloved family patriarch, Joucky; and her half-innocent dalliance with an older man, a refugee from eastern Europe. The surrounding ensemble of relatives, whose family gatherings attempt to cope with a history that will overwhelm them, shifts the focus from Mona' s tale to a chronicle of a proud, doomed family.

Text: English, Hebrew (translation)

From Kirkus Reviews paper 0-8142-0780-4 A second collection from English professor (U. of Mass.) and critic Clayton, the first winner of the Sandstone Prize for Short Fiction. Clayton's new volume is, in many ways, a maturing of the concerns of his previous collection. As in Bodies of the Rich (1984), he focuses on the minutiae of daily life as a reflection of the ways in which his intelligent, middle-class protagonists express and experience loss. In Radiance, the protagonists are almost all Jews, assimilated to varying degrees but aware of and generally comfortable with their ethnic/religious identity. What they arent comfortable with is their lives--marriage as an act of settling for less, marriages that are failing or have long since dissolved, friends and family who die, parents who commit suicide. For several of his low-key heroes--in ``Glory,'' ``Open-Heart Surgery,'' and the most fully realized piece here, ``The Man Who Could See Radiance''--coping with loss takes the form of a sort of magic realist device in which people see and feel beyond their senses, becoming aware of a larger presence that may be understood as having a religious significance. The use of this device in three stories out of only ten, though, makes for a certain repetitiveness. Two tales, ``Muscles'' and ``Time Exposure,'' about episodes in an unhappy marriage that involves the husband's domineering brotherall as experienced by the couples sonhave the feeling of sketches for a novel-in-progress; theyre affecting but seem unfinished. Still, Clayton's best, ``Talking to Charlie'' and ``History Lessons,'' have a poignance that comes from an intense sensitivity to the quiet suffering that most often goes unexpressed in the rush of daily life. Uneven but distinctive short fiction from an author with a genuine gift. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. Product Description A collection of short stories about the lives of assimilated American Jews, who attempt to reach an opening into the spiritual realm while dealing with unsuccessful marriages, middle-class life, and the unhappiness of existence Review ...[Clayton writes] with compassion, simplicity and power... -- The New York Times Book Review, Patrick Farrell

Legend of a Musical City - The Story of Vienna by Max Graf is a story of Vienna - the musical center of the world. The author has enjoyed the intimate friendship of the musical stars of the last fifty years in which this book was written. Musical stars such as Bruckner, Brahms, and Richard Strauss. He gives a delightful as well as highly educational story of the development of Austrian music. Max Graf, a composer and music critic, the father of "Little Hans," was born October 1, 1873, in Vienna, where he died on June 24, 1958. The son of Joseph Graf, a Jewish writer and editor, he was educated in Vienna and Prague. After 1891 he studied at the law school of the University of Vienna but devoted most of his time to music and it was his intention to become a composer, according to Louis Rose (1986). He finished his legal studies in 1896 but devoted much of his time to music composition and criticism, and regularly took part in meetings of the literary group Jung-Wien. From 1902 to 1938 he taught the history of music and musical aesthetics at the Vienna Academy of Music, where he was appointed professor in 1909. Graf met Sigmund Freud in 1900 and his wife, Olga Graf (born Olga Hoenig), from whom he separated a few years later, was probably a patient of Freud's. Within the psychoanalytic movement he is known for being the father of "Little Hans," Herbert Graf, who was born in 1903. It was Max who supplied Freud with the material for his paper "The Analysis of a Phobia in a Five-Year Old Boy" (1909b). At the end of 1904, he took part in sessions of the Wednesday Psychoanalytic Society and, in December 1907, wrote an essay entitled "Methodik der Dichterpsychologie" (Methodology of the Psychology of the Poet). In early 1906 Freud wrote a short text on a somewhat unexpected topic, "Psycopathische Personen auf der Bühne" (Psychopathic Characters on the Stage). The text was never published in German, but Graf, to whom Freud had given the manuscript, kept it and had an English translation published (1942a [1905-1906]). Graf emigrated to the United States in 1938 and taught until 1947 at the New School for Social Research in New York, where, in 1940, he created the first seminars in music criticism. He was a guest professor at the Carnegie Institute of Technology in Pittsburgh and at Temple University in Philadelphia. In 1947 he returned to Austria and taught music criticism at the Mozarteum in Salzburg and elsewhere. In 1953 his autobiography, Jede Stunde war erfüllt: Ein halbes Jahrhundert Musik- und Theaterleben (Every Minute Filled: A Half-Century in Music and Theater), was published in Vienna, where he died in 1958.

Uncompromising exploration of post-Holocaust memory and loss. Pat Goldman is a successful Dublin journalist planning a trip to Israel to report on the Intifada. Before she leaves, her mother tells her of a sister her parents had placed in the care of Christian friends just before she and her husband were deported to a Nazi camp. As Pat becomes involved in the complexities of the Israeli-Palestinian conflict, she meets Daniel, a ruthless member of the renowned Israeli secret service. He, too, is a son of Holocaust survivors. Their meeting inspires Pat to start an investigation into the history of their families' survival.

Reproduction of the original: Notes on The Diplomatic History of The Jewish Question by Lucien Wolf