A revelatory work that examines the intricate relationship between history and literature, truth and fiction—with some surprising conclusions. Focusing on three literary masterpieces—Charles Dickens's Bleak House (1853), Gustave Flaubert's Madame Bovary (1857), and Thomas Mann's Buddenbrooks (1901)—Peter Gay, a leading cultural historian, demonstrates that there is more than one way to read a novel. Typically, readers believe that fiction, especially the Realist novels that dominated Western culture for most of the nineteenth century and beyond, is based on historical truth and that great novels possess a documentary value. That trust, Gay brilliantly shows, is misplaced; novels take their own path to reality. Using Dickens, Flaubert, and Mann as his examples, Gay explores their world, their craftsmanship, and their minds. In the process, he discovers that all three share one overriding quality: a resentment and rage against the society that sustains the novel itself. Using their stylish writing as a form of revenge, they deal out savage reprisals, which have become part of our Western literary canon. A New York Times Notable Book and a Best Book of 2002.

"Distinguished theater critic John Lahr brings unique perspective to the life of Arthur Miller (1915-2005), the playwright who almost single-handedly propelled twentieth-century American theater into a new level of cultural sophistication. Organized around the fault lines of Miller's life--his family, the Great Depression, the rise of fascism, Elia Kazan and the House Committee on Un-American Activities, Marilyn Monroe, Vietnam, and the rise and fall of Miller's role as a public intellectual--this book demonstrates the synergy between Arthur Miller's psychology and his plays. Concentrating largely on Miller's most prolific decades of the 1940s, 1950s, and 1960s, Lahr probes Miller's early playwriting failures; his work writing radio plays during World War II after being rejected for military service; his only novel, Focus; and his succession of award-winning and canonical plays that include All My Sons, Death of a Salesman, and The Crucible, providing an original interpretation of Miller's work and his personality."--

Product Description Originally published in Poland in 1948, and acclaimed as one of the finest postwar Polish novels, Ashes and Diamonds takes place in the spring of 1945, as the nation is in the throes of its transformation to People' Poland. Communists, socialists, and nationalists; thieves and black marketeers; servants and fading aristocrats; veteran terrorists and bands of murderous children bewitched by the lure of crime and adventure--all of these converge on a provincial town's chief hotel, a microcosm of an uprooted world. About the Author Jerzy Andrzejewski (1909-1983) published his first book, Unavoidable Roads, a collection of short stories, in 1936. Two years later he won several prizes, incuding one from the Polish Academy of Literature, for his first novel, Mode of the Heart. Ashes and Diamonds, originally published in 1948, was made into a highly esteemed film and was awarded the International Critics' Prize at the 1959 Venice Film Festival.

"James Salter (born James Horowitz in 1925) has been known throughout his career as a "writer's writer," acclaimed by such literary greats as Susan Sontag, Richard Ford, John Banville, and Peter Matthiessen for his lyrical prose, his insightful and daring explorations of sex, and his examinations of the inner lives of women and men. Conversations with James Salter collects interviews published from 1972 to 2014 with the award-winning author of The Hunters, A Sport and a Pastime, Light Years, and All That Is. Gathered here are his earliest interviews following acclaimed but moderately selling novels, conversations covering his work as a screenwriter and award-winning director, and interviews charting his explosive popularity after publishing All That Is, his first novel after a gap of thirty-four years. These conversations chart Salter's progression as a writer, his love affair with France, his military past as a fighter pilot, and his lyrical explorations of gender relations.The collection contains interviews from Sweden, Chile, France, and Argentina appearing for the first time in English. Included as well are published conversations from the United States, Canada, and Australia, some of which are significantly extended versions, giving this collection an international scope of Salter's wide-ranging career and his place in world literature"--

This important book explores the relationship between the Third Reich and animals -- as symbols, as myths, and as living creatures. From a review in Choice: "Rarely does a book contribute to two fields so significantly as this one. Sax, an independent scholar and consultant to various human rights organizations, has written the first book to explore thoroughly the Nazi cult of animals. In a way, this book reads like a mystery novel, as it uncovers some of the chief paradoxes of Nazi ideology. The Nazis promoted vegetarianism and passed the most progressive anti-cruelty laws the world has ever known. Yet they also developed a mystical technocracy that reduced morality to the crudest version of a biological struggle for survival...This book is a must for all collections in German history and in animal rights. It is a deep and profound reflection on the complex and perplexing ways that animals can shape human culture and politics." (S.H. Webb). This second, expanded edition includes a new essay on "Nazi Totemism."

" It's a book less on what I did than on what others, mainly my parents, did to me " Taking in a vast gallery of extraordinary characters from Paris' post-war years, Pedigree is an autobiographical portrait of Post-War Paris and a tumultuous childhood - a childhood replete with insecurity and sorrow that informed the oeuvre of France's Nobel Laureate. With his sometime-actress mother and shady businessman father barely functioning in any parental role, the young Modiano spent his childhood being packed off to the care of others, or held at a safe distance in a grimy boarding school - which he ran away from several times. His impecunious mother had "a heart of stone"; his womanising father once called the police when his son asked him for money, and later ceased all contact with him. But for all his parents' indifference, it is the death of his younger brother when Modiano is eleven that cuts deepest, leaving a wound that can never be healed.

From Publishers Weekly Sault Ste. Marie's Jewish community in the 1930s, where Torgov grew up, is evoked in this Canadian memoir. Containing many mirthful moments, the book is deeply moving as well. Holding center stage is the author's profane, choleric, intolerant father. There is little about the boy's mother, who died when he was only 10, or the stepmother whom Torgov Sr. wed and then quickly divorced. Most of the fun as well as the sadness arises from duels between father and son and the latter's childhood escapades, such as conniving with a sympathetic maid to feast on forbidden foods. Torgov also brings to life members of the insular town's Jewish and Christian communities in his endearing anecdotes. Copyright 1986 Reed Business Information, Inc.

Howard Engel has written the perfect parody of a present day Christmas in the suburbs. In his irreverant yet delightfully nostalgic style, Howard Engel tells a story of family, laughter and love. Engel's ear for the rhythm of Thomas' original book combined with his hilarious accounts of uncles, aunts and cousins stuffed into an overcrowded living room, draining the punch bowl and scavenging for presents, brilliantly captures the comic and nostalgic moments of the season.

Notes on Sontag is a frank, witty, and entertaining reflection on the work, influence, and personality of one of the "foremost interpreters of . . . our recent contemporary moment." Adopting Sontag's favorite form, a set of brief essays or notes that circle around a topic from different perspectives, renowned essayist Phillip Lopate considers the achievements and limitations of his tantalizing, daunting subject through what is fundamentally a conversation between two writers. Reactions to Sontag tend to be polarized, but Lopate's account of Sontag's significance to him and to the culture over which she loomed is neither hagiography nor hatchet job. Despite admiring and being inspired by her essays, he admits a persistent ambivalence about Sontag. Lopate also describes the figure she cut in person through a series of wry personal anecdotes of his encounters with her over the years. Setting out from middle-class California to invent herself as a European-style intellectual, Sontag raised the bar of critical discourse and offered up a model of a freethinking, imaginative, and sensual woman. But while crediting her successes, Lopate also looks at how her taste for aphorism and the radical high ground led her into exaggerations that could do violence to her own common sense, and how her ambition to be seen primarily as a novelist made her undervalue her brilliant essays. Honest yet sympathetic, Lopate's engaging evaluation reveals a Sontag who was both an original and very much a person of her time.

"Although Jewish participation in German society increased after World War I, Jews did not completely assimilate into that society. In fact, says Michael Brenner in this intriguing book, the Jewish population of Welmar Germany became more aware of its Jewishness and created new forms of German-Jewish culture in literature, music, fine arts, education , and scholarship. Brenner presents the first in-depth study of this culture, drawing a fascinating portrait of people in the midst of redefining themselves." "The Weimar Jews chose neither a radical break with the past nor a return to the past but instead dressed Jewish traditions in the garb of modern forms of cultural expression. Brenner describes, for example, how modern translations made classic Jewish texts accessible, Jewish museums displayed ceremonial artifacts in a secular framework, musical arrangements transformed synagogue liturgy for concert audiences, and popular novels recalled aspects of the Jewish past. Brenner's work, while bringing this significant historical period to life, illuminates contemporary and even enhancement of Jewish distinctiveness, combined with the seemingly successful participation of Jews in a secular, non-Jewish society, offer fresh insight into modern questions of Jewish existence, identity, and integration into other cultures."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

This definitive anthology gathers stories, essays, memoirs, excerpts from novels, and poems by more than 130 Jewish writers of the past two centuries who worked in the Russian language. It features writers of the tsarist, Soviet, and post-Soviet periods, both in Russia and in the great emigrations, representing styles and artistic movements from Romantic to Postmodern. The authors include figures who are not widely known today, as well as writers of world renown. Most of the works appear here for the first time in English or in new translations. The editor of the anthology, Maxim D. Shrayer of Boston College, is a leading authority on Jewish-Russian literature. The selections were chosen not simply on the basis of the author's background, but because each work illuminates questions of Jewish history, status, and identity. Each author is profiled in an essay describing the personal, cultural, and historical circumstances in which the writer worked, and individual works or groups of works are headnoted to provide further context. The anthology not only showcases a wide selection of individual works but also offers an encyclopedic history of Jewish-Russian culture. This handsome two-volume set is organized chronologically. The first volume spans the nineteenth century and the first part of the twentieth century, and includes the editor's extensive introduction to the Jewish-Russian literary canon. The second volume covers the period from the death of Stalin to the present, and each volume includes a corresponding survey of Jewish-Russian history by John D. Klier of University College, London, as well as detailed bibliographies of historical and literary sources.

One hundred years after the publication of Looking Backward, Bellamy remains a controversial figure in American literary and social history. The collection of essays in this volume, commemorating the novel's appearance in 1888, attests to his continued importance.

This novel by Nobel Prize–winning author Patrick Modiano is one of the most seductive and accessible in his oeuvre: the story of a man’s memories of fleeing responsibility, finding love, and searching for meaning in an uncertain world The narrator of Villa Triste , an anxious, roving, stateless young man of eighteen, arrives in a small French lakeside town near Switzerland in the early 1960s. He is fleeing the atmosphere of menace he feels around him and the fear that grips him. Fear of war? Of imminent catastrophe? Of others? Whatever it may be, the proximity of Switzerland, to which he plans to run at the first sign of danger, gives him temporary reassurance. The young man hides among the other summer visitors until he meets a beautiful young actress named Yvonne Jacquet, and a strange doctor, René Meinthe. These two invite him into their world of soirees and late-night debauchery. But when real life beckons once again, he finds no sympathy from his new companions. Modiano has written a haunting novel that captures lost youth, the search for identity, and ultimately, the fleetingness of time.

The manager's name was Love. His first-floor flat was diagonally across the private road and the rose beds from ours. Each weekday morning, at eight fifteen, he hooked open his lattice-paned bedroom window and did exercises, in a white sleeveless vest and white drawers. So begins the extraordinary life story of one of Britain's most celebrated writers, Frederic Raphael. Going Up is a journey from Chicago to Putney, to Charterhouse, on up to Cambridge, and beyond to Hollywood and France, recording experiences that were absorbed in his opulent novels and screenplays. Raphael is the author of over twenty novels, the most celebrated being The Glittering Prizes and its sequels, following the aspirations and changing lives of a group of Cambridge students through to middle age. The Glittering Prizes became a critically acclaimed six-part BBC television series for which Raphael would win a Royal Television Society Writer of the Year Award. He also won an Oscar for his screenplay for the 1965 movie Darling.Going Up is a dazzling piece of virtuoso prose writing that is fabulously indiscreet but also deeply moving, and punctuated throughout by Raphael's indefatigable wit and incomparable erudition.

NATIONAL BESTSELLER From #1 internationally bestselling author Santa Montefiore comes a gripping new novel of enduring love and devastating secrets, sweeping across England during WWII to Australia five decades later, based on a true story. Rupert promised he was going to come back. All Florence had to do was wait. Cornwall, 1944 When Rupert Dash is declared missing, presumed dead during the Battle of Arnhem, his wife, Florence, is devastated. She can’t accept that he has gone from her life forever, and so when she finds a poem called ‘Wait for Me’ hidden in an old book, she believes it’s a sign from her husband. A promise that he will return to her. London, 1988 Since childhood Max has suffered from a recurring nightmare. Surrounded by the horrific chaos of war, he has an urgent mission he knows he must complete. But time after time, the dream ends with him awaking in terror, his heart pounding from the horror of the battlefield. Desperate to understand why he is haunted by such terrible visions, Max embarks on a journey that leads him to Cornwall and a man named Rupert Dash. Melbourne, 1995 Florence receives a letter from someone she has never met, who lives on the other side of the world. This stranger says he remembers a life that belonged to another before him. Could this be the one person Florence has waited fifty-one years to meet again?

City Codes is a study of the representation of the city in the modern novel that takes difference as its point of departure, so that cities are read according to the cultural and social position of the urbanite. City Codes argues that the modern urban novel, in contrast to earlier novels, is characterized by an intersection of public and private space, but that this intersection is mapped differently according to the position of the city dweller in terms of history, politics, nationality, gender, class, and race.

In 1931 Worcester, Massachusetts, Joey Singer, the teenaged son of Jewish immigrants, suffers with his family through the early part of the Great Depression, trying to finish high school, working a milk delivery route, marching on Washington, and eventually even becoming a hobo, all the while trying to figure out how to go to college and realize his dream of becoming a writer. Includes author's note about the Depression.