Lucy Derrick is a young woman of good breeding and poor finances. After the death of her beloved father, she is forced to maintain a shabby dignity as the unwanted boarder of her tyrannical uncle, fending off marriage to a local mill owner. But just as she is on the cusp of accepting a life of misery, events take a stunning turn when a handsome stranger--the poet and notorious rake Lord Byron--arrives at her house, stricken by what seems to be a curse, and with a cryptic message for Lucy. Suddenly her unfortunate circumstances are transformed in ways at once astonishing and seemingly impossible. With the world undergoing an industrial transformation, and with England on the cusp of revolution, Lucy is drawn into a dangerous conspiracy in which her life, and her country's future, are in the balance. Inexplicably finding herself at the center of cataclysmic events, Lucy is awakened to a world once unknown to her: where magic and mortals collide, and the forces of ancient nature and modern progress are at war for the soul of England . . . and the world. The key to victory may be connected to a cryptic volume whose powers of enchantment are unbounded. Now, challenged by ruthless enemies with ancient powers at their command, Lucy must harness newfound mystical skills to prevent catastrophe and preserve humanity's future. And enthralled by two exceptional men with designs on her heart, she must master her own desires to claim the destiny she deserves. " The Twelfth Enchantment" is the most captivating work to date of a master literary conjurer. "From the Hardcover edition."

The Memory of All That is Katharine Weber’s memoir of her extraordinary family. Her maternal grandmother, Kay Swift, was known both for her own music (she was the first woman to compose the score to a hit Broadway show, Fine and Dandy ) and for her ten-year romance with George Gershwin. Their love affair began during Swift’s marriage to James Paul Warburg, the multitalented banker and economist who advised (and feuded with) FDR. Weber creates an intriguing and intimate group portrait of the renowned Warburg family, from her great-great-uncle, the eccentric art historian Aby Warburg, whose madness inspired modern theories of iconography, to her great-grandfather Paul M. Warburg, the architect of the Federal Reserve System whose unheeded warnings about the stock-market crash of 1929 made him “the Cassandra of Wall Street.” As she throws new light on her beloved grandmother’s life and many amours, Weber also considers the role the psychoanalyst Gregory Zilboorg played in her family history, along with the ways the Warburg family has been as celebrated for its accomplishments as it has been vilified over the years by countless conspiracy theorists (from Henry Ford to Louis Farrakhan), who labeled Paul Warburg the ringleader of the so-called international Jewish banking conspiracy. Her mother, Andrea Swift Warburg, married Sidney Kaufman, but their unlikely union, Weber believes, was a direct consequence of George Gershwin’s looming presence in the Warburg family. A notorious womanizer, Weber’s father was a peripatetic filmmaker who made propaganda and training films for the OSS during World War II before producing the first movie with smells, the regrettable flop that was AromaRama. He was as much an enigma to his daughter as he was to the FBI, which had him under surveillance for more than forty years, and even noted Katharine’s birth in a memo to J. Edgar Hoover. Colorful, evocative, insightful, and very funny, The Memory of All That is an enthralling look at a tremendously influential—and highly eccentric—family, as well as a consideration of how their stories, with their myriad layers of truth and fiction, have both provoked and influenced one of our most prodigiously gifted writers.

Grace Sorentino has never known the good life: from childhood hardships, to a marriage that began with lofty dreams and ended with all hopes shattered. Dealt bad hand after bad hand. Grace and Jackie, her rebellious teenage daughter, are now stuck in Florida, on the verge of poverty. Grace is underpaid and under appreciated cosmetician at Saks Fifth Avenue, and Jackie-when she is not spending her time with questionable boys-balances school and two jobs. Just when Grace things couldn't get any worse, Grace is fired after accidentally insulting a snobby customer. However, it is a blessing in disguise. As she walks out the door, her boss offers her an invaluable piece of advice: don't look for a new job, but a vulnerable old rich widower who has just lost his wife; comfort him, and once his guard is down, seduce him. The keys to success and fortune are not a name tag and uniform, but a new last name and a ring on your finger. Marriage should be the number-one priority. At first Grace is appalled by the idea, but as rent, car payments, and credit card bills pile up, her despair turns to desperation. She begins looking through the obituaries for her last chance at a good life-after all, isn't that something everyone deserves?

Tolstoy famously wrote, "Happy families are all alike; every unhappy family is unhappy in its own way." To Tracy Farber, thirty-three, happily single, headed for tenure at a major university, and content to build a life around friends and work, this celebrated maxim is questionable at best. Because if Tolstoy is to be taken at his word, only unhappiness is interesting; happiness must be as placid and unmemorable as a daisy in a field of a thousand daisies. Having decided to reject the petty indignities of dating, Tracy focuses instead on her secret project: to determine whether happiness can be interesting, in literature and in life, or whether it can be--must be--a plant with thorns and gnarled roots. It's an unfashionable proposition, and a potential threat to her job security. But Tracy is her own best example of a happy and interesting life. Little does she know, however, that her best proof will come when she falls for George, who will challenge all of her old assumptions, as love proves to be even more complicated than she had imagined. Can this young feminist scholar, who posits that "a woman's independence is a hothouse flower--improbable, rare, requiring vigilance," find happiness in a way that fulfills both her head and her heart? Love may be the ultimate cliché, but in Rachel Kadish's hands, it is also a morally serious question, deserving of our sober attention as well as our delighted laughter.

From a small, bogside cabin in rural New England, 38-year-old Aimee Slater unravels the story of her life, attempting to make sense of the tangled thread that leads from her mother's house-a short, unbridgeable distance away-to the world she now inhabits. It is soon after the Civil War; Aimee lives alone, but is graced with visits from two friends, a crippled man and a troubled eleven-year-old girl. She is perpetually caught between the sensual world she so desires and the divine retribution passed down to her by her mother's scorn. How Aimee ultimately creates a life for herself and bridges that distance makes for a moving story of love and loss. Told in a voice of spare New England lyricism, Unravelling is a remarkably haunting account of the power of redemption.

Married (again) and divorced (again), Isadora Wing is a single parent with an adorable daughter, an irritating ex-husband, and a startling assortment of suitors: an unorthodox rabbi, a poetic disc jockey, the son of a famous sex therapist, and WASPily handsomest of all: Berkeley Sproul III. Isadora and Berkeley meet at a health club, and he's fourteen years her junior. Of course their affair is tortuous and sexy, but is it love? Or does the stud just want a free trip to Venice, compliments of a famous author? Either way, Erica Jong wrote this romance with "a mixture of eloquence and savage wit as good as anything she has ever written," said The Wall Street Journal.

In August 1948, 545 passengers boarded an overcrowded, clapped-out vessel in Marseilles to face an uncertain future in Australia and New Zealand. they came from displaced persons camps in Germany, death camps in Poland, labour camps in Hungary, gulags in Siberia and stony Aegean islands. there were those who had been hunted by the Nazis and those who had welcomed them; those who had followed the Communists and those who had fled from them. the epic voyage lasted almost three months and was marked by conflict and controversy until it seemed as though this hellship had absorbed the traumas of its passengers. As the conditions on board deteriorated, tension and violence simmered above and below decks. But romances and seductions also flourished, and lifelong bonds were formed. Diane Armstrong set sail on the Derna with her parents when she was nine years old. Like a detective searching for clues, she has located over a hundred of the passengers. through their recollections and memorabilia, as well as archival documents, she has recreated the voyage and traced what became of their hopes and dreams. the result is the unique portrayal of a migrant ship and its passengers.

Maud Gonthier yearns for an escape from the cocoon of the bourgeois modesty. The splendid, caddish David Tyler appears to offer one. In this stylish, deeply knowing novel by the Booker Prize winning author of Hotel du Lac, Maud's seduction creates a chemistry of longing, sensuality, and betrayal--with a surprising climax.

Step back in time to early 20th century New York City with Fannie Hurst's "Just Around the Corner: Romance en casserole," a captivating exploration of urban life and the timeless pursuit of love. This meticulously prepared edition allows readers to experience a classic work of women's fiction, steeped in the vibrant atmosphere of a bygone era. A compelling example of early urban fiction, "Just Around the Corner" offers a glimpse into the heart of the city, exploring themes of romance and the challenges faced by women navigating the complexities of city life. Hurst's keen observations and engaging storytelling create a rich tapestry of human experience, making this a resonant and enduring work for anyone interested in the enduring power of the human spirit. Discover a story that captures the essence of New York and the universal yearning for connection. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

From the award-winning author of Minor Characters comes a haunting novel about the persistence of love and the sustaining and destabilizing power of memories In the vibrant downtown Manhattan art world of the 1960s, where men and women collide in "lucky and unlucky convergences," a series of love affairs has left Joanna Gold, a young photographer, feeling numbed. Then, at yet another party, a painter named Tom Murphy walks up to her. "Why do you hang back?" he asks. Rather than another brief collision, their relationship is the profound and ecstatic love each had longed to find. But it's undermined by Tom's harrowing past--his fatherless childhood, his wartime experiences, and most of all, the loss of the two children he left behind in Florida, along with the powerful red, white, and black paintings he will never set eyes on again. Tom, both tender and volatile, draws Joanna into the unwinnable struggle against the forces that drive him toward death. Once again, Joyce Johnson brings to life a mythic bohemian world where art is everything and life is as full of intensity and risk as the bold sweep of a painter's brush across a canvas. A New York Times Notable Book Excerpted in The New Yorker and Harper's Magazine

When Lily and Ida meet on a flight to America, they embark on a relationship that is to see them through two very different marriages. Lily wants passionately to help people, and to experience romance and adventure at the same time. Falling in love with a married man was not part of the plan. In order to escape her abusive father, Ida flees to America to marry Buddy, looking forward to a clean slate with her new husband. But is having a house and being Mrs. Someone enough for her? Married life will bring them comfort, distress, joy and tragedy in equal measure as the years unfold. Only their friendship can carry them through. First published in 1988, Dear Doctor Lily follows two women as they navigate the complexities of love, family, and friendship.

If he always has the headache, why should you suffer? In the bestselling tradition of Bridget Jones's Diary comes this outrageous, hilarious look at love, marriage, and sex, introducing Anna Shapiro, who believes that surely there must be more to married life.... Tabloid reporter Anna Shapiro can pinpoint the day, three years ago, that she and her husband, Dan, last had great sex. Anna would be grateful if something as ordinary as a mere headache was her husband's excuse; Dan's hypochondriac terrors include brain tumors, tropical diseases, and spontaneous combustion. While she loves her husband, she's not ready to give up on sex at age thirty-seven--so what can she do? It's the perfect time for the distraction of a freelance assignment. But what her editor has in mind is a story on the explosive new feminist manifesto that prescribes no-strings-attached affairs for women. Anna's assignment is to interview three women who've had extramarital affairs purely for sexual pleasure--but she's inclined to take her research a bit further.... Can a woman have an uncomplicated affair purely for sexual pleasure--or do her emotions invariably interfere? Anna's determined to find out. And despite her worries about her middle-aged body, potential research assistants prove to be plentiful. Going where no journalist has gone before, Anna delves into a world she'd never considered until now. What is, after all, the perfect outfit for committing adultery in? Is it truly beyond the pale to pick up a man--no matter how sexy he is--at a funeral? And what can be done about that single horrifying gray hair? The answers are more hilarious than Anna could ever have predicted. But soon Anna finds herself facing the question that she never thought she'd have to answer: Is she willing to give up her marriage and her children for what may be the biggest gamble of her life? A novel for every woman who's ever wondered--and every woman who hasn't-- Neurotica will have you roaring with laughter as it takes you on a wickedly delightful journey of sheer indulgence.

Patricia Marx is one of the finest comic writers of her time, as readers of The New Yorker and fans of Saturday Night Live already know. Her fiction debut is an endlessly entertaining comic novel about one woman’s romantic fixation on her first boyfriend.

After sending her résumé to the CIA on a whim, New Yorker Selena Keller is contacted by an Agency recruiter, who asks her how she would feel about convincing another human being to commit treason. Despite her checkered past, Selena passes the background investigation and a battery of bizarre aptitude tests. Living under cover as a government budget analyst, she begins her education in espionage at the Farm, the CIA's covert facility. All CIA officers must survive a demanding training program, and it is there that Selena becomes romantically involved with Stan, a brilliant but darkly paranoid fellow student with presidential ambitions. What happens next is a fascinating inside portrait of the Agency--how spies are recruited, how they are trained, who they meet, where they go, and most important . . . what happens when they fall in love, and begin spying on one another.

Translation, with full explanatory notes, of the two works of Teresa de Cartagena, the fifteenth-century Spanish nun. This affordable, engaging and important translation of Teresa de Cartagena's works significantly expands and enriches the current canon of medieval women writers. ANNE CLARK BARTLETT, DePAUL UNIVERSITY Teresa de Cartagena was born in Burgos in about 1415-20, into a powerful family of Jewish origin. All we know of Teresa comes from her work: she was deaf and not physically strong, she was a nun, and - perhaps the source of her resilience -she was well-educated, above all in religion and moral philosophy. Deaf from early womanhood, her consolatory treatise Grove of the Infirm is a reflection on the spiritual benefits of illness; her second work, Wonder at the Works of God , was apparently written to counter the contention of her critics that a handicapped woman had nothing of value to say. This artful manipulation of the familiar devotional genre of "the treatise of consolation" reveals a woman writer intimately familiar with the cultural practices of her era; overall, both works allow a rare glimpse into the world of women in fifteenth-century Spain. DAYLE SEIDENSPINNER-NUNEZ is Professor in the Department of Romance Languages and Literature at the University of Notre Dame.

The latest instalment in the fascinating life of the one and only Katie Price. The last three years of Katie Price's life have been some of the most dramatic and startling yet. In this dazzling instalment of her life, Katie reveals the many ups and downs from the highly publicised divorce from Alex Reid, the romance and split from Leo Penna and a whirlwind marriage and surprise pregnancy with Kieran Hayler. And that''s just her love life. Katie has also dealt with increasingly bitter disputes with first husband Peter Andre and her former manager, as well as her public spat with comedian Frankie Boyle who made offensive comments about her disabled son Harvey. Despite her personal life being played out in the public arena, Katie remains true to her heart by always speaking her mind and living life to the full. "Lipstick, Love and Lawsuits" gives her side of the story, once again expressing her humour, passion and strength to her loyal fans.

From the author who brought you Spin Cycle and Neurotica comes a hilarious new novel about falling in love, hating your job, and getting what you want out of life---without ever mussing your lipstick! When it comes to men, beauty columnist Rebecca Fine always seems to be on the scruffy end of the mascara wand. But all that changes the morning she meets Max Stoddart, her new colleague at the "Daily Vanguard. With his upscale suit, Hugh Grant hair, and obscenely sexy good looks, he's a single woman's dream come true. Finally, her grandmother can stop surfing the Net for eligible Jewish males. But is Max the catch of the decade---or just a major babe magnet? Meanwhile, Rebecca's old high school nemesis has resurfaced, a former blond bombshell called Lipstick who is now engaged to Rebecca's widowed dad. And it's good-bye to articles on toe cleavage when a hot tip sweeps Rebecca to the center of the Paris cosmetics world, where a miracle anti-wrinkle cream is about to be launched. That is, until she blows the whistle on a scandal that could set the beauty business---and the future of world peace---reeling. Will Rebecca win the recognition---not to mention the Pulitzer---she yearns for...and get the man of her dreams? Stay tuned. "From the Trade Paperback edition.

Jane's Career: A Story of Jamaica (1913) is a novel by H. G. de Lisser. Born and raised in Jamaica, H. G. de Lisser was one of the leading Caribbean writers of the early twentieth century. Concerned with issues of race, urban life, and modernization, de Lisser dedicated his career to representing the lives and concerns of poor and middle-class Jamaicans. In Jane's Career: A Story of Jamaica , the first West Indian novel to feature a Black protagonist, de Lisser captures the hope and struggle of a young woman leaving home for the first time. "'Jane,' he continued impressively after a pause, 'Kingston is a very big an' wicked city, an' a young girl like you, who de Lord has blessed wid a good figure an' a face, must be careful not to keep bad company.'" Preparing to send young Jane off to the Jamaican capital, village elder Daddy Buckram attempts to offer her advice on how to keep herself safe from Satan and sinners alike. Despite his serious tone and gloomy portrait of urban life, all Jane can think of is the wonder and excitement waiting for her in Kingston. Raised in the countryside, brought up in a conservative Christian family, Jane sees her new job as a means of achieving independence and establishing her own identity as a proud black woman, of forging her own path in a new, modern Jamaica. In spite of her dreams, however, Jane finds herself subjected to the cruelties of her employer Mrs. Mason, who threatens to send a letter to her parents alleging all sorts of imagined misdeeds. Through it all, she tries to maintain a sense of pride, hopeful that hard work--and even romance--will set her free. This edition of H. G. de Lisser's Jane's Career: A Story of Jamaica is a classic of Jamaican literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

(Applause Books). The script to "one of the most tender yet devastating plays of the Drexlerian oeuvre is the musical romance Dear . It takes place in the Eisenhower Fifties, the early years of television. There is an elegiac quality for the tragicomedy punctuated by the sentimental music of the era...The play is about Jessie Clup, a Queens housewife whose philandering husband has deserted her. Her only culpa is her fixation on Perry Como, the ex-barber, crooner kin, reigning TV star." Rosette Lamont, StageView .