This classic novel by one of the greatest writers of Yiddish literature tells the unforgettable story of three men: Cornelius, an officer in the Roman garrison of Jerusalem in the first century A.D.; Joseph Arimathea, a young Pharisee student at the time; and Yeshua, a radical preacher from Galilee, better remembered by his Greek name of Jesus. The stories of these three men are narrated by Pan Viadomsky, an anti-Semitic Polish scholar who claims to have discovered the lost Fifth Gospel, containing the life of Christ according to his betrayer, Judas Iscariot. With unparalleled historical immediacy, Asch's inspired work presents a sweeping panorama of the Holy Land nearly two thousand years ago.

From the Inside Flap The Best of Robert Silverberg: Stories of Six Decades is a landmark volume that offers exactly what its title promises: the finest short work of one of the finest writers ever to grace the field of science fiction. Updated and expanded from 2004's Phases of the Moon, this mammoth collection contains twenty-six stories and novellas, along with a generous amount of introductory material. The result is the definitive one-volume overview of an extraordinary career. The earliest story, "The Macauley Circuit," was published in 1957, the latest, "The Prisoner," in 2010. In between these narrative bookends are some of the most astonishing fictional creations of the modern era, many of them winners of major awards. Included among these are "Good News from the Vatican," "Sailing to Byzantium," "Passengers," and "Enter a Soldier. Later, Enter Another," as well as two of the most remarkable novellas you will ever encounter: "Nightwings" and "Born with the Dead." Supplementing these award-winners are such bona fide classics as "Sundance," "Schwartz Between the Galaxies," "Capricorn Games," and "To See the Invisible Man." And the list goes on. Intelligent, exhilarating, and endlessly re-readable, The Best of Robert Silverberg: Stories of Six Decades is an irreplaceable volume, one that no one with an interest in modern science fiction or in serious, ambitious fiction of any sort can afford to miss. Product Description The Best of Robert Silverberg: Stories of Six Decades is a landmark volume that offers exactly what its title promises: the finest short work of one of the finest writers ever to grace the field of science fiction. Updated and expanded from 2004's Phases of the Moon, this mammoth collection contains twenty-six stories and novellas, along with a generous amount of introductory material. The result is the definitive one-volume overview of an extraordinary career. The earliest story, 'The Macauley Circuit,' was published in 1957, the latest, 'The Prisoner,' in 2010. In between these narrative bookends are some of the most astonishing fictional creations of the modern era, many of them winners of major awards. Included among these are 'Good News from the Vatican,' 'Sailing to Byzantium,' 'Passengers,' and 'Enter a Soldier. Later, Enter Another,' as well as two of the most remarkable novellas you will ever encounter: 'Nightwings' and 'Born with the Dead.' Supplementing these award-winners are such bona fide classics as 'Sundance,' 'Schwartz Between the Galaxies,' 'Capricorn Games,' and 'To See the Invisible Man.' And the list goes on. Intelligent, exhilarating, and endlessly re-readable, The Best of Robert Silverberg: Stories of Six Decades is an irreplaceable volume, one that no one with an interest in modern science fiction--or in serious, ambitious fiction of any sort--can afford to miss. From Publishers Weekly Starred Review. This well-chosen retrospective, which adds three stories to the 2004 limited-edition collection Phases of the Moon, spans 56 years of SFWA Grand Master Silverberg's writing life, starting in his early career with 1954's The Road to Nightfall and ending with 2010's The Prisoner. In 26 elegantly conceived and written stories, protagonists travel through time, philosophize, question their morals and faith, and pursue unknowable, elusive women. The narrator of Nightwings endures a crisis of faith over his order's age-old vigil against alien invasion. In The Far Side of the Bell-Shaped Curve a time traveler tries to manipulate his time line to keep the woman he desires. A bereaved husband in Born with the Dead pursues his wife beyond death to her very peculiar afterlife. Francisco Pizarro and Socrates engage in a battle of wits in Enter a Soldier. Later, Enter Another. Thanks to Silverberg's commentary on each decade and story—wry, candid, and unencumbered by false modesty—the anthology also functions as a memoir of a great career in genre literature. (Dec.)

Newly discharged from the Korean War army, reeling from his mother's recent death, freed from old attachments and hungrily seeking others, Gabe Wallach is drawn to Paul Herz, a fellow graduate student in literature, and to Libby, Paul's moody, intense wife. The anarchy caused by the Herzes' struggle with responsible adulthood and his own eager love affairs vicariously tests Gabe's desire to be connected to the ordered 'world of feeling' that he finds in books.--from publisher's description.

"Henry Mulcahy, a literature instructor at progressive Jocelyn College, is informed that his appointment will not be continued. Convinced he is disliked by the president of Jocelyn because of his abilities as a teacher and his independence of mass opinion, Mulcahy believes he is being made the victim of a witch-hunt. Plotting vengeance, Mulcahy battles to fight for justice and, in the process, reveals his true ethical nature." -- Publisher provided description.

"Scarified sensibility, subversive intellect, and predatory wit make her a writer like no other I know." -New York Times Book Review The Childlike Life of the Black Tarantula , Kathy Acker's debut and the first in this three-novel collection, began as an episodic handmade pamphlet that Acker mailed out to influential writers and artists whose addresses she managed to get her hands on. In the novel, Acker steps into the biography of a Mississippi murderess who falls in love with a famous lawyer, and mixes in fragments from porn, historical romance, pulp fictions, and The Story of O . Collect with her second novel, the dreamy exploration of desire I Dreamt I was a Nymphomaniac , and her third, The Adult Life of Toulouse Lautrec , Portrait of an Eye is dive into the frenzy of sexual wanting, the search for identity, and the invention of a new literary language. Now with an introduction by Kate Zambreno contextualizing the resurrection of these three early Acker novels, this new edition of Portrait of an Eye reminds us of all there is still to learn from Kathy Acker, a writer and artist whose work "remains radical and uncanny, entirely inimitable, a smash and grab on the history of literature" ( Guardian ).

The Divine Comedy (Italian: Divina Commedia [diˈviːna komˈmɛːdja]) is a long Italian narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered to be the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.

In "Men I'm Not Married To," Dorothy Parker offers a sharp, witty collection of essays and character sketches that explore the complexities of love, desire, and disillusionment through her incisive lens. Known for her acerbic humor and keen observations of the societal norms of her time, Parker employs a conversational yet poignant literary style, weaving personal anecdotes with broader social critiques. This work emerges from the early 20th century, a pivotal era in American literature marked by a burgeoning feminism and shifting gender dynamics, which Parker critiques with a blend of irony and authenticity. Dorothy Parker, a prominent member of the Algonquin Round Table, was known for her biting wit and advocacy for women's rights, often reflecting her personal experiences with romance and disappointment. Her own tumultuous relationships and her struggles within the patriarchal society profoundly influenced her writing. Parker's work not only illuminates her individual concerns but also resonates with the broader existential questions of her generation, establishing her as a significant voice in American literature. "Men I'm Not Married To" is an essential read for those who appreciate humor laced with wisdom. Parker's insightful commentary on relationships remains relevant, inviting readers to reflect on the intricacies of human connections, making this collection a timeless exploration of love's transient nature.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

James Salter's exalted place in American letters is based largely on the intense admiration of other writers, but his work resonates far beyond the realm of fellow craftsmen, addressing themes--youth, war, erotic love, marriage, life abroad, friendship--that speak to us all. Following the publication of his first novel, Salter left behind a military career of great promise to write full-time and--through decades of searching, exacting work--became one of American literature's master stylists. Only months before he died, at the age of eighty-nine, he agreed to serve as the first Kapnick Writer-in-Residence at the University of Virginia, where he composed and delivered the three lectures presented in this book and introduced by his friend and fellow novelist, National Book Award-winning author John Casey. Salter speaks to us here with an easy intimacy, sharing his unceasing enchantment with the books that made up his reading life, including works by Balzac, Flaubert, Babel (whose prose is "like a handful of radium"), Dreiser, Celine, Faulkner. These talks provide an invaluable opportunity to see the way in which a great writer reads. They also offer a candid look at the writing life--the rejection letters, not one but two negative reviews in the New York Times for the same book, writing in the morning or at night and worrying about money during the long afternoons. Salter raises the question, Why does one write? For wealth? For admiration, or a sense of "importance"? Confronting a blank sheet that always offers too many choices, practicing a vocation that often demands one write instead of live, the answer for Salter was creating a style that captured experience, in a world where anything not written down fades away. -- Amazon.com.

The best kind of mystery, the kind that never stops haunting you. Entertainment Weekly A work of melancholic beauty . . . Sincere, shattering, magnificent. L Express In the stillness of his Paris apartment, Jean Daragane has built a life of total solitude. Then a surprising phone call shatters the silence of an unusually hot September, and the threatening voice on the other end of the line leaves Daragane wary but irresistibly curious. Almost at once, he finds himself entangled with a shady gambler and a beautiful, fragile young woman, who draw Daragane into the mystery of a decades-old murder. The investigation will force him to confront the memory of a trauma he had all but buried. This masterly novel penetrates the deepest enigmas of identity and compels us to ask whether we ever know who we truly are. Moody . . . Lyrical . . . A pleasure. Kirkus Reviews A writer unlike any other and a worthy recipient of the Nobel. Wall Street Journal Patrick Modiano is the author of more than twenty novels, including several bestsellers. He has won the Prix Goncourt, the Grand Prix National des Lettres, and many other honors. In 2014 he was awarded the Nobel Prize in literature. He lives in Paris. "

How can you tell your Faulkner from your Franzen if you haven't actually read either? Schwartz expounds on the most important (aka white male) writers of western literature. From Shakespeare's greatest mystery to the true meaning of Kafkaesque, she tests your knowledge of which Jonathan-- Franzen, Lethem, or Safran Foer-- hates Twitter and lives in Brooklyn. So instead of politely nodding along next time you make an acquaintance at a housewarming party in Brooklyn, you can roll up your sleeves and get to work schooling them in character arcs and the experimental form of your next great American novel. -- adapted from back cover

Worldly, Jewish, at one time a standout on his legendary Greenwich Village basketball team, an American classical guitar teacher seeks a new life in Portugal after the death of so many friends. But what he calls the viral eclipse over sexuality pursues him even there, when Antonio, his most talented and beloved student, tests HIV-positive and threatens to give up on life at just twenty-four. Desperate to show the young man that he still has a future, 'the Professor' arranges a car trip across Spain to Paris, hoping to be able to convince a leading virtuoso there to begin preparing his protege for a concert career. Antonio's estranged father, Miguel, a stonemason by trade, insists on coming along with them, and en route the three fall into a triangle of adventure, personal disclosure, violence, and at last a strange redemption.

"History teacher Horace Edgecomb finds himself teaching the daughter of a leading "American Civil War denier" and must confront an organization determined to disprove the occurrence of the Civil War in this satire of historical revisionism"--Publisher.

In this brilliant, inventive, tragic farce, Deborah Levy creates the ultimate dysfunctional kids, Billy and his sister Girl. Apparently abandoned years ago by their parents, they now live alone somewhere in England. Girl spends much of her time trying to find their mother, going to strangers' doors and addressing whatever Prozac woman who answers as "Mom." Billy spends his time fantasizing a future in which he will be famous, perhaps in the United States as a movie star, or as a psychiatrist, or as a doctor to blondes with breast enlargements, or as the author of "Billy England's Book of Pain." Together they both support and torture each other, barely able to remember their pasts but intent on forging a future that will bring them happiness and reunite them with the ever-elusive Mom. Billy and Girl are every boy and girl reeling from the pain of their childhoods, forgetting what they need to forget, inventing worlds they think will be better, but usually just prolonging nightmares as they begin to create--or so it seems--alternative personalities that will allow them to survive and conquer and punish. In the end, the reader is as bewildered as Billy and Girl--have they found Mom and a semblance of family, or are they completely out of control and ready to explode?

Drawing on more than thirty years' experience as a practicing psychiatrist, Dr. Rubin shows the reader the heartrending and hope-filled stories of emotionally disturbed children as they struggle to make it through each day. To his two classic stories in the literature of psychology, Lisa and David and Jordi, Dr.. Rubin has now added Little Ralphie and the Creature. together they demonstrate the power of love and its ability to heal. Meet these four extraordinary young people as they search for a place and time in the world where is it safe to be themselves. David: Extremely intelligent, with extraordinary abilities in math, physics, and chess. He is passionately interested in clocks. he cannot bear to be touched, in petrified of germs and human contact. Suffers overwhelming panic attacks and obsessive-compulsive behavior. Lisa: Schizophrenic who must constantly speak in singsong rhymes to avoid losing herself to Muriel--her moody, brooding, scowling, silent other self. Jordi: Schizophrenic, with autistic tendencies. He's afraid of garbage cans, all garbage cans, because he believes them to be ears. Ears that will hear him. Only his "jiggler"--a doorknob tied to a long string--can offer him an comfort or protection. Little Ralphie: Actue schizophrenic reaction--catatonic type. Ralphie hides in alternate realties to escape his unbearable pain.

"The virtuoso performances of a sophisticated stylist ... compact, skilful, and hilarious." - Randall Reid American modernist Nathanael West's first novel, The Dream Life of Balso Snell, is an anti-künstleroman; it's a portrait of a young artist discovering his powerlessness. The title character, a lyric poet, takes a nightmare tour through the bowels of the Trojan Horse, meeting a series of failed and frustrated writers along the way. Each surrealistic episode underscores the futility of the literary vocation and gleefully mocks the pipe dreams of amateurs who aspire to wealth and immortality. It was first published in 1931 in an edition of only 500 copies. "West's aesthetic sensibilities transform ugly material into a beautiful composition ... that, by its very artistry, celebrates that which it wishes to destroy" - Deborah Wyrick "[Balso] undertakes not just a disavowal of high modernism and the idealism of its art-for-art's sake aestheticism, but a critique of nothing less than the grand tradition of Western culture upon which it depends. That critique results in a thorough housecleaning, an operation that will dispense with everything from Plato to Picasso" - Jonathan Veitch 'Beneath this gloom that [West] was pouring at you, there was a streak of the most diabolical humor, you couldn't imagine ...' - John Fante "Scenes of extraordinary power ... vividly drawn grotesques." - F. Scott Fitzgerald "By applying the magpie aesthetics of Surrealism and T.S. Eliot to the 'American Grain, ' by delving into the popular culture and emerging not with surrender or refusal but a razor-cool critique, West became the great precursor to Heller, Pynchon, Philip K. Dick, George Saunders, and so much else." -Jonathan Lethem "[West's] novels say more about the way we live now - and the things that brought us to our present pass - than any other work of fiction I can think of." - The New Yorker "Nathanael West's stunning four novels are American tales, rooted in our transmogrifying soil. Morality plays they are, classified as comedies. They are indeed often funny. Funny as a crutch." - Elizabeth Hardwick, The New York Review of Books About the author Nathanael West published four novels during the thirty-six years of his life. The first, The Dream Life of Balso Snell, an experimental work written in the 1920s, was well-received but sales were poor. The second, the brilliant Miss Lonelyhearts, was published in 1933, a few months before his publisher went bankrupt. The third, A Cool Million, vanished into the depths of the Depression. It was at this point that West went to Hollywood to earn his living as a scriptwriter. From his Hollywood experience came The Day of the Locust. Publishing in 1939, the novel received very little recognition. The following year, on December 22nd, the day after his neighbour F. Scott Fitzgerald died of a heart attack, Nathanael West and his wife were killed in a California highway accident. When West died, at the age of thirty-seven, his originality and brilliance were little known outside an intensely admiring circle of fellow writers: William Carlos Williams, Edmund Wilson, S. J. Perelman, and others. Not until West's four novels were reissued in the late 1950s was he acknowledged as one of the most gifted writers of his generation. His masterpieces blend manic farce and despairing compassion, and their vision of an America awash in its own mass-produced fantasies, read like a prophecy of much that was to come in American literature and life.

"The hauntingly beautiful epistolary novel from 'a glowing light of modern Italian literature' (New York Times Book Review). At the heart of Happiness As Such is an absence, an abyss that draws everyone nearer to its edge, created by the departure of a family's wayward only son, Michele, who has fled from Italy to England to escape the dangers and threats of his radical political ties. This novel is part epistolary: his mother writes letters to him, nagging him; his sister Angelica writes to him too; so does Mara, his former lover, who gave birth to a child who could be his own. Left to clean up Michele's mess, his family and friends complain and commiserate, making mistakes and missteps, attempting to cope in the only ways that they know how. With a few brushstrokes, Natalia Ginzburg can flesh out an entire existence and all its pitfalls and disappointments with unmatched clarity. One of Natalia Ginzburg's finest achievements, Happiness As Such is an experimental, wise, raw, comic novel, written in powerful prose that cuts to the bone with surgical precision"--

Marcel Schwob (18671905) was one of the key symbolist writers, standing in French literature alongside such names as Stphane Mallarm, Octave Mirbeau, Andr Gide, Lon Bloy, Jules Renard, Rmy de Gourmont, and Alfred Jarry. His best-known works are Double Heart (1891), The King In The Gold Mask (1892), and Imaginary Lives (1896). Imaginary Lives contains twenty-two mythopoeic literary portraits of figures from ancient history, art history, and the history of crime and punishment. From demi-gods, sorcerers, incendiaries, wantons and philosophers of the ancient world, to the "poet of hate" Cecco Angiolieri and the painter Paolo Uccello, through to the pirates William Kidd and Major Stede-Bonnet, and finally Burke and Hare, the serial killers; Schwob presents a vivid array of characters who display all that is macabre, deviant and magnificently terrifying in human beings and in life. In Imaginary Lives, Schwob has created a "secret" masterpiece that joins other biographical glossaries such as Jorge Luis Borges' A Universal History Of Infamy and Alfonso Reyes' Real And Imagined Portraits in the pantheon of classic speculative fiction, of which Schwob's book is the dark progenitor. Livid with decadent imagery, Imaginary Lives resonates loudly today with its themes of temporality, myth, violence and sexuality, and stands as a major work of the fin-de-si]cle. Solar Nocturnal presents classic literature and art by key forerunners of modernism.

This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare's finesse to Oscar Wilde's wit, this unique collection brings together works as diverse and influential as The Pilgrim's Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.