Pulitzer Prize-winning journalist Walter Pincus exposes the darkest secret in American nuclear history—sixty-seven nuclear tests in the Marshall Islands that decimated a people and their land. The most important place in American nuclear history are the Marshall Islands—an idyllic Pacific paradise that served as the staging ground for over sixty US nuclear tests. It was here, from 1946 to 1958, that America perfected the weapon that preserved the peace of the post-war years. It was here—with the 1954 Castle Bravo test over Bikini Atoll—that America executed its largest nuclear detonation, a thousand times more powerful than Hiroshima. And it was here that a native people became unwilling test subjects in the first large scale study of nuclear radiation fallout when the ashes rained down on powerless villagers, contaminating the land they loved and forever changing a way of life. In Blown to Hell , Pulitzer Prize-winning journalist Walter Pincus tells for the first time the tragic story of the Marshallese people caught in the crosshairs of American nuclear testing. From John Anjain, a local magistrate of Rongelap Atoll who loses more than most; to the radiation-exposed crew of the Japanese fishing boat the Lucky Dragon ; to Dr. Robert Conard, a Navy physician who realized the dangers facing the islanders and attempted to help them; to the Washington power brokers trying to keep the unthinkable fallout from public view . . . Blown to Hell tells the human story of America’s nuclear testing program. Displaced from the only homes they had known, the native tribes that inhabited the serene Pacific atolls for millennia before they became ground zero for America’s first thermonuclear detonations returned to homes despoiled by radiation—if they were lucky enough to return at all. Others were ripped from their ancestral lands and shuttled to new islands with little regard for how the new environment supported their way of life and little acknowledgement of all they left behind. But not even the disruptive relocations allowed the islanders to escape the fallout.

In Liberty and the News Walter Lippmann offers us a stern warning about the importance of reliable news to the survival of a healthy democracy. He railed against bad journalism and drove home the point that the general public must be able to ascertain the truth or democracy is doomed. Walter Lippmann was a Pulitzer Prize-winning journalist and the father of modern journalism.

Pulitzer Prize-winning economics journalist Steven Pearlstein argues that our thirty year experiment in unfettered markets has undermined core values required to make capitalism and democracy work. Thirty years ago, 'greed is good' and 'maximizing shareholder value' became the new mantras woven into the fabric of our business culture, economy, and politics. Although, around the world, free market capitalism has lifted more than a billion people from poverty, in the United States most of the benefits of economic growth have been captured by the richest 10%, along with providing justification for squeezing workers, cheating customers, avoiding taxes, and leaving communities in the lurch. As a result, Americans are losing faith that a free market economy is the best system. In Can American Capitalism Survive', Pulitzer Prize-winning journalist Steven Pearlstein chronicles our descent and challenges the theories being taught in business schools and exercised in boardrooms around the country. We're missing a key tenet of Adam Smith's wealth of nations: without trust and social capital, democratic capitalism cannot survive. Further, equality of incomes and opportunity need not come at the expense of economic growth. Pearlstein lays out bold steps we can take as a country: a guaranteed minimum income paired with universal national service, tax incentives for companies to share profits with workers, ending class segregation in public education, and restoring competition to markets. He provides a path forward that will create the shared prosperity that will sustain capitalism over the long term ; Thirty years ago, 'greed is good' and 'maximizing shareholder value' became the new mantras woven into the fabric of our business culture, economy, and politics. Pearlstein argues that our thirty year experiment in unfettered markets has undermined core values required to make capitalism and democracy work. He challenges the theories being taught in business schools and in boardrooms, believing that we're missing a key tenet of Adam Smith's wealth of nations: without trust and social capital, democratic capitalism cannot survive. -- adapted from jacket

From Pulitzer Prize-finalist Steven Nadler, an engaging guide to what Spinoza can teach us about life's big questions. In 1656, after being excommunicated from Amsterdam's Portuguese-Jewish community for 'abominable heresies' and 'monstrous deeds,' the young Baruch Spinoza abandoned his family's import business to dedicate his life to philosophy. He quickly became notorious across Europe for his views on God, the Bible, and miracles, as well as for his uncompromising defense of free thought. Yet the radicalism of Spinoza's views has long obscured that his primary reason for turning to philosophy was to answer one of humanity's most urgent questions: How can we lead a good life and enjoy happiness in a world without a providential God? In Think Least of Death , Pulitzer Prize-finalist Steven Nadler connects Spinoza's ideas with his life and times to offer a compelling account of how the philosopher can provide a guide to living one's best life. In the Ethics, Spinoza presents his vision of the ideal human being, the 'free person' who, motivated by reason, lives a life of joy devoted to what is most important-improving oneself and others. Untroubled by passions such as hate, greed, and envy, free people treat others with benevolence, justice, and charity. Focusing on the rewards of goodness, they enjoy the pleasures of this world, but in moderation. ' The free person thinks least of all of death,' Spinoza writes, ' and his wisdom is a meditation not on death but on life. ' 'A helpful explication of [Spinoza's] ideas about ethics, the afterlife, and human nature.' -- Kirkus Reviews

The award-winning climate scientist Michael E. Mann and the Pulitzer Prize-winning political cartoonist Tom Toles have been on the front lines of the fight against climate denialism for most of their careers. They have witnessed the manipulation of the media by business and political interests and the unconscionable play to partisanship on issues that affect the well-being of billions. The lessons they have learned have been invaluable, inspiring this brilliant, colorful escape hatch from the madhouse of the climate wars. The Madhouse Effect portrays the intellectual pretzels into which denialists must twist logic to explain away the clear evidence that human activity has changed Earth's climate. Toles's cartoons collapse counter-scientific strategies into their biased components, helping readers see how to best strike at these fallacies. Mann's expert skills at science communication aim to restore sanity to a debate that continues to rage against widely acknowledged scientific consensus. The synergy of these two climate science crusaders enlivens the gloom and doom of so many climate-themed books--and may even convert die-hard doubters to the side of sound science.

For 30 years, the author, a Pulitzer Prize-winning journalist chronicled the activities of the U.S. Supreme Court and its justices as a correspondent for the New York Times. In this introduction, she draws on her knowledge of the court's history and of its written and unwritten rules to show how the Supreme Court really works. She offers an institutional biography of a place and its people, men and women who exercise great power but whose names and faces are unrecognized by many Americans and whose work often appears cloaked in mystery. How do cases get to the Supreme Court? How do the justices go about deciding them? What special role does the chief justice play? What do the law clerks do? How does the court relate to the other branches of government? The author answers these questions by depicting the justices as they confront deep constitutional issues or wrestle with the meaning of confusing federal statutes. Throughout, the author examines many individual Supreme Court cases to illustrate points under discussion, ranging from Marbury v. Madison, the seminal case which established judicial review, to the recent District of Columbia v. Heller (2008), which struck down the District of Columbia's gun-control statute and which was, surprisingly, the first time in its history that the Court issued an authoritative interpretation of the Second Amendment. To add perspective, she also compares the Court to foreign courts, revealing interesting differences. For instance, no other country in the world has chosen to bestow life tenure on its judges.

Two Pulitzer Prize-winning journalists inspire a new generation of investigative reporters as they offer tips and advice for writing stories that can make a difference.

A NEW YORK TIMES BESTSELLER A behind-the-scenes look at the making of the iconic musical Sunday in the Park with George Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George . In 1982, James Lapine, at the beginning of his career as a playwright and director, met Stephen Sondheim, nineteen years his senior and already a legendary Broadway composer and lyricist. Shortly thereafter, the two decided to write a musical inspired by Georges Seurat’s nineteenth-century painting A Sunday Afternoon on the Island of La Grande Jatte . Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friendship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize–winning classic.

"Spanning the period between 1967 and 2005, this compilation includes 84 of Pulitzer Prize-winning author Ira Berkow's columns on boxing. Readers will meet some of the greatest names in the sport's history in the pages of this book, including Muhammad Ali, Joe Frazier, Joe Louis, and Mike Tyson. Among the unforgettable stories gathered in this collection are the heated rivalry between Ali and "Smokin' Joe" Frazier, Tyson's infamous "Bite Fight" in 1997, and the will-he-or-won't-he retirement saga of Sugar Ray Leonard. Written in Berkow's gripping prose, the columns included in Counterpunch chronicle the most important moments in boxing over the last four decades"--

"In an unprecedented literary accomplishment, Herman Wouk, one of America's most beloved and enduring authors, reflects on his life and times from the remarkable vantage point of 100 years old. Many years ago, the great British philosopher Sir Isaiah Berlin urged Herman Wouk to write his autobiography. Wouk responded, "Why me? I'm nobody." Berlin answered, "No, no. You've traveled. You've known many people. You have interesting ideas. It would do a lot of good." Now, in the same year he has celebrated his hundredth birthday, Herman Wouk finally reflects on the life experiences that inspired his most beloved novels. Among those experiences are his days writing for comedian Fred Allen's radio show, one of the most popular shows in the history of the medium; enlisting in the US Navy during World War II; falling in love with Betty Sarah Brown, the woman who would become his wife (and literary agent) for sixty-six years; writing his Pulitzer Prize-winning novel, The Caine Mutiny; as well as a big hit Broadway play The Caine Mutiny Court Martial; and the surprising inspirations and people behind such masterpieces as The Winds of War, War and Remembrance, Marjorie Morningstar, and Youngblood Hawke. Written with the wisdom of a man who has lived through two centuries and the wit of someone who began his career as professional comedy writer, the first part of Wouk's memoir ("Sailor") refers to his Navy experience and writing career, the second ("Fiddler") to what he's learned from living a life of faith. Ultimately, Sailor and Fiddler is an unprecedented reflection from a vantage point few people have lived to experience"-- Provided by publisher.

1929. Edna Ferber, Pulitzer Prize-winning author of Show Boat and Giant, gives us a ripping good read with Cimarron, the story of wandering Yancey Cravat, a pioneer newspaper editor and lawyer. Cravat settles in Osage, a muddy town thrown together overnight when the Oklahoma territory opens in 1889. To this place he brings his wife Sabra, a woman both conventional and well-bred. Against all odds, Sabra develops a brilliant business sense. She makes a success of the newspaper, a success that ultimately leads her to Congress. Through Sabra's eyes we see the violent frontier collide with resentful Indians, the sodbusters tame the prairie, and the sudden fortune of a lucky few. See other titles by this author available from Kessinger Publishing.

Pulitzer Prize-winner David Brion Davis here provides a penetrating survey of slavery and emancipation from ancient times to the twentieth century. His trenchant analysis puts the most recent international debates about freedom and human rights into much-needed perspective. Davis shows that slavery was once regarded as a form of human progress, playing a critical role in the expansion of the western world. It was not until the eighteenth and nineteenth centuries that views of slavery as a retrograde institution gained far-reaching acceptance. Davis illuminates this momentous historical shift from "progressive" enslavement to "progressive" emancipation, ranging over an array of important developments--from the slave trade of early Muslims and Jews to twentieth-century debates over slavery in the League of Nations and the United Nations. In probing the intricate connections among slavery, emancipation, and the idea of progress, Davis sheds new light on two crucial issues: the human capacity for dignifying acts of oppression and the problem of implementing social change.

Pulitzer Prize-winning investigative reporter Carl Bernstein and Marco Politi, the dean of Vatican journalists, tell the amazing story of Pope John Paul II. At once compelling journalism, drama, history, and biography, His Holiness reveals how John Paul II has used his global pulpit to make headway in the world political arena. of photos.

In the summer of 1959, A. J. Liebling, veteran writer for the New Yorker, came to Louisiana to cover a series of bizarre events which began when Governor Earl K. Long was committed to a mental institution. Captivated by his subject, Liebling remained to write the fascinating yet tragic story of ?Uncle Earl?s? final year in politics. First published in 1961, The Earl of Louisiana recreates a stormy era of Louisiana politics and captures the style and personality of one of the most colorful and paradoxical figures in the state?s history. This new edition of the work includes a foreword by T. Harry Williams, Pulitzer prize-winning author of Huey Long: A Biography.

Pulitzer Prize-winning investigative reporter Carl Bernstein and Marco Politi, the dean of Vatican journalists, tell the amazing story of Pope John Paul II. At once compelling journalism, drama, history, and biography, His Holiness reveals how John Paul II has used his global pulpit to make headway in the world political arena. of photos.

Wasserstein, who won a Pulitzer Prize and a Tony Award for The Heidi Chronicles, writes of three Jewish middle-aged sisters-Sara, Gorgeous, and Pfeni-who come together in London to celebrate Saraâ€s birthday. Winner of the Outer Critics Circle Award. Photographs.

A wealth of breathtaking photographs shot from unusual camera angles and imaginative viewpoints provide new perspectives on the beauty and magic of the City by the Bay--under moonlight, shrouded in fog or simply shining under the California sun. San Francisco Chronicle photojournalist Frederic Larson and the late Pulitzer Prize winning columnist Herb Caen shared a love of San Francisco's beauty and majesty that they captured in photographs and words over the course of decades. Now they are united: Larson's spectacular photographs--shot from unique perspectives in the light of the moon and the rising sun, shrouded in fog--and Caen's beautiful tributes excerpted from hundreds of columns. The city's glorious landmarks are seen through the camera lens, places like the Golden Gate Bridge and Golden Gate Park, Chinatown and Alcatraz, the frenzied bustle of Fisherman's Wharf, the timeless romance of cable cars. The Larson-Caen collaboration exposes the city for what it is--vibrant, innovative, and endlessly surprising.

"Essays in direct line from Stanislavsky, Chekhov, Shaw, and Brecht" —Mike Nichols A collection of essays from Pulitzer Prize winning playwright David Mamet adressing many issues in contemporary American theater Temporarily putting aside his role as playwright, director, and screen-writer, David Mamet digs deep and delivers thirty outrageously diverse vignettes. On subjects ranging from the vanishing American pool hall, family vacations, and the art of being a bitch, to the role of today's actor, his celebrated contemporaries and predecessors, and his undying commitment to the theater, David Mamet's concise style, lean dialogue, and gut-wrenching honesty give us a unique view of the world as he sees it.

In this timely book, a Pulitzer Prize-winning reporter trains an autobiographical lens on a moment of remarkable transition in American journalism. Just a few years ago, the mainstream press was wrestling with whether labeling waterboarding as torture violated important norms of neutrality and objectivity. Now, major American newspapers regularly call the president of the United States a liar. Clearly, something has changed as the old rules of "balance" and "two sides to every story" have lost their grip. Is the change for the better? Will it last? In Just a Journalist, Linda Greenhouse--who for decades covered the U.S. Supreme Court for The New York Times--tackles these questions from the perspective of her own experience. A decade ago, she faced criticism from her own newspaper and much of journalism's leadership for a speech to a college alumnae group in which she criticized the Bush administration for, among other things, seeking to create a legal black hole at Guantánamo Bay--two years after the Supreme Court itself had ruled that the detainees could not be hidden away from the reach of federal judges who might hear their appeals. One famous newspaper editor expressed his belief that it was unethical for a journalist to vote, because the act of choosing one candidate over another could compromise objectivity. Linda Greenhouse disagrees. Calling herself "an accidental activist," she raises urgent questions about the role journalists can and should play as citizens, even as participants, in the world around them.--

In this remarkable book, Jack Rakove offers a new and revealing perspective on the men who shaped the idea of an American nation. Each portrait brims with fresh and fascinating insights- Washington as a flawed tactician but expert manager; Jack Laurens as a slave trader's son who developed a plan to recruit black soldiers; Jefferson as a powerful critic of Europe's social order but a voracious consumer of its culture. Spanning the most crucial decades of the country's birth, Revolutionaries uses the stories of famous (and not so famous) men to capture - in a way no single biography ever could - the intensely creative period of the republic's founding. By the Pulitzer Prize-winning author of Original Meanings- Politics and Ideas in the Making of the Constitution.